Abstract is missing.
- Music Interaction: Understanding Music and Human-Computer InteractionSimon Holland, Katie Wilkie, Paul Mulholland, Allan Seago. 1-28 [doi]
- Should Music Interaction Be Easy?James McDermott, Toby Gifford, Anders Bouwer, Mark Wagy. 29-47 [doi]
- Amateur Musicians, Long-Term Engagement, and HCIIsaac Wallis, Todd Ingalls, Ellen Campana, Catherine Vuong. 49-66 [doi]
- Affective Musical Interaction: Influencing Users' Behaviour and Experiences with MusicAnna Bramwell-Dicks, Helen Petrie, Alistair D. N. Edwards, Christopher Power. 67-83 [doi]
- Experience in Computer Supported JammingBen Swift. 85-99 [doi]
- The Haptic Bracelets: Learning Multi-Limb Rhythm Skills from Haptic Stimuli While ReadingAnders Bouwer, Simon Holland, Mat Dalgleish. 101-122 [doi]
- Piano Technique as a Case Study in Expressive Gestural InteractionAndrew P. McPherson, Youngmoo E. Kim. 123-138 [doi]
- Live Music-Making: A Rich Open Task Requires a Rich Open InterfaceDan Stowell, Alex McLean. 139-152 [doi]
- A New Interaction Strategy for Musical Timbre DesignAllan Seago. 153-169 [doi]
- Pulsed Melodic Processing - The Use of Melodies in Affective Computations for Increased Processing TransparencyAlexis Kirke, Eduardo Reck Miranda. 171-188 [doi]
- Computer Musicking: HCI, CSCW and Collaborative Digital Musical InteractionRobin Fencott, Nick Bryan-Kinns. 189-205 [doi]
- Song Walker Harmony Space: Embodied Interaction Design for Complex Musical SkillsAnders Bouwer, Simon Holland, Mat Dalgleish. 207-221 [doi]
- Vice VersaJames McDermott, Dylan Sherry, Una-May O'Reilly. 223-240 [doi]
- Video Analysis for Evaluating Music Interaction: Musical TabletopsAnna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà. 241-258 [doi]
- Towards a Participatory Approach for Interaction Design Based on Conceptual Metaphor Theory: A Case Study from Music InteractionKatie Wilkie, Simon Holland, Paul Mulholland. 259-270 [doi]
- Appropriate and Complementary Rhythmic Improvisation in an Interactive Music SystemToby Gifford. 271-286 [doi]