Table of Contents

• Grouping, Similarity and the Recognition of Rhythmic StructureTillman Weyde. [doi]
• Audio Latency Measurements of Desktop Operating SystemsKarl MacMillan, Michael Droettboom, Ichiro Fujinaga. [doi]
• A Fast Data Structure for Disk-Based Audio EditingDominic Mazzoni, Roger B. Dannenberg. [doi]
• PortAudio - an Open Source Cross Platform Audio APIRoss Bencina, Phil Burk. [doi]
• Automatic Modeling of Musical StyleOlivier Lartillot, Shlomo Dubnov, Gérard Assayag, Gill Bejerano. [doi]
• A System to Port Unit Generators Between Audio DSP SystemsKarl MacMillan, Michael Droettboom, Ichiro Fujinaga. [doi]
• From Piano String Vibrations to the Acoustic Field Radiated by the SoundboardMitsuko Aramaki, Philippe Guillemain, Nathalie Hoeb, Alain Roure. [doi]
• Temporal Filtering: Framing Sonic ObjectsBarry Moon. [doi]
• Efficient Pitch Detection Techniques for Interactive MusicPatricio de la Cuadra, Aaron S. Master, Craig Sapp. [doi]
• Time-Frequency Reassignment for Music AnalysisStephen W. Hainsworth, Patrick J. Wolfe. [doi]
• Studio Report of The Centre for Music Technology, University of GlasgowNick Fells, Carola Böhm. [doi]
• Trumpet and Trumpet Player: Model and Simulation in a Musical ContextChristophe Vergez, Xavier Rodet. [doi]
• Bowed string synthesis with force feedback gesture interactionJean-Loup Florens, Cyrille Henry. [doi]
• Controlling Material Properties in Physical Models of Sounding ObjectsFederico Avanzini, Davide Rocchesso. [doi]
• Physicality and Feedback: A Focus on the Body in the Performance of Electronic MusicCurtis Bahn, Tomie Hahn, Dan Trueman. [doi]
• Alignment of Monophonic and Polyphonic Music to a ScoreNicola Orio, Diemo Schwarz. [doi]
• A Memory-Based Model for Music Analysis: Challenging the Gestalt PrinciplesRens Bod. [doi]
• Measuring Intention against Reception in Electroacoustic Music: A new opportunity for analysisLeigh Landy. [doi]
• Manipulation and Resynthesis with Natural GrainsReynald Hoskinson, Dinesh K. Pai. [doi]
• Object-Based Sound SynthesisAugusto Sarti, Stefano Tubaro. [doi]
• Note and Hammer Velocity Dependence of a Piano String Model Based on Coupled Digital WaveguidesJulien Bensa, Frederic Gibaudan, Kristoffer Jensen, Richard Kronland-Martinet. [doi]
• A Musical Instrument Based on a Bioacoustic Model of a CicadaTamara Smyth, Julius O. Smith. [doi]
• Princeton Sound Kitchen Open Source Software ReportPerry R. Cook, Colby Leider, Tae Hong Park, George Tzanetakis. [doi]
• Articulation Rules For Automatic Music PerformanceRoberto Bresin. [doi]
• A Genetic Search Technique for Polyphonic Pitch DetectionGuillermo García. [doi]
• Delimitation of Compositive Constants in Electroacoustic Music from the Interior of ArgentinaMartin Fumarola. [doi]
• A System Supporting Flexible Distributed Real-Time Music ProcessingRoger B. Dannenberg, Patrick van de Lageweg. [doi]
• Improvising with Computers: A Personal Survey (1989-2001)Sergi Jordà. [doi]
• Detection and modeling of fast attack transientsXavier Rodet, Florent Jaillet. [doi]
• Preparation for Interactive Live Computer Performance in Collaboration with a Symphony OrchestraTimothy Madden, Ronald Bruce Sith, Matthew Wright, David Wessel. [doi]
• Music Informatics LaboratoryJens Arnspang, Kristoffer Jensen, Declan Murphy, Tue Haste Andersen, Georgios Marentakis. [doi]
• Harmonic Visualizations of Tonal MusicCraig Stuart Sapp. [doi]
• ENP: Musical Notation Library based on Common Lisp and CLOSMika Kuuskankare, Mikael Laurson. [doi]
• System-Level MIDI Performance TestingJames L. Wright, Eli Brandt. [doi]
• Towards a Virtual Membrane: New Algorithms and Technology for Analyzing Gestural DataW. Andrew Schloss, Peter F. Driessen. [doi]
• Functional Specification of a Distributed and Mobile Architecture for Virtual Sound Space SystemsFlorent Schaeffer, Stéphane Natkin, Alexandre Topol. [doi]
• Hard Sync Without AliasingEli Brandt. [doi]
• Williams [re]Mix[er]: An Interactive I Ching Composing ProgramLarry Austin, Michael Thompson. [doi]
