Table of Contents

• An Auditory Streaming Approach for Melody Extraction from Polyphonic MusicKarin Dressler. 19-24 [doi]
• An Acoustic-Phonetic Approach to Vocal Melody ExtractionYu-Ren Chien, Hsin-Min Wang, Shyh-Kang Jeng. 25-30 [doi]
• A System for Evaluating Singing Enthusiasm for KaraokeRyunosuke Daido, Seongjun Hahm, Masashi Ito, Shozo Makino, Akinori Ito. 31-36 [doi]
• Automatic Assessment of Singer Traits in Popular Music: Gender, Age, Height and RaceFelix Weninger, Martin Wöllmer, Björn Schuller. 37-42 [doi]
• A Preplexity Based Cover Song Matching System for Short Length QueriesErdem Unal, Elaine Chew, Panayiotis G. Georgiou, Shrikanth Narayanan. 43-48 [doi]
• Humming Method for Content-Based Music Information RetrievalCristina de la Bandera, Ana M. Barbancho, Lorenzo J. Tardón, Simone Sammartino, Isabel Barbancho. 49-54 [doi]
• Large-scale music similarity search with spatial treesBrian McFee, Gert R. G. Lanckriet. 55-60 [doi]
• A simple-cycles weighted kernel based on harmony structure for similarity retrievalSilvia García-Díez, Marco Saerens, Mathieu Senelle, François Fouss. 61-66 [doi]
• HarmTrace: Improving Harmonic Similarity Estimation Using Functional Harmony AnalysisBas de Haas, José Pedro Magalhães, Remco C. Veltkamp, Frans Wiering. 67-72 [doi]
• Adapting Metrics for Music Similarity Using Comparative RatingsDaniel Wolff, Tillman Weyde. 73-78 [doi]
• Using Mutual Proximity to Improve Content-Based Audio SimilarityDominik Schnitzer, Arthur Flexer, Markus Schedl, Gerhard Widmer. 79-84 [doi]
• Learning the Similarity of Audio Music in Bag-of-frames Representation from Tagged Music DataJu-Chiang Wang, Hung-Shin Lee, Hsin-Min Wang, Shyh-Kang Jeng. 85-90 [doi]
• Compression-based Similarity Measures in Symbolic, Polyphonic MusicTeppo E. Ahonen, Kjell Lemström, Simo Linkola. 91-96 [doi]
• How Much Metadata Do We Need in Music Recommendation? A Subjective Evaluation Using Preference SetsDmitry Bogdanov, Perfecto Herrera. 97-102 [doi]
• NextOne Player: A Music Recommendation System Based on User BehaviorYajie Hu, Mitsunori Ogihara. 103-108 [doi]
• How Similar Is Too Similar?: Exploring Users' Perceptions of Similarity in Playlist EvaluationJin Ha Lee. 109-114 [doi]
• A Real-Time Signal Processing Framework of Musical Expressive Feature Extraction Using MatlabRen Gang, Gregory Bocko, Justin Lundberg, Stephen Roessner, Dave Headlam, Mark F. Bocko. 115-120 [doi]
• A Scalable Audio Fingerprint Method with Robustness to Pitch-ShiftingSébastien Fenet, Gaël Richard, Yves Grenier. 121-126 [doi]
• A Re-ordering Strategy for Accelerating Index-based Audio FingerprintingHendrik Schreiber, Peter Grosche, Meinard Müller. 127-132 [doi]
• Fast Hamming Space Search for Audio Fingerprinting SystemsQingmei Xiao, Motoyuki Suzuki, Kenji Kita. 133-138 [doi]
• Segmentation, Clustering, and Display in a Personal Audio Database for MusiciansGuangyu Xia, Dawen Liang, Roger B. Dannenberg, Mark Harvilla. 139-144 [doi]
• An Interactive System for Electro-Acoustic Music AnalysisSebastien Gulluni, Slim Essid, Olivier Buisson, Gaël Richard. 145-150 [doi]
• A Multicultural Approach in Music Information ResearchXavier Serra. 151-156 [doi]
• Assessing the Tuning of Sung Indian Classical MusicJoan Serrà, Gopala K. Koduri, Marius Miron, Xavier Serra. 157-162 [doi]
• A Computational Investigation of Melodic Contour Stability in Jewish Torah Trope Performance TraditionsPeter van Kranenburg, Dániel Péter Biró, Steven R. Ness, George Tzanetakis. 163-168 [doi]
• Tarsos - a Platform to Explore Pitch Scales in Non-Western and Western MusicJoren Six, Olmo Cornelis. 169-174 [doi]
