Table of Contents

• A Database Environment for Musician-Machine Interaction ExperimentationBarry Eaglestone. [doi]
• TTrees: An Active Data Structure for Computer MusicGlendon R. Diener. [doi]
• Composing With Performer ObjectsGary Greenberg. [doi]
• PRAESCIO-II: Amnesia Toward Dynamic Tapeless PerformanceBruce W. Pennycook. [doi]
• The Sound of MathematicsBernd Streitberg, Klaus Balzer. [doi]
• Instrumental Gestures and Musical CompositionClaude Cadoz. [doi]
• ESQUISSE: A Compositional EnvironmentPierre-François Baisnée, Jean-Baptiste Barrière, Marc-André Dalbavie, Jacques Duthen, Magnus Lindberg, Yves Potard, Kaija Saariaho. [doi]
• A Real-Time Acoustic Processing Card for the Mac IILee Boynton, David Cumming. [doi]
• The CAMP Music Configuration DatabaseJohn Free, Paul Vytas. [doi]
• The Oculus RanaeDouglas J. Collinge, Stephen M. Parkinson. [doi]
• The PatcherMiller Puckette. [doi]
• Dynamic Modeling of Stringed and Wind Instruments, Sound Synthesis by Physical ModelsJean-Marie Adrien, René Caussé, Eric Ducasse. [doi]
• An Algorithm for Recognition of ChordsAndranick Tanguiane. [doi]
• What's in a Note?Heinz-Dieter Böcker, Andreas Mahling. [doi]
• A Real Time Scheduler/DispatcherRoger B. Dannenberg. [doi]
• The Development of Context Sensitivity in the Midiforth Computer Music SystemBruno Degazio. [doi]
• Dynamic Patches: Implementation and Control in the SUN-Mercury WorkstationXavier Rodet, Gerhard Eckel. [doi]
• Sound Structure in MessageCurtis Roads. [doi]
• The Sound Manager: A Software Architecture for Device Independent SoundMark Lentczner, John Worthington. [doi]
• Linguistics and Music Composition: Logical StructuresReginald Bain. [doi]
• Key-Music: An Expert System Environment for Music CompositionAntonio Camurri, Mauro Giacomini, A. Ponassi, Renato Zaccaria. [doi]
• Icon Notation for Electroacoustic and Computer MusicUri Shimony, Shlomo Markel, Josef Tal. [doi]
• Experiments in Computer Controlled Acoustic Modelling (A Step Backwards??)Ron W. Berry. [doi]
• Toward a Theory of Formal Musical LanguagesMarc Chemillier, Dan Timis. [doi]
• Connection Machine Tracking of Polyphonic AudioBarry Vercoe, David Cumming. [doi]
• Rapd Event Deployment in a MIDI EnvironmentRodney Waschka II, Tózé Ferreira. [doi]
• An Open Multiprocessing Architecture for Realtime Music PerformanceRupert C. Nieberle, Paul Modler. [doi]
• Music Learning - Compositional ThinkingGary Greenberg. [doi]
• The Analysis and Resynthesis of Tones via Spectral InterpolationMarie-Hélène Serra, Dean Rubine, Roger B. Dannenberg. [doi]
• Moxie for the Atari STDouglas J. Collinge, Daniel J. Scheidt. [doi]
• The VideoHarpDean Rubine, Paul McAvinney. [doi]
• A Survey of Users' Experience with Digital Audio SynthesisPeter Castine. [doi]
• Introducing OscarPeter Beyls. [doi]
• A Multi-Workstation Environment for Joint Computer Music/Computer Graphics ProductionMichael Czeiszperger. [doi]
• A Real Time Synthesis UnitJean-Michel Raczinski, Gerard Marino. [doi]
• A Model of the Process of Listening to Simple RhythmsDavid Rosenthal. [doi]
• An Interactive System for Musical ImprovisationFrancesco Giomi, Marco Ligabue. [doi]
• Resource Allocation in an Additive Synthesis System for Audio Waveform GenerationMiles A. Marks. [doi]
• New Techniques for Enhanced Quality of Computer AccompanimentRoger B. Dannenberg, Hirofumi Mukaino. [doi]
• Man-Machine InteractionJohannes Goebel. [doi]
• The CAMP System: An approach for integration of realtime, distributed, and interactive features in a multiparadigm environmentRupert C. Nieberle, Frank H. Rothkamm, Marcus Verwiebe, Paul Modler, Stefan Koschorreck, Lutz Kosensky. [doi]
• A Music-Workstation Based on Multiple Hierarchical Views of MusicMira Balaban. [doi]
• Instrumental Gesture Modeling by Identification with Time-varying Mechanical ModelsSylvie Gibet, Jean-Loup Florens. [doi]
• Diphone Sound Synthesis Based on Spectral Envelopes and Harmonic/Noise Excitation FunctionsXavier Rodet, Philippe Depalle, Gilles Poirot. [doi]
• VOCEL: New implementations fo the FOF synthesis methodMichael Clarke, Peter D. Manning, Ron W. Berry, Alan Purvis. [doi]
• SONATE: An analysis/synthesis system of musical sounds based on perceptual dataAntoine Chaigne, F. Troxler. [doi]
• Hierarchical Waveguide NetworksGuy E. Garnett, Bernard Mont-Reynaud. [doi]