Abstract is missing.
- Data Dictionary: Metadata for Phonograph RecordsCatherine Lai, Ichiro Fujinaga. 1-6
- Overview of OMENDaniel McEnnis, Cory McKay, Ichiro Fujinaga. 7-12
- Ask a Librarian: The Role of Librarians in the Music Information Retrieval CommunityJenn Riley, Constance A. Mayer. 13-18
- Exploiting Recommended Usage Metadata: Exploratory AnalysesXiao Hu, J. Stephen Downie, Andreas F. Ehmann. 19-22
- Joint Beat & Tatum Tracking from Music SignalsJarno Seppänen, Antti J. Eronen, Jarmo Hiipakka. 23-28
- Bayesian Modelling of Temporal Structure in Musical AudioNick Whiteley, Ali Taylan Cemgil, Simon J. Godsill. 29-34
- The Cyclic Beat Spectrum: Tempo-Related Audio Features for Time-Scale Invariant Audio IdentificationFrank Kurth, Thorsten Gehrmann, Meinard Müller. 35-40
- Prospects for Improving OMR with Multiple RecognizersDonald Byrd, Megan Schindele. 41-46
- Identifying music documents in a collection of imagesDavid Bainbridge, Tim Bell. 47-52
- Optical Music Recognitoin of Early Typographic Prints using Hidden Markov ModelsLaurent Pugin. 53-56
- Separating voices in MIDISøren Tjagvad Madsen, Gerhard Widmer. 57-60
- A Pattern Recognition Approach for Melody Track Selection in MIDI FilesDavid Rizo, Pedro J. Ponce de León, Carlos Pérez-Sancho, Antonio Pertusa, José Manuel Iñesta Quereda. 61-66
- Evolving Performance Models by Performance Similarity: Beyond Note-to-note TransformationsAmaury Hazan, Maarten Grachten, Rafael Ramirez. 67-72
- Heroic Frogs Save the Bow: Performing Musician s Annotation and Interaction Behavior with Written MusicMegan Winget. 73-78
- Evaluation of the Technical Leval of Saxophone Performers by Considering the Evolution of Spectral Parameters of the SoundMatthias Robine, Mathieu Lagrange. 79-84
- Predicting genre labels for artist using FreeDBJames Bergstra, Alexandre Lacoste, Douglas Eck. 85-88
- A Study on Music Genre Classification Based on Universal Acoustic ModelsJeremy Reed, Chin-Hui Lee. 89-94
- The Significance of the Non-Harmonic Noise Versis the Harmonic Series for Musical Instrument RecognitionArie Livshin, Xavier Rodet. 95-100
- Musical genre classification: Is it worth pursuing and how can it be improved?Cory McKay, Ichiro Fujinaga. 101-106
- A computationally efficient speech/music discriminator for radio recordingsAggelos Pikrakis, Theodoros Giannakopoulos, Sergios Theodoridis. 107-110
- Probabilistic Combination of Features for Music ClassificationArthur Flexer, Fabien Gouyon, Simon Dixon, Gerhard Widmer. 111-114
- Chroma-based estimation of musical key from audio-signal analysisGeoffroy Peeters. 115-120
- Key Estimation Using a Hidden Markov ModelKaty Noland, Mark B. Sandler. 121-126
- Audio Key Finding Using Low-Dimensional SpacesÖzgür Izmirli. 127-132
- Automatic Chord Recognition from Audio Using a HMM with Supervised LearningKyogu Lee, Malcolm Slaney. 133-137
- Fast Generation of Optimal Music Playlists using Local SearchSteffen Pauws, Wim Verhaegh, Mark Vossen. 138-143
- Song Intersection by Approximate Nearest Neighbor SearchMichael A. Casey, Malcolm Slaney. 144-149
- A Fast, Randomised, Maximal Subset Matching Algorithm for Document-Level Music RetrievalRaphaël Clifford, Manolis Christodoulakis, Tim Crawford, David Meredith, Geraint A. Wiggins. 150-155
- ENST-Drums: an extensive audio-visual database for drum signals processingOlivier Gillet, Gaël Richard. 156-159
- A Large Publicly Accassible Prototype Audio Database for Music ResearchCory McKay, Daniel McEnnis, Ichiro Fujinaga. 160-163
- Low Level Descriptors for Automatic Violin TranscriptionAlex Loscos, Ye Wang, Wei Jie Jonathan Boo. 164-167
- Music Information Retrieval from a Singing Voice Based on Verification of Recognized HypothesesMotoyuki Suzuki, Toru Hosoya, Akinori Ito, Shozo Makino. 168-171
