Table of Contents

• Computational Temporal Aesthetics; Relation Between Surprise, Salience and Aesthetics in Music and Audio SignalsShlomo Dubnov. 23
• Music Information Retrieval in ChucK; Real-Time Prototyping for MIR Systems & PerformanceGe Wang, Rebecca Fiebrink, Perry R. Cook. 23
• Social Tags and Music Information RetrievalPaul Lamere, Elias Pampalk. 24
• Survey of Symbolic Data for Music ApplicationsEleanor Selfridge-Field, Craig Stuart Sapp. 24
• COCHONUT: Recognizing Complex Chords from MIDI Guitar SequencesRicardo Scholz, Geber Ramalho. 27-32 [doi]
• Chord Recognition using Instrument Voicing ConstraintsXinglin Zhang, David Gerhard. 33-38 [doi]
• Automatic Chord Recognition Based on Probabilistic Integration of Chord Transition and Bass Pitch EstimationKouhei Sumi, Katsutoshi Itoyama, Kazuyoshi Yoshii, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. 39-44 [doi]
• A Discrete Mixture Model for Chord LabellingMatthias Mauch, Simon Dixon. 45-50 [doi]
• Tonal Pitch Step Distance: a Similarity Measure for Chord ProgressionsBas de Haas, Remco C. Veltkamp, Frans Wiering. 51-56 [doi]
• Evaluating and Visualizing Effectiveness of Style Emulation in Musical AccompanimentChing-Hua Chuan, Elaine Chew. 57-62 [doi]
• Characterisation of Harmony With Inductive Logic ProgrammingAmelie Anglade, Simon Dixon. 63-68 [doi]
• Structured Polyphonic PatternsMathieu Bergeron, Darrell Conklin. 69-74 [doi]
• A Music Database and Query System for Recombinant CompositionJames Maxwell, Arne Eigenfeldt. 75-80 [doi]
• Detection of Stream Segments in Symbolic Musical DataDimitrios Rafailidis, Alexandros Nanopoulos, Yannis Manolopoulos, Emilios Cambouropoulos. 83-88 [doi]
• A Comparison of Statistical and Rule-Based Models of Melodic SegmentationMarcus Pearce, Daniel Müllensiefen, Geraint A. Wiggins. 89-94 [doi]
• Speeding Melody Search With Vantage Point TreesMichael Skalak, Jinyu Han, Bryan Pardo. 95-100 [doi]
• A Manual Annotation Method for Melodic Similarity and the Study of Melody Feature SetsAnja Volk, Peter van Kranenburg, Jörg Garbers, Frans Wiering, Remco C. Veltkamp, Louis P. Grijp. 101-106 [doi]
• Melody Expectation Method Based on GTTM and TPSMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. 107-112 [doi]
• Automatic Identification of Simultaneous Singers in Duet RecordingsWei-Ho Tsai, Shih-Jie Liao, Catherine Lai. 115-120 [doi]
• Vocal Segment Classification in Popular MusicLing Feng, Andreas Brinch Nielsen, Lars Kai Hansen. 121-126 [doi]
• Learning Musical Instruments from Mixtures of Audio with Weak LabelsDavid Little, Bryan Pardo. 127-132 [doi]
• Instrument Equalizer for Query-by-Example Retrieval: Improving Sound Source Separation Based on Integrated Harmonic and Inharmonic ModelsKatsutoshi Itoyama, Masataka Goto, Kazunori Komatani, Tetsuya Ogata, Hiroshi G. Okuno. 133-138 [doi]
• A Real-time Equalizer of Harmonic and Percussive Components in Music SignalsNobutaka Ono, Kenichi Miyamoto, Hirokazu Kameoka, Shigeki Sagayama. 139-144 [doi]
• The PerlHumdrum and PerlLilypond Toolkits for Symbolic Music Information RetrievalIan Knopke. 147-152 [doi]
• Support for MIR Prototyping and Real-Time Applications in the ChucK Programming LanguageRebecca Fiebrink, Ge Wang, Perry R. Cook. 153-158 [doi]
• A Comparison of Signal Based Music Recommendation to Genre Labels, Collaborative Filtering, Musicological Analysis, Human Recommendation and Random BaselineTerence Magno, Carl Sable. 161-166 [doi]
• Kernel Expansion for Online Preference TrackingYvonne Moh, Joachim M. Buhmann. 167-172 [doi]
• Playlist Generation using Start and End SongsArthur Flexer, Dominik Schnitzer, Martin Gasser, Gerhard Widmer. 173-178 [doi]
