Abstract is missing.
- A Low-Cost, Low-Latency Multi-Touch Table with Haptic Feedback for Musical ApplicationsMatthew Montag, Stefan Sullivan, Scott Dickey, Colby Leider. 8-13 [doi]
- The Electromagnetically Sustained Rhodes PianoGreg Shear, Matthew Wright. 14-17 [doi]
- Gamelan Elektrika: An Electronic Balinese GamelanLaurel Pardue, Andrew Boch, Matt Boch, Christine Southworth, Alex Rigopulos. 18-23 [doi]
- Sonicstrument: A Musical Interface with Stereotypical Acoustic TransducersJeong-seob Lee, Woon Seung Yeo. 24-27 [doi]
- Solar Sound Arts: Creating Instruments and Devices Powered by Photovoltaic TechnologiesScott Smallwood. 28-31 [doi]
- The Overtone Fiddle: an Actuated Acoustic InstrumentDan Overholt. 30-33 [doi]
- An Approach to Collaborative Music CompositionNiklas Klügel, Marc René Frieß, Georg Groh, Florian Echtler. 32-35 [doi]
- A Reference Architecture and Score Representation for Popular Music Human-Computer Music Performance SystemsNicolas E. Gold, Roger B. Dannenberg. 36-39 [doi]
- V'OCT (Ritual): An Interactive Vocal Work for Bodycoder System and 8 Channel SpatializationMark A. Bokowiec. 40-43 [doi]
- First Person Shooters as Collaborative Multiprocess InstrumentsFlorent Berthaut, Haruhiro Katayose, Hironori Wakama, Naoyuki Totani, Yuichi Sato. 44-47 [doi]
- Studying Interdependencies in Music Performance: An Interactive ToolTilo Hähnel, Axel Berndt. 48-51 [doi]
- 1city1001vibrations: Development of a Interactive Sound Installation with Robotic Instrument PerformanceSinan Bökesoy, Patrick Adler. 52-55 [doi]
- The Medium is the Message: Composing Instruments and Performing MappingsTim Murray Browne, Di Mainstone, Nick Bryan-Kinns, Mark D. Plumbley. 56-59 [doi]
- Clothesline as a Metaphor for a Musical InterfaceSeunghun Kim, Luke K. Kim, Songhee Jeong, Woon Seung Yeo. 60-63 [doi]
- EGGS in ActionPietro Polotti, Maurizio Goina. 64-67 [doi]
- A Reverberation Instrument Based on Perceptual MappingBerit Janssen. 68-71 [doi]
- Vibrotactile Feedback-Assisted PerformanceLauren Hayes. 72-75 [doi]
- Improving User-Interface of Interactive EC for Composition-Aid by means of Shopping Basket ProcedureDaichi Ando. 76-79 [doi]
- BioRhythm: a Biologically-inspired Audio-Visual InstallationRyan McGee, Yuan-Yi Fan, Reza Ali. 80-83 [doi]
- Vibration , Volts and Sonic Art: A Practice and Theory of Electromechanical SoundJon Pigott. 84-87 [doi]
- Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicatorGeorge Sioros, Carlos Guedes. 88-91 [doi]
- Towards a Voltage-Controlled Computer Control and Interaction Beyond an Embedded SystemAndré Gonçalves. 92-95 [doi]
- Polyhymnia: An Automatic Piano Performance System with Statistical Modeling of Polyphonic Expression and Musical Symbol InterpretationTae Hun Kim, Satoru Fukayama, Takuya Nishimoto, Shigeki Sagayama. 96-99 [doi]
- Multitouch Interface for Audio MixingJuan Pablo Carrascal, Sergi Jordà. 100-103 [doi]
- Cognitive Architecture in Mobile Music InteractionsNate Derbinsky, Georg Essl. 104-107 [doi]
- The Self-Supervising MachineBenjamin D. Smith, Guy E. Garnett. 108-111 [doi]
- Beatscape , a Mixed Virtual-Physical Environment for Musical EnsemblesAaron Albin, Sertan Sentürk, Akito Van Troyer, Brian Blosser, Oliver Jan, Gil Weinberg. 112-115 [doi]
