Table of Contents

• NEXUS: Collaborative Performance for the Masses, Handling Instrument Interface Distribution through the WebJesse T. Allison, Yemin Oh, Benjamin Taylor. 1-6 [doi]
• Conjuring the Recorded Pianist: A New Medium to Experience Musical PerformanceXiao Xiao, Anna Pereira, Hiroshi Ishii. 7-12 [doi]
• Expressive Control of Indirect Augmented Reality During Live Music PerformancesLode Hoste, Beat Signer. 13-18 [doi]
• PAMDI Music Box: Primarily Analogico-Mechanical, Digitally Iterated Music BoxRebecca Kleinberger. 19-20 [doi]
• Toward an Emotionally Intelligent Piano: Real-Time Emotion Detection and Performer Feedback via Kinesthetic Sensing in Piano PerformanceMatan Ben-Asher, Colby Leider. 21-24 [doi]
• A Compact Spectrum-Assisted Human Beatboxing Reinforcement Learning Tool On SmartphoneSimon Lui. 25-28 [doi]
• The Third Room: A 3D Virtual Music FrameworkColin Honigman, Andrew Walton, Ajay Kapur. 29-34 [doi]
• PESI Extended System: In Space, On Body, with 3 MusiciansKoray Tahiroglu, Nuno N. Correia, Miguel Espada. 35-40 [doi]
• Stompboxes: Kicking the HabitGregory Burlet, Ichiro Fujinaga. 41-44 [doi]
• New Interfaces for Traditional Korean Music and DanceAjay Kapur, Dae Hong Kim, Raakhi Kapur, Kisoon Eom. 45-48 [doi]
• Generating an Integrated Musical Expression with a Brain-Computer InterfaceTakayuki Hamano, Tomasz Rutkowski, Hiroko Terasawa, Kazuo Okanoya, Kiyoshi Furukawa. 49-54 [doi]
• Hybrid Musicianship - Teaching Gestural Interaction with Traditional and Digital InstrumentsJan C. Schacher. 55-60 [doi]
• Towards Gestural Sonic AffordancesAlessandro Altavilla, Baptiste Caramiaux, Atau Tanaka. 61-64 [doi]
• Sound Spray - can-shaped sound effect deviceGibeom Park, Kyogu Lee. 65-68 [doi]
• Applied and Proposed Installations with Silent Disco Headphones for Multi-Elemental Creative ExpressionRussell Eric Dobda. 69-72 [doi]
• Lantern Field: Exploring Participatory Design of a Communal, Spatially Responsive InstallationBrennon Bortz, Aki Ishida, Ivica Ico Bukvic, R. Benjamin Knapp. 73-78 [doi]
• Multidimensional sound spatialization by means of chaotic dynamical systemsEdmar Soria, Roberto Morales-Manzanares. 79-83 [doi]
• Computer Assisted Melo-rhythmic Generation of Traditional Chinese Music from Ink Brush CalligraphyWill W. W. Tang, Stephen C. F. Chan, Grace Ngai, Hong Va Leong. 84-89 [doi]
• Hand-Controller for Combined Tactile Control and Motion TrackingLaurel Pardue, William Sebastian. 90-93 [doi]
• Towards Note-Level Prediction for Networked Music PerformanceReid Oda, Adam Finkelstein, Rebecca Fiebrink. 94-97 [doi]
• Rocking the Keys with a Multi-Touch InterfaceThomas Walther, Damir Ismailovic, Bernd Brügge. 98-101 [doi]
• Enabling Multimodal Mobile Interfaces for Musical PerformanceCharles Roberts, Angus Forbes, Tobias Höllerer. 102-105 [doi]
• Motion and Synchronization Analysis of Musical Ensembles with the KinectAristotelis Hadjakos, Tobias Grosshauser. 106-110 [doi]
• Sound Surfing Network (SSN): Mobile Phone-based Sound Spatialization with Audience CollaborationSaebyul Park, Seong-Hoon Ban, Dae Ryong Hong, Woon Seung Yeo. 111-114 [doi]
• Notesaaz: a new controller and performance idiomErfan Abdi Dezfouli, Edwin van der Heide. 115-117 [doi]
• Enactive Mandala: Audio-visualizing Brain WavesTomohiro Tokunaga, Michael J. Lyons. 118-119 [doi]
• A Musical Performance Evaluation System for Beginner Musician based on Real-time Score FollowingYoonchang Han, Sejun Kwon, Kibeom Lee, Kyogu Lee. 120-121 [doi]
