Abstract is missing.
- An Audio-based Real-time Beat Tracking System and Its ApplicationsMasataka Goto, Yoichi Muraoka. [doi]
- Teaching More Students: Rethinking Studios & Classrooms at Rensselaer's iEAR StudiosNeil B. Rolnick. [doi]
- A Computational Model of Meter Cognition During the Audition of Functional Tonal Music: Modeling A-Priori Bbias in Meter CognitionJonathan Berger, Dan Gang. [doi]
- NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse ResponsesPerry R. Cook, Dan Trueman. [doi]
- Development of an Anthropomorphic Flutist Robot WF-3RIVAtsuo Takanishi, Manabu Maeda. [doi]
- Sound Variations by Recurrent Neural Network SynthesisKen-ichi Ohya. [doi]
- Real-time Frequency-Domain Digital Signal Processing on the DesktopZack Settel, Cort Lippe. [doi]
- An Application of Interactive Computation and the Concrete Situated Approach to Real-time Composition and PerformanceAngelo Bello. [doi]
- Biosensorfusion: New Interfaces for Interactive Multimedia ArtYoichi Nagashima. [doi]
- New Applications of the Sound Description Interchange FormatMatthew Wright, Amar Chaudhary, Adrian Freed, David Wessel, Xavier Rodet, Dominique Virolle, Rolf Wöhrmann, Xavier Serra. [doi]
- Teaching Software Synthesis Through Csound's New Modelling OpcodesRichard Boulanger, John ffitch. [doi]
- Center for New Music & Audio Technologies: Studio ReportRichard Andrews. [doi]
- Music Technology As a Tool For Exploring the Creative Aspects of MusicPeter J. Raschke. [doi]
- Tuning a Neural Network for Harmonizing Melodies in Real-TimeDan Gang, Daniel J. Lehmann, Naftali Wagner. [doi]
- The Psycho-adaptive Listening Machine: An Application of Perceptual Control Theory to Computer MusicErik Gottesman. [doi]
- Animated Scores for Electro-acoustic Tape/Live Performer CompositionsElizabeth Hoffman. [doi]
- OpenSoundEdit: An Interactive Visualization and Editing Framework for Timbral ResourcesAmar Chaudhary, Adrian Freed, Lawrence A. Rowe. [doi]
- >From Symbol to Semiotic: Computation as InteractionMichael Hamman. [doi]
- An Extensible Real-time Signal Processing Environment for MaxDavid Zicarelli. [doi]
- A WEB-based Approach to Music Notation using GUIDOKai Renz, Holger H. Hoos. [doi]
- Diem: Studio ReportWayne Siegel. [doi]
- Universal Classification Applied to Musical SequencesShlomo Dubnov, Gérard Assayag, Ran El-Yaniv. [doi]
- Studio Report of the University of Leeds Department of MusicDavid Cooper, Kia Ng. [doi]
- SALIERI: A General, Interactive Computer Music SystemHolger H. Hoos, Jürgen Kilian, Kai Renz, Thomas Helbich. [doi]
- Real-time audio analysis tools for Pd and MSPMiller S. Puckette, Theodore Apel, David Zicarelli. [doi]
- Enhanced Vocal Performance Tracking Using Multiple Information SourcesLorin Grubb, Roger B. Dannenberg. [doi]
- Features extraction and temporal segmentation of acoustic signalsStéphane Rossignol, Xavier Rodet, Joel Soumagne, Jean-Louis Collete, Philippe Depalle. [doi]
- JSyn - A Real-time Synthesis API for JavaPhil Burk. [doi]
- Infinite length windows for short-time Fourier transformStephan Tassart. [doi]
- NoteAbility - A Comprehensive Music Notation EditorKeith Hamel. [doi]
- Report of the COMDASUAR: A Significant and Unknown Chilean Contribution in the History of Computer MusicMartin Alejandro Fumarola. [doi]
- Change and Permanence in Latin American Electroacoustic and Computer Music: A Compositional ApproachMartin Alejandro Fumarola. [doi]
- StochGran on Silicon Graphic IRIXMara Helmuth. [doi]
- Scoring for the Modern Computer GameJames R. Lendino. [doi]
- Communication of Musical Gesture using the AES/EBU Digital Audio StandardAdrian Freed, David Wessel. [doi]
- Signal-theoretic Characterization of Wavelength Mesh Geometries for Membrane SimulationFederico Fontana, Davide Rocchesso. [doi]
- Timbre Recognition with Combined Stationary and Temporal FeaturesShlomo Dubnov, Xavier Rodet. [doi]
- Synthesizing Trumpet PerformancesIstvan Derenyi, Roger B. Dannenberg. [doi]