- MoodifierLive: Interactive and Collaborative Expressive Music Performance on Mobile DevicesMarco Fabiani, Gaël Dubus, Roberto Bresin. 116-119 [doi]
- A Physically Based Sound Space for Procedural AgentsBenjamin Schroeder, Marc Ainger, Richard E. Parent. 120-123 [doi]
- Acquisition and Study of Blowing Pressure Profiles in Recorder PlayingFrancisco García, Leny Vinceslas, Josep Tubau, Esteban Maestre. 124-127 [doi]
- Experiences from Video-Controlled Sound InstallationsAnders Friberg, Anna Källblad. 128-131 [doi]
- ROOM #81 - Agent-Based Instrument for Experiencing Architectural and Vocal CuesNicolas D'Alessandro, Roberto Calderon, Stefanie Müller. 132-135 [doi]
- Kinetic Particles Synthesizer Using Multi-Touch Screen Interface of Mobile DevicesYasuo Kuhara, Daiki Kobayashi. 136-137 [doi]
- The Sound Flinger: A Haptic SpatializerChris Carlson, Eli Marschner, Hunter McCurry. 138-139 [doi]
- Daft Datum - An Interface for Producing Music Through Foot-based InteractionRavi Kondapalli, Ben-Zhen Sung. 140-141 [doi]
- Strike on Stage: a Percussion and Media PerformanceCharles Martin, Chi-Hsia Lai. 142-143 [doi]
- Gestural Embodiment of Environmental Sounds: an Experimental StudyBaptiste Caramiaux, Patrick Susini, Tommaso Bianco, Frédéric Bevilacqua, Olivier Houix, Norbert Schnell, Nicolas Misdariis. 144-148 [doi]
- Listening to Your Brain: Implicit Interaction in Collaborative Music PerformancesSebastián Mealla C., Aleksander Väaljamäae, Mathieu Bosi, Sergi Jordà. 149-154 [doi]
- Examining How Musicians Create Augmented Musical InstrumentsDan Newton, Mark T. Marshall. 155-160 [doi]
- Tahakum: A Multi-Purpose Audio Control FrameworkZachary Seldess, Toshiro Yamada. 161-166 [doi]
- A Framework for Coordination and Synchronization of MediaDawen Liang, Guangyu Xia, Roger B. Dannenberg. 167-172 [doi]
- Satellite CCRMA: A Musical Interaction and Sound Synthesis PlatformEdgar Berdahl, Wendy Ju. 173-178 [doi]
- Two Turntables and a Mobile PhoneNicholas J. Bryan, Ge Wang. 179-184 [doi]
- MadPad: A Crowdsourcing System for Audiovisual SamplingNick Kruge, Ge Wang. 185-190 [doi]
- The Visual in Mobile Music PerformancePatrick O. Keefe, Georg Essl. 191-196 [doi]
- Designing for the iPad: Magic FiddleGe Wang, Jieun Oh, Tom Lieber. 197-202 [doi]
- MobileMuse: Integral Music Control Goes MobileBenjamin Knapp, Brennon Bortz. 203-206 [doi]
- Tangible Performance Management of Grid-based Laptop OrchestrasStephen David Beck, Chris Branton, Sharath Maddineni. 207-210 [doi]
- Audio Arduino - an ALSA (Advanced Linux Sound Architecture) Audio Driver for FTDI-based ArduinosSmilen Dimitrov, Stefania Serafin. 211-216 [doi]
- Musical Control of a Pipe Based on Acoustic ResonanceSeunghun Kim, Woon Seung Yeo. 217-219 [doi]
- Play Fluency in Music Improvisation Games for NovicesAnne-Marie Skriver Hansen, Hans J. Anderson, Pirkko Raudaskoski. 220-223 [doi]
- The Bass Sleeve: A Real-time Multimedia Gestural Controller for Augmented Electric Bass PerformanceIzzi Ramkissoon. 224-227 [doi]
