François-Xavier Féron. Could the endless progressions in James Tenney's music be viewed as sonic koans?. In Music Technology meets Philosophy - From Digital Echos to Virtual Ethos: Joint Proceedings of the 40th International Computer Music Conference, ICMC 2014, and the 11th Sound and Music Computing Conference, SMC 2014, Athens, Greece, September 14-20, 2014. Michigan Publishing, 2014. [doi]
Abstract is missing.