- Automatic Feature Weighting in Automatic Transcription of Specified Part in Polyphonic MusicKatsutoshi Itoyama, Tetsuro Kitahara, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. 172-175
- Singing Voice Separation from Monaural RecordingsYipeng Li, DeLiang Wang. 176-179
- The song remains the same: identifying versions of the same piece using tonal descriptorsEmilia Gómez, Perfecto Herrera. 180-185
- Visually Profiling Radio StationsThomas Lidy, Andreas Rauber. 186-191
- An Efficient Multiscale Approach to Audio SynchronizationMeinard Müller, Henning Mattes, Frank Kurth. 192-197
- Structural boundary perception in popular musicMichael J. Bruderer, Martin F. McKinney, Armin Kohlrausch. 198-201
- Globally Optimal Audio PartitioningEric Nichols, Christofer Raphael. 202-205
- Realtime Multiple Pitch Observation using Sparse Non-negative ConstraintsArsha Cont. 206-211
- On the Requirement of Automatic Tuning Frequency EstimationAlexander Lerch. 212-215
- Multiple Fundamental Frequency Estimation by Summing Harmonic AmplitudesAnssi Klapuri. 216-221
- Transcription of the Singing Melody in Polyphonic MusicMatti Ryynänen, Anssi Klapuri. 222-227
- Independent Component Analysis for Music Similarity ComputationTim Pohle, Peter Knees, Markus Schedl, Gerhard Widmer. 228-233
- Music Summarization Via Key Distributions: Analyses of Similarity Assessment Across VariationsArpi Mardirossian, Elaine Chew. 234-239
- More of an Art than a Science : Supporting the Creation of Playlists and MixesSally Jo Cunningham, David Bainbridge, Annette Falconer. 240-245
- Perceptual evaluation of music similarityAlberto Novello, Martin F. McKinney, Armin Kohlrausch. 246-249
- PAPA: Physiology and Purpose-Aware Automatic Playlist GenerationNuria Oliver, Lucas Kreger-Stickles. 250-253
- Modeling music and words using a multi-class naïve Bayes approachDouglas Turnbull, Luke Barrington, Gert R. G. Lanckriet. 254-259
- Assigning and Visualizing Music Genres by Web-based Co-Occurrence AnalysisMarkus Schedl, Tim Pohle, Peter Knees, Gerhard Widmer. 260-265
- Web-Based Artist CategorizationGijs Geleijnse, Jan H. M. Korst. 266-271
- Social Cognition and Melodic Persistence: Where Metadata and Content DivergeEleanor Selfridge-Field. 272-275
- A Probabilistic Model of Melody PerceptionDavid Temperley. 276-279
- A Mid-level Melody-based Representation for Calculating Audio SimilarityMatija Marolt. 280-285
- Mel Frequency Cepstral Coefficients: An Evaluation of Robustness of MP3 Encoded MusicSigurdur Sigurdsson, Kaare Brandt Petersen, Tue Lehn-Schiøler. 286-289
- Optimal filtering of dynamics in short-time features for music organizationJerónimo Arenas-García, Jan Larsen, Lars Kai Hansen, Anders Meng. 290-295
- Hybrid Collaborative and Content-based Music Recommendation Using Probabilistic Model with Latent User PreferencesKazuyoshi Yoshii, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. 296-301
- Music Scope Headphones: Natural User Interface for Selection of MusicMasatoshi Hamanaka. 302-307
- Moody Tunes: The Rockanango ProjectNik Corthaut, Sten Govaerts, Erik Duval. 308-313
- Remixing Stereo Music with Score-Informed Source SeparationJohn Woodruff, Bryan Pardo, Roger B. Dannenberg. 314-319
- A Genre Classification Plug-in for Data CollectionTue Lehn-Schiøler, Jerónimo Arenas-García, Kaare Brandt Petersen, Lars Kai Hansen. 320-321
- Good Vibrations: Music Discovery through Personal Musical ConceptsVegard Sandvold, Thomas Aussenac, Òscar Celma, Perfecto Herrera. 322-323
- The Sonic Visualiser: A Visualisation Platform for Semantic Descriptors from Musical SignalsChris Cannam, Christian Landone, Mark B. Sandler, Juan Pablo Bello. 324-327
