Abstract is missing.
- Fifty Years of Computer Music: Ideas of the Past Speak to the FutureJohn Chowning. 1-10 [doi]
- Music Cognition: Learning, Perception, ExpectationsBarbara Tillmann. 11-33 [doi]
- Capturing Expressive and Indicative Qualities of Conducting Gesture: An Application of Temporal Expectancy ModelsDilip Swaminathan, Harvey D. Thornburg, Todd Ingalls, Stjepan Rajko, Jodi James, Ellen Campana, Kathleya Afanador, Randal J. Leistikow. 34-55 [doi]
- Musicians Outperform Nonmusicians in Speech ImitationBarbara Pastuszek-Lipinska. 56-73 [doi]
- Cognitive Styles and Computer-Based Creativity Support Systems: Two Linked Studies of Electro-acoustic Music ComposersBarry Eaglestone, Nigel Ford, Peter Holdridge, Jenny Carter, Catherine Upton. 74-97 [doi]
- The Usability of Music Theory Software: The Analysis of Twelve-Tone Music as a Case StudyTuukka Ilomäki. 98-109 [doi]
- Understanding Emotion in Raag: An Empirical Study of Listener ResponsesParag Chordia, Alex Rae. 110-124 [doi]
- The Artistic Play of Spatial Organization: Spatial Attributes, Scene Analysis and Auditory Spatial SchemataGary S. Kendall, Mauricio Ardila. 125-138 [doi]
- Semiotics of Sounds Evoking Motions: Categorization and Acoustic FeaturesAdrien Merer, Sølvi Ystad, Richard Kronland-Martinet, Mitsuko Aramaki. 139-158 [doi]
- Exploring Perceptual Based Timbre Feature for Singer IdentificationSwe Zin Kalayar Khine, Tin Lay Nwe, Haizhou Li. 159-171 [doi]
- Cognitive Implications of Musical PerceptionAdam Lockhart. 172-180 [doi]
- A Meta-analysis of Timbre Perception Using Nonlinear Extensions to CLASCALJohn Ashley Burgoyne, Stephen McAdams. 181-202 [doi]
- Real-Time Analysis of Sensory DissonanceJohn MacCallum, Aaron Einbond. 203-211 [doi]
- Multimodal Design for Enactive ToysAmalia de Götzen, Luca Mion, Federico Avanzini, Stefania Serafin. 212-222 [doi]
- Psychoacoustic Manipulation of the Sound-Induced Illusory FlashSonia Wilkie, Catherine Stevens, Roger Dean. 223-234 [doi]
- On Cross-Modal Perception of Musical Tempo and the Speed of Human MovementKathleya Afanador, Ellen Campana, Todd Ingalls, Dilip Swaminathan, Harvey D. Thornburg, Jodi James, Jessica Mumford, Gang Qian, Stjepan Rajko. 235-245 [doi]
- Between Mapping, Sonification and Composition: Responsive Audio Environments in Live PerformanceChristopher L. Salter, Marije A. J. Baalman, Daniel Moody-Grigsby. 246-262 [doi]
- Retrieving and Recreating Musical FormOle Kühl, Kristoffer Jensen. 263-275 [doi]
- Placement of Sound Sources in the Stereo Field Using Measured Room Impulse ResponsesWilliam D. Haines, Jesse R. Vernon, Roger B. Dannenberg, Peter F. Driessen. 276-287 [doi]
- Rule-Based Expressive Modifications of Tempo in Polyphonic Audio RecordingsMarco Fabiani, Anders Friberg. 288-302 [doi]
- Exploring the Perceptual Relevance of Inherent Variability of Drum SoundsMatthias Rath, Marcel Wältermann. 303-312 [doi]
- Improving Musical Expressiveness by Time-Varying Brightness ShapingMathieu Barthet, Richard Kronland-Martinet, Sølvi Ystad. 313-336 [doi]
- NN Music: Improvising with a Living ComputerMichael Young. 337-350 [doi]
- A Real-Time Genetic Algorithm in Human-Robot Musical ImprovisationGil Weinberg, Mark Godfrey, Alex Rae, John Rhoads. 351-359 [doi]
- A Musical Framework with Swarming RobotsYuta Uozumi, Masato Takahashi, Ryoho Kobayashi. 360-367 [doi]
- Emergent Rhythms through Multi-agency in Max/MSPArne Eigenfeldt. 368-379 [doi]
- Experiencing Audio and Music in a Fully Immersive EnvironmentXavier Amatriain, Jorge Castellanos, Tobias Höllerer, JoAnn Kuchera-Morin, Stephen Travis Pope, Graham Wakefield, Will Wolcott. 380-400 [doi]
- A Network-Based Framework for Collaborative Development and Performance of Digital Musical InstrumentsJoseph Malloch, Stephen Sinclair, Marcelo M. Wanderley. 401-425 [doi]
- The ImmApp: A Digital Application for Immersive Interaction with Sound Art ArchivesJ. Milo Taylor. 426-440 [doi]
- BioTools: A Biosignal Toolbox for Composers and PerformersMiguel Angel Ortiz Pérez, R. Benjamin Knapp. 441-452 [doi]
- Focus-Plus-Context Audio Interaction DesignDavid Gerhard, Brett Park, Jarrod Ellis. 453-477 [doi]
- Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive PerformanceRobert Hamilton. 478-486 [doi]
- DECONcert: Making Waves with Water, EEG, and MusicSteve Mann, James Fung, Ariel Garten. 487-505 [doi]