Table of Contents

• Tuning Shared Living Spaces: Acoustic Comfort through Domestic Sound ZonesKasper Fangel Skov, Jon Francombe, Dimitrios Raptis, Jesper Kjeldskov. 1-10 [doi]
• From data to dialogue: "Earth Electric', a sonic journey through global energy landscapesStefano Delle Monache, Andrea Cera, Sandra Pauletto. 11-21 [doi]
• Musicking with dynamical systems: introducing a digitally-controlled analog no-input mixerGianluca Elia, Dan Overholt. 22-36 [doi]
• Evangistrum: a cooperative audiovisual instrument informed by resonance theoryPaul Joseph Richard Evans, Daniel Fredriksson, Tanja L. Jörgensen, Rikard Lindell. 37-42 [doi]
• Making Movement Sonification Usable in Clinical Gait Rehabilitation: A User-Centered StudyPrithvi Ravi Kantan, Sofia Dahl, Helle Rovsing Jørgensen, Erika G. Spaich. 43-60 [doi]
• Developing Enjoyable Auditory Feedback Paradigms to Alleviate Toe Walking in Children with Cerebral PalsyPrithvi Ravi Kantan, Sofia Dahl, Erika G. Spaich. 61-67 [doi]
• Comparing Paid and Volunteer Participants in Emotional Responses to SoundK. C. Collins, Adel Manji. 68-76 [doi]
• Situational impairment due to walking with conversational versus graphical interfacesGeorgios N. Marentakis, Arman Balic. 77-85 [doi]
• Investigating the effectiveness of sound descriptors for non-expert listenersDavid Larsson Holmgren, Nicolas Misdariis, Sandra Pauletto. 86-92 [doi]
• Human-Machine Co-creation in an Electroacoustic Ensemble Performance ContextRory David Hoy, Doug Van Nort. 93-104 [doi]
• Auditory-Tactile Narratives: Designing New Embodied Auditory-Tactile Mappings Using Body MapsDoga Cavdir. 105-115 [doi]
• Can multimodal rhythmic interaction impact the literacy and socio-emotional development of children: the case of the African Talking DrumsPierre-Valery Njenji Tchetgen. 116-129 [doi]
• Auditory Occlusion Based on the Human Body in the Direct Sound Path: Measured and Perceivable EffectsSteven McSeveney, Monica Tamariz, Iain McGregor, Babis Koniaris, Kenny Mitchell. 130-143 [doi]
• A machine learning approach to gesture detection in violin performanceRaquel Lucena, Rafael Ramirez. 144-151 [doi]
• XR Composition in the Wild: The Impact of User Environments on Creativity, UX and Flow during Music Production in Augmented RealityRuben Schlagowski, Silvan Mertes, Dariia Nazarenko, Alexander Dauber, Elisabeth André. 152-161 [doi]
• Sonic Shuttle Run: Leveraging Sound Design to Improve Affective Response and Performance in Maximal Exercise TestsDaniel Hug, Sascha Ketelhut. 162-173 [doi]
• Aural Architects: Exploring Professional Practice in Videogame AudioJacob Diffen, Andrew Johnston, Robert Sazdov. 174-180 [doi]
• Musical Drawing in 2D and 3D: Dimensions and PerspectivesEsther Gruy, Florent Berthaut. 181-188 [doi]
• Micropolyphony and Stochastic Compositional Techniques as Tools for the Sonification of Magnetic StormsChristina Georgiou, Areti Andreopoulou, Fiori-Anastasia Metallinou, Tilemachos Moussas, Anastasia Georgaki. 189-197 [doi]
• The Organium: A Library of Technical Elements for Improvisatory Design ThinkingThor Magnusson, Kit Braybrooke, Sophie Skach, Giacomo Lepri, Marco Donnarumma, Adam Pultz Melbye, Jack Armitage, Victor Shepardson, Nicola Privato, Miguel Angel Crozzoli, Halldór Úlfarsson, Sean Patrick O'Brien. 198-208 [doi]
• Interactive sonification helps make sense of the negative environmental impact of vessel traffic in the Baltic SeaAxel Hultman, Maurizio Goina, Roberto Bresin. 209-217 [doi]
• Tonal Cognition in Sonification: Exploring the Needs of Practitioners in Sonic Interaction DesignMinsik Choi, Josh Andres, Charles Patrick Martin. 218-228 [doi]
• Timbre Tools: Ethnographic Perspectives on Timbre and Sonic Cultures in Hackathon DesignsCharalampos Saitis, Bleiz Macsen Del Sette, Jordie Shier, Haokun Tian, Shuoyang Zheng, Sophie Skach, Courtney N. Reed, Corey Ford 0002. 229-244 [doi]
• NEXUS: A Tangible Multi-User Sensor-Based Telematic Novel Mixing-Interface for Multimedial ExplorationHannah Walter, Eric Larrieux, Robert Torche, Cedric Spindler, Patrick Müller. 245-259 [doi]
• Optical Music Recognition in Manuscripts from the Ricordi ArchiveFederico Simonetta, Rishav Mondal, Luca Andrea Ludovico, Stavros Ntalampiras. 260-269 [doi]
• On the Importance of Temporally Precise Onset Annotations for Real-Time Music Information Retrieval: Findings from the AG-PT-set DatasetDomenico Stefani, Gregorio Andrea Giudici, Luca Turchet. 270-284 [doi]
