Table of Contents

• Explorator Genus: Designing Transportable Mechatronic Sound Objects for Outdoor Installation ArtNathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei. [doi]
• The O in NIME: Reflecting on the Importance of Reusing and Repurposing Old Musical InstrumentsRaul Masu, Fabio Morreale, Alexander Refsum Jensenius. [doi]
• The BioSynth - an affective biofeedback device grounded in feminist thoughtErin M. Gee. [doi]
• Dinosaur Choir: Designing for Scientific Exploration, Outreach, and Experimental MusicCourtney Brown, Thomas Dudgeon, Cezary Gajewski. [doi]
• "WYPYM": A Study for Feedback-Augmented Bass ClarinetClaudio Panariello, Chiara Percivati. [doi]
• Building hybrid performances with DMIs, Hubs and FaustMichal Seta, Dirk J. Stromberg, D. Andrew Stewart. [doi]
• Co-Creatives Spaces: The machine as a collaboratorNotto J. W. Thelle, Bernt Isak Wærstad. [doi]
• Jacdac-for-Max: Plug-and-Play Physical Prototyping of Musical InterfacesKobi Hartley, Steve Hodges 0001, Joe Finney. [doi]
• An embedded wavetable synthesizer for the electronic bandoneon with parameter mappings based on acoustical measurementsJuan Mariano Ramos, Pablo Ernesto Riera, Esteban Calcagno. [doi]
• Soundwalking Deep Latent SpacesHugo Scurto, Ludmila Postel. [doi]
• Towards the T-Tree 2.0: Lessons Learned From Performance With a Novel DMI and Instrument HubPaul Buser, Kasey Pocius, Linnea Kirby, Marcelo M. Wanderley. [doi]
• Mobility, Space and Sound Activate Expressive Musical Experience in Augmented RealityYichen Wang, Mingze XI, Matt Adcock, Charles Patrick Martin. [doi]
• The Hapstrument: A Bimanual Haptic Interface for Musical ExpressionJonathan Lane-Smith, Derrek Chow, Sahand Ajami, Jeremy R. Cooperstock. [doi]
• A FLexible musical instrument Augmentation that is Programmable, Integrated in a Box (FLAPIBox)Erik Stifjell. [doi]
• Reembodied Sound and Transducer-actuated Instruments in Refraction InterludeMatthew Goodheart. [doi]
• Touch Interaction for Corpus-based Audio-Visual SynthesisDiemo Schwarz. [doi]
• Sound guiding action: the effect of timbre on learning a new percussive DMI for beginner musiciansOlivia B. Smith, Matthew Rodger, Maarten van Walstijn, Miguel Ortiz. [doi]
• A Hapless But Entertaining Roar: Developing a Room Feedback System through Artistic Research and Aesthetic ReflectionJohn M. Bowers. [doi]
• TAILSPIN: An Inquiry into the Audio-Visual Feedback EquilibriumCosta K. Colachis Glass, Fabio Morreale. [doi]
• Morphological evolution of musical interface: design case studiesSergey K. Kasich. [doi]
• FAUST Multiplatform toolbox for Body Brain Digital Musical InstrumentsDavid Fierro, Alain Bonardi, Atau Tanaka. [doi]
• A Human-Agents Music Performance System in an Extended Reality EnvironmentPedro Pablo Lucas, Stefano Fasciani. [doi]
• Affordable Speaker Arrays for Education and ArtistsFernando Lopez-Lezcano, Michael Mulshine. [doi]
• The implementation of envelope based complex mapping strategies to extend and augment human controlNicholas Canny. [doi]
• Laser Phase SynthesisDerek Holzer, Luka Aron, Andre Holzapfel. [doi]
• AbletonOSC: A unified control API for Ableton LiveDaniel Jones. [doi]
• Interactive Neural ResonatorsRodrigo Diaz, Charalampos Saitis, Mark B. Sandler. [doi]
