Abstract is missing.
- BESSIE: A Real Time Interactive Computer Tutorial on Frequency Modulation Synthesis for the NeXT ComputerAnthony G. Holland. [doi]
- A Fast Communication-Interface to the CAMP-DSP-Subsystem for general purpose Sound-Synthesis, Analysis and ProcessingRupert C. Nieberle. [doi]
- Using Self-Similiarity for Sound/Music SynthesisShahrokh David Yadegari. [doi]
- TBone: An Interactive WaveGuide Brass Instrument Synthesis Workbench for the NeXT MachinePerry R. Cook. [doi]
- An Algorithmic Approach to Composition based on Dynamic Hierarchical AssemblyWilliam F. Punch III, Mark Sullivan, Robert Koehler. [doi]
- Composing the Output InterfaceBrad Garton, Mara Helmuth. [doi]
- CEDS TO GROW A CAT: A Progress/Studio ReportNoel Zahler. [doi]
- Parallel Transform Method for Lossless Compression on Analog DataR. Crandell, Michael Minnick. [doi]
- Interactive Signal Processing for Acoustic InstrumentsTodd Winkler. [doi]
- Implementation of the KL Synthesis Algorithm Under Real-Time ControlW. Brent Weeks, W. Andrew Schloss, R. Lynn Kirlin. [doi]
- The Composer's ToolboxJonathan Hallstrom, Dale Skrien. [doi]
- "MacSonogram": a Programme to Produce Large Scale Sonograms for Musical PurposesPeter Lundén, Tamas Ungvary. [doi]
- The Architecture of a Musical Composition System Based on Constraint Resolution and Graph RewritingMyriam Desainte-Catherine. [doi]
- Using State-of-the-Art Technologies to Investigate the Cognitive Mapping of Musical Intention to PerformanceMary Ann Norris. [doi]
- A Theory of Poetry as Music and Its Exploration through a Computer Aid to CompositionFred Lerdahl, Xavier Chabot. [doi]
- Singing and Playing Music in Virtual SpaceAkio Sato, Tsutomu Harada, Shuji Hashimoto, Sadamu Ohteru. [doi]
- A Library of Orchestral Instrument SpectraGregory J. Sandell. [doi]
- PAT-PROC: An Interactive, Pattern-Process, Algorithmic Composition ProgramPhil Winsor. [doi]
- Progress in the Application of 3-Dimensional Ambisonic Sound Systems to Computer MusicDave Malham, Richard Orton. [doi]
- A Psychoacoustical Model for Tonal CompositionRichard Parncutt. [doi]
- A MIDI Foot Controller-The PodoboardEric Johnstone. [doi]
- The Criterion of Data Complexity in Rhythm RecognitionAndranick Tanguiane. [doi]
- New UPIC System DemonstrationJean-Michel Raczinski. [doi]
- Improvisation with Highly Interactive Real-Time Performance SystemsDavid Wessel. [doi]
- Method for Automatic Evaluation of Timbre and Fluctuation of Pipe Organ SoundsMassimo Dal Sasso, Giovanni B. Debiassi, Giovanni Spagiari. [doi]
- Has Structure Any Meaning in Computer Music?Hans Lunell. [doi]
- MIDI Generation of Sound MorphologiesSerge De Laubier, Daniel Teruggi. [doi]
- Creation of MIDI Files for Acoustical Experiment Using the TX81ZAlain Pitre. [doi]
- Graphical Control of Granular Synthesis using Cellular Automata and the Freehand ProgramRichard Orton, Andy Hunt, Ross Kirk. [doi]
- A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback SystemsSergi Jordà. [doi]
- Real-Time Tempo Tracking Using Rules to Analyze Rythmic QualitiesAnthonie Driesse. [doi]
- The Script for "Poème Electronique": Traces from a PioneerAnn Stimson. [doi]
- Parametric SpectrumizationNil Parent. [doi]
- The Acousmographe, a Macintosh software for the graphical representation of soundsOlivier Koechlin, Hugues Vinet. [doi]
- The Arugula Computer-Music Score EditorVance Maverick. [doi]
- Organization of Sounds with Neural NetsBernhard Feiten, Roland Frank, Tamas Ungvary. [doi]