• Rebetiko Singer Identification: Fine-tuning and explaining deep pretrained transformer modelsMaximos A. Kaliakatsos-Papakostas, Asteris I. Zacharakis, Konstantinos Velenis, Emilios Cambouropoulos. 285-291 [doi]
• Low-Level Audio Feature Correlates to Physiological Arousal: A Secondary Analysis of the DEAP DatasetDaniel Ethridge, Luis X. de Pablo, Grace Leslie. 292-301 [doi]
• Joint Learning of Emotions in Music and Generalized SoundsFederico Simonetta, Francesca Certo, Stavros Ntalampiras. 302-307 [doi]
• Real-Time Pattern Recognition of Symbolic Monophonic MusicNishal Stanislaus Silva, Luca Turchet. 308-317 [doi]
• Artificial Intelligence and Home Music Listening_An Overview And Future DirectionsTrinity Melder, Richard Savery. 318-324 [doi]
• Measuring the Just Noticeable Difference for Audio LatencyAndreas Schmid 0008, Maria Ambros, Johanna Bogon, Raphael Wimmer. 325-331 [doi]
• PAN-AR: A Multimodal Dataset of Higher-Order Ambisonics Room Impulse Responses, Ambient Noise and Spherical PicturesFilippo Denti, Davide Fantini, Federico Avanzini, Giorgio Presti. 332-340 [doi]
• Maplet: Integrating Distributed Data Signal Mappings for Performative Interactions Within the Eurorack Modular Synthesizer EcosystemMatthew S. Peachey, Joseph W. Malloch. 341-347 [doi]
• A Machine Learning-Driven Interactive Training System for Extreme Vocal TechniquesJohanna Holzinger, Alexander Heimerl, Ruben Schlagowski, Elisabeth André, Silvan Mertes. 348-354 [doi]
• ClaveNet: Generating Afro-Cuban Drum Patterns through Data AugmentationDaniel Flores García, Hugo Flores García, Matteo Riondato. 355-361 [doi]
• Live Coding Melody and Harmony in JavaScriptRenick Bell, Steve Wang, Yiler Huang, Reina Chen. 362-372 [doi]
• Keeping your ears on the virtual ground: Expert insights on virtual reality audio techniques and challengesJacob Hedges, Robert Sazdov, Andrew Johnston. 373-384 [doi]
• The Perceptron: A Multi-player Entangled Instrument based on Interpretive Mapping and Intra-actionSteve Symons. 385-391 [doi]
• Harmonious Touch: Haptic Wristband for Home Listening ExperienceTrinity Melder, Richard Savery. 392-398 [doi]
• Multisensory Trajectory Control at One Interaction Point, with RhythmAlessio Bellino, Davide Rocchesso, Rosario Mulè, Luca D'Arrigo Reitano. 399-404 [doi]
• Designing a distributed musical instrument for collective improvised interactionAliénor Golvet, Benjamin Matuszewski, Frédéric Bevilacqua. 405-420 [doi]
• Evaluating Dextoria - A modular, embedded system to control electric guitar effects via sound-producing gesturesBjörn Bernreiter, Gross-Vogt Katharina, Marian Weger. 421-428 [doi]
• A Hierarchical, Modular Music SequencerSean Luke, Filippo Carnovalini. 429-438 [doi]
• From Prototype to Performance Practice: Reflections on Iterative Instrument DesignEoghan Ó Néill, Miguel Ortiz. 439-444 [doi]
• Dance Movement and Sound Cross-Correlation; Synthesis Parameters on the Micro and Meso Musical Time ScalesAleksandar Koruga, Koray Tahiroglu. 445-456 [doi]
• Translating Dance Principles Into Other ModalitiesDaniel Bisig, Pablo Palacio, Muriel Romero. 457-467 [doi]
• Locality and Digital Musical Instruments Design: A User StudyIurii Kuzmin, Zhengyang Ma, Raul Masu. 468-478 [doi]
• Soundstorm, a collaborative ideation game for sound-driven designStefano Delle Monache, Rob Moleman, Elif Özcan. 479-486 [doi]
• Articulating body experiences in reaction to movement sonifications: A workshop strategy for early research inquiriesMarte Roel Lesur, Laia Turmo Vidal, Karunya Srinivasan, Pablo Palacio, Muriel Romero, Ana Tajadura-Jiménez. 487-491 [doi]
• Sound design ideation: a structured and systematic analysisRod Selfridge, Stefano Delle Monache, Sandra Pauletto. 492-501 [doi]
• The letter day project - designing sonic interaction for learning lettersKatharina Groß-Vogt. 502-510 [doi]
• Sonic Blankets: exploring the use of sound-augmented blankets for relaxation and sleepAbhishek Choubey, Andrea Cera, Sandra Pauletto. 511-524 [doi]
• Resonant LandscapesTate Carson, Carter Gordon. 525-532 [doi]
• The Distance Between Us: Exploring the COVID-19 Intensive Care Unit Through the Soundscape of Biometric MonitoringKimaya Lecamwasam. 533-542 [doi]
• A diasporic sound immersion experience on board a slave shipRegis Rossi Alves Faria, Daniela Souto, Lyara Luísa de Oliveira Alvarenga. 543-548 [doi]
• Embodied Sketching for Neural SynthesisGiacomo Lepri, Nicola Privato, Thor Magnusson. 549-551 [doi]
• Demo of a smart musical instrument-based real time pattern detection systemNishal Silva, Luca Turchet. 552-554 [doi]