• A Classification-Based Polyphonic Piano Transcription Approach Using Learned Feature RepresentationsJuhan Nam, Jiquan Ngiam, Honglak Lee, Malcolm Slaney. 175-180 [doi]
• Constrained Spectrum Generation Using A Probabilistic Spectrum Envelope for Mixed Music AnalysisToru Nakashika, Tetsuya Takiguchi, Yasuo Ariki. 181-184 [doi]
• Pulse Detection in Syncopated Rhythms Using Neural OscillatorsMarc J. Velasco, Edward W. Large. 185-190 [doi]
• A Two-Fold Dynamic Programming Approach to Beat Tracking for Audio Music with Time-Varying TempoFu-Hai Frank Wu, Tsung-Chi Lee, Jyh-Shing Roger Jang, Kaichun K. Chang, Chun-Hung Lu, Wen-Nan Wang. 191-196 [doi]
• Tempo Estimation Based on Linear Prediction and Perceptual ModellingGeorgina Tryfou, Aki Härmä, Athanasios Mouchtaris. 197-202 [doi]
• A Transient Detection Algorithm for Audio Using Iterative Analysis of STFTBalaji Thoshkahna, François Xavier Nsabimana, Ramakrishnan R. Kalpathi. 203-208 [doi]
• Modeling Musical Attributes to Characterize Two-Track Recordings with Bass and DrumsJakob Abesser, Olivier Lartillot. 209-214 [doi]
• Chroma Toolbox: Matlab Implementations for Extracting Variants of Chroma-Based Audio FeaturesMeinard Müller, Sebastian Ewert. 215-220 [doi]
• A Comparison of Statistical and Rule-Based Models for Style-Specific HarmonizationChing-Hua Chuan. 221-226 [doi]
• Melody Extraction based on Harmonic Coded StructureSihyun Joo, Sanghun Park, Seokhwan Jo, Chang D. Yoo. 227-232 [doi]
• Timbre and Melody Features for the Recognition of Vocal Activity and Instrumental Solos in Polyphonic MusicMatthias Mauch, Hiromasa Fujihara, Kazuyoshi Yoshii, Masataka Goto. 233-238 [doi]
• Quantifying the Relevance of Locally Extracted Information for Musical Instrument Recognition from Entire Pieces of MusicFerdinand Fuhrmann, Perfecto Herrera. 239-244 [doi]
• Score-Informed Voice Separation For Piano RecordingsSebastian Ewert, Meinard Müller. 245-250 [doi]
• A Postprocessing Technique for Improved Harmonic/Percussion Separation for Polyphonic MusicBalaji Thoshkahna, Ramakrishnan R. Kalpathi. 251-256 [doi]
• Factorization of Overlapping Harmonic Sounds Using Approximate Matching PursuitSteven K. Tjoa, K. J. Ray Liu. 257-262 [doi]
• Computational Approaches for the Understanding of Melody in Carnatic MusicGopala K. Koduri, Marius Miron, Joan Serrà, Xavier Serra. 263-268 [doi]
• Modeling Melodic Improvisation in Turkish Folk Music Using Variable-Length Markov ModelsSertan Sentürk, Parag Chordia. 269-274 [doi]
• Iranian Traditional Music Dastgah ClassificationSajjad Abdoli. 275-280 [doi]
• The Temperament Police: The Truth, the Ground Truth, and Nothing but the TruthSimon Dixon, Dan Tidhar, Emmanouil Benetos. 281-286 [doi]
• Methodology and Resources for The Structural Segmentation of Music Pieces into Autonomous and Comparable BlocksFrédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent. 287-292 [doi]
• The Music Encoding Initiative as a Document-Encoding FrameworkAndrew Hankinson, Perry Roland, Ichiro Fujinaga. 293-298 [doi]
• Low Dimensional Visualization of Folk Music Systems Using the Self Organizing CloudZoltán Juhász. 299-304 [doi]
• New Approaches to Optical Music RecognitionChristopher Raphael, Jingya Wang. 305-310 [doi]
• Songle: A Web Service for Active Music Listening Improved by User ContributionsMasataka Goto, Kazuyoshi Yoshii, Hiromasa Fujihara, Matthias Mauch, Tomoyasu Nakano. 311-316 [doi]
• Improving Perceptual Tempo Estimation with Crowd-Sourced AnnotationsMark Levy. 317-322 [doi]
• Investigating the Similarity Space of Music Artists on the Micro-BlogosphereMarkus Schedl, Peter Knees, Sebastian Böck. 323-328 [doi]
• Musical Influence Network Analysis and Rank of Sample-Based MusicNicholas J. Bryan, Ge Wang. 329-334 [doi]