• Ergodynamics of String FeedbackHalldór Úlfarsson. [doi]
• Making Frugal Spatial Audio Systems Using Field-Programmable Gate ArraysRomain Michon, Joseph Bizien, Maxime Popoff, Tanguy Risset. [doi]
• The Hummellaphone: An Electromagnetically Actuated Instrument and Open-Source ToolkitAdam G. Schmidt, Michael Gurevich. [doi]
• Self-Sabotage Workshop: a starting point to unravel sabotaging of instruments as a design practiceTeodoro Dannemann, Nick Bryan-Kinns, Andrew McPherson 0002. [doi]
• Participatory Conceptual Design of Accessible Digital Musical Instruments using Generative AIHugh Aynsley, Tom Mitchell 0001, Dave Meckin. [doi]
• Shard-Speakers: An Inquiry into the History, Sonic Properties, and Musical Possibilities of Quartz Crystal Singing BowlsAnastasia Clarke. [doi]
• Ethically Aligned Stakeholder Elicitation (EASE): Case Study in Music-AIAnna-Kaisa Kaila, Petra Jääskeläinen, Andre Holzapfel. [doi]
• MuGeVI: A Multi-Functional Gesture-Controlled Virtual InstrumentYue Yang, Zhaowen Wang, Zijin Li. [doi]
• Live Coding Ensemble as Accessible ClassroomWilliam Christopher Payne, Matthew Kaney, Yuhua Cao, Eric Hao Xu, Xinran Shen, Katrina Lee, Amy Hurst. [doi]
• The Harvester: A DIY Sampler and Synthesizer - DemoJohann Diedrick. [doi]
• Joakinator: An Interface for Transforming Body Movement and Perception through Machine Learning and Sonification of Muscle-Tone and Force.Joaquín R. Díaz Durán, Laia Turmo Vidal, Ana Tajadura-Jiménez. [doi]
• The Puara Framework: Hiding complexity and modularity for reproducibility and usability in NIMEsEduardo A. L. Meneses, Thomas Piquet, Jason Noble, Marcelo M. Wanderley. [doi]
• Music jamming as a participatory design method. A case study with disabled musiciansTeodoro Dannemann. [doi]
• Transmitting Digital Lutherie Knowledge: The Rashomon Effect for DMI DesignersEevee Zayas-Garin, Charlotte Nordmoen, Andrew McPherson 0002. [doi]
• WebChucK: Computer Music Programming on the WebMichael Mulshine, Ge Wang, Chris Chafe, Jack Atherton, Terry Feng, Celeste Betancur. [doi]
• Legatus: Design and Exhibition of Loudspeaker-Based, Environmentally-Reactive, Soundscape Augmentation Artifacts in Outdoor Natural EnvironmentsNathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei. [doi]
• The Sabotaging Piano: key-to-pitch remapping as a source of new techniques in piano improvisationTeodoro Dannemann, Nick Bryan-Kinns. [doi]
• Oscillations: Composing a Performance Ecosystem through a Sonic Cyberfeminist Lens Patty J. Preece, Melania Jack, Giacomo Lepri. [doi]
• SHARP: Supporting Exploration and Rapid State Navigation in Live Coding MusicDouglas Bowman Jr., Daniel Manesh, Sang-Won Lee 0002. [doi]
• Machine Learning for Musical Expression: A Systematic Literature ReviewThéo Jourdan, Baptiste Caramiaux. [doi]
• Culture and Politics of Machine Learning in NIME: A Preliminary Qualitative InquiryThéo Jourdan, Baptiste Caramiaux. [doi]
• eTud, be: case studies in playing with musical agentsTommy Davis, Kasey Pocius, Vincent Cusson, Marcelo M. Wanderley, Philippe Pasquier. [doi]
• Redesigning the Chowndolo: a Reflection-on-action Analysis to Identify Sustainable Strategies for NIMEs DesignNicolo Merendino, Giacomo Lepri, Antonio Rodà, Raul Masu. [doi]
