Table of Contents

• Blind clustering of popular music recordings based on singer voice characteristicsWei-Ho Tsai, Hsin-Min Wang, Dwight Rodgers, Shih-Sian Cheng, Hung-Ming Yu. [doi]
• The MUSART testbed for query-by-humming evaluationRoger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo. [doi]
• Building Chopin Early Editions [Presentation]Tod A. Olson.
• Effectiveness of HMM-based retrieval on large databasesJonah Shifrin, William P. Birmingham. [doi]
• The Sheet Music Consortium: A Specialized Open Archives Initiative harvester projectStephen Davison. [doi]
• Classification of dance music by periodicity patternsSimon Dixon, Elias Pampalk, Gerhard Widmer. [doi]
• Automatic segmentation, learning and retrieval of melodies using a self-organizing neural networkS. Harford. [doi]
• An SVM-based classification approach to musical audioNamunu Chinthaka Maddage, Changsheng Xu, Ye Wang. [doi]
• Using morphological description for generic sound retrievalJulien Ricard, Perfecto Herrera. [doi]
• An auditory model based transriber of vocal queriesT. De Mulder, Jean-Pierre Martens, Micheline Lesaffre, Marc Leman, Bernard De Baets. [doi]
• Determining context-defining windows: Pitch spelling using the spiral arrayE. Chew, Y.-C. Chen. [doi]
• Detecting emotion in musicTao Li, Mitsunori Ogihara. [doi]
• An Industrial Strength Audio Search AlgorithmAvery Wang. [doi]
• Exploring music collections by browsing different viewsElias Pampalk, Simon Dixon, Gerhard Widmer. [doi]
• RWC Music Database: Music genre database and musical instrument sound databaseMasataka Goto, Hiroki Hashiguchi, Takuichi Nishimura, Ryuichi Oka. [doi]
• Automatic labeling of tabla signalsOlivier Gillet, Gaël Richard. [doi]
• Quantitative comparisons into content-based music recognition with the self organising mapGavin Wood, Simon O Keefe. [doi]
• Music scene description project: Toward audio-based real-time music understandingMasataka Goto. [doi]
• The dangers of parsimony in query-by-humming applicationsColin Meek, William P. Birmingham. [doi]
• Chopin early editions: The construction and usage of a collection of digital scoresT. Olson, S. J. Downie. [doi]
• Three-dimensional continuous DP algorithm for multiple pitch candidates in a music information retrieval systemSung-Phil Heo, Motoyuki Suzuki, Akinori Ito, Shozo Makino. [doi]
• A scalable peer-to-peer system for music content and information retrievalGeorge Tzanetakis, Jun Gao, Peter Steenkiste. [doi]
• A large-scale evalutation of acoustic and subjective music similarity measuresAdam Berenzweig, Beth Logan, Daniel P. W. Ellis, Brian Whitman. [doi]
• Chord segmentation and recognition using EM-trained hidden markov modelsAlexander Sheh, Daniel P. W. Ellis. [doi]
• Ground-truth transcriptions of real music from force-aligned MIDI synthesesRobert J. Turetsky, Daniel P. W. Ellis. [doi]
• Geometric algorithms for transposition invariant content based music retrievalEsko Ukkonen, Kjell Lemström, Veli Mäkinen. [doi]
• Toward the scientific evaluation of music information retrieval systemsJ. Stephen Downie. [doi]
• A multiple feature model for musical similarity retrievalE. Allamanche, Jürgen Herre, Oliver Hellmuth, T. Kastner, C. Ertel. [doi]
• Effects of song familiarity, singing training and recent song exposure on the singing of melodiesSteffen Pauws. [doi]
• Music Notation as a MEI Feasability TestB. Schwartz. [doi]
• Position Indexing of Adjacent and Concurrent N-Grams for Polyphonic Music RetrievalShyamala Doraisamy, Stefan M. Rüger. [doi]
• The importance of cross database evaluation in musical instrument sound classification: A critical approachArie Livshin, Xavier Rodet. [doi]
• Analysis of queries to a Wizard-of-Oz MIR system: Challenging assumptions about what people really wantDavid Bainbridge, Sally Jo Cunningham, J. Stephen Downie. [doi]
• Automatic mood detection from acoustic music dataDan Liu, Lie Lu, HongJiang Zhang. [doi]
• Design patterns in XML music representationP. Roland. [doi]
• Key-specific shrinkage techniques for harmonic modelsJeremy Pickens. [doi]
• Discovering musical pattern through perceptual heuristicsOlivier Lartillot. [doi]
• Harmonic analysis with probabilistic graphical modelsChristopher Raphael, Josh Stoddard. [doi]
• Application of missing feature theory to the recognition of musical instruments in polyphonic audioJana Eggink, Guy J. Brown. [doi]
• Improving polyphonic and poly-instrumental music to score alignmentFerréol Soulez, Xavier Rodet, Diemo Schwarz. [doi]
• An HMM-based pitch tracker for audio queriesNicola Orio, M. Sisti Sette. [doi]
• The MAMI query-by-voice experiment: collecting and annotating vocal queries for music information retrievalMicheline Lesaffre, Koen Tanghe, Gaëtan Martens, Dirk Moelants, Marc Leman, Bernard De Baets, Hans De Meyer, Jean-Pierre Martens. [doi]
• Digital Sheet Music - The Danish Collaborative ProjectCharlotte Pedersen.
• Rhythmic similarity through elaborationR. Mitchell Parry, Irfan A. Essa. [doi]
• The C-BRAHMS projectKjell Lemström, Veli Mäkinen, Anna Pienimäki, M. Turkia, Esko Ukkonen. [doi]
• Automatic synchronization of music data in score-, MIDI- and PCM-formatVlora Arifi, Michael Clausen, Frank Kurth, Meinard Müller. [doi]
• Using transportation distances for measuring melodic similarityRainer Typke, Panos Giannopoulos, Remco C. Veltkamp, Frans Wiering, René van Oostrum. [doi]
• I Found It, How Can I Use It? - Dealing With the Ethical and Legal Constraints of Information AccessAnthony Seeger. [doi]
• Was Parsons right? An experiment in usability of music representations for melody-based music retrievalAlexandra L. Uitdenbogerd, Yaw Wah Yap. [doi]
• Music identification by leadsheets: Converging perceptive and productive musical principles for estimation of semantic similarity of musical documentsF. Seifert, W. Benn. [doi]
• Features for audio and music classificationMartin F. McKinney, Jeroen Breebaart. [doi]
• Automatic rhythm transcription from multiphonic MIDI signalsHaruto Takeda, Takuya Nishimoto, Shigeki Sagayama. [doi]