Table of Contents

• EpipE: Exploration of the Uilleann Pipes as a Potential Controller for Computer-Based MusicCormac Cannon, Stephen Hughes, M. Sile O Modhrain. 3-8 [doi]
• HyperPuja: A Tibetan Singing Bowl ControllerDiana Young, Georg Essl. 9-14 [doi]
• THE PIPE: Explorations with Breath ControlGary P. Scavone. 15-18 [doi]
• The STRIMIDILATOR, a String Controlled MIDI-InstrumentMarije A. J. Baalman. 19-23 [doi]
• Microcontrollers in Music HCI Instruction - Reflections on our Switch to the Atmel AVR PlatformScott Wilson, Michael Gurevich, Bill Verplank, Pascal Stang. 24-29 [doi]
• Mixxx: Towards Novel DJ InterfacesTue Haste Andersen. 30-35 [doi]
• Score Following: State of the Art and New DevelopmentsNicola Orio, Serge Lemouton, Diemo Schwarz, Norbert Schnell. 36-41 [doi]
• Indirect Acquisition of Instrumental Gesture Based on Signal, Physical and Perceptual InformationCaroline Traube, Philippe Depalle, Marcelo M. Wanderley. 42-48 [doi]
• Bio-Sensing Systems and Bio-Feedback Systems for Interactive Media ArtsYoichi Nagashima. 48-53 [doi]
• Characterizing and Controlling Musical Material Intuitively with Geometric ModelsAli Momeni, David Wessel. 54-62 [doi]
• Composing for the (dis)Embodied Ensemble: Notational Systems in (dis)AppearancesMatthew Burtner. 63-69 [doi]
• Sonigraphical Instruments: From FMOL to the reacTable*Sergi Jordà. 70-76 [doi]
• Ergonomic Design of a Portable Musical InstrumentMotohide Hatanaka. 77-82 [doi]
• Sound Kitchen: Designing a Chemically Controlled Musical PerformanceHiroko Shiraiwa, Rodrigo Segnini, Vivian Woo. 83-86 [doi]
• TGarden: Wearable Instruments and Augmented PhysicalityJoel Ryan, Christopher Salter. 87-90 [doi]
• Duet Musical Companion: Improvisational Interfaces for ChildrenDavid Ventura, Kenji Mase. 91-94 [doi]
• Force Feedback Gesture Controlled Physical Modelling SynthesisDavid M. Howard, Stuart Rimell, Andy Hunt. 95-98 [doi]
• Real-time Adaptive Control of Modal SynthesisReynald Hoskinson, Kees van den Doel, Sidney Fels. 99-103 [doi]
• Playability Evaluation of a Virtual Bowed String InstrumentDiana Young, Stefania Serafin. 104-108 [doi]
• Sonic City: The Urban Environment as a Musical InterfaceLalya Gaye, Ramia Mazé, Lars Erik Holmquist. 109-115 [doi]
• Designing, Playing, and Performing with a Vision-based Mouth InterfaceMichael J. Lyons, Michael Haehnel, Nobuji Tetsutani. 116-120 [doi]
• E-mic: Extended Mic-stand Interface ControllerDonna Hewitt, Ian Stevenson. 122-128 [doi]
• Contexts of Collaborative Musical ExperiencesTina Blaine, Sidney Fels. 129-134 [doi]
• MidiGrid: Past, Present and FutureAndy Hunt, Ross Kirk. 135-139 [doi]
• Bimanuality in Alternate Musical InstrumentsLoïc Kessous, Daniel Arfib. 140-145 [doi]
• An Experimental Set of Hand Gestures for Expressive Control of Musical Parameters in RealtimePaul Modler, Tony Myatt, Michael Saup. 146-150 [doi]
• Immersion Music: A Progress ReportTeresa Marrin Nakra. 151-152 [doi]
• OpenSound Control: State of the Art 2003Matthew Wright, Adrian Freed, Ali Momeni. 153-159 [doi]
• Gestural Control of Music Using the Vicon 8 Motion Capture SystemChristopher Dobrian, Frédéric Bevilacqua. 161-163 [doi]
• Why Always Versatile?: Dynamically Customizable Musical Instruments Facilitate Expressive PerformancesKazushi Nishimoto, Chika Oshima, Yohei Miyagawa. 164-169 [doi]
• Block Jam: A Tangible Interface for Interactive MusicHenry Newton Dunn, Hiroki Nakano, James Gibson. 170-177 [doi]
• The Gluiph: a Nucleus for Integrated InstrumentsSukandar Kartadinata. 180-183 [doi]
• Pointing Fingers: Using Multiple Direct Interactions with Visual Objects to Perform MusicJean-Michel Couturier, Daniel Arfib. 184-187 [doi]
• LEMUR GuitarBot: MIDI Robotic String InstrumentEric Singer, Kevin Larke, David Bianciardi. 188-191 [doi]
• An Interface for Real-time Classification of Articulations Produced by Violin BowingChad Peiper, David Warden, Guy Garnett. 192-197 [doi]
• Convolution Brother s Instrument DesignZack Settel, Cort Lippe. 197-200 [doi]
• A Component Model of Gestural Primitive ThroughputInsook Choi. 201-204 [doi]
• The Hyper-FluteCléo Palacio-Quintin. 206-207 [doi]
• SensorBox: Practical Audio Interface for Gestural PerformanceJesse T. Allison, Timothy A. Place. 208-210 [doi]
• Multi-Conductor: An Onscreen Polymetrical Conducting and Notation Display SystemKevin C. Baird. 211-212 [doi]
• Dsp.rack: Laptop-based Modular, Programmable Digital Signal Processing and Mixing for Live PerformanceBill Kleinsasser. 213-215 [doi]
• BASIS: A Genesis in Musical InterfacesMathew Laibowitz. 216-217 [doi]
• Head-Tracking for Gestural and Continuous Control of Parameterized Audio EffectsDavid Merrill. 218-219 [doi]
• Sonic Banana: A Novel Bend-Sensor-Based MIDI ControllerEric Singer. 220-221 [doi]
• SodaconductorDavid Muth, Ed Burton. 222-224 [doi]
• EoBody: a Follow-up to AtoMIC Pro s TechnologyEmmanuel Fléty, Marc Sirguy. 225-226 [doi]
• Dual-Use Technologies for Electronic Music Controllers: A Personal PerspectiveJoseph A. Paradiso. 228-234 [doi]
• ACROE-ICA. Artistic Creation and Computer Interactive Multisensory Simulation Force Feedback Gesture TransducersClaude Cadoz, Annie Luciani, Jean-Loup Florens, Nicolas Castagné. 235-246 [doi]