Abstract is missing.
- Structure and Interpretation of Music Concepts: Music from a Computational PerspectiveMira Balaban. 1-3 [doi]
- Expressive GestureAntonio Camurri. 4 [doi]
- A General Parsing Model for Music and LanguageRens Bod. 5-17 [doi]
- The Spiral Array: An Algorithm for Determining Key BoundariesElaine Chew. 18-31 [doi]
- Representation and Discovery of Vertical Patterns in MusicDarrell Conklin. 32-42 [doi]
- Discovering Musical Structure in Audio RecordingsRoger B. Dannenberg, Ning Hu. 43-57 [doi]
- Real Time Tracking and Visualisation of Musical ExpressionSimon Dixon, Werner Goebl, Gerhard Widmer. 58-68 [doi]
- Automatic Classification of Drum Sounds: A Comparison of Feature Selection Methods and Classification TechniquesPerfecto Herrera, Alexandre Yeterian, Fabien Gouyon. 69-80 [doi]
- Some Formal Problems with Schenkerian Representations of Tonal StructureTim Horton. 81-93 [doi]
- Respiration Reflecting Musical Expression: Analysis of Respiration during Musical Performance by Inductive Logic ProgrammingSoh Igarashi, Tomonobu Ozaki, Koichi Furukawa. 94-106 [doi]
- Mimetic Development of IntonationEduardo Reck Miranda. 107-118 [doi]
- Interacting with a Musical Learning System: The ContinuatorFrançois Pachet. 119-132 [doi]
- Recognition of Isolated Musical Patterns Using Hidden Markov ModelsAggelos Pikrakis, Sergios Theodoridis, Dimitris Kamarotos. 133-143 [doi]
- A Model for the Perception of Tonal MelodiesDirk-Jan Povel. 144-154 [doi]
- Control Language for Harmonisation ProcessSomnuk Phon-Amnuaisuk. 155-167 [doi]
- Evaluating Melodic SegmentationChristian Spevak, Belinda Thom, Karin Höthker. 168-182 [doi]
- Combining Grammar-Based and Memory-Based Models of Perception of Time Signature and PhaseNeta Spiro. 183-194 [doi]
- A Bayesian Approach to Key-FindingDavid Temperley. 195-206 [doi]