- Musical Key Extraction from Audio Using Profile TrainingSteven van de Par, Martin F. McKinney, André Redert. 328-329
- Muugle: A Modular Music Information Retrieval FrameworkMartijn Bosma, Remco C. Veltkamp, Frans Wiering. 330-331
- An Integrated MIR Programming and Testing EnvironmentJörg Garbers. 332-333
- Problems and Opportunities of Applying Data- & Audio-Mining Techniques to Ethnic MusicDirk Moelants, Olmo Cornelis, Marc Leman, Jos Gansemans, Rita M. M. De Caluwe, Guy De Tré, Tom Matthé, Axel Hallez. 334-336
- BDB-MUS: a project for the preservation of Brazilian musical heritageBeatriz Magalhães Castro, Luiza Beth Nunes Alonso, Edilson Ferneda, Murilo Bastos da Cunha, Fernando William Cruz, Márcio da Costa P. Brandão. 337-339
- Feature Selection Pitfalls and Music ClassificationRebecca Fiebrink, Ichiro Fujinaga. 340-341
- Towards a MIR System for Malaysian MusicShyamala Doraisamy, Hamdan Adnan, Noris Mohd. Norowi. 342-343
- Tempo Induction by Stream-Based Evaluation of Musical EventsFrank Seifert, Katharina Rasch, Michael Rentzsch. 344-345
- A Multifaceted Approach to Music SimilarityKurt Jacobson. 346-348
- Instrument classification using Hidden Markov ModelsMatthias Eichner, Matthias Wolff, Rüdiger Hoffmann. 349-350
- The Map of MozartRudolf Mayer, Thomas Lidy, Andreas Rauber. 351-352
- Efficient Genre Classification using Qualitative RepresentationsMorteza Dehghani, Andrew M. Lovett. 353-354
- Assessing the Performance of Melodic Similarity Algorithms Using Human Judgments of SimilarityMargaret Cahill, Donncha O Maidín. 355-356
- Tempo Tracking With a Periodicity Comb KernelIan Leue, Ozgur Izmirli. 357-358
- AIST Annotation for the RWC Music DatabaseMasataka Goto. 359-360
- Feature-Based Synthesis: A Tool for Evaluating, Designing, and Interacting with Music IR SystemsMatt Hoffman, Perry R. Cook. 361-362
- A Retrieval Approach for Human/Robotic Musical PerformanceAjay Kapur, Eric Singer. 363-364
- Search Sounds: An audio crawler focused on weblogsÒscar Celma, Pedro Cano, Perfecto Herrera. 365-366
- MusicRainbow: A New User Interface to Discover Artists Using Audio-based Similarity and Web-based LabelingElias Pampalk, Masataka Goto. 367-370
- Efficient Lyrics Extraction from the WebGijs Geleijnse, Jan H. M. Korst. 371-372
- Factors Affecting Response Rates for Real-Life MIR QueriesJin Ha Lee, M. Cameron Jones, J. Stephen Downie. 373-374
- Composer attribution by quantifying compositional strategiesPeter van Kranenburg. 375-376
- Language Identification in Vocal MusicJochen Schwenninger, Raymond Brueckner, Daniel Willett, Marcus E. Hennecke. 377-379
- Extending Audacity for Audio AnnotationBeinan Li, John Ashley Burgoyne, Ichiro Fujinaga. 379-380
- Everyday Life Music Information-Seeking Behaviour of Young AdultsAudrey Laplante, J. Stephen Downie. 381-382
- A Philosophical Wish List for Research in Music Information RetrievalCynthia M. Grund. 383-384
- jAudio: Additions and ImprovementsDaniel McEnnis, Cory McKay, Ichiro Fujinaga. 385-386
- Lilypond for pyScore: Approaching a universal translator for music notationStephen Sinclair, Michael Droettboom, Ichiro Fujinaga. 387-388
- An Implementation of a Simple Playlist Generator Based on Audio Similarity Measures and User FeedbackElias Pampalk, Martin Gasser. 389-390
- Name that mood! Describe that tune! Invitation to the IMPRosemary Mountain. 391-392
- Towards Quantifying the Album Effect in Artist IdentificationYoungmoo E. Kim, Donald S. Williamson, Sridhar Pilli. 393-394
- Ground truth for automatic music mood classificationJanto Skowronek, Martin F. McKinney, Steven van de Par. 395-396
- MIDI Music Genre Classification by Invariant FeaturesAdi Ruppin, Hezy Yeshurun. 397-399