Table of Contents

• A streamlined workflow from Max/gen~ to modular hardwareGraham Wakefield. [doi]
• Gambiarra and Techno-Vernacular Creativity in NIME ResearchJoão Tragtenberg, Gabriel Albuquerque, Filipe Calegario. [doi]
• Investigation of a Novel Shape Sensor for Musical ExpressionAlex Champagne, Bob Pritchard, Paul Dietz, Sidney S. Fels. [doi]
• Canons for Conlon: Composing and Performing Multiple Tempi on the WebRoger B. Dannenberg. [doi]
• Synthetic Erudition Assist LatticeSofy Yuditskaya, Sophia Sun, Margaret Schedel. [doi]
• COSMIC: A Conversational Interface for Human-AI Music Co-CreationYixiao Zhang, Gus Xia, Mark Levy, Simon Dixon. [doi]
• Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple PendulumMatthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley. [doi]
• Designing and performing with Pandora's Box: transforming feedback physically and with algorithmsWard J. Slager. [doi]
• Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical PerformanceGeise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha 0001. [doi]
• Reactive Video: Movement Sonification for Learning Physical Activity with Adaptive Video PlaybackDoga Cavdir, Christopher Clarke, Patrick Chiu, Laurent Denoue, Don Kimber. [doi]
• Score-Transformer: A Deep Learning Aid for Music CompositionJeffrey A. T. Lupker. [doi]
• Quadrant: A Multichannel, Time-of-Flight Based Hand Tracking Interface for Computer MusicChris Chronopoulos. [doi]
• A Compositional Exploration of Computational Aesthetic Evaluation and AI BiasArtemi-Maria Gioti. [doi]
• Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME SensorsMichael Blandino, Edgar Berdahl. [doi]
• MapLooper: Live-looping of distributed gesture-to-sound mappingsChristian Frisson, Mathias Bredholt, Joseph W. Malloch, Marcelo M. Wanderley. [doi]
• Amstramgrame: Making Scientific Concepts More Tangible Through Music Technology at SchoolRomain Michon, Catinca Dumitrascu, Sandrine Chudet, Yann Orlarey, Stéphane Letz, Dominique Fober. [doi]
• The T-Stick Music Creation Project: An approach to building a creative community around a DMITakuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley. [doi]
• Creativity in Children's Digital Music CompositionCorey Ford 0002, Nick Bryan-Kinns, Chris Nash. [doi]
• The Rullen BandMaria Svahn, Josefine Hölling, Fanny Curtsson, Nina Nokelainen. [doi]
• An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker William Thompson, Edgar Berdahl. [doi]
• Discourse is critical: Towards a collaborative NIME historyS. M. Astrid Bin. [doi]
• DMI Apprenticeship: Sharing and Replicating Musical ArtefactsLuis Zayas-Garin, Jacob Harrison, Robert Jack, Andrew McPherson 0002. [doi]
• RhumbLine: Plectrohyla Exquisita - Spatial Listening of Zoomorphic Musical RobotsMargaret Schedel, Brian Smith, Robert Cosgrove, Nick Hwang. [doi]
• Mono-Replay : a software tool for digitized sound animationThomas Lucas, Christophe d'Alessandro, Serge De Laubier. [doi]
• NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIMERaul Masu, Nuno N. Correia, Teresa Romão. [doi]
• Embracing Less Common Evaluation Strategies for Studying User Experience in NIMEP. J. Charles Reimer, Marcelo M. Wanderley. [doi]
• AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning ModelKoray Tahiroglu, Miranda Kastemaa, Oskar Koli. [doi]
• A Study on Learning Advanced Skills on Co-Playable Robotic InstrumentsSang-Won Leigh, Jeonghyun Lee. [doi]
• Latent Mappings: Generating Open-Ended Expressive Mappings Using Variational AutoencodersTim Murray Browne, Panagiotis Tigas. [doi]
• Reverse-Engineering The Transition Regions of Real-World DJ Mixes using Sub-band Analysis with Convex OptimizationTaejun Kim, Yi-Hsuan Yang, Juhan Nam. [doi]
• Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and MicrotoneDaniel Chin, Ian Zhang, Gus Xia. [doi]
• NIME and the Environment: Toward a More Sustainable NIME PracticeRaul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius. [doi]
• Sensitiv - Designing a Sonic Co-play Tool for Interactive DanceLisa Andersson López, Thelma Svenns, Andre Holzapfel. [doi]
• Embodied Gestures: Sculpting Energy-Motion Models into Musical InterfacesEnrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner. [doi]
• Making Mappings: Design Criteria for Live PerformanceTravis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley. [doi]
• Design of Hathaani - A Robotic Violinist for Carnatic MusicRaghavasimhan Sankaranarayanan, Gil Weinberg. [doi]
• Hybridization No. 1: Standing at the Boundary between Physical and Virtual SpaceMilton Riaño. [doi]
• Speculātor: visual soundscape augmentation of natural environmentsNathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei. [doi]
• Nerve Sensors in Inclusive Musical PerformanceLloyd May, Peter Larsson. [doi]
• Living Sounds: Live Nature Sound as Online Performance SpaceGershon Dublon, Xin Liu. [doi]
• Click: : RAND#2. An Indeterminate Sound SculpturePaul Dunham, Mo H. Zareei, Dale A. Carnegie, Dugal McKinnon. [doi]
• Virtuoso mapping for the Electrumpet, a hyperinstrument strategyHans Leeuw. [doi]