- The KarmetiK NotomotoN: A New Breed of Musical Robot for Teaching and PerformanceAjay Kapur, Michael Darling, Jim W. Murphy, Jordan Hochenbaum, Dimitri Diakopoulos, Trimpin. 228-231 [doi]
- The Manipuller: Strings Manipulation and Multi- Dimensional Force SensingAdrián Barenca, Giuseppe Torre. 232-235 [doi]
- Mapping Objects with the Surface EditorAlain Crevoisier, Cécile Picard-Limpens. 236-239 [doi]
- Adding Z-Depth and Pressure Expressivity to Tangible Tabletop SurfacesJordan Hochenbaum, Ajay Kapur. 240-243 [doi]
- Hex Player - A Virtual Musical ControllerAndrew J. Milne, Anna Xambó, Robin C. Laney, David B. Sharp, Anthony Prechtl, Simon Holland. 244-247 [doi]
- Rhythm Performance from a Spectral Point of ViewCarl Haakon Waadeland. 248-251 [doi]
- Nuvolet: 3D Gesture-driven Collaborative Audio MosaicingJosep M. Comajuncosas, Alex Barrachina, John O'Connell, Enric Guaus. 252-255 [doi]
- Effective and Expressive Movements in a French-Canadian fiddler's PerformanceErwin Schoonderwaldt, Alexander Refsum Jensenius. 256-259 [doi]
- Flowspace - A Hybrid EcosystemDaniel Bisig, Jan C. Schacher, Martin Neukom. 260-263 [doi]
- Implementing a Finite Difference-Based Real-time Sound Synthesizer using GPUsMarc H. Sosnick, William T. Hsu. 264-267 [doi]
- An Artificial Intelligence Architecture for Musical Expressiveness that Learns by ImitationAxel Tidemann. 268-271 [doi]
- TweetDreams: Making Music with the Audience and the World using Real-time Twitter DataLuke Dahl, Jorge Herrera, Carr Wilkerson. 272-275 [doi]
- JunctionBox: A Toolkit for Creating Multi-touch Sound Control InterfacesLawrence Fyfe, Adam R. Tindale, Sheelagh Carpendale. 276-279 [doi]
- Beyond Evaluation: Linking Practice and Theory in New Musical Interface DesignAndrew Johnston. 280-283 [doi]
- Intuitive Real-Time Control of Spectral Model SynthesisPhillip Popp, Matthew Wright. 284-287 [doi]
- BeatJockey: A New Tool for Enhancing DJ SkillsPablo Molina, Martín Haro, Sergi Jordà. 288-291 [doi]
- Traces - Body, Motion and SoundJan C. Schacher, Angela Stoecklin. 292-295 [doi]
- MoodMixer: EEG-based Collaborative SonificationGrace Leslie, Tim Mullen. 296-299 [doi]
- OSC Implementation and Evaluation of the Xsens MVN SuitStåle Andreas Skogstad, Yago de Quay, Alexander Refsum Jensenius. 300-303 [doi]
- The Effect of Visualizing Audio Targets in a Musical Listening and Performance TaskLonce Wyse, Norikazu Mitani, Suranga Nanayakkara. 304-307 [doi]
- Composability for Musical Gesture Signal Processing using new OSC-based Object and Functional Programming Extensions to Max/MSPAdrian Freed, John MacCallum, Andrew Schmeder. 308-311 [doi]
- SoundSaber - A Motion Capture InstrumentKristian Nymoen, Ståle Andreas Skogstad, Alexander Refsum Jensenius. 312-315 [doi]
- A Modulation Matrix for Complex Parameter SetsØyvind Brandtsegg, Sigurd Saue, Thom Johansen. 316-319 [doi]
- Sound Low FunYu-Chung Tseng, Che-Wei Liu, Tzu-Heng Chi, Hui-Yu Wang. 320-321 [doi]
- Autonomous New Media Artefacts (AutoNMA)Edgar Berdahl, Chris Chafe. 322-323 [doi]
- Creating Musical Expression using KinectMin-Joon Yoo, Jin-Wook Beak, In-Kwon Lee. 324-325 [doi]
- Making Grains Tangible: Microtouch for MicrosoundStaas de Jong. 326-328 [doi]
