Table of Contents

• Brain in Pain: Body Mapping, Pain Visualisation and Mapping the InvisibleClare Plumley. [doi]
• Grounding the Aerial: The Observer's View in Digital Visualisation for Built HeritageKieran Baxter. [doi]
• Innovating iTV Browsing: Designing an Affective Search EngineCalliope Georousi. [doi]
• The Zandra Rhodes Digital Study Collection Project at the University for the Creative ArtsAmy Robinson. [doi]
• Experiencing Van Gogh's Heritage: A Case StudyLicia Calvi, Hans Bouwknegt, Moniek Hover, Frank Ouwens, Juriaan van Waalwijk, Albert van Schendel. [doi]
• Beyond the White Cube: Presentation of Visual Art in Interactive 3D EnvironmentsJeni Maleshkova, Matthew Purver. [doi]
• Data MaterialityDavid Bouchard. [doi]
• Technology Futures for the Creative Industries: Presenting the Cr-eAM RoadmapsLampros K. Stergioulas, Munir Abbasi, Carl Smith. [doi]
• Wearable Technology and Electronic Visualisation of Artistic Process: Google Glass meets Fine Art PaintingGretchen Andrus Andrew. [doi]
• Art Maps - Putting the Tate Collection on the MapLaura Carletti, Dominic Price, Gabriella Giannachi, Rebecca Sinker, Derek McAuley, John Stack. [doi]
• In[bodi]mental: Body Swapping - A Choreography of Shared Selves using Real-time VideoLorna Moore. [doi]
• Creating Pictures in Quick Response CodesJeremy C. Creasey. [doi]
• Visual MusicTerry Trickett. [doi]
• Transmission - Sonifying, Visualising and Analysing Neural Activity through TelepresenceOliver Gingrich, Evgenia Emets, Alain Renaud. [doi]
• How can Typography be Represented in an Alter-modernity Context?Anna Nazarova. [doi]
• Fundamental Research in Cosmoparticle Physics and the Visualisation: Symbiosis or graphics and conceptualisationKristina Mettus, Anna Nazarova. [doi]
• Narrative Approaches to Design Multi-screen Augmented Reality ExperiencesRoma Patel, Deborah Tuck. [doi]
• Music and MotionBeatrice Bretherton, Roger Watt. [doi]
• Eye For An EyeDavid Lyons, David R. Flatla. [doi]
• Tulsa's Art Deco Cross-Platform Mobile Tour AppCameron Beckfield, J. C. Diaz. [doi]
• Learning Opportunities for Sharing Data in the ARIADNE ProjectFranco Niccolucci, Paola Ronzino. [doi]
• Modelling Arvo Pärt's Music with OpenMusicAnna Shvets, Charles de Paiva Santana. [doi]
• Exploring the Beauty of Mathematics with MathematicaTom Wickham-Jones. [doi]
• Using Visualisation to Test Historical Utopian Cities on a Modern AudienceTessa Morrison, Mark Rubin. [doi]
• Transforming Photographs into SculpturesLee Wagstaff. [doi]
• The Poetic and the Thoughtful: The Creative Poiesis of Algorithmic Art and DesignIris Asaf. [doi]
• X Stories of a Technology Breakdown: How Digital Tools Influence Aesthetic and Artistic OptionsEunice Gonçalves Duarte. [doi]
• Summarising PicturesMichael Lesk, Annamarie Klose. [doi]
• Ways of Access to Virtual Cultural HeritageElena Gaevskaya, Tayanan Laska. [doi]
• Counterfactuals in Media ArtsElke E. Reinhuber. [doi]
• Transformation between Electronic Arts and Chronic Pain: Long-term Body Activity Data Visualisation and Pain Animation ExpressionXin Tong, Diane Gromala, Chris D. Shaw, Patrick Clarke. [doi]
• Tonemapping Multi-shot Digital Photographs of Real World EnvironmentsRehan Zia. [doi]
• 3D Technologies for Museums in BerlinHartmut Schwandt, Joachim Weinhold. [doi]
• Visualisation Strategies in Abstract AnimationAjay Kumar Tiwari. [doi]
• Seeing Streptococcus pneumoniae, a Common Killer BacteriaRikke Schmidt Kjærgaard, Ebbe Sloth Andersen. [doi]
• Big Data Optical Music Recognition with Multi Images and Multi RecognisersKia Ng, Alex McLean, Alan Marsden. [doi]
• Connecting with Users through Interactive Prototyping: Understanding User Behaviour through Building the Black Box and its Electronic InnardsAndre Murnieks. [doi]
• Exploring Research Data Management in the Visual ArtsLeigh Garrett, Robin Burgess, Amy Robinson, Anne Spalding. [doi]
• Context Engineering Hybrid Spaces for Perceptual AugmentationCarl H. Smith. [doi]
• Crowd-Sourced Cartography to Visualise the Forgotten: Mapping Britain's Corpse RoadsStuart Dunn. [doi]