• On the importance of phase information in additive analysis/synthesis of binaural soundsTue Haste Andersen, Kristoffer Jensen. [doi]
• Realizing Lucier and Stockhausen: Case studies in electroacoustic performance practiceChristopher Burns. [doi]
• University of Cincinnati College Conservatory of Music Center for Computer MusicMara Helmuth, Chris Watts, Ivica Ico Bukvic. [doi]
• Adaptive additive synthesis using spline based parameter trajectory modelsAxel Röbel. [doi]
• CCRMA Studio ReportFernando Lopez-Lezcano. [doi]
• Hypermusic and the Sighting of Sound - A Nomadic Studio ReportJonathan Impett, Bert Bongers. [doi]
• Constant Q Profiles for Tracking Modulations in Audio Data FormatHendrik Purwins, Benjamin Blankertz, Klaus Obermayer. [doi]
• Acoustic Cues from Shapes between Spheres and CubesFederico Fontana, Davide Rocchesso, Enzo Apollonio. [doi]
• A Modified Rectangular Waveguide Mesh Structure with Interpolated Input and Output PointsFederico Fontana, Lauri Savioja, Vesa Välimäki. [doi]
• PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Model Based SynthesisMikael Laurson, Mika Kuuskankare. [doi]
• Representation and Discovery of Multiple Viewpoint PatternsDarrell Conklin, Christina Anagnostopoulou. [doi]
• Architectural Overview of a System for Collaborative Music Composition Over the WebOtto Wüst, Sergi Jordà. [doi]
• Demudi: The Debian Multimedia DistributionFrançois Déchelle, Günter Geiger, Dave Phillips. [doi]
• New techniques to model reverberant instrument body responsesHenri Penttinen, Matti Karjalainen, Tuomas Paatero, Hanna Järveläinen. [doi]
• Gestural Control at IRCAMMarcelo M. Wanderley, Marie-Hélène Serra, Marc Battier, Xavier Rodet. [doi]
• Real Time Extended Physical Models for the Composer and PerformerMatthew Burtner, Stefania Serafin. [doi]
• Center for New Music and Audio Technologies (CNMAT): Studio ReportRichard Andrews. [doi]
• Perceptual Wavetable Matching for Synthesis of Musical Instrument TonesCheuk-Wai Wun, Andrew Horner, Lydia Ayers. [doi]
• New Public-Domain Realizations of Standard Pieces for Instruments and Live ElectronicsMiller Puckette. [doi]
• Music Plus One: A System for Expressive and Flexible Musical AccompanimentChristopher Raphael. [doi]
• QSketcher: An Environment for Composing Music for FilmSteven Abrams, Ralph Bellofatto, Robert M. Fuhrer, Daniel Oppenheim, James L. Wright, Richard Boulanger, Neil Leonard, David Mash, Michael Rendish, Joe Smith. [doi]
• Analysis and Synthesis of Room Acoustics Using the MPEG-4 Scene DescriptionRiitta Väänänen. [doi]
• Audibility of Initial Pitch Glides in String Instrument SoundsHanna Järveläinen, Vesa Välimäki. [doi]
• Vocal Fold and False Vocal Fold Vibrations in Throat Singing and Synthesis of KhöömeiKen-Ichi Sakakibara, Hiroshi Imagawa, Tomoko Kouishi, Kazumasa Kondo, Emi Zuiki Murano, Masanobu Kumada, Seiji Niimi. [doi]
• Listener Evaluation of Reduction Strategies for Sinusoidal and Resonance ModelsAmar Chaudhary, David Wessel, Lawrence A. Rowe. [doi]
• Bayesian Real-time Adaptation for Interactive Performance SystemsAli Taylan Cemgil, Bert Kappen. [doi]
• Spectrum of Pitch Differences Models the Perception of Octave Ambiguous TonesImmanuel Normann, Hendrik Purwins, Klaus Obermayer. [doi]
• Automatic Estimation of Control Parameters: An Instance-Based Learning ApproachWim D'haes, Xavier Rodet. [doi]
• Evaluating spatial sound with binaural auditory modelVille Pulkki. [doi]
• Composing Outdoor Augmented-Reality Sound EnvironmentsCamille Goudeseune, Hank Kaczmarski. [doi]
• Music Technology: Pedagogy and Research @ the University of LimerickPaschall de Paor. [doi]
• Frequency Shaping of Audio SignalsChristopher Penrose. [doi]
• The Local Boundary Detection Model (LBDM) and its Application in the Study of Expressive TimingEmilios Cambouropoulos. [doi]
• Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction MethodsStéphane Rossignol, Peter Desain, Henkjan Honing. [doi]
• Machine Learning Techniques for Real-time Improvisational Solo TradingBelinda Thom. [doi]
