Abstract is missing.
- A History of Buchla s Musical InstrumentsDon Buchla. 1 [doi]
- A Personal Chronology of Audiovisual Systems ResearchGolan Levin. 2-3 [doi]
- Causality and Striking the Right NoteWilliam Buxton. 4 [doi]
- Not Hyper, Not Meta, Not Cyber but Infra-InstrumentsJohn Bowers, Phil Archer. 5-10 [doi]
- Experiments with Virtual Reality InstrumentsTeemu Mäki-Patola, Aki Kanerva, Juha Laitinen, Tapio Takala. 11-16 [doi]
- iltur - Connecting Novices and Experts Through Collaborative ImprovisationGil Weinberg, Scott Driscoll. 17-22 [doi]
- Multi-user Instruments: Models, Examples and PromisesSergi Jordà. 23-26 [doi]
- The Convergence of Alternate Controllers and Musical Interfaces in Interactive EntertainmentTina Blaine. 27-33 [doi]
- The Overtone ViolinDan Overholt. 34-37 [doi]
- SCUBA: The Self-Contained Unified Bass AugmenterJuan Pablo Cáceres, Gautham J. Mysore, Jeffrey Treviño. 38-41 [doi]
- Gyrotyre. A Hand-held Dynamic Computer-Music Controller Based on a Spinning WheelElliot Sinyor, Marcelo M. Wanderley. 42-45 [doi]
- The Smart Controller WorkbenchAngelo Fraietta. 46-49 [doi]
- A Large-Scale Networked Robotic Musical Instrument InstallationEric Singer. 50-55 [doi]
- Teabox: A Sensor Data Interface SystemJesse T. Allison, Timothy A. Place. 56-59 [doi]
- Learning Advanced Skills on New Instruments (or practising scales and arpeggios on your NIME)Sageev Oore. 60-65 [doi]
- Orb3 - Adaptive Interface for Realtime Sound Synthesis & Diffusion within Socially Mediated SpacesDan Livingstone, Eduardo Reck Miranda. 65-69 [doi]
- Scrubber: An Interface for Friction-induced SoundsGeorg Essl, M. Sile O Modhrain. 70-75 [doi]
- Wireless Dance Control: PAIR and WISEARPeter Swendsen, David Topper. 76-79 [doi]
- McBlare: A Robotic Bagpipe PlayerRoger B. Dannenberg, Ben Brown, Garth Zeglin, Ron Lupish. 80-84 [doi]
- MnM: a Max/MSP mapping toolboxFrédéric Bevilacqua, Remy Muller, Norbert Schnell. 85-88 [doi]
- A Graphical Interface for Intuitive Signal RoutingJean-Marc Pelletier. 89-92 [doi]
- Frequency Content of Breath Pressure and Implications for Use in ControlGary P. Scavone, Andrey R. da Silva. 93-96 [doi]
- Tangible Acoustic Interfaces and their Applications for the Design of New Musical InstrumentsAlain Crevoisier, Pietro Polotti. 97-100 [doi]
- The Metasurface: Applying Natural Neighbour Interpolation to Two-to-Many MappingRoss Bencina. 101-104 [doi]
- On the Use of Flute Air Jet as A Musical Control VariableAndrey R. da Silva, Marcelo M. Wanderley, Gary P. Scavone. 105-108 [doi]
- Sound and music control using haptic and visual feedback in the PHASE installationXavier Rodet, Jean-Philippe Lambert, Roland Cahen, Thomas Gaudy, Florian Gosselin, Fabrice Guedy, Pascal Mobuchon. 109-114 [doi]
- Sounds from Shapes: Audiovisual Performance with Hand Silhouette Contours in The Manual Input SessionsGolan Levin, Zachary Lieberman. 115-120 [doi]
- HandySinger: Expressive Singing Voice Morphing using Personified Hand-puppet InterfaceTomoko Yonezawa, Noriko Suzuki, Kenji Mase, Kiyoshi Kogure. 121-126 [doi]
- Sonification of Facial Actions for Musical ExpressionMathias Funk, Kazuhiro Kuwabara, Michael J. Lyons. 127-131 [doi]
- Voice-controlled plucked bass guitar through two synthesis techniquesJordi Janer. 132-135 [doi]
- Bridging the Gap Between Art and Science Education Through Teaching Electronic Musical Instrument DesignPaul D. Lehrman. 136-139 [doi]
- The [hid] toolkit: a unified framework for instrument designHans-Christoph Steiner. 140-143 [doi]
- User Interface Comparison for Virtual DrumsTeemu Mäki-Patola. 144-147 [doi]
- GoingPublik: Using Realtime Global Score SynthesisArthur Clay, Thomas M. Frey, Jürg Gutknecht. 148-151 [doi]
- Connecting strangers at a train stationOle Gregersen, Lars Pellarin, Jakob Olsen, Niels Böttcher, Michel Guglielmi, Stefania Serafin. 152-155 [doi]
- Pocket Gamelan: a Pure Data interface for java phonesGreg Schiemer, Mark Havryliv. 156-169 [doi]
