Abstract is missing.
- Identification of Nonlinear Circuits as Port-Hamiltonian SystemsJudy Najnudel, Rémy Müller, Thomas Hélie, David Roze. 1-8 [doi]
- Arbitrary-Order IIR Antiderivative AntialiasingPier Paolo La Pastina, Stefano D'Angelo, Leonardo Gabrielli. 9-16 [doi]
- An Equivalent Circuit Interpretation of Antiderivative AntialiasingKurt James Werner. 17-24 [doi]
- Non-Iterative Schemes for the Simulation of Nonlinear Audio CircuitsMichele Ducceschi, Stefan Bilbao, Craig J. Webb. 25-32 [doi]
- Applications of Port Hamiltonian Methods to Non-Iterative Stable Simulations of the KORG35 and MOOG 4-Pole VCFMohammed Danish, Stefan Bilbao, Michele Ducceschi. 33-40 [doi]
- Differentiable White-Box Virtual Analog ModelingFabian Esqueda, Boris Kuznetsov, Julian D. Parker. 41-48 [doi]
- Practical Virtual Analog Modeling Using MÖbius TransformsFrançois G. Germain. 49-56 [doi]
- Amp-Space: A Large-Scale Dataset for Fine-Grained Timbre TransformationJason Naradowsky. 57-64 [doi]
- Damped Chirp Mixture Estimation Via Nonlinear Bayesian RegressionJulian Neri, Philippe Depalle, Roland Badeau. 65-72 [doi]
- Sitrano: A Matlab App for Sines-Transients-Noise Decomposition of Audio SignalsLeonardo Fierro, Vesa Välimäki. 73-80 [doi]
- On the Estimation of Sinusoidal Parameters Via Parabolic Interpolation of Scaled Magnitude SpectraMarcelo Caetano, Philippe Depalle. 81-88 [doi]
- Optimal Integer Order Approximation of Fractional Order FiltersPier Paolo La Pastina, Stefano D'Angelo. 89-96 [doi]
- Conformal Maps for the Discretization of Analog Filters Near the Nyquist LimitChamp C. Darabundit, Jonathan S. Abel. 97-104 [doi]
- Simulating a Hexaphonic Pickup Using Parallel Comb Filters for Guitar DistortionSebastian Laguerre, Gary P. Scavone. 105-112 [doi]
- Interacting with Digital Audio Effects Through a Haptic Knob with Programmable ResistanceYuri De Pra, Federico Fontana, Stefano Papetti. 113-120 [doi]
- Adaptive Pitch-Shifting with Applications to Intonation Adjustment in a Cappella RecordingsSebastian Rosenzweig, Simon J. Schwär, Jonathan Driedger, Meinard Müller. 121-128 [doi]
- One-to-Many Conversion for Percussive SamplesJon Fagerström, Sebastian J. Schlecht, Vesa Välimäki. 129-135 [doi]
- Object-Based Synthesis of Scraping and Rolling Sounds Based on Non-Linear Physical ConstraintsVinayak Agarwal, Maddie Cusimano, James Traer, Josh H. McDermott. 136-143 [doi]
- Dynamic Grids for Finite-Difference Schemes in Musical Instrument SimulationsSilvin Willemsen, Stefan Bilbao, Michele Ducceschi, Stefania Serafin. 144-151 [doi]
- A Physical Model of the Trombone Using Dynamic Grids for Finite-Difference SchemesSilvin Willemsen, Stefan Bilbao, Michele Ducceschi, Stefania Serafin. 152-159 [doi]
- Air Absorption Filtering Method Based on Approximate Green's Function for Stokes' EquationBrian Hamilton. 160-167 [doi]
- Real-Time Implementation of a Friction Drum Inspired Instrument Using Finite Difference SchemesMarius George Onofrei, Silvin Willemsen, Stefania Serafin. 168-175 [doi]
- On the Equivalence of Integrator- and Differentiator-Based Continuous- and Discrete-Time SystemsVadim Zavalishin, Julian D. Parker. 176-183 [doi]
- Higher-Order Anti-Derivatives of Band Limited Step Functions for the Design of Radial Filters in Spherical Harmonics ExpansionsNara Hahn, Frank-Schultz, Sascha Spors. 184-190 [doi]
- Modal Spring Reverb Based on Discretisation of the Thin Helical Spring ModelJacob McQuillan, Maarten van Walstijn. 191-198 [doi]
- Spherical Decomposition of Arbitrary Scattering Geometries for Virtual Acoustic EnvironmentsRaimundo Gonzalez, Archontis Politis, Tapio Lokki. 199-205 [doi]
- The Role of Modal Excitation in Colorless ReverberationJanis Heldmann, Sebastian J. Schlecht. 206-213 [doi]
- Parametric Spatial Audio Effects Based on the Multi-Directional Decomposition of Ambisonic Sound ScenesLeo McCormack, Archontis Politis, Ville Pulkki. 214-221 [doi]
- One Billion Audio Sounds from GPU-Enabled Modular SynthesisJoseph Turian, Jordie Shier, George Tzanetakis, Kirk McNally, Max Henry. 222-229 [doi]
- A Generative Model for Raw Audio Using Transformer ArchitecturesPrateek Verma, Chris Chafe. 230-237 [doi]
- Combining Zeroth and First-Order Analysis with Lagrange Polynomials to Reduce Artefacts in Live Concatenative GranulationDario Sanfilippo, Julian D. Parker. 238-244 [doi]
- Alloy Sounds: Non-Repeating Sound Textures with Probabilistic Cellular AutomataTiago Fernandes Tavares, Thales Roel P. Pessanha, Gustavo Nishihara, Guilherme Zanchetta L. Avila. 245-252 [doi]
- Graph-Based Audio Looping And GranulationGerard Roma, Pierre-Alexandre Tremblay, Owen Green. 253-259 [doi]
- Topologizing Sound Synthesis Via SheavesGeorg Essl. 260-267 [doi]
- Bio-Inspired Optimization of Parametric Onset DetectorsDomenico Stefani, Luca Turchet. 268-275 [doi]
- Improving Synthesizer Programming From Variational Autoencoders Latent SpaceGwendal Le Vaillant, Thierry Dutoit, Sebastien Dekeyser. 276-283 [doi]
- Exposure Bias and State Matching in Recurrent Neural Network Virtual Analog ModelsAleksi Peussa, Eero-Pekka Damskägg, Thomas Sherson, Stylianos I. Mimilakis, Lauri Juvela, Athanasios Gotsopoulos, Vesa Välimäki. 284-291 [doi]
- Transition-Aware: A More Robust Approach for Piano TranscriptionXianke Wang, Wei Xu, Juanting Liu, Weiming Yang, Wenqing Cheng. 292-299 [doi]
- Quality Diversity for Synthesizer Sound MatchingNaotake Masuda, Daisuke Saito. 300-307 [doi]
- An Audio-Visual Fusion Piano Transcription Approach Based on StrategyXianke Wang, Wei Xu, Juanting Liu, Weiming Yang, Wenqing Cheng. 308-315 [doi]