Abstract is missing.
- Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the SaxophonePhilippe Guillemain, Jonathan Terroir. 1-23 [doi]
- The BRASS Project, from Physical Models to Virtual Musical Instruments: Playability IssuesChristophe Vergez, Patrice Tisserand. 24-33 [doi]
- The pureCMusic (pCM++) Framework as Open-Source Music LanguageLeonello Tarabella. 34-44 [doi]
- Timbre Variations as an Attribute of Naturalness in Clarinet PlaySnorre Farner, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad. 45-53 [doi]
- Scoregram: Displaying Gross Timbre Information from a ScoreRodrigo Segnini, Craig Stuart Sapp. 54-59 [doi]
- A Possible Model for Predicting Listeners Emotional EngagementRoberto Dillon. 60-75 [doi]
- About the Determination of Key of a Musical ExcerptHéctor Bellmann. 76-91 [doi]
- An Interactive Musical Exhibit Based on Infrared SensorsGraziano Bertini, Massimo Magrini, Leonello Tarabella. 92-100 [doi]
- Metris: A Game Environment for Music PerformanceMark Havryliv, Terumi Narushima. 101-109 [doi]
- Strategies for the Control of Microsound Synthesis Within the GMU ProjectLaurent Pottier. 110-122 [doi]
- Building Low-Cost Music ControllersAlexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley. 123-129 [doi]
- Evaluation of Sensors as Input Devices for Computer Music InterfacesMark T. Marshall, Marcelo M. Wanderley. 130-139 [doi]
- Aspects of the Multiple Musical GesturesKristoffer Jensen. 140-148 [doi]
- Gran Cassa and the Adaptive Instrument Feed-DrumMichelangelo Lupone, Lorenzo Seno. 149-163 [doi]
- Generating and Modifying Melody Using Editable Noise FunctionYong-Woo Jeon, In-Kwon Lee, Jong-Chul Yoon. 164-168 [doi]
- Unifying Performer and AccompanimentLars Graugaard. 169-184 [doi]
- Recognizing Chords with EDS: Part OneGiordano Ribeiro de Eulalio Cabral, François Pachet, Jean-Pierre Briot. 185-195 [doi]
- Improving Prototypical Artist Detection by Penalizing Exorbitant PopularityMarkus Schedl, Peter Knees, Gerhard Widmer. 196-200 [doi]
- Music Analysis and Modeling Through Petri NetsAdriano Baratè, Goffredo Haus, Luca A. Ludovico. 201-218 [doi]
- A Review on Techniques for the Extraction of Transients in Musical SignalsLaurent Daudet. 219-232 [doi]
- Dimensionality Reduction in Harmonic Modeling for Music Information RetrievalTim Crawford, Jeremy Pickens, Geraint A. Wiggins. 233-248 [doi]
- Abstracting Musical Queries: Towards a Musicologist s WorkbenchDavid Lewis, Tim Crawford, Geraint A. Wiggins, Michael Gale. 249-258 [doi]
- An Editor for Lute TablatureChristophe Rhodes, David Lewis. 259-264 [doi]
- Interdisciplinarity and Computer Music Modeling and Information Retrieval: When Will the Humanities Get into the Act?Cynthia M. Grund. 265-273 [doi]