Miller Puckette - researchr alias

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Viewing Publication 1 - 37 from 37

2018

Synthesizing Audio with GANsChris Donahue, Julian McAuley, Miller Puckette. iclr 2018: [doi]

2016

Generative Audio Systems Using Power-Preserving All-Pass FiltersGreg Surges, Tamara Smyth, Miller Puckette. comj, 40(1):54-69, 2016. [doi]

2015

Generative Feedback Networks Using Time-Varying Allpass FiltersGreg Surges, Tamara Smyth, Miller Puckette. icmc 2015: [doi]

2011

Infuriating Nonlinear ReverberatorMiller Puckette. icmc 2011: [doi]

2010

Grafting Synthesis Patches Onto Live Musical InstrumentsMiller Puckette. icmc 2010: [doi]

Pure Data BarcampMiller Puckette, Hans-Christoph Steiner, Alexandre Torres Porres. icmc 2010: [doi]

2008

Thoughts on Parallel Computing for MusicMiller Puckette. icmc 2008: [doi]

Not being thereMiller Puckette. icmc 2008: [doi]

Reinventing Audio and Music Computation for Many-Core ProcessorsDavid Wessel, Roger B. Dannenberg, Yann Orlarey, Miller Puckette, Peter Van Roy, Ge Wang. icmc 2008: [doi]

2007

On timbre stamps and other frequency-domain filtersMiller Puckette. icmc 2007: [doi]

2006

Phase-bashed packet synthesis: a musical testMiller Puckette. icmc 2006: [doi]

2005

Phase Bashing for sample-Based formant synthesisMiller Puckette. icmc 2005: [doi]

2004

Low-dimensional parameter mapping using spectral envelopesMiller Puckette. icmc 2004: [doi]

2002

Using Pd as a score languageMiller Puckette. icmc 2002: [doi]

Max at SeventeenMiller Puckette. comj, 26(4):31-43, 2002. [doi]

2001

Synthesizing Sounds with Specified, Time-Varying SpectraMiller Puckette. icmc 2001: [doi]

New Public-Domain Realizations of Standard Pieces for Instruments and Live ElectronicsMiller Puckette. icmc 2001: [doi]

1999

Philippe Manoury: Jupiter By Elizabeth McNutt, flute , Miller Puckette. computer, Mandeville Recital Hall University of California at San Diego, La Jolla, California, USA. 26 January 1999Elizabeth McNutt, Miller Puckette, Andrew May. comj, 23(3):103-104, 1999. [doi]

1995

Department of Music, University of California, San DiegoPeter Otto, Miller Puckette. icmc 1995: [doi]

Score Following Using the Sung VoiceMiller Puckette. icmc 1995: [doi]

1994

The IRCAM "Real-Time Platform" - Evolutions and PerspectivesFrançois Déchelle, Maurizio De Cecco, Miller Puckette, David Zicarelli. icmc 1994: [doi]

Is There Life After MIDI?Miller Puckette. icmc 1994: [doi]

1993

The IRCAM Signal Processign Workstation and IRCAM Max User Groups: Future Developments and PlatformsCort Lippe, Miller Puckette, Zack Settel, Vincent Puig. icmc 1993: [doi]

Nonobvious roles for electronics in performance enhancementMiller Puckette, Zack Settel. icmc 1993: [doi]

1992

The Ircam Signal Processing Workstation Prototyping EnvironmentMaurizio De Cecco, Eric Lindemann, Miller Puckette. chi 1992: 639-640 [doi]

Score Following in PracticeMiller Puckette, Cort Lippe. icmc 1992: [doi]

1991

The Architecture of the IRCAM Musical WorkstationEric Lindemann, Miller Puckette, Eric Viara, Maurizio De Cecco, François Déchelle, Bennett Smith. usenix 1991: 209-220

Musical Performance Using the IRCAM WorkstationsCort Lippe, Miller Puckette. icmc 1991: [doi]

1990

EXPLODE: A User Interface for Sequencing and Score FollowingMiller Puckette. icmc 1990: [doi]

A Real-time Operating System for Computer MusicEric Viara, Miller Puckette. icmc 1990: [doi]

1988

The PatcherMiller Puckette. icmc 1988: [doi]

1986

Software Developments for the 4X Real-time SystemEmmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller Puckette, Robert Rowe. icmc 1986: [doi]

Interprocess Communication and Timing in Real-Time Computer Music PerformanceMiller Puckette. icmc 1986: [doi]

1985

Synthetic Rehearsal: Training the Synthetic PerformerBarry Vercoe, Miller Puckette. icmc 1985: [doi]

1984

The M Orchestra LanguageMiller Puckette. icmc 1984: [doi]

1981

A Real-time Music 11 EmulatorMiller Puckette, Barry Vercoe, John Stautner. icmc 1981: [doi]

A Four-Channel Reverberation NetworkJohn Stautner, Barry Vercoe, Miller Puckette. icmc 1981: [doi]

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