Table of Contents

• Decomposing Autumn: A Component-Wise RecompositionDavid Plans Casal. [doi]
• Eye.Breathe.Music: A Multimeadia Controller That Uses Eye Movement And BreathingSam Bailey, Adam Scott, Harry Wright, Ian M. Symonds, Kia Ng. [doi]
• The Mobile Phone Ensemble As ClassroomGeorg Essl. [doi]
• Georgia Southern University Studio ReportJohn Thompson, Michael Olson. [doi]
• Neuroacoustics: Intergrating The Strengths Of Computer Technology And Human Biology Through MusicJudson. [doi]
• Reception Of Intellectual Property Issues In Computer MusicScott Mclaughlin. [doi]
• Radical Computer MusicParl K. B. Vester. [doi]
• Www.Lovelyweather.Com: A Web-Based Interactive Audio-Visual EnvironmentSalman Bakhtar, Christopher Jette. [doi]
• Virage: Designing An Interactive Intermedia Sequencer From Users Requirements And Theorical BackgroundAntoine Allombert, Raphaël Marczak, Myriam Desainte-Catherine, Pascal Baltazar, Laurent Garnier Allombert. [doi]
• Spectral Synthesis Of RhythmsJörn Loviscach. [doi]
• Petrol: Reactive Pattern Language For Improvised MusicAlex McLean, Geraint A. Wiggins. [doi]
• The Mobile Ambisonics Equiptment Of The ICSTPeter Faerber, Philippe Kocher. [doi]
• Arcsyn: An Expressive And Efficient Additive Synthesis ArchitectureDavid Romblom. [doi]
• HELO: The Laptop Ensemble As An Incubator For Individual Laptop PerformanceScott Hewitt, Pierre-Alexandre Tremblay, Samuel Freeman, Graham Booth. [doi]
• Pure Data BarcampMiller Puckette, Hans-Christoph Steiner, Alexandre Torres Porres. [doi]
• Exploring "Artist Image" Using Content-Based Analysis Of Promotional PhotosJanis Libeks, Douglas Turnbull. [doi]
• System Of Shadows, An Interactive Performance Environment For Trumpet/Flugelhorn And KymaBrian Belet, Stephan Ruppenthal. [doi]
• A Multilevel Symbolic Music Alignment AlgorithmRobert England. [doi]
• Virtual Bass-Clarinet In ModalysHans Peter Stubbe Teglbjaerg, Thomas Göpfert. [doi]
• Studio Report: Music Research Centre, Department Of Music, University Of YorkTony Myatt, Oliver Larkin, Dave Malham. [doi]
• Because We Are Falling Down. Physics, Gesture And Relative RealitiesVolkmar Klien, Thomas Grill. [doi]
• The Lattice Harp: A New Hybrid Instrument And ControllerColin Raffel, Nick Kruge, Diane Douglas, Edgar Berdahl, Wendy Ju. [doi]
• Processing Sound And Music Description Data Using OpenmusicJean Bresson, Carlos Agon. [doi]
• Gestural Shaping And Transformation In A Universal Space Of Structure And SoundFlorian Thalmann, Guerino Mazzola. [doi]
• Creating And Inhabiting A Space: Real-Time Algorithms And Performance Issues In Roger Reynolds's Angelspace (2008-2009)Jacob David Sudol, Roger Reynolds. [doi]
• Perception And Interpretation Of Concurrent Aural Shapes Using Dream InterfaceIvica Ico Bukvic, Ji-Sun Kim. [doi]
• Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And PerformanceRoger B. Dannenberg, Robert Kotcher. [doi]
• Automatic Timbral Morphing Of Musical Instruments Sounds By High-Level DescriptorsMarcelo F. Caetano, Xavier Rodet. [doi]
• Structured IIR Models For HRTF InterpolationMarcelo Queiroz, Gustavo H. M. De Sousa. [doi]
• Analysis And Resynthesis Of Anemic CinemaPaolo Girol. [doi]
• Piano Arrangement System Based On Composers' Arrangement ProcessesSho Onuma, Masatoshi Hamanaka. [doi]
• Grafting Synthesis Patches Onto Live Musical InstrumentsMiller Puckette. [doi]
• How To Conduct A Laptop Orchestra: Issues Of Coordination In Computer MusicDavid Reinecke. [doi]
• Plane Tessellation With Musical Scale Tiles And Bidimensional Automatic CompositionMarcelo Cicconet, Tertuliano Franco, Paulo Cezar Pinto Carvalho. [doi]