• User studies in the Music Information Retrieval LiteratureDavid Weigl, Catherine Guastavino. 335-340 [doi]
• Social Capital and Music Discovery: An Examination of the Ties through Which Late Adolescents Discover New MusicAudrey Laplante. 341-346 [doi]
• MIR in School? Lessons from Ethnographic Observation of Secondary School Music ClassesDan Stowell, Simon Dixon. 347-352 [doi]
• Ethnographic Observations of Musicologists at the British Library: Implications for Music Information RetrievalMathieu Barthet, Simon Dixon. 353-358 [doi]
• Peachnote: Music Score Search and Analysis PlatformVladimir Viro. 359-362 [doi]
• The Melodic Signature Index for Fast Content-based Retrieval of Symbolic Scores Camelia ConstantinCamélia Constantin, Cédric du Mouza, Zoé Faget, Philippe Rigaux. 363-368 [doi]
• Dynamic Programming in Transposition and Time-Warp Invariant Polyphonic Content-Based Music RetrievalMika Laitinen, Kjell Lemström. 369-374 [doi]
• Rhythm Extraction from Polyphony Symbolic MusicFlorence Levé, Richard Groult, Guillaume Arnaud, Cyril Séguin, Rémi Gaymay, Mathieu Giraud. 375-380 [doi]
• Complexity Driven Recombination of MIDI LoopsGeorge Sioros, Carlos Guedes. 381-386 [doi]
• Feature Extraction and Machine Learning on Symbolic Music using the music21 ToolkitMichael Scott Cuthbert, Christopher Ariza, Lisa Friedland. 387-392 [doi]
• Probabilistic Modeling of Hierarchical Music AnalysisPhillip B. Kirlin, David Jensen. 393-398 [doi]
• Neo-Riemannian Cycle Detection with Weighted Finite-State TransducersJonathan Bragg, Elaine Chew, Stuart Shieber. 399-404 [doi]
• Using Sequence Alignment and Voting to Improve Optical Music Recognition from Multiple RecognizersEsben Paul Bugge, Kim Lundsteen Juncher, Brian Søborg Mathiasen, Jakob Grue Simonsen. 405-410 [doi]
• OCR based post processing of OMR for the recovery of transposing instruments in complex orchestral scoresVerena Thomas, Christian Wagner, Michael Clausen. 411-416 [doi]
• Classifying Bach's Handwritten C-ClefsMasahiro Niitsuma, Yo Tomita. 417-422 [doi]
• Automatic Pitch Detection in Printed Square NotationGabriel Vigliensoni, John Ashley Burgoyne, Andrew Hankinson, Ichiro Fujinaga. 423-428 [doi]
• Associations between Musicology and Music Information RetrievalKerstin Neubarth, Mathieu Bergeron, Darrell Conklin. 429-434 [doi]
• Potential Relationship Discovery in Tag-Aware Music Style Clustering and Artist Social NetworksDingding Wang, Mitsunori Ogihara. 435-440 [doi]
• Using Network Sciences to Rank Musicians and Composers in Brazilian Popular MusicCharith Gunaratna, Evan Stoner, Ronaldo Menezes. 441-446 [doi]
• Finding Community Structure in Music Genres NetworksDébora C. Corrêa, Alexandre L. M. Levada, Luciano da F. Costa. 447-452 [doi]
• Guitar Tab Mining, Analysis and RankingRobert Macrae, Simon Dixon. 453-458 [doi]
• A Musical Web Mining and Audio Feature Extraction Extension to The Greenstone Digital Library SoftwareCory McKay, David Bainbridge. 459-464 [doi]
• Knowledge Representation Issues in Musical Instrument Ontology DesignSefki Kolozali, Mathieu Barthet, György Fazekas, Mark Sandler. 465-470 [doi]
• The Studio Ontology FrameworkGyörgy Fazekas, Mark Sandler. 471-476 [doi]
• Music Structural Segmentation by Combining Harmonic and Timbral InformationRuofeng Chen, Ming Li. 477-482 [doi]
• A Regularity-Constrained Viterbi Algorithm and Its Application to The Structural Segmentation of SongsGabriel Sargent, Frédéric Bimbot, Emmanuel Vincent. 483-488 [doi]
• Structural Change on Multiple Time Scales as a Correlate of Musical ComplexityMatthias Mauch, Mark Levy. 489-494 [doi]