• Enhancing sound description in VRMLAlexandre Topol, Florent Schaeffer. [doi]
• An Audio-Driven Perceptually Meaningful Timbre SynthesizerTristan Jehan, Bernd Schöner. [doi]
• Parameter estimation for dual-polarization plucked string modelsAxel Nackaerts, Bart De Moor, Rudy Lauwereins. [doi]
• Analysis-Synthesis of Flute Sounds Using a Non-Linear Digital Waveguide ModelSølvi Ystad, Thierry Voinier. [doi]
• Spectral analysis of timing profiles of piano performancesPaul Trilsbeek, Peter Desain, Henkjan Honing. [doi]
• Model-based Synthesis of the Ud and the Renaissance LuteCumhur Erkut, Mikael Laurson, Mika Kuuskankare, Vesa Välimäki. [doi]
• Visualizing Musical Structure and Rhythm via Self-SimilarityJonathan Foote, Matthew L. Cooper. [doi]
• The international sound art festival in Mexico City: Sound, its relationship to the art disciplines and to the new technologiesManuel Rocha Iturbide. [doi]
• Transients modelling by pruned wavelet treesLaurent Daudet. [doi]
• Creating and Exploring Huge Parameter Spaces: Interactive Evolution as a Tool for Sound GenerationPalle Dahlstedt. [doi]
• Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual ModelsJordi Bonada, Òscar Celma, Alex Loscos, Jaume Ortolà, Xavier Serra, Yasuo Yoshioka, Hiraku Kayama, Yuji Hisaminato, Hideki Kenmochi. [doi]
• Kopavogur Computer Music Center (KCMC)Hilmar Thordarson, Rikhardur H. Fridriksson. [doi]
• Modeling the Tempo Coupling between an Ensemble and the ConductorBridget Baird, Özgür Izmirli. [doi]
• Analysis and Synthesis of Palestrina-Style Counterpoint Using Markov ChainsMary Farbood, Bernd Schöner. [doi]
• Etna - a New Advanced Graphical Tree Representation of MusicWolfgang Chico-Töpfer. [doi]
• Automatic Bass Line Transcription from Polyphonic MusicStephen W. Hainsworth, Malcolm D. Macleod. [doi]
• Panel: New directions in Music Information RetrievalRoger B. Dannenberg, Jonathan Foote, George Tzanetakis, Christopher Weare. [doi]
• Physical modeling for sound synthesis with particle-interaction Networks: Study of the percussion phenomena and conception of a generic module for percussionPatrick Fourcade, Claude Cadoz. [doi]
• Managing Complexity with Explicit Mapping of Gestures to Sound Control with OSCMatthew Wright, Adrian Freed, Ahm Lee, Tim Madden, Ali Momeni. [doi]
• Simple resonators with shape controlDavide Rocchesso. [doi]
• Learning-Based Jam Session System for A Guitar TrioMasatoshi Hamanaka, Masataka Goto, Nobuyuki Otsu. [doi]
• Implementing Temporal Type Constructors for Music ProgrammingEli Brandt. [doi]
• Synthesizing Sounds with Specified, Time-Varying SpectraMiller Puckette. [doi]
• Technological Advances for Conducting a Virtual EnsembleGuy E. Garnett, Mangesh Jonnalagadda, Ivan Elezovic, Timothy Johnson, Kevin Small. [doi]
• The Accordiatron: A Gestural Interface for Interactive MusicMichael Gurevich, Stephan von Muehlen. [doi]
• An Interactive Beat Tracking and Visualisation SystemSimon Dixon. [doi]
• The MATRIX: A New Musical Instrument for Interactive PerformanceDan Overholt. [doi]
• Using the Web for Live Interactive MusicJohn P. Young. [doi]
• Java Music Specification Language, an introduction and overviewNick Didkovsky, Philip L. Burk. [doi]
• Subband HTLSTom Schouten, Bart De Moor. [doi]
• Visual and Adaptive Constraint Programming in MusicCharlotte Truchet, Gérard Assayag, Philippe Codognet. [doi]
• Data driven identification and computer animation of bowed string modelStefania Serafin, Julius O. Smith III, Harvey D. Thornburg, Frédéric Mazzella, Arnaud M. Tellier, Guillaume C. Thonier. [doi]
• Do Composition Systems Support Creativity? - An evaluationBarry Eaglestone, Nigel Ford, Mark Clowes. [doi]
• Score Following Using Spectral Analysis and Hidden Markov ModelsNicola Orio, François Déchelle. [doi]
• Inductive Learning of General and Robust Local Expression PrinciplesGerhard Widmer. [doi]
• Radiation Control on Multi-Loudspeaker Device : La TiméeNicolas Misdariis, François Nicolas, Olivier Warusfel, René Caussé. [doi]