• Accessing Music Collections Via Representative Cluster Prototypes in a Hierarchical Organization SchemeMarkus Dopler, Markus Schedl, Tim Pohle, Peter Knees. 179-184 [doi]
• Development of a Music Organizer for ChildrenSally Jo Cunningham, Edmond Zhang. 185-190 [doi]
• Development of an Automatic Music Selection System Based on Runner s Step FrequencyMasahiro Niitsuma, Hiroshi Takaesu, Hazuki Demachi, Masaki Oono, Hiroaki Saito. 193-198 [doi]
• A Robot Singer with Music Recognition Based on Real-Time Beat TrackingKazumasa Murata, Kazuhiro Nakadai, Kazuyoshi Yoshii, Ryu Takeda, Toyotaka Torii, Hiroshi G. Okuno, Yuji Hasegawa, Hiroshi Tsujino. 199-204 [doi]
• Streamcatcher: Integrated Visualization of Music Clips and Online Audio StreamsMartin Gasser, Arthur Flexer, Gerhard Widmer. 205-210 [doi]
• Music Thumbnailer: Visualizing Musical Pieces in Thumbnail Images Based on Acoustic FeaturesKazuyoshi Yoshii, Masataka Goto. 211-216 [doi]
• Ternary Semantic Analysis of Social Tags for Personalized Music RecommendationPanagiotis Symeonidis, Maria M. Ruxanda, Alexandros Nanopoulos, Yannis Manolopoulos. 219-224 [doi]
• Five Approaches to Collecting Tags for MusicDouglas Turnbull, Luke Barrington, Gert R. G. Lanckriet. 225-230 [doi]
• MoodSwings: A Collaborative Game for Music Mood Label CollectionYoungmoo Kim, Erik Schmidt, Lloyd Emelle. 231-236 [doi]
• Collective Annotation of Music from Multiple Semantic CategoriesZhiyao Duan, Lie Lu, Changshui Zhang. 237-242 [doi]
• MCIpa: A Music Content Information Player and Annotator for Discovering MusicGeoffroy Peeters, David Fenech, Xavier Rodet. 243-248 [doi]
• Connecting the Dots: Music Metadata Generation, Schemas and ApplicationsNik Corthaut, Sten Govaerts, Katrien Verbert, Erik Duval. 249-254 [doi]
• The Quest for Musical Genres: Do the Experts and the Wisdom of Crowds Agree?Mohamed Sordo, Ã’scar Celma, Martin Blech, Enric Guaus. 255-260 [doi]
• A Web of Musical InformationYves Raimond, Mark B. Sandler. 263-268 [doi]
• Using Audio Analysis and Network Structure to Identify Communities in On-Line Social Networks of ArtistsKurt Jacobson, Mark B. Sandler, Benjamin Fields. 269-274 [doi]
• Uncovering Affinity of Artists to Multiple Genres from Social Behaviour DataClaudio Baccigalupo, Enric Plaza, Justin Donaldson. 275-280 [doi]
• Hyperlinking Lyrics: A Method for Creating Hyperlinks Between Phrases in Song LyricsHiromasa Fujihara, Masataka Goto, Jun Ogata. 281-286 [doi]
• Oh Oh Oh Whoah! Towards Automatic Topic Detection In Song LyricsFlorian Kleedorfer, Peter Knees, Tim Pohle. 287-292 [doi]
• A Text Retrieval Approach to Content-Based Audio HashingMatthew Riley, Eric Heinen, Joydeep Ghosh. 295-300 [doi]
• A Music Identification System Based on Chroma Indexing and Statistical ModelingRiccardo Miotto, Nicola Orio. 301-306 [doi]
• Hubs and Homogeneity: Improving Content-Based Music ModelingMark Godfrey, Parag Chordia. 307-312 [doi]
• Learning a Metric for Music SimilarityMalcolm Slaney, Kilian Q. Weinberger, William White. 313-318 [doi]
• Clustering Music Recordings by Their KeysYuxiang Liu, Ye Wang, Arun Shenoy, Wei-Ho Tsai, Lianhong Cai. 319-324 [doi]
• Multi-Label Classification of Music into EmotionsKonstantinos Trohidis, Grigorios Tsoumakas, George Kalliris, Ioannis P. Vlahavas. 325-330 [doi]
• A Study on Feature Selection and Classification Techniques for Automatic Genre Classification of Traditional Malay MusicShyamala Doraisamy, Shahram Golzari, Noris Mohd. Norowi, Md Nasir Sulaiman, Nur Izura Udzir. 331-336 [doi]
• Rhyme and Style Features for Musical Genre Classification by Song LyricsRudolf Mayer, Robert Neumayer, Andreas Rauber. 337-342 [doi]
