Abstract is missing.
- Bringing New Life to Video Narratives for Exploring Cultural HeritageUros Damnjanovic, Sorin Hermon, Adolfo Roitman, Susan Hazan, Tirza Deutscher, Haya Scheffer. 1-12 [doi]
- A Linked Open Data Service for Performing ArtsPierfrancesco Bellini, Paolo Nesi. 13-25 [doi]
- A New Generation Digital Content Service for Cultural Heritage InstitutionsPierfrancesco Bellini, Ivan Bruno, Daniele Cenni, Paolo Nesi, Michela Paolucci, Marco Serena. 26-38 [doi]
- How to Catalogue the Cultural Heritage "Spectacle"Donatella Gavrilovich. 39-49 [doi]
- Contemporary Italian Theatre on the Web - A Short History and Some PerspectivesOliviero G. Ponte di Pino. 50-57 [doi]
- Open Creative Framework for a Smart Cultural City: Bologna Porticoes and the Involvement of Citizens for a UNESCO CandidacyAntonella Guidazzoli, Maria Chiara Liguori, Mauro Felicori. 58-65 [doi]
- Preserving Authenticity Evidence to Assess Provenance and Integrity of Digital ResourcesLuigi Briguglio, Silvio Salza, Maria Guercio. 66-77 [doi]
- Applicability of Digital Library Descriptive Metadata to the Contemporary Artworks - The Sapienza Digital Library Case StudyAngela Di Iorio, Marco Schaerf. 78-89 [doi]
- Metadata Quality Assessment Tool for Open Access Cultural Heritage Institutional RepositoriesEmanuele Bellini, Paolo Nesi. 90-103 [doi]
- Validating the Digital Documentation of Cultural ObjectsAchille Felicetti, Franco Niccolucci. 104-117 [doi]
- A Workflow Model and Architecture for Content and Metadata Management Based on Grid ComputingPierfrancesco Bellini, Ivan Bruno, Paolo Nesi. 118-127 [doi]
- A Unified Test Procedure Designed for Monitoring the Experimental Settings Ensuring Quality Assurance in 3D and Stereoscopic ProductionsAtta Badii, David Luigi Fuschi. 128-137 [doi]
- Cuban Theater Digital Archive: A Multimodal Platform for Theater Documentation and ResearchLillian Manzor, Kyle Rimkus, Mitsunori Ogihara. 138-150 [doi]
- How Are On-Line Digital Libraries Changing Theatre Studies and Memories?Maia Giacobbe Borelli. 151-163 [doi]
- Multimedia Performance Reconstruction as a Challenge to Theatre History Writing - Using Interactive Models of Historical Theatre Performances in the Education of Performing ArtsAttila Szabó. 164-174 [doi]
- Education-Performing Arts-Information Technology: An Impossible Triangle?Peter Eversmann. 175-191 [doi]
- Dance in the World of Data and ObjectsKaterina El Raheb, Yannis E. Ioannidis. 192-204 [doi]
- The TKB Project: Creative Technologies for Performance Composition, Analysis and DocumentationCarla Fernandes. 205-217 [doi]
- The Challenge of the Inter in the Preservation of Cultural Heritage; The Intangibility of the Material and Immaterial Dancing Body in PerformanceSarah Whatley. 218-226 [doi]
- MultiStage: Acting across DistanceFei Su, Giacomo Tartari, John Markus Bjørndalen, Phuong Hoai Ha, Otto J. Anshus. 227-239 [doi]
- Networked Performances and Natural Interaction via LOLA: Low Latency High Quality A/V Streaming SystemCarlo Drioli, Claudio Allocchio, Nicola Buso. 240-250 [doi]
- Algorithmic Generation of Music Tunes for an iPhone® GameAdriano Baratè, Luca Andrea Ludovico. 251-265 [doi]
- Feature Matching of Simultaneous Signals for Multimodal SynchronizationMatthew Benatan, Kia Ng. 266-275 [doi]
- Augmented Opera PerformanceJoanne L. Armitage, Kia Ng. 276-287 [doi]