• Magnetic Interactions as a Somatosensory InterfaceNicola Privato, Thor Magnusson, Einar Torfi Einarsson. [doi]
• Brushing Interface - DIY multi-touch interface for expressive gestural performanceJaehoon Choi. [doi]
• Real-Time Co-Creation of Expressive Music Performances Using Speech and GesturesIlya Borovik, Vladimir Viro. [doi]
• Pipeline for recording datasets and running neural networks on the Bela embedded hardware platformTeresa Pelinski, Rodrigo Diaz, Adan L. Benito Temprano, Andrew McPherson 0002. [doi]
• Exploring the potential of interactive Machine Learning for Sound Generation: A preliminary study with sound artistsGerardo Meza. [doi]
• Missing the hubbub: Memory and Identity in the Interactive AudioXavier Barriga-Abril, Andres Basantes. [doi]
• LiveLily: An Expressive Live Sequencing and Live Scoring System Through Live Coding With the Lilypond LanguageAlexandros Drymonitis. [doi]
• Exploring the (un)ambiguous guitar: A Qualitative Study on the use of Gesture Disambiguation in Augmented Instrument DesignAdan L. Benito Temprano, Teodoro Dannemann, Andrew McPherson 0002. [doi]
• Time's up for the Myo? The smartwatch as a ubiquitous alternative for audio-gestural analyses.William Francis Wilson, Niccolò Granieri, Islah Ali-MacLachlan. [doi]
• LoopBoxes - Evaluation of a Collaborative Accessible Digital Musical InstrumentAndreas Förster, Alarith Uhde, Mathias Komesker, Christina Komesker, Irina Schmidt. [doi]
• Exploring Emerging Drumming Patterns in a Chaotic Dynamical System using ZRobSeyed Mojtaba Karbasi, Alexander Refsum Jensenius, Rolf Inge Godøy, Jim Torresen. [doi]
• The Rearranger Ball: Delayed Gestural Control of Musical Sound using Online Unsupervised Temporal SegmentationJuan Ignacio Mendoza Garay. [doi]
• Serge Modular Archive Instrument (SMAI): Bridging Skeuomorphic & Machine Learning Enabled InterfacesTed Moore, Jean Brazeau. [doi]
• Feel What You Don't Hear: A New Framework for Non-aural Music ExperiencesAoi Uyama, Danny Hynds, Dingding Zheng, George Chernyshov, Tatsuya Saito, Kai Kunze, Kouta Minamizawa. [doi]
• Improvise+=Chain: Listening to the Ensemble Improvisation of an Autoregressive Generative ModelAtsuya Kobayashi, Ryo Nishikado, Nao Tokui. [doi]
• HarMIDI: Sensor System To Read MIDI from Indian HarmoniumsSuraj Jaiswal, Vipul Arora 0001. [doi]
• MaxPy: An open-source Python package for text-based generation of MaxMSP patchesRanger Y. Liu, Satchel Peterson, Richard T. Lee, Mark Santolucito. [doi]
• SketchSynth: a browser-based sketching interface for sound controlSebastian Löbbers, George Fazekas. [doi]
• Musical pathways through the no-input mixerTom Mudd, Akira Brown. [doi]
• DIGITL A Reduction of GuitarSuso Romaris. [doi]
• Completing Audio Drum Loops with Symbolic Drum Suggestionsbehzad haki, Teresa Pelinski, Marina Nieto Giménez, Sergi Jordà. [doi]
• Dhvāni: Sacred Sounds and Decolonial MachinesBudhaditya Chattopadhyay. [doi]
• Tools and Techniques for the Maintenance and Support of Digital Musical InstrumentsAlbert-Ngabo Niyonsenga, Marcelo M. Wanderley. [doi]
• Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical NeedsJack Armitage, Thor Magnusson, Andrew McPherson 0002. [doi]