- Sustainable: a dynamic, robotic, sound installationDavid Birchfield, David Lorig, Kelly Phillips. 160-163 [doi]
- CyberSongPaulo Maria Rodrigues, Luís Miguel Girão, Rolf Gehlhaar. 164-167 [doi]
- boomBoxJamie Allen. 168-171 [doi]
- The Wahwactor: A Voice Controlled Wah-Wah PedalAlex Loscos, Thomas Aussenac. 172-175 [doi]
- Location33: A Mobile MusicalWilliam B. Carter, Leslie S. Liu. 176-179 [doi]
- Bangarama: Creating Music with HeadbangingLaszlo Bardos, Stefan Korinek, Eric Lee, Jan Borchers. 180-183 [doi]
- Network Latency Adaptive Tempo in the Public Sound Objects SystemAlvaro Barbosa, Jorge Cardoso, Gunter Geiger. 184-187 [doi]
- Pin&Play&Perform: A rearrangeable tangible interface for musical composition and performanceNicolas Villar, Adam Lindsay, Hans-Werner Gellersen. 188-191 [doi]
- Towards a Dimension Space for Musical ArtifactsDavid Birnbaum, Rebecca Fiebrink, Joseph Malloch, Marcelo M. Wanderley. 192-195 [doi]
- Yeah, ChucK It! => Dynamic, Controllable Interface MappingGe Wang, Ananya Misra, Ajay Kapur, Perry R. Cook. 196-199 [doi]
- A Comparison of Sensor Strategies for Capturing Percussive GesturesAdam R. Tindale, Ajay Kapur, George Tzanetakis, Peter F. Driessen, Andrew Schloss. 200-203 [doi]
- The Role of Time in Engineering Computer Music SystemsEric Lee, Jan Borchers. 204-207 [doi]
- Spinner: A Simple Approach to Reconfigurable User InterfacesShigeru Kobayashi, Masayuki Akamatsu. 208-211 [doi]
- ixi software: The Interface as InstrumentThor Magnusson. 212-215 [doi]
- Toward Direct Brain-Computer Musical InterfacesEduardo Reck Miranda, Andrew Brouse. 216-219 [doi]
- Using Music to Interact with a Virtual CharacterRobyn Taylor, Daniel Torres, Pierre Boulanger. 220-223 [doi]
- ESP: A Driving Interface for Expression SynthesisElaine Chew, Alexandre R. J. François, Jie Liu, Aaron Yang. 224-227 [doi]
- On interface expressivity: A player based studyCornelius Poepel. 228-231 [doi]
- REMUPP - An Interactive Tool for Investigating Musical Properties and RelationsJohnny Wingstedt, Mats Liljedahl, Stefan Lindberg, Jan Berg. 232-235 [doi]
- Real-Time Performance Controllers for Synthesized SingingPerry R. Cook. 236-237 [doi]
- Musical Score Generation in Valses and EtudesDavid Kim-Boyle. 238-239 [doi]
- Real-Time Generation of Music Notation via Audience Interaction Using Python and GNU LilypondKevin C. Baird. 240-241 [doi]
- SoniMime: Movement Sonification for Real-Time Timbre ShapingJesse Fox, Jennifer Carlile. 242-243 [doi]
- Precise Control on Compound CurvesRobert Huott. 244-245 [doi]
- Beat Boxing: Expressive Control for Electronic Music Performance and Musical ApplicationsDamondrick Jack, Robert Lugo. 246-247 [doi]
- The Airstick: A Free-Gesture ControllerUsing Infrared SensingIvan Franco. 248-249 [doi]
- OROBORO: A Collaborative Bi-Manual Controller with Interpersonal Haptic FeedbackJennifer Carlile, Björn Hartmann. 250-251 [doi]
- VIFE _alpha v.01: Real-time Visual Sound Installation performed by Glove-GestureDavid Rodriguez, Ivan Rodriguez. 252-253 [doi]
- SonictrollerDavid Hindman, Spencer Kiser. 254-255 [doi]
- Haptic Music ExercisesWilliam Verplank. 256-257 [doi]
- Multiple-Touch-Sensitive KeyboardJohn Eaton, Bob Moog. 258-259 [doi]
- Smart Controller / Bell Garden DemoAngelo Fraietta. 260-261 [doi]
- Swayway MIDI ChimesMauricio Melo, Doria Fan. 262-263 [doi]
- Bubbaboard and Mommaspeaker: Creating Digital Tonal Sounds from an Acoustic Percussive InstrumentDerek Wang. 264-265 [doi]
- The WiSe Box: a Multi-performer Wireless Sensor Interface using WiFi and OSCEmmanuel Fléty. 266-267 [doi]
- Soundstone: A 3-d wireless music controllerAdam Bowen. 268-269 [doi]
- IntriumAlain Guisan. 270 [doi]
- ContemplaceEric Socolofsky. 271 [doi]
- MoceanMaia Marinelli, Jared Lamenzo, Liubo Borissov. 272 [doi]
- HotStepJunkSeiichiro Matsumura. 273 [doi]
- EchologyMeghan Deutscher, Sidney Fels, Reynald Hoskinson, Sachiyo Takahashi. 274 [doi]