- Low-latency Music Software Using Off-the-shelf Operating SystemsEli Brandt, Roger B. Dannenberg. [doi]
- A Multi-modal Conducting SimulatorSatoshi Usa, Yasunori Mochida. [doi]
- Software Sensors for Interactive Digital ArtShigeyuki Hirai, Haruhiro Katayose, Tsutomu Kanamori, Seiji Inokuchi. [doi]
- SAOL: The MPEG-4 Structured Audio Orchestra LanguageEric D. Scheirer. [doi]
- Music Programming with the new Features of Standard C++Adrian Freed, Amar Chaudhary. [doi]
- PMML: A Music Description Language Supporting Algorithmic Representation of Musical ExpressionSatoshi Nishimura. [doi]
- Using Csound as a Sound Engine for Interactive WWW ContentKenji Yasaka. [doi]
- Continued Evolution of the SuperCollider Real Time Synthesis EnvironmentJames McCartney. [doi]
- A system for recognizing shape, position and rotation of the handsLeonello Tarabella. [doi]
- Subjective Evaluation of the Inharmonicity of Synthetic Piano TonesFrancesco Scalcon, Davide Rocchesso, Gianpaolo Borin. [doi]
- A New Interactive Performance System for Real-time Sound SynthesisGiorgio Nottoli, Mario Salerno, Giovanni Costantini. [doi]
- NVM - A Modular Real-time Physical Modelling Synthesis System for MSPRichard Dudas. [doi]
- A Real-time Session Composer with Acoustic Polyphonic InstrumentsYushi Aono, Haruhiro Katayose, Seiji Inokuchi. [doi]
- Data-driven Modeling and Synthesis of Acoustical InstrumentsBernd Schöner, Chuck Cooper, Chris Douglas, Neil Gershenfeld. [doi]
- On Convincing Human/Machine ImprovisationHarry D. Castle, Scott Walton. [doi]
- MusicWeb Den Haag - Developing New Tools For Higher Music Education, Using Wide-Area Networks and Hypermedia TechnologyKarst de Jong, Carola Boehm. [doi]
- Removing the Time Axis from Spectral Model Analysis-Based Additive Synthesis: Neural Networks versus Memory-Based Machine LearningDavid Wessel, Cyril Drame, Matthew Wright. [doi]
- jMax: Demonstration of an Integrated Environment for Real Time Musical ApplicationsFrançois Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell. [doi]
- jMax: A New JAVA-based Editing and Control System for Real-time Musical ApplicationsFrançois Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell. [doi]
- CCRMA Studio ReportFernando Lopez-Lezcano. [doi]
- Objects, Time and Constraints in OpenMusicCarlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda. [doi]
- Implementing Efficient Frequency Variation in Coupled-Mode Synthesis and Other Cosine-Frequency SystemsTimothy Stilson, Scott A. Van Duyne. [doi]
- The Additive Sinusoidal Plus Residual Model: A Statistical AnalysisRafael A. Irizarry. [doi]
- Controlled Refractions: A Two-Levels Coding of Musical Gestures for Interactive Live PerformancesNicola Orio, Carlo De Pirro. [doi]
- Substructure Discovery of Symbolic Musical Information using the Minimum Description Length PrincipleTang-Chun Li. [doi]
- Toward and Integrated Sound Analysis and Processing Framework for Expressiveness RenderingCarlo Drioli, Riccardo Di Federico. [doi]
- Ecologically-based Granular SynthesisDamián Keller, Barry Truax. [doi]
- Preparation for Improvised Performance in Collaboration with a Khyal SingerDavid Wessel, Matthew Wright, Shafqat Ali Khan. [doi]
- A 3D Graphical User Interface for Resonance ModelingAmar Chaudhary, Adrian Freed, Sami Khoury, David Wessel. [doi]
- A WWW-based Melody Retrieval SystemTomonari Sonoda, Masataka Goto, Yoichi Muraoka. [doi]
- Latest Evolutions of the jMax Real-time Engine: Typing, Scoping, Threading, CompilingFrançois Déchelle, Riccardo Borghesi, Maurizio De Cecco, Enzo Maggi, Butch Rovan, Norbert Schnell. [doi]
- Examples of Using Amplitude Control Systems in Music SynthesisTimothy Stilson, Harvey D. Thornburg. [doi]
- Real-time Broadband Noise ReductionRobert Höldrich, Markus Lorber. [doi]
- Interpolation Error in Waveform Table LookupRoger B. Dannenberg. [doi]
- Using Real-time Csound MIDI With WindowsGabriel Maldonado. [doi]
