Table of Contents

• Haptic Interactions through Touch-Screen InterfacesIrida Ntailla. [doi]
• Open-source, Custom Interfaces and Devices with Live Coding in Participatory PerformanceCamille Baker. [doi]
• Creating Magic on MobileMartha Henson, Alex Butterworth, Danny Birchall. [doi]
• Utopian Cities from 15th to 19th Century Literature: A Philosophical Investigation through 3-D VisualisationTessa Morrison. [doi]
• Oracle: The Articulation of PromiseAmy Cunningham. [doi]
• Shared distance: The Poetry of Data in Collaborative GPS VisualisationsJen Southern, Chris Speed. [doi]
• Teletalker - Making Online Face-to-Face Interaction Easier for Older PeopleMarianne Markowski, Dominique Rivoal. [doi]
• FiddleLights: Kinetic Signatures of the Bow Hand - Visualising Fiddle Tunes and Contemporary Violin PerformanceElisa Sereno-Janz. [doi]
• Open Locast: How MIT's evolving media platform is being used to improve connections between people and their social, cultural, and physical spacesDon McIntyre. [doi]
• The Sound PlaygroundTara Daniel, Linsey Pollak, Michelle Williamson. [doi]
• Neurotic Armageddon Indicator: A Data SculptureTom Scholfield. [doi]
• Digital Visualisation and Design Development in Historic Building ProjectsVajira Premadasa, Michael Pearce. [doi]
• Shaping Form Sussex (the movie)Ernest Edmonds. [doi]
• Drawing and Surface: Freehand Architectural Drawing Mediated by DigitalSimone Helena Tanoue Vizioli, Joubert José Lancha, Paulo César Castral. [doi]
• Ten Things to Take: A community education project to re-image space place & memory using digital photographyJohn Hillman. [doi]
• Electronic Visualisation in Chemistry: from Alchemy to ArtKarl Harrison, Jonathan P. Bowen, Alice M. Bowen. [doi]
• Booksight: Visualising the Library of IdeasMel Woods, Hadi Mehrpouya, Jamie Forth. [doi]
• Living Mandala {interactive art project}Jing Zhou. [doi]
• On Convergence and Open Data: Challenges for Libraries, Archives and MuseumsEva Van Passel, Olga Van Oost. [doi]
• User Frames in Media ArtsAtif Akin. [doi]
• Multimodal Music CompositionJoanne L. Armitage, Kia Ng. [doi]
• The Curious Case of Design Thinking in MuseumsIleana Maris, Ard Huizing, Wim Bouman, Marijke Ooserbroek. [doi]
• Mapping Motion: The Principles of Motion Capture and the Law of ProjectionKelly Hamilton. [doi]
• (Reinventing) Editorial Illustration in Online News MediaNanette Hoogslag. [doi]
• ArchiMemoryPierre-Francois Gerard. [doi]
• The Cognitive Science of Aesthetic InteractionDerek J. Smith. [doi]
• Augmented Reality Facilitating Visual Literacy for Engagement with Science in MuseumsDiana Marques, Robert Costello, José Azevedo. [doi]
• Exploring the Infographic: Designing our Digital SelvesLucie Hernandez. [doi]
• How a Painter Paints: An Interdisciplinary Understanding of Embodied CreativitySuk Kyoung Choi, Steve DiPaola. [doi]
• RhyCycling - Fluid BorderlandFlavia Caviezel. [doi]
• Introducing the Music Access PlatformGavin Wood, Aeron Buchanan. [doi]
• From Seeing to Feeling Sound: A Multimodal Interface for Trans-Domain Mapping of SoundRebecca Carter, Thomas McKenzie, Lawrence Sarker, Kia Ng. [doi]
• Interactive Application for Visualisation of the Form of Written Postmodern MusicAnna Shvets. [doi]
• Timeline Newcastle: Reconstructing Industrial Newcastle - Implementation and ExhibitionTessa Morrison, Helen Giggins, Nicholas Foulcher. [doi]