- Sound Selection by GesturesBaptiste Caramiaux, Frédéric Bevilacqua, Norbert Schnell. 329-330 [doi]
- An Open Source Interface based on Biological Neural Networks for Interactive Music PerformanceHernán Kerlleñevich, Manuel Camilo Eguia, Pablo Ernesto Riera. 331-336 [doi]
- Recognition Of Multivariate Temporal Musical Gestures Using N-Dimensional Dynamic Time WarpingNicholas Gillian, Benjamin Knapp, Sile O'Modhrain. 337-342 [doi]
- A Machine Learning Toolbox For Musician Computer InteractionNicholas Gillian, Benjamin Knapp, Sile O'Modhrain. 343-348 [doi]
- Music and Technology in Death and the PowersElena Naomi Jessop, Peter Alexander Torpey, Benjamin Bloomberg. 349-354 [doi]
- Design and Evaluation of a Hybrid Reality PerformanceVictor Zappi, Dario Mazzanti, Andrea Brogni, Darwin G. Caldwell. 355-360 [doi]
- InkSplorer: Exploring Musical Ideas on Paper and ComputerJérémie Garcia, Theophanis Tsandilas, Carlos Agon, Wendy E. Mackay. 361-366 [doi]
- Battle of the DJs: an HCI Perspective of Traditional, Virtual, Hybrid and Multitouch DJingPedro Lopez, Alfredo Ferreira, J. A. Madeiras Pereira. 367-372 [doi]
- Designing Digital Musical Interactions in Experimental ContextsAdnan Marquez-Borbon, Michael Gurevich, A. Cavan Fyans, Paul Stapleton. 373-376 [doi]
- Crackle: A Dynamic Mobile Multitouch Topology for Exploratory Sound InteractionJonathan Reus. 377-380 [doi]
- A Principled Approach to Developing New Languages for Live CodingSamuel Aaron, Alan Blackwell, Richard Hoadley, Tim Regan. 381-386 [doi]
- Integra Live: a New Graphical User Interface for Live Electronic MusicJamie Bullock, Daniel Beattie, Jerome Turner. 387-392 [doi]
- Robust and Reliable Fabric, Piezoresistive Multitouch Sensing Surfaces for Musical ControllersJung-Sim Roh, Yotam Mann, Adrian Freed, David Wessel. 393-398 [doi]
- Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical InstrumentMark T. Marshall, Marcelo M. Wanderley. 399-404 [doi]
- HIDUINO: A firmware for building driverless USB-MIDI devices using the Arduino microcontrollerDimitri Diakopoulos, Ajay Kapur. 405-408 [doi]
- Latency Improvement in Sensor Wireless Transmission Using IEEE 802.15.4Emmanuel Fléty, Come Maestracci. 409-412 [doi]
- Snyderphonics Manta Controller, a Novel USB Touch-ControllerJeff Snyder. 413-416 [doi]
- On Movement, Structure and Abstraction in Generative Audiovisual ImprovisationWilliam T. Hsu. 417-420 [doi]
- Creating Interactive Multimedia Works with Bio-dataClaudia R. Angel. 421-424 [doi]
- TresnaNet Musical Generation based on Network ProtocolsPaula Ustarroz. 425-428 [doi]
- Designing a Music Performance Space for Persons with Intellectual Learning DisabilitiesMatti Luhtala, Tiina Kymäläinen, Johan Plomp. 429-432 [doi]
- Raja - A Multidisciplinary Artistic PerformanceTom Ahola, Koray Tahiroglu, Teemu Ahmaniemi, Fabio Belloni, Ville Ranki. 433-436 [doi]
- Eobody3: a Ready-to-use Pre-mapped & Multi-protocol Sensor InterfaceEmmanuelle Gallin, Marc Sirguy. 437-440 [doi]
- Eye Tapping: How to Beat Out an Accurate Rhythm using Eye MovementsRasmus Bååth, Thomas Strandberg, Christian Balkenius. 441-444 [doi]
- MelodyMorph: A Reconfigurable Musical InstrumentEric Rosenbaum. 445-447 [doi]
