Abstract is missing.
- A Set-Theoretic Model of Meter and Metric DissonanceRichard Cohn. 3-13 [doi]
- New Insights on Diatonicity and MajornessFranck Jedrzejewski. 14-25 [doi]
- Parsimonious Graphs for Selected Heptatonic and Pentatonic ScalesLuis Nuño. 26-40 [doi]
- An Interactive Tool for Composing (with) Automorphisms in the Colored Cube DanceAlexandre Popoff, Corentin Guichaoua, Moreno Andreatta. 41-47 [doi]
- Combinatorial SpacesRobert W. Peck. 48-60 [doi]
- Euler's "Tentamen": Historical and Mathematical Aspects on the Consonance TheorySonia Cannas, Maria Polo. 61-72 [doi]
- A Projection-Oriented Mathematical Model for Second-Species CounterpointOctavio Alberto Agustín-Aquino, Guerino Mazzola. 75-85 [doi]
- When Virtual Reality Helps Fathom Mathemusical Hyperdimensional ModelsGilles Baroin, Stéphane de Gérando. 86-98 [doi]
- SUM Classes and Quotient Generalized Interval SystemsDavid Orvek, David Clampitt. 99-111 [doi]
- Extended Vuza CanonsGreta Lanzarotto, Ludovico Pernazza. 112-126 [doi]
- Some Mathematical and Computational Relations Between Timbre and ColorMaria Mannone, Juan Sebastián Arias-Valero. 127-139 [doi]
- Transformations for Pairwise Well-Formed ModesThomas Noll 0002, David Clampitt. 140-152 [doi]
- Spline Modeling of Audio Signals with Cycle InterpolationMatt Klassen. 155-167 [doi]
- Transposition and Time-Scaling Invariant Algorithm for Detecting Repeated Patterns in Polyphonic MusicAntti Laaksonen, Kjell Lemström, Otso Björklund. 168-179 [doi]
- On the Memory Usage of the SIA Algorithm Family for Symbolic Music Pattern DiscoveryAntti Laaksonen, Kjell Lemström. 180-191 [doi]
- A Proposal to Compare the Similarity Between Musical Products. One More Step for Automated Plagiarism Detection?Aarón López-García, Brian Martínez-Rodríguez, Vicente Liern. 192-204 [doi]
- A New Fitness Function for Evolutionary Music CompositionBrian Martínez-Rodríguez. 205-217 [doi]
- A Mathematical Model of Tonal Function (I): Voice LeadingsIsaac del Pozo, Francisco Gómez 0001. 218-230 [doi]
- A Mathematical Model of Tonal Function (II): ModulationIsaac del Pozo, Francisco Gómez 0001. 231-239 [doi]
- Hypercube + Rubik's Cube + Music = HyperCubeHarmonicMaria Mannone, Takashi Yoshino 0004, Pascal Chiu, Yoshifumi Kitamura. 240-252 [doi]
- Mathematical Morphology Operators for Harmonic AnalysisGonzalo Romero-García, Isabelle Bloch, Carlos Agón. 255-266 [doi]
- Computational Analysis of Musical Structures Based on Morphological FiltersPaul Lascabettes, Carlos Agón, Moreno Andreatta, Isabelle Bloch. 267-278 [doi]
- Non-spectral Transposition-Invariant Information in Pitch-Class Sets and DistributionsJason Yust, Emmanuel Amiot. 279-291 [doi]
- Tetrachordal Folding OperationsJason Yust. 292-303 [doi]
- Continuous Chromagrams and Pseudometric Spaces of Sound SpectraJordan Lenchitz, Anthony Coniglio. 307-318 [doi]
- N2D3P9Dave Keenan, Douglas Blumeyer. 319-330 [doi]
- Performing Easley Blackwood's Twelve Microtonal Etudes: An Open-Source Software Development ProjectRichard Leinecker, William R. Ayers. 331-339 [doi]
- Identifying Metric Types with Optimized DFT and Autocorrelation ModelsMatt Chiu, Jason Yust. 343-348 [doi]
- Persistent Homology on Musical BarsVictoria Callet. 349-355 [doi]
- Formal Structures of a Harmony in the ParabolaEdgar Armando Delgado Vega. 356-362 [doi]
- midiVERTO: A Web Application to Visualize Tonality in Real TimeDaniel Harasim, Giovanni Affatato, Fabian C. Moss. 363-368 [doi]
- Quantum-Musical Explorations on $\mathbb {Z}_n$Thomas Noll 0002, Peter beim Graben. 369-375 [doi]
- The Mystery of Anatol Vieru's Periodic Sequences UnveiledLuisa Fiorot, Alberto Tonolo, Riccardo Gilblas. 376-382 [doi]
- Benford's Law and Music Note FrequenciesSybil Prince Nelson, Brian Wickman, Jack Null, Eric Gazin. 383-389 [doi]
- Altered Chord AlternativesLauren C. Ruth. 390-397 [doi]
- Information Synthesis of Time-Geometry QCurve for Music RetrievalShannon Steinmetz, Ellen Gethner. 398-404 [doi]
- Investigating Style with Scale EmbeddingsMatt Chiu. 405-410 [doi]