Abstract is missing.
- An Interface for Precise Musical ControlRobert Huott. 1-5 [doi]
- PegLegs in Music - Processing the Effort Generated by Levels of Expressive Gesturing in MusicLisa McElligott, Edward Dixon, Michelle Dillon. 6-10 [doi]
- Audiopad: A Tag-based Interface for Musical PerformanceJames Patten, Ben Recht, Hiroshi Ishii. 11-16 [doi]
- JAM-O-WORLD: Evolution of the Jam-O-Drum into the Jam-O-Whirl Gaming InterfaceTina Blaine, Clifton Forlines. 17-22 [doi]
- Multi-instrument virtual keyboard - the MIKEY projectRoberto Oboe, Giovanni De Poli. 23-28 [doi]
- The vBow: Development of a Virtual Violin Bow Controller Haptic Human-Computer InterfaceCharles Nichols. 29-32 [doi]
- The PLANK: Designing a simple Haptic ControllerBill Verplank, Michael Gurevich, Max Mathews. 33-36 [doi]
- Cutaneous Grooves: Composing for the Sense of TouchEric Gunther, Glorianna Davenport, M. Sile O Modhrain. 37-43 [doi]
- Multimodal Interaction in Music Using the Electromyogram and Relative Position SensingAtau Tanaka, R. Benjamin Knapp. 43-48 [doi]
- Interdisciplinary Applications of New InstrumentsAlain Baumann, Rosa Sanchez. 49-53 [doi]
- Playing on Heart-Strings: Experiences with the 2Hearts systemGraeme McCaig, Sidney Fels. 54-59 [doi]
- Tongue n GrooveFlorian Vogt, Graeme McCaig, Mir Adnan Ali, Sidney Fels. 60-64 [doi]
- The Hyperbow Controller: Real-Time Dynamics Measurement of Violin PerformanceDiana Young. 65-70 [doi]
- Noisegate 67 for Metasaxophone: Composition and Performance Considerations of a New Computer Music ControllerMatthew Burtner. 71-76 [doi]
- The Electronic Tabla ControllerAjay Kapur, Georg Essl, Philip Davidson, Perry R. Cook. 77-81 [doi]
- The Mutha Rubboard Contoller: Interactive HeritageCarr Wilkerson, Carmen Ng, Stefania Serafin. 82-85 [doi]
- A Structured Instrument Design Approach: The Video-OrganBert Bongers, Yolanda Harris. 86-91 [doi]
- A low-cost Sonar Interface for Unobtrusive Man-Machine InterfacingJohannes Taelman. 92-95 [doi]
- AtoMIC Pro: A Multiple Sensor Acquisition DeviceEmmanuel Fléty. 96-101 [doi]
- Creating a Context for Musical Innovation: A NIME CurriculumGideon D Arcangelo. 102-105 [doi]
- The Beatbug Network: A Rhythmic System for Interdependent Group CollaborationGil Weinberg, Roberto Aimi, Kevin Jennings. 106-111 [doi]
- Creating Sustained Tones with the Cicada s Rapid Sequential Buckling MechanismTamara Smyth, Julius O. Smith. 112-115 [doi]
- Tooka: Exploration of Two Person InstrumentsSidney Fels, Florian Vogt. 116-121 [doi]
- The Termenova: A Hybrid Free-Gesture InterfaceLeila Hasan, Nicholas Yu, Joseph A. Paradiso. 122-127 [doi]
- A Digital Emulator of the Photosonic InstrumentDaniel Arfib, Jacques Dudon. 128-131 [doi]
- Afasia: The Ultimate Homeric One-Man-Multimedia-BandSergi Jordà. 132-137 [doi]
- Introducing Composed Instruments: Technical and Musicological ImplicationsNorbert Schnell, Marc Battier. 138-142 [doi]
- MetaMuse: Metaphors for Expressive InstrumentsAshley Gadd, Sidney Fels. 143-148 [doi]
- The Importance of Parameter Mapping in Electronic Instrument DesignAndy Hunt, Marcelo M. Wanderley, Matthew Paradis. 149-154 [doi]
- Interactive Systems Design: A KANSEI based ApproachAntonio Camurri, Riccardo Trocca, Gualtiero Volpe. 155-162 [doi]
- Circular Optical Object LocatorTim Hankins, David Merrill, Jocelyn Robert. 163-164 [doi]
- The Musical Box GardenKieran Ferris, Liam J. Bannon. 165-167 [doi]
- Musical Navigatrics: New Musical Interactions with Passive Magnetic TagsLaurel Pardue, Joseph A. Paradiso. 168-170 [doi]
- Intimate Musical Control of Computers with a Variety of Controllers and Gesture Mapping MetaphorsDavid Wessel, Matthew Wright, John Schott. 171-173 [doi]
- Bi-manual mapping experimentation, with angular fundamental frequency control and sound color navigationLoïc Kessous. 174-175 [doi]
- A Scanned Synthesis virtual instrumentJean-Michel Couturier. 176-178 [doi]
- The Virtual Bodhran - The VodhranMark T. Marshall, Matthias Rath, Breege Moynihan. 179-180 [doi]
- Music Software Interfacing and 3D NavigationJordan Wynnychuk, Richard Porcher, Luka Brajovic, Marko Brajovic, Nacho Platas. 181-182 [doi]
- Interactive Gesture Music Performance InterfaceKia Ng. 183-184 [doi]
- IXI Software185 [doi]
- Stanza: Amorphoscapes & Soundtoys186-187 [doi]
- Fusing Movement, Sound, and Video in Falling Up, an Interactive Dance/Theatre ProductionTodd Winkler. 188 [doi]
- Experimental Controllers for Live Electronic Music Performance (vs.Copyright)David Bernard. 189 [doi]
- Adaptive Hyperinstruments: Applying Evolutionary Techniques to Sound Synthesis and PerformanceJames Mandelis. 190-191 [doi]
- Gestation InstallationGarth Paine. 192-193 [doi]
- Circles and Seeds: Adapting Kpelle ideas about music performance for collaborative Digital Music performanceNiall Griffith, Ed Hammond, Sean O Leary, M. Sile O Modhrain, Donagh O Shea. 194-195 [doi]
- Instruments, Interactivity, and InevitabilityTod Machover. 196 [doi]
- The Limitations of Mapping and a Structural Descriptive in Electronic InstrumentsJoel Chadabe. 197-201 [doi]