- The Flo)(ps: Negotiating Between Habitual and Explorative GesturesKarmen Franinovic. 448-452 [doi]
- Wekinating 000000Swan: Using Machine Learning to Create and Control Complex Artistic SystemsMargaret Schedel, Phoenix Perry, Rebecca Fiebrink. 453-456 [doi]
- MTCF: A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure DataCarles Fernandes Julià, Daniel Gallardo, Sergi Jordà. 457-460 [doi]
- Physical Modelling Enabling Enaction: an ExampleDavid Pirrò, Gerhard Eckel. 461-464 [doi]
- SoundGrasp: A Gestural Interface for the Performance of Live MusicThomas Mitchell, Imogen Heap. 465-468 [doi]
- Minding the (Transatlantic) Gap: An Internet-Enabled Acoustic Brain-Computer Music InterfaceTim Mullen, Richard Warp, Adam Jansch. 469-472 [doi]
- Rhythm'n'Shoes: a Wearable Foot Tapping Interface with Audio-Tactile FeedbackStefano Papetti, Marco Civolani, Federico Fontana. 473-476 [doi]
- A Structured Design and Evaluation Model with Application to Rhythmic Interaction DisplaysCumhur Erkut, Antti Jylhä, Reha Discioglu. 477-480 [doi]
- A Hair Ribbon Deflection Model for Low-intrusiveness Measurement of Bow Force in Violin PerformanceMarco Marchini, Panagiotis Papiotis, Alfonso Perez, Esteban Maestre. 481-486 [doi]
- Random Access Remixing on the iPadJon Forsyth, Aron P. Glennon, Juan Pablo Bello. 487-490 [doi]
- Designing the EP Trio: Instrument Identities, Control and Performance Practice in an Electronic Chamber Music EnsembleErika Donald, Ben Duinker, Eliot Britton. 491-494 [doi]
- Perceptions of Skill in Performances with Acoustic and Electronic InstrumentsA. Cavan Fyans, Michael Gurevich. 495-498 [doi]
- Cognitive Issues in Computer Music ProgrammingHiroki Nishino. 499-502 [doi]
- Seaboard: a New Piano Keyboard-related Interface Combining Discrete and Continuous ControlRoland Lamb, Andrew Robertson. 503-506 [doi]
- Music Interfaces for Novice Users: Composing Music on a Public Display with Hand GesturesGilbert Beyer, Max Meier. 507-510 [doi]
- Expanding the Role of the InstrumentBirgitta Cappelen, Anders-Petter Andersson. 511-514 [doi]
- Wireless Digital/Analog Sensors for Music and Dance PerformancesTodor Todoroff. 515-518 [doi]
- Real-time Control and Creative ConvolutionTrond Engum. 519-522 [doi]
- phrases from Paul Lansky's Six FantasiesAndreas Bergsland. 523-526 [doi]
- Gliss: An Intuitive Sequencer for the iPhone and iPadJan T. von Falkenstein. 527-528 [doi]
- Quadrofeelia - A New Instrument for Sliding into NotesJiffer Harriman, Locky Casey, Linden Melvin. 529-530 [doi]
- SQUEEZY: Extending a Multi-touch Screen with Force Sensing Objects for Controlling Articulatory SynthesisJohnty Wang, Nicolas D'Alessandro, Sidney Fels, Bob Pritchard. 531-532 [doi]
- SWAF: Towards a Web Application Framework for Composition and Documentation of SoundscapeSouhwan Choe, Kyogu Lee. 533-534 [doi]
- Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and MusicNorbert Schnell, Frédéric Bevilacqua, Nicolas H. Rasamimanana, Julien Blois, Fabrice Guédy, Emmanuel Fléty. 535-536 [doi]
- (LAND)MOVESBruno Zamborlin, Giorgio Partesana, Marco Liuni. 537-538 [doi]
- Can Haptics Make New Music ? - Fader and Plank DemosBill Verplank, Francesco Georg. 539-540 [doi]