Gerhard Eckel - researchr alias

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Viewing Publication 1 - 25 from 25

2020

utruchirp: an impulse response measurement and auralisation tool developed for artistic practiceLudvig Elblaus, Gerhard Eckel. audio 2020: 61-68 [doi]

Acoustic modelling as a strategy for composing site-specific musicLudvig Elblaus, Gerhard Eckel. audio 2020: 69-76 [doi]

2014

StiffNeck: The Electroacoustic Music Performance Venue in a BoxGerhard Eckel, Martin Rumori. icmc 2014: [doi]

2012

A Framework for the Choreography of soundGerhard Eckel, Martin Rumori, David Pirrò, Ramón González-Arroyo. icmc 2012: [doi]

2011

Physical Modelling Enabling Enaction: an ExampleDavid Pirrò, Gerhard Eckel. nime 2011: 461-464 [doi]

Reproducibility and random access in sound synthesisHanns Holger Rutz, Eduardo R. Miranda, Gerhard Eckel. icmc 2011: [doi]

2010

Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous MaskingPéter Balázs, Bernhard Laback, Gerhard Eckel, Werner A. Deutsch. taslp, 18(1):34-49, 2010. [doi]

Providing Ground-Truth Data for the Nao Robot PlatformTim Niemüller, Alexander Ferrein, Gerhard Eckel, David Pirrò, Patrick Podbregar, Tobias Kellner, Christof Rath, Gerald Steinbauer. robocup 2011: 133-144 [doi]

2009

On Artistic Research in the Context of the Project Embodied Generative MusicGerhard Eckel, David Pirrò. icmc 2009: [doi]

Quantum Harmonic Oscillator SonificationAnna Saranti, Gerhard Eckel, David Pirrò. cmmr 2010: 184-201 [doi]

PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in PhysiotherapyKatharina Vogt, David Pirrò, Ingo Kobenz, Robert Höldrich, Gerhard Eckel. cmmr 2010: 103-120 [doi]

2008

Sonic interaction design: sound, information and experienceDavide Rocchesso, Stefania Serafin, Frauke Behrendt, Nicola Bernardini, Roberto Bresin, Gerhard Eckel, Karmen Franinovic, Thomas Hermann, Sandra Pauletto, Patrick Susini, Yon Visell. chi 2008: 3969-3972 [doi]

2007

Live coding: an OverviewJohannes Zmölnig, Gerhard Eckel. icmc 2007: [doi]

2001

Immersive Audio-Augmented Environments: The LISTEN ProjectGerhard Eckel. IV 2001: 571-573 [doi]

1999

Kinetic Sound Sculptures: Stele and Viola SpezzataGerhard Eckel. icmc 1999: [doi]

1997

Virtual Spaces - VR Projection System Technologies and ApplicationsPing Dai, Gerhard Eckel, Martin Göbel, Frank Hasenbrink, Vali Lalioti, Ulrike Lechner, Johannes Strassner, Henrik Tramberend, Gerold Wesche. eurographics 1997: [doi]

1996

On the Use of Computer Systems in Contemporary MusicBarbara Becker, Gerhard Eckel. icmc 1996: [doi]

Camera Musica: Virtual Architecture as Medium for the Exploration of MusicGerhard Eckel. icmc 1996: [doi]

1995

The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF GeneratorGerhard Eckel, Manuel Rocha Iturbide. icmc 1995: [doi]

1994

Zum Verhältnis von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen MusikBarbara Becker, Gerhard Eckel. gi 1994: 488-491

Musically Salient Control Abstractions for Sound SynthesisGerhard Eckel, Ramon Gonzales-Arroyo. icmc 1994: [doi]

1993

Generalized Diphone ControlPhilippe Depalle, Xavier Rodet, Thierry Galas, Gerhard Eckel. icmc 1993: [doi]

1990

A Signal Editor for the IRCAM Musical WorkstationGerhard Eckel. icmc 1990: [doi]

1988

Dynamic Patches: Implementation and Control in the SUN-Mercury WorkstationXavier Rodet, Gerhard Eckel. icmc 1988: [doi]

1987

A Sun-Mercury Music WorkstationGerhard Eckel, Xavier Rodet, Yves Potard. icmc 1987: [doi]

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