• Re-orchestrating Game Drama: The Immersive Experience of Dynamic Music in Video GamesHans-Peter Gasselseder. [doi]
• Visualising Museum storiesEoin Kilfeather. [doi]
• Advancing Traditional Relevance Based Social Networking to Resonance Driven Social Fieldworking using Mindfulness VisualisationJazz Rasool. [doi]
• London 2012 Olympic and Paralympic Opening and Closing Ceremonies: Audience Pixel ContentEd Cookson, Will Case. [doi]
• Surfaces and Shadows: Digital Shadow Puppetry and Augmented Silhouette PerformanceIan Grant. [doi]
• Interactively Exploring Picasso's Multi-diamentional Creative Process in Producing GuernicaSteve DiPaola, Allison Smith. [doi]
• Re-imaging the EnvironmentValerie Mace. [doi]
• Virtual Scientific ModelsMieke Pfarr-Harfst. [doi]
• The Sharypic PhotoWall at the Royal Ontario Museum: An experiment in real-time crowdsourcingW. Ryan Dodge, Laura Haapio-Kirk. [doi]
• Visualizing Brooklyn: the Brooklyn Visual Heritage WebsiteTula Giannini. [doi]
• Hacking the BodyCamille Baker, Kate Sicchio. [doi]
• Making Digital: Visual Approaches to the Digital HumanitiesGareth Beale, Nicole Beale, Ian Dawson, Louisa Minkin. [doi]
• Experience Communication through Post Digital DesignCarl H. Smith. [doi]
• Creativity and Evaluation: Supporting Practice and Research in the Interactive ArtsLinda Candy. [doi]
• My kulturBOT 1.0Frauke Zeller, David Harris Smith. [doi]
• Corfe Castle - In a Different LightRehan Zia. [doi]
• 'A is for Art' - Draw Paintings in You MindMin Zhang. [doi]
• EMVIZ (flow): An Artistic Tool for Visualising Movement QualityPattarawut Subyen, Thecla Schiphorst, Philippe Pasquier. [doi]
• Learning to Think and Create Outside the Box: Using Digital Media in a Blended Theatre CourseRebecca Holderness, Matthew Russell. [doi]
• WeCurate: Enriching the Sociocultural Practices of the Museum ExperienceKatina Hazelden, Matthew Yee-King, Roberto Confalonieri, Fiammetta Ghedini, Carles Sierra, Mark d'Inverno. [doi]
• Known Unknowns: Representing Uncertainty in Historical TimeFlorian Kräutli, Stephen Boyd Davis. [doi]
• Suzie's Dance: Reliving Dance through Motion Capture Animation of PhotographsMarco Gillies, Shakti Zapata Gomez, Sebastian Zimmer. [doi]
• Spatial Data Correlation: An interactive 3D visualisation tool for correlating the motion cature data streams from different devicesCarina Westling, Leon Barker, Aoife Healy, Rob Needham, Harry J. Witchel, Nachiappan Chockalingam. [doi]
• Development of Portable Painting Format for CNC PaintingJerome J. Leary. [doi]
• Analysis and Synthesis of Islamic Geometric DesignsBrian Wichmann, Tony Lee. [doi]
• Body and Movement Visualisations in New Media DancePaula Varanda. [doi]
• The Diasynchronoscope Project: Investigations in Screen-less Apparant MotionCarol MacGillivray, Bruno Mathez, Frederic Fol Leymarie. [doi]
• The Dimensions and Complexities of Audio-Visual AssociationAugoustinos Tsiros. [doi]
• How I Animate: An Hand Guesture-Centric TechniqueEzwan M. Mokhtar, Marco Gillies. [doi]
• Future trends: Adding Computational Intelligence, Knowledge and Creativity to Interactive Exhibits and Visualisation SystemsSteve DiPaola. [doi]
• Interactive Book of Changes - 'I Ching'Jing Zhou. [doi]
• Enhancing Presence - Immersive Sound Environments as Presence Generating FactorOliver Gingrich, Eugenia Emets, Alain Renaud. [doi]