• Music Computing and Computational Thinking: A Case StudyKyriakos D. Tsoukalas, Ivica Bukvic. [doi]
• A Wearable Haptic Interface for Breath Guidance in Vocal TrainingYinmiao Li, Ziyue Piao, Gus Xia. [doi]
• 20 NIMEs: Twenty Years of New Interfaces for Musical ExpressionStefano Fasciani, Jackson Goode. [doi]
• HASGS: Five Years of Reduced Augmented EvolutionHenrique Portovedo, Paulo Ferreira-Lopes, Ricardo Mendes, Tiago Gala. [doi]
• Interaction Taxonomy for Sequencer-Based Music PerformancesStefan Püst, Lena Gieseke, Angela Brennecke. [doi]
• Entangled: A Multi-Modal, Multi-User Interactive Instrument in Virtual 3D Space Using the Smartphone for Gesture ControlMyungin Lee. [doi]
• Evaluation of Timbre-Based Control of a Parametric SynthesizerJeff Gregorio, Youngmoo E. Kim. [doi]
• Grisey's 'Talea': Musical Representation As An Interactive 3D MapAnne Sophie Andersen, Derek Kwan. [doi]
• Debris: A playful interface for direct manipulation of audio waveformsFrederic Anthony Robinson. [doi]
• Human noise at the fingertip: Positional (non)control under varying haptic × musical conditionsStaas de Jong. [doi]
• Toneblocks: Block-based musical programmingMichael Quigley, William Payne. [doi]
• The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical InstrumentsVincent Reynaert, Florent Berthaut, Yosra Rekik, Laurent Grisoni. [doi]
• Musical Grid Interfaces: Past, Present, and Future DirectionsBeat Rossmy, Alexander Wiethoff. [doi]
• Global Hyperorgan: a platform for telematic musicking and researchRandall Harlow, Mattias Petersson, Robert Ek, Federico Visi, Stefan Östersjö. [doi]
• Tune FieldGuadalupe Babio Fernandez, Kent Larson. [doi]
• Documentation and Replicability in the NIME CommunityFilipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley. [doi]
• Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred designAndrea Martelloni, Andrew McPherson 0002, Mathieu Barthet. [doi]
• The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual StudiesJoshua Ryan Lam, Charalampos Saitis. [doi]
• GIVME: Guided Interactions in Virtual Musical Environments: Damian Mills, Franziska Schroeder, John D'Arcy. [doi]
• Wireless Sound ModulesVivian Reuter, Lorenz Schwarz. [doi]
• The Body Electric: A NIME designed through and with the somatic experience of singingKelsey Cotton, Pedro Sanches 0001, Vasiliki Tsaknaki, Pavel Karpashevich. [doi]
• A Visualization Tool to Explore Interactive Sound InstallationsValérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley. [doi]
• Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbarAlice Eldridge, Chris Kiefer, Dan Overholt, Halldór Úlfarsson. [doi]
• Cross-Pollinating Ecological Perspectives in ADMI Design and EvaluationAlex Michael Lucas, Jacob Harrison, Franziska Schroeder, Miguel Ortiz. [doi]
• CHILLER: a Computer Human Interface for the Live Labeling of Emotional ResponsesClaire Pelofi, Michal Goldstein, Dana Bevilacqua, Michael McPhee, Ellie Abrams, Pablo Ripollés. [doi]
• A Yellow Box with a Key Switch and a 1/4" TRS Balanced Audio OutputMarinos Koutsomichalis. [doi]
• Bespoke AnywhereBenedict R. Gaster, Ryan Challinor. [doi]
• Transformer Neural Networks for Automated Rhythm GenerationThomas Nuttall, behzad haki, Sergi Jordà. [doi]
• Instrument Design for The Furies: A LaptOperaAnne Hege, Camille Noufi, Elena Georgieva, Ge Wang. [doi]
• Live Coding with the Cloud and a Virtual AgentAnna Xambó, Gerard Roma, Sam Roig, Eduard Solaz. [doi]
• Spire Muse: A Virtual Musical Partner for Creative BrainstormingNotto J. W. Thelle, Philippe Pasquier. [doi]
• Sounds of Futures Passed: Media Archaeology and Design Fiction as NIME MethodologiesDerek Holzer, Henrik Frisk, Andre Holzapfel. [doi]
• Algorithmic Power BalladsShelly Knotts. [doi]
• On Parallel Performance Practices: Some Observations on Personalizing DMIs as PercussionistsTimothy Roth, Aiyun Huang, Tyler Cunningham. [doi]
• Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical ExpressionAbby Aresty, Rachel Gibson. [doi]
• Emergent Polyrhythmic Patterns with a Neuromorph Electronic NetworkChristian Faubel. [doi]
• Aeolis: A Virtual Instrument Producing Pitched Tones With Soundscape TimbresLior Arbel. [doi]
• Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical GardenYi Wu, Jason Freeman 0001. [doi]
• LoopBlocks: Design and Preliminary Evaluation of an Accessible Tangible Musical Step SequencerAndreas Förster, Mathias Komesker. [doi]
• Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making ToolsEmma Frid, Alon Ilsar. [doi]
• Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E's Model and DMIsIsabela Corintha Almeida, Giordano Cabral 0001. [doi]
• Musical Exploration of Volumetric Textures in Mixed and Virtual RealityFlorent Berthaut. [doi]
• TouchGrid - Combining Touch Interaction with Musical Grid InterfacesBeat Rossmy, Sebastian Unger, Alexander Wiethoff. [doi]
• Interpolating Audio and Haptic Control SpacesJuliette Regimbal, Marcelo M. Wanderley. [doi]
• What to Play and How to Play it: Guiding Generative Music Models with Multiple DemonstrationsJon Gillick, David Bamman. [doi]
• SoftMRP: a Software Emulation of the Magnetic Resonator PianoJonathan Pitkin. [doi]