• l1-Graph Based Music Structure AnalysisYannis Panagakis, Constantine Kotropoulos, Gonzalo R. Arce. 495-500 [doi]
• Causal Prediction of Continuous-Valued Music FeaturesPeter Foster, Anssi Klapuri, Mark D. Plumbley. 501-506 [doi]
• Exemplar-based Assignment of Large Missing Audio Parts using String Matching on Tonal FeaturesBenjamin Martin, Pierre Hanna, Ta Vinh Thong, Myriam Desainte-Catherine, Pascal Ferraro. 507-512 [doi]
• Aligning Semi-Improvised Music Audio with Its Lead SheetZhiyao Duan, Bryan Pardo. 513-518 [doi]
• Expressive Timing from Cross-Performance and Audio-based Alignment Patterns: An Extended Case StudyCynthia C. S. Liem, Alan Hanjalic. 519-524 [doi]
• Incremental Bayesian Audio-to-Score Alignment with Flexible Harmonic Structure ModelsTakuma Otsuka, Kazuhiro Nakadai, Tetsuya Ogata, Hiroshi G. Okuno. 525-530 [doi]
• Stochastic Modeling of a Musical Performance with Expressive Representations from the Musical ScoreKenta Okumura, Shinji Sako, Tadashi Kitamura. 531-536 [doi]
• The Natural Language of PlaylistsBrian McFee, Gert R. G. Lanckriet. 537-542 [doi]
• On the Importance of "Real" Audio Data for MIR Algorithm Evaluation at the Note-Level - A Comparative StudyBernhard Niedermayer, Sebastian Böck, Gerhard Widmer. 543-548 [doi]
• A Comparative Study of Collaborative vs. Traditional Musical Mood AnnotationJacquelin A. Speck, Erik M. Schmidt, Brandon G. Morton, Youngmoo E. Kim. 549-554 [doi]
• Design and creation of a large-scale database of structural annotationsJordan Bennett Louis Smith, John Ashley Burgoyne, Ichiro Fujinaga, David De Roure, J. Stephen Downie. 555-560 [doi]
• Music Structure Segmentation Algorithm Evaluation: Expanding on MIREX 2010 Analyses and DatasetsAndreas F. Ehmann, Mert Bay, J. Stephen Downie, Ichiro Fujinaga, David De Roure. 561-566 [doi]
• Music Information Robotics: Coping Strategies for Musically Challenged RobotsSteven R. Ness, Shawn Trail, Peter F. Driessen, W. Andrew Schloss, George Tzanetakis. 567-572 [doi]
• The potential for automatic assessment of trumpet tone qualityTrevor Knight, Finn Upham, Ichiro Fujinaga. 573-578 [doi]
• Elementary Sources: Latent Component Analysis for Music CompositionSpencer S. Topel, Michael A. Casey. 579-584 [doi]
• Cross-Modal Aesthetics from A Feature Extraction Perspective: A Pilot StudyAlison Mattek, Michael Casey. 585-590 [doi]
• The Million Song DatasetThierry Bertin-Mahieux, Daniel P. W. Ellis, Brian Whitman, Paul Lamere. 591-596 [doi]
• Audio Music Similarity and Retrieval: Evaluation Power and StabilityJulián Urbano, Diego Martín, Mónica Marrero, Jorge Morato. 597-602 [doi]
• MusiCLEF: a Benchmark Activity in Multimodal Music Information RetrievalNicola Orio, David Rizo, Riccardo Miotto, Markus Schedl, Nicola Montecchio, Olivier Lartillot. 603-608 [doi]
• Information Retrieval Meta-Evaluation: Challenges and Opportunities in the Music DomainJulián Urbano. 609-614 [doi]
• A Segment-Based Fitness Measure for Capturing Repetitive Structures of Music RecordingsMeinard Müller, Peter Grosche, Nanzhu Jiang. 615-620 [doi]
• Analysis of Acoustic Features for Automated Multi-Track MixingJeffrey J. Scott, Youngmoo E. Kim. 621-626 [doi]
• Accelerating The Mixing Phase In Studio Recording Productions By Automatic Audio AlignmentNicola Montecchio, Arshia Cont. 627-632 [doi]
• An Expert Ground Truth Set for Audio Chord Recognition and Music AnalysisJohn Ashley Burgoyne, Jonathan Wild, Ichiro Fujinaga. 633-638 [doi]
• Leveraging Noisy Online Databases for Use in Chord RecognitionMatt McVicar, Yizhao Ni, Tijl De Bie, Raúl Santos-Rodriguez. 639-644 [doi]
• A Vocabulary-Free Infinity-Gram Model for Nonparametric Bayesian Chord Progression AnalysisKazuyoshi Yoshii, Masataka Goto. 645-650 [doi]
