Table of Contents

• Product Sound Design: Form, Function, and ExperienceCumhur Erkut, Stefania Serafin, Michael Hoby, Jonniy Sårde. [doi]
• Digital synthesis of impact soundsVasileios Chatziioannou. [doi]
• Rhythmic Persuasion Model: Shifting from Phatic to PersuasionHanif Baharin, Nadiah Zin. [doi]
• Towards an Enactive Swimming Sonification: Exploring Multisensory Design and Musical InterpretationGabriela Seibert, Daniel Hug, Markus Cslovjecsek. [doi]
• Multilayer Formats and the Semantic Web: a Music Case StudyAdriano Baratè, Goffredo Haus, Luca A. Ludovico. [doi]
• Echoes of reverb: from cave acoustics to sound designChristos A. Goussios, Nikolaos Tsinikas, Niovi Kitsiou. [doi]
• Emotional cues, emotional signals, and their contrasting effects on listener valenceJustin Christensen. [doi]
• Haptic and Visual feedback in 3D Audio Mixing InterfacesSteven Gelineck, Dan Overholt. [doi]
• Mobile Audio Intelligence: From Real Time Segmentation to Crowd Sourced SemanticsLazaros Vrysis, Nikolaos Tsipas, Charalampos Dimoulas, George Papanikolaou. [doi]
• Combined Auditory Warnings For Driving-Related InformationJohan Fagerlönn, Stefan Lindberg, Anna Sirkka. [doi]
• Chromatic Reconstruction and Musical Aberration: a survey into the Brain Synapses of MusicalityDionysios Politis, Dimitrios Margounakis, Miltiadis Tsaligopoulos, Georgios Kyriafinis. [doi]
• TouchNoise: A New Multitouch Interface for Creative Work with NoiseAxel Berndt, Nadia Al-Kassab, Raimund Dachselt. [doi]
• Analyzing and organizing the sonic space of vocal imitationsD. A. Mauro, D. Rocchesso. [doi]
• A confirmatory approach of the Luminance-Texture-Mass model for musical timbre semanticsAsterios I. Zacharakis, Konstantinos Pastiadis. [doi]
• Obtaining General Chord Types from Chroma VectorsMarcelo Queiroz, Maximos A. Kaliakatsos-Papakostas, Emilios Cambouropoulos. [doi]
• Gestural control in electronic music performance: sound design based on the `striking' and `bowing' movement metaphorsFrederic Robinson, Cedric Spindler, Volker Böhm, Erik Oña. [doi]
• Machine Learning Algorithms for Environmental Sound Recognition: Towards Soundscape SemanticsVasileios Bountourakis, Lazaros Vrysis, George Papanikolaou. [doi]
• The Sound of the Smell of my ShoesMark Grimshaw, Mads Walther-Hansen. [doi]
• The Delayed Medium: Hidden Matrices of Unheard Sound in Some Artistic Data-visualisation ExperimentsMorten Søndergaard. [doi]
• The StringPhone: a novel voice driven physically based synthesizerDavid Stubbe Teglbjærg, Jesper S. Andersen, Stefania Serafin. [doi]
• BF-Classifier: Background/Foreground Classification and Segmentation of Soundscape RecordingsMiles Thorogood, Jianyu Fan, Philippe Pasquier. [doi]
• Spatial Sound and Multimodal Interaction in Immersive EnvironmentsFrancesco Grani, Dan Overholt, Cumhur Erkut, Steven Gelineck, Georgios Triantafyllidis, Rolf Nordahl, Stefania Serafin. [doi]
• Learning Visual Programming by Creating a Walkable Interactive InstallationAristotelis Hadjakos, Heizo Schulze, André Düchting, Christian Metzger, Marc Ottensmann, Friederike Riechmann, Anna-Maria Schneider, Michael Trappmann. [doi]
• Augmenting Social Multimedia Semantic Interaction through Audio-Enhanced Web-TV ServicesNikolaos Tsipas, Panagiotis Zapartas, Lazaros Vrysis, Charalampos Dimoulas. [doi]
• Tonic: Combining Ranking and Clustering Dynamics for Music DiscoveryDimitrios Bountouridis, Jan Van Balen, Marcelo E. Rodríguez-López, Anna Aljanaki, Frans Wiering, Remco C. Veltkamp. [doi]
• Creating a Super Instrument: Composers and Pianists Reaching Beyond Their Technical and Expressive CapabilitiesMaria Kallionpää, Hans-Peter Gasselseder. [doi]
• A Wireless Acoustic Sensor Network for environmental monitoring based on flexible hardware nodesNicolas-Alexander Tatlas, Stelios M. Potirakis, Stelios A. Mitilineos, S. Despotopoulos, D. Nicolaidis, Maria Rangoussi. [doi]
• Embedding sound localization and spatial audio interaction through coincident microphones arraysN. Vryzas, Charalampos A. Dimoulas, George Papanikolaou. [doi]
• An automatic speech detection architecture for social robot oral interactionEmmanouil G. Tsardoulias, Andreas L. Symeonidis, Pericles A. Mitkas. [doi]
• Pyc2Sound: a Python tool to convert images into soundVincent Bragard, Thomas Pellegrini, Julien Pinquier. [doi]
• PC-based room correction for audioFotios Kontomichos, Nicolas-Alexander Tatlas, Panagiotis D. Hatziantoniou, Charalampos Papadakos. [doi]
• Die Neukoms. Local streamed live-performance with mobile devicesJeroen Visser, Raimund Vogtenhuber. [doi]
• The Role of Agency in Ludoacoustic Immersion: Experiencing Recorded Sound and Music in Situational ContextHans-Peter Gasselseder. [doi]
• The Impact of Sound Design on the Interpretation of Archive Silent Films. Meteora, (1924): A case studyChristos A. Goussios, Eleni Gkolfinopoulou, Dimitra Margaritidou, Ioannis Sykovaris, Konstantinos Stathis. [doi]
• Audio Feedback Design Principles for Hand Gestures in Audio-Only GamesWenjie Wu, Stefan Rank. [doi]
• RecApp: A mobile application for ubiquitous and collaborative audio processingEfstathios A. Sidiropoulos, Evdokimos I. Konstantinidis, Rigas G. Kotsakis, Andreas A. Veglis. [doi]
• Automatic Recognition of Eventfulness and Pleasantness of SoundscapeJianyu Fan, Miles Thorogood, Bernhard E. Riecke, Philippe Pasquier. [doi]
• Moodplay: an interactive mood-based musical experienceMathieu Barthet, György Fazekas, Alo Allik, Mark B. Sandler. [doi]
• Feature-Based Language Discrimination in Radio Productions via Artificial Neural TrainingRigas Kotsakis, A. Mislow, George Kalliris, Maria Matsiola. [doi]