• Sensattice: An emerging collaborative and modular sound sculptureJonathan Diaz. [doi]
• The EAVI ExG Muscle/brain hybrid physiological sensingAtau Tanaka. [doi]
• Steelpan-specific pitch detection: a dataset and deep learning modelColin Malloy, George Tzanetakis. [doi]
• The Electrosteel: An Electronic Instrument Inspired by the Pedal Steel GuitarJeffrey Snyder, Davis Polito, Matthew Wang. [doi]
• Kraakavera: A Tribute to Michel WaisviszJuan Pablo Martinez-Avila. [doi]
• Addressing Barriers for Entry and Operation of a Distributed Signal Mapping FrameworkBrady Boettcher, Eduardo A. L. Meneses, Christian Frisson, Marcelo M. Wanderley, Joseph W. Malloch. [doi]
• T-Patch: a software application for T-Stick Digital Musical InstrumentsTakuto Fukuda, Marcelo M. Wanderley. [doi]
• Principles of Instrument and System Design for LaptOperasAnne Hege, Curtis Ullerich. [doi]
• Instructions Not Included: Dementia-Friendly approaches to DMI DesignJonathan Pigrem, Jennifer MacRitchie, Andrew McPherson 0002. [doi]
• Where Few NIMEs Have Gone Before: Lessons in instrument design from Star TrekS. M. Astrid Bin. [doi]
• Stringesthesia: Dynamically Shifting Musical Agency Between Audience and Performer Based on Trust in an Interactive and Improvised PerformanceTorin Hopkins, Emily Doherty, Netta Ofer, Suibi Che-Chuan Weng, Peter Gyory, Chad Tobin, Leanne M. Hirshfield, Ellen Yi-Luen Do. [doi]
• Sharing the Same Sound: Reflecting on Interactions between a Live Coder and a ViolinistFrancesco Ardan Dal Rì, Francesca Zanghellini, Raul Masu. [doi]
• Mixboard - A Co-Creative Mashup Application for NovicesRaghavasimhan Sankaranarayanan, Nitin Hugar, Qinying Lei, Thomas Ottolin, Hardik Goel, Gil Weinberg. [doi]
• AUGURY : an interface for generating soundscapes inspired by ancient divinationJuan C. Duarte Regino. [doi]
• CALM: Mapping yoga practice for gestural control to externalise traumatic experiencesSophie Rose. [doi]
• A Wearable Technology For Wind Musicians: Does It Matter How You Breathe?Lucie F. Jones, Jeffrey Boyd, Jeremy Brown, Hua Shen. [doi]
• The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception LoopVictor Shepardson, Thor Magnusson. [doi]
• Raw Data, Rough Mix: Towards an Integrated Practice of Making, Performance and PedagogyJohn Bowers 0001, John Richards, Tim Shaw, Robin Foster, Akihiro Kubota. [doi]
• EMG Sonification as a Tool for Functional Rehabilitation of Spinal-Cord Injury.José M. Corredera. [doi]
• A Scale-Based Ontology of Musical Instrument DesignJack Armitage, Thor Magnusson, Andrew McPherson 0002. [doi]
• A sustained relationship with large instruments - a case against the convenient interfaceIran Sanadzadeh, Chloë Sobek. [doi]
• Prehistoric NIME: Revisiting Research on New Musical Interfaces in the Computer Music Community before NIMEMarcelo M. Wanderley. [doi]
• SnakeSynth: New Interactions for Generative Audio SynthesisEric Easthope. [doi]
• The Feedback Mop Cello: An Instrument for Interacting with Acoustic Feedback LoopsHugh A. von Arnim, Stefano Fasciani, Çagri Erdem. [doi]
• Leveraging Android Phones to Democratize Low-level Audio ProgrammingCarla Sophie Tapparo, Brooke Chalmers, Victor Zappi. [doi]