• Armonique: Experiments in Content-Based Similarity Retrieval using Power-Law Melodic and Timbre MetricsBill Z. Manaris, Dwight Krehbiel, Patrick Roos, Thomas Zalonis. 343-348 [doi]
• Content-Based Musical Similarity Computation using the Hierarchical Dirichlet ProcessMatthew Hoffman, David M. Blei, Perry R. Cook. 349-354 [doi]
• Hit Song Science Is Not Yet a ScienceFrançois Pachet, Pierre Roy. 355-360 [doi]
• A Framework for Automated Schenkerian AnalysisPhillip B. Kirlin, Paul E. Utgoff. 363-368 [doi]
• Music Structure Analysis Using a Probabilistic Fitness Measure and an Integrated Musicological ModelJouni Paulus, Anssi Klapuri. 369-374 [doi]
• Towards Quantitative Measures of Evaluating Song SegmentationHanna M. Lukashevich. 375-380 [doi]
• Towards Structural Alignment of Folk SongsJörg Garbers, Frans Wiering. 381-386 [doi]
• Joint Structure Analysis with Applications to Music Annotation and SynchronizationMeinard Müller, Sebastian Ewert. 389-394 [doi]
• Segmentation-Based Lyrics-Audio Alignment using Dynamic ProgrammingKyogu Lee, Markus Cremer. 395-400 [doi]
• Machine Annotation of Sets of Traditional Irish Dance TunesBryan Duggan, Brendan O Shea, Mikel Gainza, Padraig Cunningham. 401-406 [doi]
• Enhanced Bleedthrough Correction for Early Music Documents with Recto-Verso RegistrationJohn Ashley Burgoyne, Johanna Devaney, Laurent Pugin, Ichiro Fujinaga. 407-412 [doi]
• Automatic Mapping of Scanned Sheet Music to Audio RecordingsChristian Fremerey, Meinard Müller, Frank Kurth, Michael Clausen. 413-418 [doi]
• Gamera Versus Aruspix: Two Optical Music Recognition ApproachesLaurent Pugin, Jason Hockman, John Ashley Burgoyne, Ichiro Fujinaga. 419-424 [doi]
• Using the SDIF Sound Description Interchange Format for Audio FeaturesJuan José Burred, Carmine-Emanuele Cella, Geoffroy Peeters, Axel Röbel, Diemo Schwarz. 427-432 [doi]
• Using XQuery on MusicXML Databases for Musicological AnalysisJoachim Ganseman, Paul Scheunders, Wim D haes. 433-438 [doi]
• Application of the Functional Requirements for Bibliographic Records (FRBR) to MusicJenn Riley. 439-444 [doi]
• Online Activities for Music Information and Acoustics Education and Psychoacoustic Data CollectionTravis M. Doll, Raymond Migneco, Youngmoo E. Kim. 445-450 [doi]
• The Latin Music DatabaseCarlos Nascimento Silla Jr., Alessandro L. Koerich, Celso A. A. Kaestner. 451-456 [doi]
• The Liner Notes Digitization Project: Providing Users with Cultural, Historical, and Critical Music InformationMegan A. Winget. 457-461 [doi]
• The 2007 MIREX Audio Mood Classification Task: Lessons LearnedXiao Hu, J. Stephen Downie, Cyril Laurier, Mert Bay, Andreas F. Ehmann. 462-467 [doi]
• Audio Cover Song Identification: MIREX 2006-2007 Results and AnalysesJ. Stephen Downie, Mert Bay, Andreas F. Ehmann, M. Cameron Jones. 468-474 [doi]
• Music, Movies and Meaning: Communication in Film-Makers Search for Pre-Existing Music, and the Implications for Music Information RetrievalCharlie Inskip, Andy MacFarlane, Pauline Rafferty. 477-482 [doi]
• Performer Identification in Celtic Violin RecordingsRafael Ramirez, Alfonso Perez, Stefan Kersten. 483-488 [doi]
• A New Music Database Describing Deviation Information of Performance ExpressionsMitsuyo Hashida, Toshie Matsui, Haruhiro Katayose. 489-494 [doi]
• Using Expressive Trends for Identifying Violin P erformersMiguel Molina-Solana, Josep Lluís Arcos, Emilia Gómez. 495-500 [doi]
• Hybrid Numeric/Rank Similarity Metrics for Musical Performance AnalysisCraig Sapp. 501-506 [doi]
• Creating and Evaluating Multi-Phrase Music SummariesKonstantinos A. Meintanis, Frank M. Shipman III. 507-512 [doi]