• Air Violin: A Body-centric Style Musical InstrumentXin Fan, Georg Essl. 122-123 [doi]
• Remix_Dance 3: Improvisatory Sound Displacing on Touch Screen-Based InterfaceJaeseong You, Red Wierenga. 124-127 [doi]
• Muscular Interactions. Combining EMG and MMG sensing for musical practiceMarco Donnarumma, Baptiste Caramiaux, Atau Tanaka. 128-131 [doi]
• Fluid Simulation as Full Body Audio-Visual InstrumentAndrew Johnston. 132-135 [doi]
• Digiti Sonus: Advanced Interactive Fingerprint Sonification Using Visual Feature AnalysisYoon Chung Han, Byeong-jun Han, Matthew Wright. 136-141 [doi]
• Filtering Motion Capture Data for Real-Time ApplicationsStåle Andreas Skogstad. 142-147 [doi]
• Musical Poi (mPoi)Sangbong Nam. 148-151 [doi]
• Portable Measurement and Mapping of Continuous Piano GestureAndrew McPherson. 152-157 [doi]
• Reactive Environment for Network Music PerformanceDalia El-Shimy, Jeremy R. Cooperstock. 158-163 [doi]
• Rouages: Revealing the Mechanisms of Digital Musical Instruments to the AudienceFlorent Berthaut, Mark T. Marshall, Sriram Subramanian, Martin Hachet. 164-169 [doi]
• Audience Experience in Sound PerformanceChi-Hsia Lai, Till Bovermann. 170-173 [doi]
• SWARMED: Captive Portals, Mobile Devices, and Audience Participation in Multi-User Music PerformanceAbram Hindle. 174-179 [doi]
• Towards an Interface for Music Mixing based on Smart Tangibles and MultitouchSteven Gelineck, Dan Overholt, Morten Büchert, Jesper Andersen. 180-185 [doi]
• Adaptive mapping for improved pitch accuracy on touch user interfacesOlivier Perrotin, Christophe d'Alessandro. 186-189 [doi]
• LOLOL: Laugh Out Loud On LaptopJieun Oh, Ge Wang. 190-195 [doi]
• Kinectofon: Performing with Shapes in PlanesAlexander Refsum Jensenius. 196-197 [doi]
• Providing a feeling of other remote learners' presence in an online learning environment via realtime sonification of Moodle access logToshihiro Kita, Naotoshi Osaka. 198-199 [doi]
• Sonic Tennis: a rhythmic interaction game for mobile devicesStefano Baldan, Amalia de Götzen, Stefania Serafin. 200-201 [doi]
• A Function-Oriented Interface for Music Education and Musical Expressions: "the Sound Wheel"Shoken Kaneko. 202-205 [doi]
• Netpixl: Towards a New Paradigm for Networked Application DevelopmentDimitri Diakopoulos, Ajay Kapur. 206-209 [doi]
• note~ for Max - An extension for Max/MSP for Media Arts & musicThomas Resch. 210-212 [doi]
• Multi-Touch Interfaces for Phantom Source Positioning in Live Sound DiffusionBridget Johnson, Ajay Kapur. 213-216 [doi]
• Mobile DJ: a Tangible, Mobile Platform for Active and Collaborative Music ListeningKenneth W. K. Lo, Chi Kin Lau, Michael Xuelin Huang, Wai Wa Tang, Grace Ngai, Stephen C. F. Chan. 217-222 [doi]
• GrainProc: a real-time granular synthesis interface for live performanceMayank Sanganeria, Kurt Werner. 223-226 [doi]
• Mining Unlabeled Electronic Music Databases through 3D Interactive Visualization of Latent Component RelationshipsParag Kumar Mital, Mick Grierson. 227-232 [doi]
• Laptap: Laptop Computer as a Musical Instrument using Audio FeedbackDae Ryong Hong, Woon Seung Yeo. 233-236 [doi]
• Synchronous Data Flow Modeling for DMIsDanielle Bragg, Rebecca Fiebrink. 237-242 [doi]
• SoundCraft: Transducing StarCraft 2Mark Cerqueira, Spencer Salazar, Ge Wang. 243-247 [doi]
• BioSync: An Informed Participatory Interface for Audience Dynamics and Audiovisual Content Co-creation using Mobile PPG and EEGYuan-Yi Fan, F. Myles Sciotto. 248-251 [doi]
• Visual Associations in Augmented Keyboard PerformanceQi Yang, Georg Essl. 252-255 [doi]