- Generalized Time FunctionsPeter Desain, Henkjan Honing. [doi]
- Studio Report: LIEM CDMCAdolfo Nüñez, Carlos Cester. [doi]
- A Formal Composition System Based on the Theory of Time TreesAluizio Arcela, Gerber Ramalho. [doi]
- A Development Environment for String HyperinstrumentsJoseph T. Chung. [doi]
- A Fuzzy-Set-Theoretic Frame Work Towards Computer Generation of "AALAP", Patterns in Hindustani MusicLingam M. Chelpa. [doi]
- The Integration of Real-Time Synthesis into HMSL, the Hierarchical Music Specification LanguagePhil Burk. [doi]
- Computer Based Experimental Research in Music Perception and Cognition at the CMR-FSUJack A. Taylor. [doi]
- Space at Performer's FingertipsPhilippe Ménard. [doi]
- Fundamental Frequency Estimation Using a New Harmonic Matching MethodXavier Rodet, Boris Doval. [doi]
- The Cro-Magnon Advanced Additive Analysis/Synthesis SystemRalph D. Hill. [doi]
- Sound Explorer: A Workbench for Investigating Source SeparationDavid K. Mellinger, Bernard Mont-Reynaud. [doi]
- DSP Station, a HyperCard environment for DSP sound processing algorhythmsOlivier Koechlin, Hugues Vinet, Didier Brisson. [doi]
- The Artificially Intelligent Computer Performer and Parallel ProcessingBridget Baird. [doi]
- Genetic Algorithms and Computer-Assisted Music CompositionAndrew Horner, David E. Goldberg. [doi]
- An Expandable Real-Time Transputer Sound GeneratorAvi Parash, Uri Shimony. [doi]
- Studio Report: University of York, EnglandDave Malham, Richard Orton, Andy Hunt, Ross Kirk. [doi]
- Musical Applications of a Cellular Automata WorkstationRichard Orton, Andy Hunt, Ross Kirk. [doi]
- MUSIC30 - SCORE30James Dashow. [doi]
- Practical Aspects of a MIDI Conducting SystemRoger B. Dannenberg, Kenneth Bookstein. [doi]
- Additive Synthesis and Resynthesis: A Tentatively Objective EvaluationLouis N. Bélanger. [doi]
- Patenting Your Computer Music Algorithms in the U.SAnthony L. Miele. [doi]
- MAX Objects for Media IntegrationAdrian Freed, David Wessel, David Zicarelli. [doi]
- A High-Level System for Music CompositionAntonio Camurri, Corrado Canepa, Marcello Frixione, Carlo Innocenti, Claudio Massucco, Renato Zaccaria. [doi]
- Why Simulate When We Can Get The Real Thing?Dominique M. Richard. [doi]
- Recent Changes in Computer and Electronic Music Subject Headings at the Library of CongressDeta S. Davis. [doi]
- Transmission-Line Modeling and Real-Time Synthesis of String and Wind InstrumentsMatti Karjalainen, Unto K. Laine, Timo I. Laakso, Vesa Välimäki. [doi]
- SVP: A Modular System for Analysis, Processing and Synthesis of Sound SignalsPhilippe Depalle, Gilles Poirot. [doi]
- GRM ReportHugues Vinet, Daniel Teruggi. [doi]
- Lime* Music Notation Software for the MacintoshLippold Haken. [doi]
- LIPM Studio ReportFrancisco Kropfl. [doi]
- A Tool for Manipulating Expressive and Structural Hierarchies in MusicStephen Travis Pope. [doi]
- An Analysis-by-Synthesis Approach to Sinusoidal Modeling Applied to the Analysis and Synthesis of Musical TonesE. Bryan George, Mark J. T. Smith. [doi]
- A Wavelet Based Sinusoid Model of Sound for Auditory Signal SeparationDaniel P. W. Ellis, Barry Vercoe. [doi]
- Questions About Interactive Computer Performance as a Resource for Music Composition and Probelms of MusicalityNoel Zahler. [doi]
- Towards a Better Software-Design for Supporting Creative Musical Activity (CMA)Daniel V. Oppenheim. [doi]
- Found Sound, Found Structure SummaryCraig R. Harris. [doi]
