Abstract is missing.
- The Six Emotion-Face Clock as a Tool for Continuously Rating Discrete Emotional Responses to MusicEmery Schubert, Sam Ferguson, Natasha Farrar, David Taylor, Gary E. McPherson. 1-18 [doi]
- Emotion in Motion: A Study of Music and Affective ResponseJavier Jaimovich, Niall Coghlan, R. Benjamin Knapp. 19-43 [doi]
- Psychophysiological Measures of Emotional Response to Romantic Orchestral Music and Their Musical and Acoustic CorrelatesKonstantinos Trochidis, David Sears, Diêu-Ly Trân, Stephen McAdams. 44-57 [doi]
- Two-Dimensional Hybrid Spatial Audio Systems with User Variable Controls of Sound Source AttributesMartin J. Morrell, Joshua D. Reiss. 58-81 [doi]
- Perceptual Characteristic and Compression Research in 3D Audio TechnologyRuimin Hu, Shi Dong, Heng Wang, Maosheng Zhang, Song Wang, Dengshi Li. 82-98 [doi]
- Intuitive Control of Rolling Sound SynthesisSimon Conan, Mitsuko Aramaki, Richard Kronland-Martinet, Sølvi Ystad. 99-109 [doi]
- EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure DataGilberto Bernardes, Carlos Guedes, Bruce Pennycook. 110-129 [doi]
- Reenacting Sensorimotor Features of Drawing Movements from Friction SoundsEtienne Thoret, Mitsuko Aramaki, Richard Kronland-Martinet, Jean-Luc Velay, Sølvi Ystad. 130-153 [doi]
- Auditory Sketches: Sparse Representations of Sounds Based on Perceptual ModelsClara Suied, Angélique Dremeau, Daniel Pressnitzer, Laurent Daudet. 154-170 [doi]
- The Role of Time in Music Emotion Recognition: Modeling Musical Emotions from Time-Varying Music FeaturesMarcelo F. Caetano, Athanasios Mouchtaris, Frans Wiering. 171-196 [doi]
- The Intervalgram: An Audio Feature for Large-Scale Cover-Song RecognitionThomas C. Walters, David A. Ross, Richard F. Lyon. 197-213 [doi]
- Perceptual Dimensions of Short Audio Clips and Corresponding Timbre FeaturesJason Jiri Musil, Budr Elnusairi, Daniel Müllensiefen. 214-227 [doi]
- Music Emotion Recognition: From Content- to Context-Based ModelsMathieu Barthet, György Fazekas, Mark Sandler. 228-252 [doi]
- Predictive Modeling of Expressed Emotions in Music Using Pairwise ComparisonsJens Madsen, Bjørn Sand Jensen, Jan Larsen. 253-277 [doi]
- Analyzing the Perceptual Salience of Audio Features for Musical Emotion RecognitionErik M. Schmidt, Matthew Prockup, Jeffrey J. Scott, Brian Dolhansky, Brandon G. Morton, Youngmoo E. Kim. 278-300 [doi]
- Sample Identification in Hip Hop MusicJan Van Balen, Joan Serrà, Martín Haro. 301-312 [doi]
- Music Similarity Evaluation Using the Variogram for MFCC ModellingLorenzo J. Tardón, Isabel Barbancho. 313-332 [doi]
- Automatic String Detection for Bass Guitar and Electric GuitarJakob Abeßer. 333-352 [doi]
- Using Oracle Analysis for Decomposition-Based Automatic Music TranscriptionKen O'Hanlon, Hidehisa Nagano, Mark D. Plumbley. 353-365 [doi]
- The Influence of Music on the Emotional Interpretation of Visual Contexts - Designing Interactive Multimedia Tools for Psychological ResearchFernando Bravo. 366-377 [doi]
- The Perception of Auditory-Visual Looming in FilmSonia Wilkie, Tony Stockman. 378-386 [doi]
- Maximum a Posteriori Estimation of Piecewise Arcs in Tempo Time-SeriesDan Stowell, Elaine Chew. 387-399 [doi]
- Structural Similarity Based on Time-Span TreeSatoshi Tojo, Keiji Hirata. 400-421 [doi]
- Subject and Counter-Subject Detection for Analysis of the Well-Tempered Clavier FuguesMathieu Giraud, Richard Groult, Florence Levé. 422-438 [doi]
- Market-Based Control in Interactive Music EnvironmentsArjun Chandra, Kristian Nymoen, Arve Voldsund, Alexander Refsum Jensenius, Kyrre Glette, Jim Torresen. 439-458 [doi]
- (Re)Shaping Musical Gesture: Modelling Voice Balance and Overall Dynamics ContourRegiane Yamaguchi, Fernando Gualda. 459-468 [doi]
- Multimodal Analysis of Piano Performances Portraying Different EmotionsKristoffer Jensen, Søren R. Frimodt-Møller. 469-479 [doi]
- Focal Impulses and Expressive PerformanceJohn Paul Ito. 480-489 [doi]
- Learning to Make Feelings: Expressive Performance as a Part of a Machine Learning Tool for Sound-Based Emotion ControlAlexis Kirke, Eduardo Reck Miranda, Slawomir J. Nasuto. 490-499 [doi]