- Manifold Compositions, Music Visualization, and Scientific Sonification In an Immersive Virtual-reality EnvironmentHans G. Kaper, Sever Tipei. [doi]
- Voice and Speech in Computer Music CompositionKaren Eliot-Kahn. [doi]
- Education with Computer Music in ColombiaJuan Reyes. [doi]
- The Recursive Allpass as a Resonance FilterDuane K. Wise. [doi]
- Three levels of education in Electroacoustic Music: The Virtual Sound ProjectRiccardo Bianchini, Alessandro Cipriani. [doi]
- "Cooking a Canon with RUBATO®": Performance Aspects of J.S. Bach's "Kunst der Fuge"Joachim Stange-Elbe, Guerino Mazzola. [doi]
- "Variations for WWW": Network Music by MAX and the WWWSeionshin Yamagishi, Kohji Setoh. [doi]
- Musical Information Retrieval Using Musical ParametersKjell Lemström, Pauli Laine. [doi]
- ScoreGraph: dynamically activated connectivity among parallel processes for interactive computer music performanceInsook Choi, Alex Betts. [doi]
- LiteFoot - A Floor Space for Recording Dance and Controlling MediaNiall Griffith, Mikael Fernström. [doi]
- A Real-time Workstation for Physical Model of Multi-sensorial and Gesturally Controlled InstrumentJean-Loup Florens, Claude Cadoz, Annie Luciani. [doi]
- Ava: An Experimental, Grammar/Case-based Composition System to Variate Music Automatically Through the Generation of Scheme SeriesWolfgang Chico-Töpfer. [doi]
- The Computermusic Department at the Peabody Conservatory of the Johns Hopkins UniversityMcGregor Boyle, Ichiro Fujinaga, Geoffrey Wright. [doi]
- Signal-dependent Nonlinearities for Physical Models Using Time-varying Fractional Delay FiltersVesa Välimäki, Tero Tolonen, Matti Karjalainen. [doi]
- Designing an Audio Interaction Modeling Language: Some Basic Concepts and TechniquesIoannis Zannos. [doi]
- A Study of Trumpet EnvelopesRoger B. Dannenberg, Hank Pellerin, Istvan Derenyi. [doi]
- A Composer's Amanuensis for the WebMatthew Malsky. [doi]
- Implementation and Performance Issues with OpenSound ControlMatthew Wright. [doi]
- 'Bodycoder': A Sensor Suit and Vocal Performance Mechanism for Real-time PerformanceMark A. Bromwich, Julie A. Wilson. [doi]
- An Improvisation Environment for Generating Rhythmic Structures Based on North Indian "Tal" PatternsMatthew Wright, David Wessel. [doi]
- The First Buchla 300 Series Electronic Music BoxDale Millen. [doi]
- A Real-Time Audio Scheduler for Pentium PCsCamille Goudeseune, Michael Hamman. [doi]
- Score Following in Open Form CompositionsJohn Lawter, Barry Moon. [doi]
- A Model To Add Expressiveness To Automatic Musical PerformanceSergio Canazza, Giovanni De Poli, Gianni Di Sanzo, Alvise Vidolin. [doi]
- Full Circle: Composing a Cathartic Experience with Digital TechnologyElizabeth Hinkle-Turner. [doi]
- A Sense of StyleBrad Garton, Matthew Suttor. [doi]
- The GUIDO Notation Format: A Novel Approach for Adequately Representing Score-Level MusicHolger H. Hoos, Keith Hamel, Kai Renz, Jürgen Kilian. [doi]
- Motion-sensing Music: Artistic and Technical Challenges In Two Works For DanceTodd Winkler. [doi]
- An HTTP Interface to SalieriKai Renz, Holger H. Hoos. [doi]
- Physiological Measurement of Performers' Tension and its Utilization for Media ControlHaruhiro Katayose, Shigeyuki Hirai, Tsutomu Kanamori, Hirokazu Kato, Seiji Inokuchi. [doi]
- The "Conductor's Jacket": A Device for Recording Expressive Musical GesturesTeresa Marrin, Rosalind W. Picard. [doi]
- Machine recognition of timbre using steady-state tone of acoustic musical instrumentsIchiro Fujinaga. [doi]
- Interactive GenJam: Integrating Real-time Performance with a Genetic AlgorithmJohn A. Biles. [doi]
- The Role of Lambda-Abstraction in ElodyStéphane Letz, Dominique Fober, Yann Orlarey. [doi]
- The Expanded instrument System: Recent DevelopmentsDavid Gamper, Pauline Oliveros. [doi]
- Music Graphs For Algorithmic Composition and Synthesis With an Extensible Implementation in JAVAMichael Gogins. [doi]