• A Real-Time Human Body Skeletonization Algorithm For Max/Msp/JitterAndre Baltazar, Carlos Guedes, Bruce Pennycook, Fabien Gouyon. [doi]
• Studio Report: Music Technology At Penn State UniversityMark Ballora, Curtis Craig. [doi]
• Using Streetlights To Generate Sound: Hidden And The Use Of Non-Incandescent Light Sources For Sound GenerationLyn Goeringer. [doi]
• Clapping Machine Music Variations: A Composition For Acoustic/Laptop EnsembleDan Trueman. [doi]
• Computer-Controlled Video As A Multimodal Interface In Live Acousmatic MusicEwan Stefani, Christophe De Bézenac. [doi]
• An Unconference Unsession On Computer Music PerformanceJeremy C. Baguyos, Chryssie Nanou, David Wetzel, McGregor Boyle. [doi]
• A Database System For Organising Musique ConcreteChristopher Bailey. [doi]
• An Auditory Twist On Visual Search Using Head Movement Controlled AmbisonicsKat Agres, Spencer Topel, Michael Spivey, Stephen Moseson. [doi]
• A Flexible And Dynamic C++ Framework And Library For Digital Audio Signal ProcessingTimothy A. Place, Trond Lossius, Nils Peters. [doi]
• A Survey Of Chord Distances With Comparison For Chord AnalysisThomas Rocher, Matthias Robine, Pierre Hanna. [doi]
• Unruhige Räume - Spatial Electro-Acoustic Composition Through A Collaborative Artistic Research ProcessPascal Baltazar, Bjørnar Habbestad. [doi]
• Gesture Sampling For Instrumental Sound Synthesis: Violin Bowing As A Case StudyEsteban Maestre, Alfonso Perez, Rafael Ramirez. [doi]
• The Arcontinuo: A Performed-Centered Electronic Musical InstrumentClaudio Bertin, Rodrigo F. Cádiz, Patricio de la Cuadra, Gabriel De Ioannes, Alvaro Sylleros. [doi]
• Pyschoacoustic Feature Based Perceptual SegmentationChad R. Befus, Chris Sanden, John Z. Zhang. [doi]
• Generetive, Emergent, Self-Similar Structures: Construction In SelfRyo Ikeshiro. [doi]
• Mobile Sound Sources In Two Music Theatre WorksFelipe Otondo. [doi]
• Toward Understanding Human-Computer Interaction In Composing The InstrumentRebecca Fiebrink, Daniel Trueman, N. Cameron Britt, Michelle Nagai, Konrad Kaczmarek, Michael Early, M. R. Daniel, Anne Hege, Perry R. Cook. [doi]
• Business Model, For Violin, Cello And Live ElectronicGilbert Nuono. [doi]
• Otoacoustic Emissions As A Compositional ToolJonathon Kirk. [doi]
• User-Guided Evolution Of Granular SynthesisCorrado Coia, Brian J. Ross. [doi]
• Spectral Stochastic Resonance Sound SynthesisRodrigo F. Cádiz, Patricio de la Cuadra. [doi]
• Time Synchronization In Graphic Domain - A New Paradigm For Augmented Music ScoresDominique Fober. [doi]
• Fourms, University Of Oslo - Lab ReportAlexander Refsum Jensenius, Kyrre Glette, Rolf Inge Godøy, Mats Høvin, Kristian Nymoen, Ståle Andreas Skogstad, Jim Tørresen. [doi]
• Technological Advantage For The Sound Arts: Border PoliticsJosé Ignacio Lopez Ramirez Gaston. [doi]
• Anchoring In Ubiquitous Musical ActivitiesDamián Keller, Daniel Luis Barreiro, Marcelo Queiroz, Marcelo Soares Pimenta. [doi]
• The 'C' Of IRCAM: Coordinating Musical Research At IRCAMArshia Cont, Andrew Gerzso. [doi]
• A Timbre Analysis And Classification Toolkit For Pure DataWilliam Brent. [doi]
• Tactile Feedback Based On Acoustic Pressure WavesMiha Ciglar. [doi]
• Grainstick: A Collaborative, Interactive Sound InstallationGrace Leslie, Diemo Schwarz, Olivier Warusfel, Frédéric Bevilacqua, Bruno Zambolin, Pierre Jodlowski, Norbert Schnell. [doi]
• Exploring Meaning And Intention In Music ConductingRoger B. Dannenberg, Daniel P. Siewiorek, Noel Zahler. [doi]