• Visualising the New WomanHannah L. Jacobs. [doi]
• An Immersive Media Model of Amyotrophic Lateral SclerosisFederico Visi, Duncan Williams, Eduardo Reck Miranda, Giovanni Dothel. [doi]
• EEG as a Controller for Psychedelic Visual Music in an Immersive Dome EnvironmentJonathan Weinel, Stuart Cunningham, Nathan Roberts, Shaun Roberts, Darryl Griffiths. [doi]
• Surveillance through Social Networks along the US-Mexico BoardJoanna Moll. [doi]
• The Unstoppable Rise of Mobile Imaging and AestheticsMurat Germen. [doi]
• The Performance Effects of Online Video Tutorials on Secondary School String Orchestra StudentsBeth Woodward Alvarez, Ramon Palau. [doi]
• Beasts and Bodies: Visualising the Landscape through Place-namesLeonie Dunlop. [doi]
• Twenty Five Years Ago: Still Looking at the FutureJames R. Hemsley. [doi]
• Socio-digital-visualisations as Positive-reinforcement Mechanisms for Encouraging Pro-social and Constructive BehavioursDion Rezki. [doi]
• Animating Dance and Dancing with Animation: A Retrospective of Forever Falling NowhereClare Brennan, Lynn Parker. [doi]
• Data Visualisation Tools for Enhancing Live Coding Usability and Audience ExperienceRenick Bell. [doi]
• Trench Gothic: The Computer Visualisation of a Disturbing Great War ArtworkDerek J. Smith. [doi]
• 'Findability': A Central Issue for Quality Media in a Networked WorldLizzie Jackson. [doi]
• Visualisations of Data from the Literacy Tablet Reading Project in Rural EthiopiaAngela Chang, Lidet Tilahun, Cynthia Breazeal. [doi]
• Engaging Audiences through a Participatory Design Approach with the Interactive Music Installation 'SoundField'Alexander Deweppe, Nuno Diniz, Pieter Coussement, Marc Leman. [doi]
• The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour MappingKia Ng, Joanne L. Armitage, Alex McLean. [doi]
• Moving Drawings. A Digital Mediation for the Linear Drawing Metaphor: the Line as the Trace Left by a Moving Point (Rawson)João dos Santos. [doi]
• BB got your Beat: Visualising Heartbeats within a Biosensing ArtworkJiann Hughes. [doi]
• Musing: Adaptable Mobile Augmented Reality Application for Museums and Art GalleriesKevin Whiteside, Gentry Atkinson, Mary Mikel Stump, Dan Tamir, Grayson Lawrence. [doi]
• Relational Properties in Interaction Aesthetics: The Ubiquitous Music TurnDamián Keller, Nuno Otero, Victor Lazzarini, Marcelo Soares Pimenta, Maria Helena de Lima, Marcelo Johann, Leandro Lesqueves Costalonga. [doi]
• Listening to the ThamesToby Gifford, Simon Linke, Leah Barclay. [doi]
• 25 Years of High Definition 3D Scanning: History, Start of the Art, outlookBernd Breuckmann. [doi]
• Time Travel: Time DilationDaniel Buzzo. [doi]
• The Widget Art GalleryChiara Passa. [doi]
• Digitalism: The New Realism?Jonathan P. Bowen, Tula Giannini. [doi]
• GestureNet: A Common Sense Approach to Physical Activity SimilarityAngela Chang, Selene Mota, Henry Lieberman. [doi]
• High Art Revisited: A Photogrammetric ApproachLindsay MacDonald, Ali Hosseininaveh Ahmadabadian, Stuart Robson, Ian Gibb. [doi]
• ICT&ART Connect: Connecting ICT & Art Communities - Early OutcomesCamille C. Baker. [doi]
• Unfolding Communities: Imaging the Past, Envisioning the FutureMoshe Caine, Eyal Tagar, Idit Ben Or. [doi]
• Museums and the Digital: The View from the Micro GallerySuzanne Keene. [doi]
• Live Engagement with DataSally Jane Norman. [doi]
• 3D Technologies for Measurement of Painting Surface Deformations: A Case StudyFrancesca Uccheddu, Anna Pelagotti, Vito Cappellini, Emanuela Massa. [doi]
• Big Data Visualisation with Fractal GeometryJames Rosindell. [doi]
• A Tactile Audio Visual Instrument using Sound Source LocalisationHelena Bisby, Adam Cooper, Stephen James, Alec Robertson, Kia Ng. [doi]
• Cybraphon: Collecting the Physical or the Digital at National Museums Scotland?Alison Taubman. [doi]
• A Framework for Maintaining Provenance Information of Cultural Heritage 3D-modelsMartin Doerr, Ioannis Chrysakis, Anastasia Axaridou, Maria Theodoridou, Christos Georgis, Emmanuel Maravelakis. [doi]