Abstract is missing.
- A Computer-assisted Analysis of Melodic Borrowing from the Cantus Firmus in the Chorale Preludes of Bach's OrgelbüchleinAlexander R. Brinkman. [doi]
- Nedit - A Graphical Editor for Musical ScoresDean Wallraff. [doi]
- Score-Time and Real-TimeJohn Rogers, John Rockstroh. [doi]
- Polyphonic Timbral Construction in "Androgyny"Barry Truax. [doi]
- Studio Report: Computer Music at the University of PittsburghWayne Slawson. [doi]
- A Microcomputer-controlled Synthesis System for Live PerformanceMartin Bartlett. [doi]
- An Overview of the Structured Sound Synthesis ProjectWilliam Buxton, Guy Fedorkow, Ronald Baecker, William T. Reeves, Kenneth C. Smith, Gustav Ciamaga, Leslie Mezei. [doi]
- Coding and Drawing Music ScoresC. Aperghis-Tramoni. [doi]
- Nuance Blending for the Synthesis of a Brass ChoirErcolino Ferretti. [doi]
- The Computer Assists in Attempting to Solve a Problem of Twentieth Century MusicRosalie L. Sward. [doi]
- Further Studies in Compositional AlgorithmsEmmanuel Ghent. [doi]
- Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear FunctionsJames W. Beauchamp. [doi]
- Statistical Analysis of Structure of Azerbaijan Folk SongsSh. A. Gadgiev. [doi]
- Digital Synthesis of Complex Spectra by means of Multiplication of Non-linear Distorted Sine WavesDaniel Arfib. [doi]
- Interactive Digital CompositionTracy Lind Petersen. [doi]
- The Perceptual Factoring of Acoustic Sequences into Musical StreamsStephen McAdams, Albert S. Bregman. [doi]
- Computer-aided Composition and Performance with AMUSW. Kenton Bales, Richard L. Hamilton, Dan W. Scott. [doi]
- A Composer's Notes on the Development and Implementation of Software for a Digital SynthesizerNeil B. Rolnick. [doi]
- Interactive Synthesis Without Obscure DiagnosticsNelson J. Bridwell. [doi]
- Use of High-Speed Microprocessors for Digital SynthesisJean-François Allouis. [doi]
- The Use of Hierarchy and Instance in a Data Structure for Computer MusicWilliam Buxton, William T. Reeves, Ronald Baecker, Leslie Mezei. [doi]
- Reflections on my use of Computers in Composition 1970-1975Gary Nelson. [doi]
- Ludwig: an Example of Interactive Computer Graphics in a Score EditorWilliam T. Reeves, William Buxton, Robert Pike, Ronald Baecker. [doi]
- Computer Music at University of PadovaJames Dashow, Giovanni De Poli, Graziano Tisato, Alvise Vidolin. [doi]
- Current Applications of a Music Representation and Processing SystemRosalee Nerheim. [doi]
- Command-String Notation - A New Music Notational SystemJohn A. Celona. [doi]
- Time-Frequency Analysis in the Context of a Perceptual ModelTracy Lind Petersen. [doi]
- Computer-based Processes for Tablature Transcription: Input Language Applications and Development; Analytical AspectsWarren E. Hultberg. [doi]
- Opening AddressIannis Xenakis. [doi]
- Using the PLATO/TI980A Music Synthesis System: The PLACOMP LanguageDavid J. Murray, James W. Beauchamp, Gary Loitz. [doi]
- Computational Ethnomusicology in Hungary in 1978István Halmos, György Köszegi, György Mandler. [doi]
- PrefaceCurtis Roads. [doi]
- The DMX-1000 Signal Processing ComputerDean Wallraff. [doi]
- A Musical View of Analysis-SynthesisRichard L. Cann. [doi]
- Some Simplifications and Improvements in the Stochastic Music ProgramJohn R. Myhill. [doi]
- Phrase Structure in Computer MusicLejaren Hiller. [doi]
- An Introduction to the SSSP Digital SynthesizerWilliam Buxton, E. A. Fogels, Guy Fedorkow, Lawrence Sasaki, Kenneth C. Smith. [doi]
- The Micro-computer as an Input Device for Music Analysis or Composition by ComputerCharles G. Boody. [doi]
- A Hierarchical Analysis of Ruggles' PortalsLarry Polansky. [doi]
- An Inexpensive Digital Sound SynthesizerHal G. Alles. [doi]
- Timbral Structures for Computer MusicHubert S. Howe Jr.. [doi]
- A Low Cost, Real-time, Frequency Modulation Hardware Module for Mini and Micro ComputersRichard Blum. [doi]
- The Analysis and Transcription of Musical SoundMartin Piszczalski, Bernard A. Galler. [doi]