• The Show Must Go On: Dependable Audio ComputingJörn Loviscach. [doi]
• The Brooklyn College Center For Computer Music, City University Of New YorkDouglas Geers, George Brumner, Douglas Cohen, Nicholas R. Nelson. [doi]
• Spatializing Timbre With Corpus-Based Concatenative SynthesisAaron Einbond, Diemo Schwarz. [doi]
• Founding Of The Asia Computer Music ProjectNaotoshi Osaka, Seongah Shin, Lonce Wyse. [doi]
• How To Articulate A Regional Space For Research And Creation In Latin AmericaJamie E. Oliver. [doi]
• Ml-Maquette / Musique Lab 2Jean Bresson. [doi]
• Technology And Creativity In The Classroom: An Opportunity Missed?Alistair McNichol. [doi]
• Dissemination of Computer Music Theory Outside AcademiaAlexandre Torres Porres. [doi]
• Education On Music And Technology, A Program For A Professional EducationHans Timmermans, Jan Ijzermans, Rens Machielse, Gerard van Wolferen. [doi]
• Robot-Assisted Playing With Fingering Support For A SaxophoneYoshifumi Kurosawa, Kenji Suzuki. [doi]
• Sonic Beams / Acoustic ShadowsMiha Ciglar. [doi]
• Developing Systems For Improvisation Based On ListeningDoug Van Nort, Pauline Oliveros, Jonas Braasch. [doi]
• Towards A Performance Practice Of Computer Music: A JourneyJuan Parra Cancino. [doi]
• A Wireless, Real-Time, Social Music Performance System For Mobile PhonesIan Gibson, Matthew Davey. [doi]
• Timewarp: A Graphical Tool For The Control Of Polyphonic Smoothly Varying TemposJohn MacCallum, Andrew Schmeder. [doi]
• The Medium Is The AppMichael Spicer. [doi]
• Interactive Video In PerformanceKrista Martyne, Julien-Robert L. Salvail. [doi]
• A Distributed Memory For Networked Livecoding PerformanceAndrew Sorensen. [doi]
• Argos: An Open Source Application For Building Multi- Touch Musical InterfacesDimitri Diakopoulos, Ajay Kapur. [doi]
• Introducing Belle, Bonne, SageWilliam Burnson. [doi]
• Is The Laptop A Musical Instrument? Or, What's Old Is New Again, And Vice VersaEugene Marlow. [doi]
• Yasunao Tone And MP3 DeviationThom Blake, Mark Fell, Tony Myatt, Peter Worth. [doi]
• Peacock: A Non-Haptic 3D Performance InterfaceChikashi Miyama. [doi]
• Gelie - Investigations In Expression Through MappingSam Tarakajian. [doi]
• A Semi-Virtual Violin For Investigations Into Sound Quality And Musician-Instrument InteractionFriedrich V. Turkheim, Thorsten Smit, Robert Mores. [doi]
• New Languages For Physical Modeling SynthesisBenjamin Schroeder, Marc Ainger, Richard E. Parent. [doi]
• Idiosyncrasies Of Spatial Perception In Multi- Loudspeaker ReproductionGary S. Kendall. [doi]
• Algorithmic Musical Improvisation From 2d Board GamesDale Parson. [doi]
• Soundcatcher: Explorations In Audio-Looping And Time-Freezing Using An Open-Air Gestural ControllerGabriel Vigliensoni, Marcelo M. Wanderley. [doi]
• Head Tracking For 3d Audio Using The Nintendo Wii RemoteMauricio Ubilla, Domingo Mery, Rodrigo F. Cádiz. [doi]
• Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time EnvironmentsMarije A. J. Baalman, Vincent De Belleval, Joseph Malloch, Joseph Thibodeau. [doi]
• The Timestruct Toolkit: Imposing Temporal Structure In MaxAron P. Glennon, Nick Didkovski. [doi]
• Decentralizing Music, Its Performance, And ProcessingAxel Berndt. [doi]
• An Embedded Hardware Platform For Fungible InterfacesAvrum Hollinger, Joseph Thibodeau, Marcelo M. Wanderley. [doi]
• Abstraction In A Unit-Based Audio Processing SystemThomas Stoll. [doi]
• Combining Audiovisual Mappings For 3D Musical InteractionFlorent Berthaut, Myriam Desainte-Catherine, Martin Hachet. [doi]