• Impress: A Machine Learning Approach to Soundscape Affect Classification for a Music Performance EnvironmentMiles Thorogood, Philippe Pasquier. 256-260 [doi]
• Construction of a System for Recognizing Touch of Strings for GuitarHayami Tobise, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto. 261-266 [doi]
• Kontrol: Hand Gesture Recognition for Music and Dance InteractionKameron R. Christopher, Jingyin He, Raakhi Kapur, Ajay Kapur. 267-270 [doi]
• Development of A Learning Environment for Playing Erhu by Diagnosis and Advice regarding Finger Position on StringsFumitaka Kikukawa, Sojiro Ishihara, Masato Soga, Hirokazu Taki. 271-276 [doi]
• Sonifying Chemical EvolutionSteve Everett. 277-278 [doi]
• Variator: A Creativity Support Tool for Music CompositionAvneesh Sarwate, Rebecca Fiebrink. 279-282 [doi]
• cutting record - a record without (or with) prior acoustic informationKazuhiro Jo. 283-286 [doi]
• Graphic WaveshapingShawn Greenlee. 287-290 [doi]
• Fortissimo: Force-Feedback for Mobile DevicesTae Hong Park, Oriol Nieto. 291-294 [doi]
• Using Audio and Haptic Feedback to Improve Pitched Percussive Instrument Performance in HumanoidsAlyssa M. Batula, Manu Colacot, David Grunberg, Youngmoo E. Kim. 295-300 [doi]
• Updating the Classifications of Mobile Music ProjectsDavid John. 301-306 [doi]
• Toward The Future Practice Room: Empowering Musical Pedagogy through HyperinstrumentsJordan Hochenbaum, Ajay Kapur. 307-312 [doi]
• The Web Browser As Synthesizer And InterfaceCharles Roberts, Graham Wakefield, Matthew Wright. 313-318 [doi]
• Rainboard and Musix: Building dynamic isomorphic interfacesBrett Park, David Gerhard. 319-324 [doi]
• Embedded Networking and Hardware-Accelerated Graphics with Satellite CCRMAEdgar Berdahl, Spencer Salazar, Myles Borins. 325-330 [doi]
• Digitartic: bi-manual gestural control of articulation in performative singing synthesisLionel Feugère, Christophe d'Alessandro. 331-336 [doi]
• A New Wi-Fi based Platform for Wireless Sensor Data CollectionJim Tørresen, Yngve Hafting, Kristian Nymoen. 337-340 [doi]
• A Gesture Control Interface for a Wave Field Synthesis SystemWolfgang Fohl, Malte Nogalski. 341-346 [doi]
• Agile Interface Development using OSC Expressions and Process MigrationAdrian Freed, John MacCallum, David Wessel. 347-351 [doi]
• An Easily Removable, wireless Optical Sensing System (EROSS) for the TrumpetLeonardo Jenkins, Shawn Trail, George Tzanetakis, Peter F. Driessen, Wyatt Page. 352-357 [doi]
• Multi Sensor Tracking for Live Sound TransformationAnton Fuhrmann, Johannes Kretz, Peter Burwik. 358-362 [doi]
• Near-Field Optical Reflective Sensing for Bow TrackingLaurel Pardue, Andrew McPherson. 363-368 [doi]
• Feeling for Sound: Mapping Sonic Data to Haptic PerceptionsTom Mudd. 369-372 [doi]
• POWDER BOX: An Interactive Device with Sensor Based Replaceable Interface For Musical SessionYoshihito Nakanishi, Seiichiro Matsumura, Chuichi Arakawa. 373-376 [doi]
• Performing with a Mobile Computer System for VibraphoneCharles Martin. 377-380 [doi]
• Paralinguistic MicrophoneAlex McLean, Eunjoo Shin, Kia Ng. 381-384 [doi]
• Coral - a Physical and Haptic Extension of a Swarm SimulationDaniel Bisig, Sébastien Schiesser. 385-388 [doi]
• SoloTouch: A Capacitive Touch Controller with Lick-based Note SelectorJackie Chui, Yi Tang, Mubarak Marafa, Samson Young. 389-393 [doi]
• Jam On: a new interface for web-based collective music performanceUlysse Rosselet, Alain Renaud. 394-399 [doi]