- A Platform for Real-Time Perceptually-Based Audio Data ReductionTom Maglione, Barry Vercoe. [doi]
- SHADOW: An Object-Oriented Performance System for the DMIX EnvironmentDaniel V. Oppenheim. [doi]
- The MIDI Baton IIIDavid Keane, Kevin Wood. [doi]
- Tempo Curves Considered HarmfulPeter Desain, Henkjan Honing. [doi]
- Some Applications of Time Theory to Computer Music DesignJeff Pressing. [doi]
- A Geometric-Concordance Device for Sound SynthesisMárcio da Costa P. Brandão, Ricardo S. R. Nascimento. [doi]
- The Resource - Instance Model of Music RepresentationRoger B. Dannenberg, Dean Rubine, Thomas P. Neuendorffer. [doi]
- Understanding Music with AIOtto E. Laske. [doi]
- Lightweight Classes without ProgrammingCarla A. Scaletti. [doi]
- Self-organizing Control Sturctures Using Multiple Cellular AutomataPeter Beyls. [doi]
- Hierarchical Real Time Interapplication CommunicationsYann Orlarey. [doi]
- Applications of the Wavelet Transform at the Level of Pitch ContourClifton Kussmaul. [doi]
- Sine Circuitu: 10, 000 high quality sine waves without detoursCor Jansen. [doi]
- The Computer-Assisted Music Classroom: A Catalyst for CreativityBruce P. Mahin. [doi]
- CNMAT Studio ReportLeslie Delehanty, Guy E. Garnett. [doi]
- Further Experiments with Non-linear Dynamic Systems: Composition and Digital SynthesisAgostino Di Scipio. [doi]
- Digital Waveguide Modelling of Reed Woodwinds: An Interactive DevelopmentSuzanne Hirschman, Perry R. Cook, Julius O. Smith III. [doi]
- The Design of a C++ Library for MIDI ApplicationsWilliam F. Punch III, Greg Sepesi. [doi]
- Sound Base: Phonetic Searching in Sound ArchivesKees de Koning, Shaun Oates. [doi]
- A Self-Critical Composition AlgorithmRobert Rowe. [doi]
- Mapping Complex Systems Using Granular SynthesisMichael Hamman. [doi]
- T-MAX: a parallel processing development system for MAXBruce Pennycook, Chris Lea. [doi]
- Computers and Live Electronic Music: Some Solutions, Many ProblemsSimon Emmerson. [doi]
- Interactive Music Composition with a Minimum of Input StatesJustin R. Shuttleworth. [doi]
- Proportional Recursive Stochastic Compositon Using COMP2, a Smalltalk-80 Composition Program with the Kyma Digital Synthesis SystemBrian Belet. [doi]
- Automatic Composition, Connectionism, and MusiconomyGareth Loy. [doi]
- An Intelligent Music RepositoryBarry Eaglestone, Albert Verschoor. [doi]
- Waveguide Simulation of Non-Cylindrical Acoustic TubesJulius O. Smith III. [doi]
- Non Linear Periodic Prediction for On-Line Identification of Oscillator Characteristics in Woodwind InstrumentsPerry R. Cook. [doi]
- A Meta-level Architecture for the Analysis of Jazz Chord SequencesFrançois Pachet. [doi]
- Commonalities in the Time-Based Arts: A New Approach to the Teaching and Practice of the Electronic ArtsRichard Povall, Neil B. Rolnick. [doi]
- The Cro-Magnon Advanced Additive Analysis/Synthesis SystemRalph D. Hill. [doi]
- Viewpoints on the History of Digital SynthesisJulius O. Smith III. [doi]
- Computer-Graphic Tools for Music AnalysisAlexander R. Brinkman, Martha R. Mesiti. [doi]
- LECTOR: An Ecclesiastical Latin Control Language for the SPASM/singer InstrumentPerry R. Cook. [doi]
- Deriving a Quarter-Tone Harmonic Language Using Harmonic Spectra and their Formant Regions as a Model for Chord VoicingsRonald B. Smith. [doi]
- Strange Attractors: A Virtual Instrument Algorithm for Acoustic InstrumentsStephen David Beck. [doi]
- Musical Analysis of Computer Music with SonagramsMartha Brech. [doi]
