Table of Contents

• Design and the Creation of an Interactive Academic SpaceCristina Portugal, Natalia Brunnet. [doi]
• What You Hear is Where You Are is What I HearHans-Peter Gasselseder. [doi]
• Novel Designer Plastic Trumpet Bells for Brass InstrumentsDavid Gibson. [doi]
• Sublating Time: Hegel's speculative philosophy and digital aestheticsGareth Polmeer. [doi]
• Data Network Simulator with Classical BalletGenevieve Smith-Nunes, Peter Cook, Camilla Neale, Paul Golz. [doi]
• The System of Graphs in Music Harmony: A user interface for mobile learning game developmentAnna Shvets. [doi]
• Connect Digital ArtworksSean Clark. [doi]
• The Trumpet Shall Sound: De-anonymising jazz recordingsJanet Lazar, Michael Lesk. [doi]
• The Musicians of Memory - Compositional Silence and the Audio-visuality of SoundJoe Osmond. [doi]
• Ask the AudienceSophy Smith. [doi]
• An Interactive Music Playlist Generator that Responds to User Emotion and ContextDarryl Griffiths, Stuart Cunningham 0001, Jonathan Weinel. [doi]
• Musealisation in Mobile Apps: A communitarian museum for Ilê AiyêRita Silva, Lidia Oliveria. [doi]
• Approaches to Visualising the Spatial Position of Sound-objectsJamie Bullock, Balandino Di Donato. [doi]
• Movement Awareness through Emotion Based Aesthetic VisualisationSteve DiPaola, Sara Salevati, Kristin Carlson, Thecla Schiphorst. [doi]
• Growth: Visualisation of Predictive Mathematical Models using 3D Computer Graphics and AnimationDylan Gauld. [doi]
• Persketchtivity: An Intelligent Pen-Based Online Education Platform for Sketching InstructionWayne Li, Ethan Hilton, Tracy Hammond, Julie Linsey. [doi]
• Across Education and Interaction: How TEL and WELL can serve museums and their visitorsFrancesca Guerrera. [doi]
• From Analogue to Digital in Literature and ArtJonathan P. Bowen, Tula Giannini. [doi]
• Improving Animation Technology through Digital TransformationLincoln Wallen. [doi]
• Observing Collective Thought: Developing Social Media Tools for Real-time Awareness of Social PreoccupationsIan Willcock. [doi]
• VENOMENON - A multilayered visual experienceElke E. Reinhuber. [doi]
• Using Data Visualisation to Tell Stories about CollectionsOlivia Vane, Stephen Boyd Davis, Florian Kräutli. [doi]
• The Lumen Prize at EVA London 2016Nicholas Lambert. [doi]
• Alan Turing: Virtuosity and visualisationJonathan P. Bowen. [doi]
• Learning Computing Heritage through Gaming - whilst teaching digital development through historyJim Wood, Haiming Lui, Thomas Briggs. [doi]
• Using New Media for Pratice-based Fine Arts Research in the ClassroomTopher Maraffi. [doi]
• Melting Pots: Berlin Digital meets Berlin CultureAndreas Bienert, Eva Emenlauer-Blömers. [doi]
• Real-time Messaging Platforms for Storytelling and Gamification in Museums: A case history in MilanStefania Boiano, Pietro Cuomo, Giuliano Gaia. [doi]
• DDArtS: Towards designing digitally enhanced street art toolsParis Xyntarianos-Tsiropinas, Thomas Spyrou. [doi]
• Musealia - an artistic and documentary research projectMichael Wechner, Ulrich Suter, Titus Eichenberger. [doi]
• A Perceptually Motivated Visualisation Paradigm for Musical TimbreSean Soraghan, Alain Renaud, Ben Supper. [doi]
• Whist: Dance theatre and Virtual RealityEsteban Fourmi, JiaXuan Hon, Aoi Nakamura. [doi]
• Atomic Memory and the Future HumanKristina Pulejkova. [doi]
• Alternative Cityscape Visualisation: Drone shooting as a new dimension in urban photographyMurat Germen. [doi]
• 3D LIDAR Rapid Prototype Relieft Model of the Jurassic CoastJeremy Gardiner. [doi]
• One Stone for Hermione LeviJoe Osmond. [doi]
• The Imaginary Friend, Crossing over Computer Game Scoring Techniques and Musical ExpressionMaria Kallionpää, Hans-Peter Gasselseder. [doi]
• Live Coding, Live Notation, Live PerformanceRichard Hoadley. [doi]
• Using Artificial Intelligence Techniques to Emulate the Creativity of a Portrait PainterSteve DiPaola, Graeme McCaig. [doi]
• Digital Islamic Art: The use of digital technologies in contemporary Islamic art by artists in the UKSara Choudhrey. [doi]
• Between the Virtual and a Hard Place: The dilemma of digital art museumsHelena Barranha. [doi]
• Virtual and Augmented Reality in the Art of Lucio FontanaAgata Marta Soccini. [doi]
• JourneyMap: Visualising the time-bound student journeyDaniel Buzzo, Philip Phelps. [doi]
• Revealing the Colours of the Apocalypse through Visual MusicTerry Trickett. [doi]
• Species Explorer: An interface for artistic exploration of multi-dimensional parameter spacesAndy Lomas. [doi]
• Curating Digital Life and Culture: Art and informationTula Giannini, Jonathan P. Bowen. [doi]
• Drawing in Digital Platforms: A Study about the Buildings of Eduardo Souto de Moura and Eduardo de AlmeidaGabriel Botasso, Simone Vizioli. [doi]
• Performing the Super Instrument: Reaching Beyond Technical and Expressive CapabilitiesMaria Kallionpää. [doi]
• Periphery Vision: Data as imageJohn Hillman. [doi]
• Virtual Reality Tour of the 'Focus of Favorites' Exhibition at the Gilcrease MuseumWill Smith, Andy Couch, Robert Pickering, J. C. Diaz. [doi]
• 'Dissect the Insects': Transformative ExperiencesDalia Yassine. [doi]
• Presence: An exploration of the real and veiled in museums and galleriesEva Iova. [doi]
• A Practical Approach to Using Motion Capture in Performance DancePaul Golz, Chris P. Bowers, Marc Price. [doi]
• Methods of Ontological RemixKira de Coudres. [doi]
• The Remarkably Difficult Psychology of Creative VisualisationDerek J. Smith. [doi]
• Context Engineering Experience FrameworkCarl Smith. [doi]
• Posthumanism: The human body transitionAnna Nazo. [doi]
• Poetry Beyond the Turing TestWayne Clements. [doi]
• The Museum Speaks - Your Narrative or Mine? The Museum in a Web 2.0 WorldSusan Hazan. [doi]
• Recoding CitiesLuca M. Damiani. [doi]