• Multiple-Feature Fusion Based Onset Detection for Solo Singing VoiceChee-Chuan Toh, Bingjun Zhang, Ye Wang. 515-520 [doi]
• Multi-Feature Modeling of Pulse Clarity: Design, Validation and OptimizationOlivier Lartillot, Tuomas Eerola, Petri Toiviainen, José Fornari. 521-526 [doi]
• Fast MIR in a Sparse Transform DomainEmmanuel Ravelli, Gaël Richard, Laurent Daudet. 527-532 [doi]
• Detection of Pitched/Unpitched Sound using Pitch Strength ClusteringArturo Camacho. 533-537 [doi]
• Resolving Overlapping Harmonics for Monaural Musical Sound Separation using Fundamental Frequency and Common Amplitude ModulationJohn Woodruff, Yipeng Li, DeLiang Wang. 538-543 [doi]
• Non-Negative Matrix Division for the Automatic Transcription of Polyphonic MusicBernhard Niedermayer. 544-549 [doi]
• Perceptually-Based Evaluation of the Errors Usually Made When Automatically Transcribing MusicAdrien Daniel, Valentin Emiya, Bertrand David. 550-556 [doi]
• Social Playlists and Bottleneck Measurements: Exploiting Musician Social Graphs Using Content-Based Dissimilarity and Pairwise Maximum Flow ValuesBenjamin Fields, Christophe Rhodes, Michael Casey, Kurt Jacobson. 559-564 [doi]
• High-Level Audio Features: Distributed Extraction and Similarity SearchFrançois Deliège, Bee Yong Chua, Torben Bach Pedersen. 565-570 [doi]
• Extending Content-Based Recommendation: The Case of Indian Classical MusicParag Chordia, Mark Godfrey, Alex Rae. 571-576 [doi]
• Multiple-Instance Learning for Music Information RetrievalMichael I. Mandel, Daniel P. W. Ellis. 577-582 [doi]
• Music Genre Classification: A Multilinear ApproachIoannis Panagakis, Emmanouil Benetos, Constantine Kotropoulos. 583-588 [doi]
• Direct and Inverse Inference in Music Databases: How to Make at Song Funk?Patrick Rabbat, François Pachet. 589-594 [doi]
• Combining Features Extracted from Audio, Symbolic and Cultural SourcesCory McKay, Ichiro Fujinaga. 597-602 [doi]
• On the Use of Sparce Time Relative Auditory Codes for MusicPierre-Antoine Manzagol, Thierry Bertin-Mahieux, Douglas Eck. 603-608 [doi]
• A Robust Musical Audio Search Method Based on Diagonal Dynamic Programming Matching of Self-Similarity MatricesTomonori Izumitani, Kunio Kashino. 609-613 [doi]
• Combining Feature Kernels for Semantic Music RetrievalLuke Barrington, Mehrdad Yazdani, Douglas Turnbull, Gert R. G. Lanckriet. 614-619 [doi]
• Using Bass-line Features for Content-Based MIRYusuke Tsuchihashi, Tetsuro Kitahara, Haruhiro Katayose. 620-625 [doi]
• Timbre and Rhythmic TRAP-TANDEM Features for Music Information RetrievalNicolas Scaringella. 626-632 [doi]
• Quantifying Metrical AmbiguityPatrick Flanagan. 635-640 [doi]
• On Rhythmic Pattern Extraction in Bossa Nova MusicErnesto Trajano de Lima, Geber Ramalho. 641-646 [doi]
• Analyzing Afro-Cuban Rhythms using Rotation-Aware Clave Template Matching with Dynamic ProgrammingMatthew Wright, W. Andrew Schloss, George Tzanetakis. 647-652 [doi]
• Beat Tracking using Group Delay Based Onset DetectionAndre Holzapfel, Yannis Stylianou. 653-658 [doi]
• Using Statistic Model to Capture the Association between Timbre and Perceived TempoLinxing Xiao, Aibo Tian, Wen Li, Jie Zhou. 659-662 [doi]
• Rhythm Complexity Measures: A Comparison of Mathematical Models of Human Perception and PerformanceEric Thul, Godfried T. Toussaint. 663-668 [doi]
• N-Gram Chord Profiles for Composer Style RepresentationMitsunori Ogihara, Tao Li. 671-676 [doi]
• Fast Index Based Filters for Music RetrievalKjell Lemström, Niko Mikkila, Veli Mäkinen. 677-682 [doi]
• A Tunneling-Vantage Indexing Method for Non-MetricsRainer Typke, Agatha Walczak-Typke. 683-688 [doi]