- A Framework for Developing Signal Processing and Synthesis Algorithms for the Motorola 56001Kurt J. Hebel. [doi]
- Sound-Models: The Representation of Knowledge about Sound-Synthesis in the CPL EnvironmentPeter Lundén. [doi]
- MAXGEN: A graphical MAX object for the generation and editing of complex continuous control functionsJean Piché, Stéphane DesMeules. [doi]
- Control Mechanisms into the MOSAIC Synthesis ProgramJoseph Derek Morrison. [doi]
- Patchmix and StochGran: Two Graphical InterfacesMara Helmuth. [doi]
- Automated Linguistic Analysis of Musical CompositionsJohn Joy. [doi]
- Phase 1 de l'implantation d'un centre d'accèss multi-média à PRIMMyke Roy. [doi]
- A New Digital System for Singing Synthesis Allowing Expressive ControlGunilla Carlsson, Sten Termstrom, Johan Sundberg, Tamas Ungvary. [doi]
- A Multiprocessor DSP System for Real-Time Interactive Sound Processing and SynthesisJohn A. Bate. [doi]
- Morphological Mutation Functions: Applications to Motivic Transformation and a New Class of Cross-Synthesis TechniquesLarry Polansky, Martin McKinney. [doi]
- Recent Musical Creation at IRCAMMarc Battier. [doi]
- Harmonizing Music as a Discipline in Constraint Logic ProgrammingChi Ping Tsang, M. Aitken. [doi]
- The International Digital Electroacoustic Music ArchiveMarcia L. Bauman, Glendon R. Diener, Max V. Mathews. [doi]
- Studio Report: Electroacoustic and Computer Studio at City University, LondonSimon Emmerson. [doi]
- MIT-Media LabNeil Gershenfeld. [doi]
- Real-Time Neural Network Processing of Gestural and Acoustic SignalsMichael A. Lee, Adrian Freed, David Wessel. [doi]
- A Performance Instrument for LightingLouis-Philippe Demers. [doi]
- Audification: The Use of Sound to Display Multivariate DataGregory Kramer, Stephen Ellison. [doi]
- The Relevance of Beating Partials for Musical IntonationDouglas Keislar. [doi]
- Musical Performance Using the IRCAM WorkstationsCort Lippe, Miller Puckette. [doi]
- Musical and Extra-Musical Applications of the NeXT Music KitDavid A. Jaffe. [doi]
- A Phase Vocoder Graphical Interface for Timbral Manipulation of Cellular Automata and Fractal Landscape MappingsAnna I. Katrami, Ross Kirk, A. Myatt. [doi]
- Studio Report: Computer Music Dept of CNUCE/CNR, Pisa, ItalyLeonello Tarabella, Graziano Bertini. [doi]
- A New Chant Synthesizer in C and Its Control Environment in PATCHWORKJean-Baptiste Barrière, Francisco Iovino, Mikael Laurson. [doi]
- Computer Analysis of Surface Details in Tonal MusicSevan G. Ficici. [doi]
- The Alternators of the Telharmonium, 1906Reynold Weidenaar. [doi]
- The Musical Expectations of Self-Organizing Neural NetworksMichael P. A. Page. [doi]
- Live Interactive Intelligent Computer Music: Notes on Pieces Done in HMSL, 1984-91Larry Polansky. [doi]
- In, Out, But Not Thru: The Current State of Electro-Acoustic Music Education in CanadaR. D. Wraggett. [doi]
- How to Feed Musical Gestures into CompositionsAndreas Mahling. [doi]
- Representing Knowledge Used by Jazz MusciansFrançois Pachet. [doi]
- More Thorough Stochastic MusicIannis Xenakis. [doi]
- CASCADES: Interactive Algorithmic PerformanceGeorge Logemann. [doi]
- Who's Playing - The Computer's Role in Musical PerformanceAlan Belkin. [doi]
- Composition with Time-Shifted Environmental Sound Using a Real-Time Granulation TechniqueBarry Truax. [doi]
- Optical Music Recognition: Progress ReportIchiro Fujinaga, Bo Alphonce, Bruce Pennycook, Kharim Hogan. [doi]
- The Expanded Instrument System (EIS)Pauline Oliveros. [doi]