Henkjan Honing - researchr alias

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Viewing Publication 1 - 28 from 28

2020

Beat-based and Memory-based Temporal Expectations in Rhythm: Similar Perceptual Effects, Different Underlying MechanismsFleur L. Bouwer, Henkjan Honing, Heleen A. Slagter. jocn, 32(7):1221-1241, 2020. [doi]

2013

Designing Games with a Purpose for Data Collection in Music Research. Emotify and Hooked: Two Case StudiesAnna Aljanaki, Dimitrios Bountouridis, John Ashley Burgoyne, Jan Van Balen, Frans Wiering, Henkjan Honing, Remco C. Veltkamp. gala 2014: 29-40 [doi]

Hooked: A Game For Discovering What Makes Music CatchyJohn Ashley Burgoyne, Dimitrios Bountouridis, Jan Van Balen, Henkjan Honing. ismir 2013: 245-250 [doi]

2012

Cognition and the Evolution of Music: Pitfalls and ProspectsHenkjan Honing, Annemie Ploeger. topics, 4(4):513-524, 2012. [doi]

2009

Model cortical responses for the detection of perceptual onsets and beat tracking in singingMartin Coath, Susan L. Denham, Leigh M. Smith, Henkjan Honing, Amaury Hazan, Piotr Holonowicz, Hendrik Purwins. connection, 21(2&3):193-205, 2009. [doi]

2007

The Role of ICT in Music Research: A Bridge too far?Henkjan Honing. hac, 1(1):61-69, 2007. [doi]

2006

Evaluating and Extending Computational Models of Rhythmic Syncopation in MusicLeigh M. Smith, Henkjan Honing. icmc 2006: [doi]

2005

Timing is Tempo-SpecificHenkjan Honing. icmc 2005: [doi]

2003

The Final Ritard: On Music, Motion, and Kinematic ModelsHenkjan Honing. comj, 27(3):66-72, 2003. [doi]

2001

From Time to Time: The Representation of Timing and TempoHenkjan Honing. comj, 25(3):50-61, 2001. [doi]

Refined Knowledge-Based ƒ0 Tracking: Comparing Three Frequency Extraction MethodsStéphane Rossignol, Peter Desain, Henkjan Honing. icmc 2001: [doi]

Spectral analysis of timing profiles of piano performancesPaul Trilsbeek, Peter Desain, Henkjan Honing. icmc 2001: [doi]

2000

On tempo tracking: Tempogram Representation and Kalman filteringAli Taylan Cemgil, Bert Kappen, Peter Desain, Henkjan Honing. icmc 2000: [doi]

Make Me a Match: An Evaluation of Different Approaches to Score - Performance MatchingHank Heijink, Peter Desain, Henkjan Honing, Luke Windsor. comj, 24(1):43-56, 2000. [doi]

1997

Robust Score-Performance Matching: Taking Advantage of Structural InformationPeter Desain, Henkjan Honing, Hank Heijink. icmc 1997: [doi]

1996

Physical Motion as a Metaphor for Timing in Music: The Final RitardPeter Desain, Henkjan Honing. icmc 1996: [doi]

1995

Towards Algorithmic Descriptions of Continuous Modulations of Musical ParametersPeter Desain, Henkjan Honing. icmc 1995: [doi]

1994

Advanced issues in beat induction modeling: syncopation, tempo and timingPeter Desain, Henkjan Honing. icmc 1994: [doi]

Rulebased models of initial beat induction and an analysis of their behaviorPeter Desain, Henkjan Honing. icmc 1994: [doi]

Foot-tapping: a brief intoduction to beat inductionPeter Desain, Henkjan Honing. icmc 1994: [doi]

1993

On Continuous Musical Control of Discrete Musical ObjectsPeter Desain, Henkjan Honing. icmc 1993: [doi]

A microworld approach to the formalization of musical knowledgeHenkjan Honing. lre, 27(1):41-47, 1993. [doi]

1992

Expresso, a Strong and Small Editor for ExpressionHenkjan Honing. icmc 1992: [doi]

1991

Generalized Time FunctionsPeter Desain, Henkjan Honing. icmc 1991: [doi]

Tempo Curves Considered HarmfulPeter Desain, Henkjan Honing. icmc 1991: [doi]

1990

POCO: An Environment for Analysing, Modifying and Generating Expression in MusicHenkjan Honing. icmc 1990: [doi]

1989

A Connectionist QuantizerPeter Desain, Henkjan Honing, Klaus de Rijk. icmc 1989: [doi]

1986

LOCO: Composition Microworlds in LOGOPeter Desain, Henkjan Honing. icmc 1986: [doi]

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