Table of Contents

• Boris: An Application of the Fujitsu MB8764 DSP ChipBennett K. Smith, Paul Chervin. [doi]
• On Identification of Violin Strokes in a Real-Time Performance SystemBirute Sinkeviciùte, Saulius Sondeckis, Arturas Medonis. [doi]
• Optimized Real-Time Simulation of Objects for Musical Synthesis and Animated Image SynthesisJean-Loup Florens, Aime Razafindrakoto, Annie Luciani, Claude Cadoz. [doi]
• Externalization Mediates Changes in the Perceived Roughness of Sound Signals with Jittered Fundamental FrequencyMartin D. Wilde, William L. Martens, James M. Hillenbrand, Douglas R. Jones. [doi]
• Some Advances in the Development of a New Architecture for a Digital Sound SynthesizerMaurizio Rubbazzer, M. Santoiemma, G. A. Patella. [doi]
• Ringo: A Percussive InstallationFloris van Manen, Trimpin. [doi]
• The Development of an Intelligent Composer's Assistant: Interactive Graphics Tools and Knowledge Representation for MusicStephen Travis Pope. [doi]
• Mridangam SimulationMohan Harihara, K. Radhakrishna Rao. [doi]
• MIDI-LISP: A LISP-Based Music Programming Environment for the MacintoshLee Boynton, Pierre Lavoie, Yann Orlarey, Camilo Rueda, David Wessel. [doi]
• Computer Music: The State of the NationNicola Bernardini. [doi]
• The Swiss Center for Computer MusicGerald Bennett, Rainer Boesch, Antonio Greco, Bruno Spoerri. [doi]
• Software for Real-Time Microtonal ControlDouglas Keislar. [doi]
• Phenomenology of Musical CommunicationGiorgio Tedde. [doi]
• A Performance Literature for Computer Music: Some Problems from Personal ExperienceNeil B. Rolnick. [doi]
• Software Developments for the 4X Real-time SystemEmmanuel Favreau, Michel Fingerhut, Olivier Koechlin, Patrick Potacsek, Miller Puckette, Robert Rowe. [doi]
• Designing a Computer Music Workstation from Musical ImperativesD. Gareth Loy. [doi]
• ArcoNet: A Proposal for a Standard Network for Communication and Control in Real-Time PerformanceKristi Allik, Shane Dunne, Robert Mulder. [doi]
• Space Perception in the Computer AgeLeo Küpper. [doi]
• Duration Structure Generation and Recognition in Musical WritingEmmanuel Amiot, Gérard Assayag, Claudy Malherbe, André Riotte. [doi]
• Computer and Music Software in an Educative-Formative Role in ItalyG. Codeluppi, E. Iannuccelli. [doi]
• Musical Experiments with Prolog IIJan Vandenheede. [doi]
• MacMix: Mixing with a MouseAdrian Freed. [doi]
• The Biniou MachinePierre Barbaud, Frank Brown, Rémi Lengagne. [doi]
• Random Access to the Time Domain in the AMPLE LanguageChris Jordan. [doi]
• An Inexpensive Composer Work Station Featuring High Quality Real Time Sound SynthesisRainer Boesch, Daniel Weiss. [doi]
• The CMU MIDI ToolkitRoger B. Dannenberg. [doi]
• A Unified Set of Software Tools for Computer-Assisted Set-Theoretic and Serial Analysis of Contemporary MusicCraig R. Harris, Alexander R. Brinkman. [doi]
• A Knowledge-Based Approach to Assistance in Timbral DesignRichard D. Ashley. [doi]
• Real-Time Granular Synthesis with the DMX-1000Barry Truax. [doi]
• Real-Time Gestural ControlMichel Starkier, Philippe Prevot. [doi]
• A User Friendly Synthesizer by Means of a Touch Input Wide LCD Graphic DisplayJ. C. Radier, Ch. Deforeit, D. Provost. [doi]
• Musician - A Music Processing and Synthesis SystemA. Ban, Johann A. Makowsky. [doi]
• Phase Modulation with Interpolated Time Functions: Synthesis by FormantsSergio Cavaliere, Aldo Piccialli. [doi]
• The Electro-Acoustics Unit of the Faculty of Music of the University of MontrealLouise Gariepy. [doi]
• Sampling and Composition with the Kurzweil 250: Today's Aesthetic ChoicesAnthony G. Holland. [doi]
• A Lisp Environment for Creating and Applying Rules for Musical PerformanceAnders Friberg, Johan Sundberg. [doi]
• A Model of Real-Time Computation for Computer MusicDavid P. Anderson, Ron Kuivila. [doi]
• A Workstation in Live Performance: Composed ImprovisationXavier Chabot, Roger B. Dannenberg, Georges Bloch. [doi]
• Deriving Psychophysical Relations for TimbreDaniel J. Freed, William L. Martens. [doi]
• Real-Time Stochastic Composition and Performance with AMPLEKevin Jones. [doi]
• Imaging Sonic StructureRobert Cogan. [doi]
• TELETAU: A Computer Music Permanent ServiceG. Nencini, Pietro Grossi, Graziano Bertini, C. Camilleri, Leonello Tarabella. [doi]
• Graphical Programming in Computer Music: A ProposalPeter Desain. [doi]
• A Natural Language System for MusicBrian L. Schmidt. [doi]
• The Bradford Musical Instrument SimulatorPeter J. Comerford. [doi]
• Computer-Assisted Musical Analysis: A Question of ValidityJohn Morehen. [doi]