• An Interactive 3D Network Music SpaceChad McKinney, Nick Collins. 400-405 [doi]
• Designing Empowering Vocal and Tangible InteractionAnders-Petter Andersson, Birgitta Cappelen. 406-412 [doi]
• NoiseBear: A Malleable Wireless Controller Designed In Participation with Disabled ChildrenMick Grierson, Chris Kiefer. 413-416 [doi]
• Personalized Song Interaction Using a Multi Touch InterfaceJeffrey J. Scott, Mickey Moorhead, Justin Chapman, Ryan Schwabe, Youngmoo E. Kim. 417-420 [doi]
• Mira: Liveness in iPad Controllers for Max/MSPSam Tarakajian, David Zicarelli, Joshua Clayton. 421-426 [doi]
• Modelling Gestures in Music Performance with Statistical Latent-State ModelsTaehun Kim, Stefan Weinzierl. 427-430 [doi]
• Cloud Bridge: a Data-driven Immersive Audio-Visual Software InterfaceQian Liu, Yoon Chung Han, JoAnn Kuchera-Morin, Matthew Wright. 431-436 [doi]
• Toward DMI Evaluation Using Crowd-Sourced Tagging TechniquesMichael Everman, Colby Leider. 437-440 [doi]
• "Old" is the New "New": a Fingerboard Case Study in Recrudescence as a NIME Development StrategyAdrian Freed, John MacCallum, Sam Mansfield. 441-445 [doi]
• Sonifying Game-Space Choreographies With UDKOSCRobert Hamilton. 446-449 [doi]
• echobo : Audience Participation Using The Mobile Music InstrumentSang-Won Lee, Jason Freeman. 450-455 [doi]
• Flag beat: a novel interface for rhythmic musical expression for kidsStefano Trento, Stefania Serafin. 456-459 [doi]
• VOSIS: a Multi-touch Image Sonification InterfaceRyan McGee. 460-463 [doi]
• The Black BoxRomain Michon, Myles Borins, David Meisenholder. 464-465 [doi]
• PENny: An Extremely Low-Cost Pressure-Sensitive Stylus for Existing Capacitive TouchscreensJohnty Wang, Nicolas D'Alessandro, Aura Pon, Sidney Fels. 466-468 [doi]
• Gamelan Sampul: Laptop Sleeve GamelanAntonius Wiriadjaja. 469-470 [doi]
• Plum St: Live Digital Storytelling with Remote BrowsersBenjamin Taylor, Jesse T. Allison. 477-478 [doi]
• Finger Position and Pressure Sensing Techniques for String and Keyboard InstrumentsTobias Grosshauser, Gerhard Tröster. 479-484 [doi]
• AlphaSphereAdam Place, Liam Lacey, Thomas Mitchell. 491-492 [doi]
• Live Coding The Mobile Music InstrumentSang-Won Lee, Georg Essl. 493-498 [doi]
• WAAX: Web Audio API eXtensionHongchan Choi, Jonathan Berger. 499-502 [doi]
• SonNet: A Code Interface for Sonifying Computer Network DataKatieAnna Wolf, Rebecca Fiebrink. 503-506 [doi]
• A Self-Organizing Gesture Map for a Voice-Controlled Instrument InterfaceStefano Fasciani, Lonce Wyse. 507-512 [doi]
• Machine Learning of Musical GesturesBaptiste Caramiaux, Atau Tanaka. 513-518 [doi]
• KIB: Simplifying Gestural Instrument Creation Using WidgetsEdward Zhang. 519-524 [doi]
• Towards Mapping Timbre to Emotional AffectNiklas Klügel, Georg Groh. 525-530 [doi]
• Cross-modal Sound Mapping Using Deep LearningOhad Fried, Rebecca Fiebrink. 531-534 [doi]
• The Quarterstaff, a Gestural Sensor InstrumentJan C. Schacher. 535-540 [doi]
• A corpus-based method for controlling guitar feedbackSam Ferguson, Aengus Martin, Andrew Johnston. 541-546 [doi]
• MAGE 2.0: New Features and its Application in the Development of a Talking GuitarMaria Astrinaki, Nicolas D'Alessandro, Loïc Reboursière, Alexis Moinet, Thierry Dutoit. 547-550 [doi]
• A Drawing-Based Digital Music InstrumentJerônimo Barbosa, Filipe Calegario, Veronica Teichrieb, Geber Ramalho, Giordano Cabral. 551-556 [doi]
• Designing and Building Expressive Robotic GuitarsJim W. Murphy, James McVay, Ajay Kapur, Dale A. Carnegie. 557-562 [doi]