Chris Chafe - researchr alias

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Viewing Publication 1 - 29 from 29

2023

A Content Adaptive Learnable "Time-Frequency" Representation for audio Signal ProcessingPrateek Verma, Chris Chafe. icassp 2023: 1-5 [doi]

2021

A Generative Model for Raw Audio Using Transformer ArchitecturesPrateek Verma, Chris Chafe. dafx 2021: 230-237 [doi]

2020

A Deep Learning Approach for Low-Latency Packet Loss Concealment of Audio Signals in Networked Music Performance ApplicationsPrateek Verma, Alessandro Ilic Mezza, Chris Chafe, Cristina Rottondi. fruct 2020: 268-275 [doi]

2019

Delayed feedback embedded in perception-action coordination cycles results in anticipation behavior during synchronized rhythmic action: A dynamical systems approachIran R. Roman, Auriel Washburn, Edward W. Large, Chris Chafe, Takako Fujioka. ploscb, 15(10), 2019. [doi]

2018

2016

Augmenting the iPad: the BladeAxeRomain Michon, Julius Orion Smith III, Matthew Wright 0002, Chris Chafe. nime 2016: 247-252 [doi]

An Overview on Networked Music Performance TechnologiesCristina Rottondi, Chris Chafe, Claudio Allocchio, Augusto Sarti. access, 4:8823-8843, 2016. [doi]

2011

Autonomous New Media Artefacts (AutoNMA)Edgar Berdahl, Chris Chafe. nime 2011: 322-323 [doi]

2010

JackTrip/SoundWIRE Meets Server FarmJuan Pablo Cáceres, Chris Chafe. comj, 34(3):29-34, 2010. [doi]

2009

JackTrip: Under the Hood of an Engine for Network AudioJuan Pablo Cáceres, Chris Chafe. icmc 2009: [doi]

2008

Tapping into the Internet as an acoustical and Musical MediumChris Chafe. icmc 2008: [doi]

2004

Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble AccuracyMichael Gurevish, Chris Chafe, Grace Leslie, Sean Tyan. icmc 2004: [doi]

CCRMA Studio ReportMatthew Wright, Jonathan Berger, Christopher Burns, Chris Chafe, Fernando Lopez-Lezcano, Julius O. Smith. icmc 2004: [doi]

2002

Physical model synthesis with application to Internet acousticsChris Chafe, Scott Wilson, Daniel Walling. icassp 2002: 4056-4059 [doi]

Analysis and synthesis of unusual friction-driven musical instrumentsStefania Serafin, Patty Huang, Sølvi Ystad, Chris Chafe, Julius O. Smith III. icmc 2002: [doi]

2000

The Performer-Instrument Interaction: A Sensory Motor PerspectiveM. Sile O'Modhrain, Chris Chafe. icmc 2000: [doi]

Qualitative and Quantitive Assessment of a Virtual Bowed String InstrumentM. Sile O'Modhrain, Stefania Serafin, Chris Chafe, Julius O. Smith III. icmc 2000: [doi]

1997

Statistical Pattern Recognition for Prediction of Solo Piano PerformanceChris Chafe. icmc 1997: [doi]

1996

Musical Muscle Memory and the Haptic Display of Performance NuanceChris Chafe, M. Sile O'Modhrain. icmc 1996: [doi]

1995

Adding Vortex Noise to Wind Instrument Physical ModelsChris Chafe. icmc 1995: [doi]

1993

Tactile Audio FeedbackChris Chafe. icmc 1993: [doi]

Studio Report: Center for Computer Research in Music and Acoustics (CCRMA)Patte Wood, Chris Chafe, Perry R. Cook. icmc 1993: [doi]

1990

Pulsed noise in self-sustained oscillations of musical instrumentsChris Chafe. icassp 1990: 1157-1160 [doi]

Characterization of aperiodicity in nearly periodic signalsRobert T. Schumacher, Chris Chafe. icassp 1990: 1161-1164 [doi]

1986

Source separation and note identification in polyphonic musicChris Chafe, David A. Jaffe. icassp 1986: 1289-1292 [doi]

Current Work at CCRMA: An OverviewChris Chafe, Julius O. Smith, Patte Wood. icmc 1986: [doi]

1985

Techniques for Note Identification in Polyphonic MusicChris Chafe, David A. Jaffe, Kyle Kashima, Bernard Mont-Reynaud, Julius O. Smith. icmc 1985: [doi]

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