• Centre d'Etudes de Mathematique et Automatique MusicalesCornelia Colyer. [doi]
• MIDIM Sound-Duplications and Their ApplicationsWerner Kaegi, Jos Janssen, Paul Goodman. [doi]
• Techniques of Timbral InterpolationYee On Lo. [doi]
• MLOGO: A MIDI Composing Environment For The Apple IIeYann Orlarey. [doi]
• Score Generation with L-SystemsPrzemyslaw Prusinkiewicz. [doi]
• A System of Rules for Computer ImprovisationMarco Ligabue. [doi]
• Applications for an Integrated Computer Music WorkstationF. Richard Moore. [doi]
• Tele-detection and Large Dimension Gestual ControlPhilippe Prevot. [doi]
• Current Work at CCRMA: An OverviewChris Chafe, Julius O. Smith, Patte Wood. [doi]
• Computer Music Research at Bell LabsMark Kahrs, Thomas J. Killian, Max V. Mathews. [doi]
• Timing Accuracy and Response Time in Interactive SystemsRon Kuivila, David P. Anderson. [doi]
• Time-Trees: The Inner Organization of IntervalsAluizio Arcela. [doi]
• A Microcomputer System for the Real-Time Exploration of Musical StructuresMichael Greenhough. [doi]
• The Impact of Computer Music on the Small Liberal Arts College in the United StatesNoel Zahler. [doi]
• Modeling Piano TonesJoseph Marks, John Polito. [doi]
• The APS 1000 Series of Digital Audio ProcessorsHelmut Zander. [doi]
• Musical Aspects of Fractal GeometryBruno Degazio. [doi]
• Efficient Simulation of the Reed-Bore and Bow-String MechanismsJulius O. Smith. [doi]
• Experimenting with Models of Resonance Produced by a New Technique for the Analysis of Impulsive SoundsYves Potard, Pierre-François Baisnée, Jean-Baptiste Barrière. [doi]
• The Computer and Live Musical PerformanceJon Appleton. [doi]
• The Errant SyncretizerAad te Bokkel. [doi]
• Spatial Processing Software at Northwestern Computer MusicGary S. Kendall, William L. Martens, Daniel J. Freed, M. Derek Ludwig, Richard W. Karstens. [doi]
• MUSE: An Integrated Software Environment for Computer Music ApplicationsLounette M. Dyer. [doi]
• An Expert System for Harmonizing Four-Part ChoralesKemal Ebcioglu. [doi]
• Self-Proliferating Musical ObjectsMichael Longton. [doi]
• Adding a Graphical User Interface to FORMESLee Boynton, Jacques Duthen, Yves Potard, Xavier Rodet. [doi]
• Musical Production and Related Issues at CARLRoger Reynolds. [doi]
• Interprocess Communication and Timing in Real-Time Computer Music PerformanceMiller Puckette. [doi]
• The SS-1 Sound Spatializer: A Real-Time MIDI Spatialization ProcessorAlain Martel. [doi]
• A System for the Complete Enharmonic Encoding of Musical Pitches and IntervalsPeter J. Clements. [doi]
• MvS|C: A Constraint-Based Approach to Musical Knowledge RepresentationChristoph Lischka, Hans-Werner Güsgen. [doi]
• Hogeschool voor de Kunsten Utrecht Studio Report: Centrum voor Muziek en Informatica (CMI)Johan C. M. den Biggelaar. [doi]
• Real-time Interaction between Musicians and Computer: Live Performance Utilisations of the 4X Musical WorkstationPierre-François Baisnée, Jean-Baptiste Barrière, Olivier Koechlin, Robert Rowe. [doi]
• Learning the Craft of Musical CompositionLuc Steels. [doi]
• Virtual Patch-Cords for the KatosizerDavid Blythe, John Kitamura, David Galloway, W. Martin Snelgrove. [doi]
• The Organization of Microtonal Sets in Computer MusicFabio Cifariello Ciardi. [doi]
• Computers and Music Education: A Compositional ApproachGary Greenberg. [doi]
• A Computer Model for Bar Percussion InstrumentsXavier Serra. [doi]
• Renaissance and Baroque Microtonal Music Research in Computer Real Time PerformancePatrizio Barbieri, Lindoro Del Duca. [doi]
• What Ever Happened to SSSP?John Free, Paul Vytas. [doi]
• Soft Machine: A Real Time Fully Programmable Computer Music SystemGiorgio Nottoli, Francesco Galante. [doi]
• A.A.S. Acoustic Ambience Simulator SystemFrancesco Galante. [doi]
• User Interfaces in Music-Notation SystemsDonald Byrd. [doi]
• The Need for Essential Improvements in the Machine-Composer Interface Used for the Composition of Electroacoustic Computer MusicDaniel V. Oppenheim. [doi]
• MSYS 7: MIDI Control SystemGiorgio Nottoli, Lindoro Del Duca. [doi]
• A Structure for Representing, Displaying, and Editing MusicRoger B. Dannenberg. [doi]
• A Modular Real-Time Digital Processor of Audio SignalsItai Shelef, Uri Shimony, Itai Nehoran. [doi]
• A ToolBox for Music NotationGérard Assayag, Dan Timis. [doi]
• The Oculus RanaeDouglas J. Collinge, Stephen M. Parkinson. [doi]
• The Impact of MIDI upon Compositional MethodologyChristopher Yavelow. [doi]
• LOCO: Composition Microworlds in LOGOPeter Desain, Henkjan Honing. [doi]