Abstract is missing.
- Separating Voices in Polyphonic Music: A Contig Mapping ApproachElaine Chew, Xiaodan Wu. 1-20 [doi]
- An Auditory Model Based Approach for Melody Detection in Polyphonic Musical RecordingsRui Pedro Paiva, Teresa Mendes, Amílcar Cardoso. 21-40 [doi]
- A New Probabilistic Spectral Pitch Estimator: Exact and MCMC-approximate StrategiesHarvey D. Thornburg, Randal J. Leistikow. 41-60 [doi]
- Determination of Perceptual Tempo of MusicBee Yong Chua, Guojun Lu. 61-70 [doi]
- Source Separation and Beat Tracking: A System Approach to the Development of a Robust Audio-to-Score SystemMario Malcangi. 71-82 [doi]
- A Causal Rhythm GroupingKristoffer Jensen. 83-95 [doi]
- Fugue Composition with Counterpoint Melody Generation Using Genetic AlgorithmsAndrés Garay Acevedo. 96-106 [doi]
- Harmonizations of Time with Non Periodic Ordered Structures in Discrete Geometry and AstronomyJuan García Escudero. 107-118 [doi]
- A Self-Organizing Map Based Knowledge Discovery for Music Recommendation SystemsShankar Vembu, Stephan Baumann. 119-129 [doi]
- Internet Archive of Electronic Music IAEM - internet Audio Rendering System iARSChristopher Frauenberger, Winfried Ritsch. 130-138 [doi]
- Handel, a Free-Hands Gesture Recognition SystemLeonello Tarabella. 139-148 [doi]
- Open and Closed Form in Interactive MusicLars Graugaard. 149-157 [doi]
- Collaborative Computer-Aided Parameter Exploration for Music and AnimationDaryl H. Hepting, David Gerhard. 158-172 [doi]
- Comparing Pitch Spelling Algorithms on a Large Corpus of Tonal MusicDavid Meredith. 173-192 [doi]
- Score-PCM Music Synchronization Based on Extracted Score ParametersVlora Arifi, Michael Clausen, Frank Kurth, Meinard Müller. 193-210 [doi]
- Towards an Intelligent Score Following System: Handling of Mistakes and Jumps Encountered During Piano PracticingMevlut Evren Tekin, Christina Anagnostopoulou, Yo Tomita. 211-219 [doi]
- Aspects of the Topology of Interactions on Loop Dynamics in One and Two DimensionsGeorg Essl. 220-231 [doi]
- Perceptive and Cognitive Evaluation of a Piano Synthesis ModelJulien Bensa, Danièle Dubois, Richard Kronland-Martinet, Sølvi Ystad. 232-245 [doi]
- The Clarinet Timbre as an Attribute of ExpressivenessPhilippe Guillemain, Robin T. Helland, Richard Kronland-Martinet, Sølvi Ystad. 246-259 [doi]
- A Graph Theoretic Approach to Melodic SimilarityGoffredo Haus, Alberto Pinto. 260-279 [doi]
- A Content-Based Music Retrieval System Using Representative Melody Index from Music DatabasesJae-Yong Won, Jae-Heon Lee, Kyong-I Ku, Jaehyun Park, Yoo-Sung Kim. 280-294 [doi]
- Methods for Combining Statistical Models of MusicMarcus Pearce, Darrell Conklin, Geraint A. Wiggins. 295-312 [doi]
- Constraint-Based Melody RepresentationNingyan Zhong, Yi Zheng. 313-329 [doi]
- Music Segmentation: An XML-oriented ApproachGoffredo Haus, Luca A. Ludovico. 330-346 [doi]
- Evolutionary Optimization of Music Performance AnnotationMaarten Grachten, Josep Lluís Arcos, Ramon López de Mántaras. 347-358 [doi]
- Parichaykrama - An Exploratory Interface of Indian Classical Music Using Experiential FrameworkDebopam Roy, Nagaraju Pappu, T. V. Prabhakar. 359-370 [doi]