• A Feature Smoothing Method for Chord Recognition Using Recurrence PlotsTaemin Cho, Juan Pablo Bello. 651-656 [doi]
• Multiscale Scattering for Audio ClassificationJoakim Andén, Stéphane Mallat. 657-662 [doi]
• Multi-scale temporal fusion by boosting for music classificationRémi Foucard, Slim Essid, Mathieu Lagrange, Gaël Richard. 663-668 [doi]
• Audio-based Music Classification with a Pretrained Convolutional NetworkSander Dieleman, Philemon Brakel, Benjamin Schrauwen. 669-674 [doi]
• Music Genre Classification by Ensembles of Audio and Lyrics FeaturesRudolf Mayer, Andreas Rauber. 675-680 [doi]
• Unsupervised Learning of Sparse Features for Scalable Audio ClassificationMikael Henaff, Kevin Jarrett, Koray Kavukcuoglu, Yann LeCun. 681-686 [doi]
• Sparse Signal Decomposition on Hybrid Dictionaries Using Musical PriorsHélène Papadopoulos, Matthieu Kowalski. 687-692 [doi]
• Music Genre Classification using Similarity FunctionsYoko Anan, Kohei Hatano, Hideo Bannai, Masayuki Takeda. 693-698 [doi]
• New Trends in Musical Genre Classification Using Optimum-Path ForestCaio Miguel Marques, Ivan Rizzo Guilherme, Rodrigo Y. M. Nakamura, João P. Papa. 699-704 [doi]
• Combining Content-Based Auto-Taggers with Decision-FusionEmanuele Coviello, Riccardo Miotto, Gert R. G. Lanckriet. 705-710 [doi]
• Music Tagging with Regularized Logistic RegressionBo Xie, Wei Bian, Dacheng Tao, Parag Chordia. 711-716 [doi]
• An Empirical Study of Multi-Label Classifiers for Music Tag AnnotationChris Sanden, John Z. Zhang. 717-722 [doi]
• Semantic Annotation and Retrieval of Music using a Bag of Systems RepresentationKatherine Ellis, Emanuele Coviello, Gert R. G. Lanckriet. 723-728 [doi]
• Temporal Pooling and Multiscale Learning for Automatic Annotation and Ranking of Music AudioPhilippe Hamel, Simon Lemieux, Yoshua Bengio, Douglas Eck. 729-734 [doi]
• Music Mood Classification of Television Theme TunesMark Mann, Trevor J. Cox, Francis F. Li. 735-740 [doi]
• Musical Moods: A Mass Participation Experiment for Affective Classification of MusicSam Davies, Penelope Allen, Mark Mann, Trevor J. Cox. 741-746 [doi]
• Modeling Dynamic Patterns for Emotional Content in MusicYonatan Vaizman, Roni Y. Granot, Gert R. G. Lanckriet. 747-752 [doi]
• Identifying Emotion Segments in Music by Discovering Motifs in Physiological DataRafael Cabredo, Roberto S. Legaspi, Masayuki Numao. 753-758 [doi]
• Multi-Modal Non-Prototypical Music Mood Analysis in Continuous Space: Reliability and PerformancesBjörn Schuller, Felix Weninger, Johannes Dorfner. 759-764 [doi]
• Music Emotion Classification of Chinese Songs based on Lyrics Using TF*IDF and RhymeXing Wang, Xiaoou Chen, Deshun Yang, Yuqian Wu. 765-770 [doi]
• Urgency Analysis of Audible Alarms in The Operating RoomChristopher Bennett, Richard McNeer, Colby Leider. 771-776 [doi]
• Modeling Musical Emotion Dynamics with Conditional Random FieldsErik M. Schmidt, Youngmoo E. Kim. 777-782 [doi]
• Mining the Correlation between Lyrical and Audio Features and the Emergence of MoodMatt McVicar, Tim Freeman, Tijl De Bie. 783-788 [doi]
• Exploring The Relationship Between Mood and Creativity in Rock LyricsXiao Hu, Bei Yu. 789-794 [doi]
• Three Current Issues In Music AutotaggingGonçalo Marques, Marcos Aurélio Domingues, Thibault Langlois, Fabien Gouyon. 795-800 [doi]
• Survey and Evaluation of Audio Fingerprinting Schemes for Mobile Query-by-Example ApplicationsVijay Chandrasekhar, Matt Sharifi, David A. Ross. 801-806 [doi]
• An Investigation of Musical Timbre: Uncovering Salient Semantic Descriptors and Perceptual DimensionsAsteris Zacharakis, Konstantinos Pastiadis, Georgios Papadelis, Joshua D. Reiss. 807-812 [doi]