• Improving Upon Musical Analyses Of Conducting Gestures Using Computer VisionTeresa Marrin Nakra, Daniel Tilden, Andrea Salgian. [doi]
• Composition With Path : Musical Sonification Of Geo- Referenced Data With Online Map InterfaceSihwa Park, Seunghun Kim, Samuel Lee. [doi]
• A Modular Sound Descriptor Analysis Framework For Relaxed-Real-Time ApplicationsDiemo Schwarz, Norbert Schnell. [doi]
• Systematic And Quantative Electro-Acoustic Music Analysis (Sqema)Tae Hong Park, David Hyman, Peter Leonard, Wen Wu. [doi]
• Composition Of Sound Mixtures With Spectral MaquettesPhilippe Esling, Carlos Agon. [doi]
• Introducing Fuzzy Logic And Computing With Words Paradigms In Realtime Processes For Performance ArtsAlain Bonardi, Isis Truck. [doi]
• An Algorithmic Composition Method Of Monophonic Pitches Based On The Frequency Relationship Of Melody MotionHsin-Ming Lin, Chih-Fang Huang. [doi]
• The Machine OrchestraAjay Kapur, Michael Darling, Meason Wiley, Owen Vallis, Jordan Hochenbaum, Jim W. Murphy, Dimitri Diakopoulos, Carl Burgin, Tyler Yamin. [doi]
• Zero-Discount Partially Observable Markov Decision Processes For Computational Improvising AgentsAengus Martin, Craig T. Jin, André van Schaik, William L. Martens. [doi]
• Modeling Beats, Accents, Beams, And Time Signatures Hierarchically With Music21 Meter ObjectsChristopher Ariza, Michael Scott Cuthbert. [doi]
• Sonification Of Web Log DataMark Ballora, Brian J. Panulla, Matthew Gourley, David L. Hall. [doi]
• Electroacoustic Movies - Towards A Post-Acousmatic MusicNick Cope, Tim Howle. [doi]
• Wireless Sensor Networks And Computer Music, Dance And Installation ImplementationsMara Helmuth, Jung-Hyun Jun, Talmai Oliveira, Mhmad Mostafa, Kazuaki Shiota, Amitabh Mishra, Dharma P. Agrawal. [doi]
• Toward An Organology Of Virtual Instruments In Computer MusicJérôme Barthélemy, Yann Orlarey, Alain Bonardi, Serge Lemouton, Raffaele Ciavarella, Karim Barkati. [doi]
• Source Separation By Score SynthesisJoachim Ganseman, Paul Scheunders, Gautham J. Mysore, Jonathan S. Abel. [doi]
• Dynamic Playlist Generation: A Case StudyChad Wagner. [doi]
• Rhythmic Similarity Using Metrical Profile MatchingLeigh M. Smith. [doi]
• Synthesizing The Dynamic Spectra Of The DidgeridooLydia Ayers, Andrew Horner. [doi]
• Urmus - An Environment For Mobile Instrument Design And PerformanceGeorg Essl. [doi]
• Perception Based Multi-Genre Labeling On Music DataChris Sanden, Chad R. Befus. [doi]
• Automatically Generating Syntactically Correct Audio Effects In MaxAron P. Glennon, Robert Rowe, Juan Pablo Bello. [doi]
• Jack And Jill Project In Autonomous Music CompositionEliot Handelman. [doi]
• Forest Fire Dynamics In Sonic OrganisationDaniel Jones, Mark d'Inverno. [doi]
• Tactile Feedback Based On Acoustic Pressure WavesMiha Ciglar. [doi]
• On Bimodal Guitar-Chord RecognitionMarcelo Cicconet, Paulo Cezar Pinto Carvalho, Luiz Velho. [doi]
• Advances In The Parallelization Of Music And Audio ApplicationsEric Battenberg, Adrian Freed, David Wessel. [doi]
• Automatic Notation Of Computer-Generated Scores For Instruments, Voices And Electro-Acoustic SoundsWilliam A. Burnson, Hans G. Kaper. [doi]
• Vigorous Music-Making: The Inherent "Liveliness" Of A T-Stick InstrumentalistD. Andrew Stewart. [doi]
• Hrtfearly and Hrtfreverb: Flexible Binaural Reverberation ProcessingBrian Carty, Victor Lazzarini. [doi]
• Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow EngineGeorg Essl. [doi]
• Spectralconway: Cellular Automata Off The GridScott Mclaughlin, Pierre-Alexandre Tremblay. [doi]