Table of Contents

• BoSSA: The Deconstructed Violin ReconstructedDan Trueman, Perry R. Cook. [doi]
• Multimedia Application of Time Compress/Stretch of Sound by GranulationTakebumi Itagaki, Donald Knox. [doi]
• Simulation of Plucked Strings Exhibiting Tension Modeling Driving ForceTero Tolonen, Cumhur Erkut, Vesa Välimäki, Matti Karjalainen. [doi]
• Audio Signal Representation and Processing in Time-Frequency DomainYe Wang, Mikka Valermo. [doi]
• SINOLA: A New Analysis/Synthesis Method using Spectrum Peak Shape Distortion, Phase and Reassigned SpectrumGeoffrey Peeters, Xavier Rodet. [doi]
• Creating Three-Dimensional Computer Animations Using Spectral Data and OpenGLTim Kreger. [doi]
• MusicSpace: a Constraint-Based Control System for Music SpatializationFrançois Pachet, Olivier Delerue. [doi]
• Anglia Polytechnic University - Studio ReportDouglas Nunn. [doi]
• Piano Master Classes via the InternetJohn P. Young, Ichiro Fujinaga. [doi]
• CCRMA Studio ReportFernando Lopez-Lezcano. [doi]
• Visual Manipulation Environment for Sound Synthesis, Modification, and PerformanceNaotoshi Osaka, Takafumi Hikichi. [doi]
• Volumetric Modeling of Acoustic Fields in CNMAT's Sound Spatialization TheatreArnold Kaup, Sami Khoury, Adrian Freed, David Wessel. [doi]
• Cross-Coding SDIF into MPEG-4 Structured AudioMatthew Wright, Eric D. Scheirer. [doi]
• Automatic Capture for Spectrum-Based Instrument ModelsRoger B. Dannenberg, Minoru Matsunaga. [doi]
• Speech-Based Computer Music: Selected Works by Charles Dodge and Paul LanskyMadelyn Brune. [doi]
• Toward Real-time Recognition of Acoustic Musical InstrumentsAngela Fraser, Ichiro Fujinaga. [doi]
• Musical Applications of New Filter Extensions to Max/MSPTristan Jehan, Adrian Freed, Richard Dudas. [doi]
• Time in Distributed Real-Time SystemsEli Brandt, Roger B. Dannenberg. [doi]
• Human Voice Treatments in Various Types of Electroacoustic MusicAlexandra Hettergott. [doi]
• "Blip, Buzz, Blurp": The Challenge of Teaching New Ways to ListenBonnie Miksch, Leon W. Couch III. [doi]
• Guessing the Composer's Mind: Applying Universal Prediction to Musical StyleGérard Assayag, Shlomo Dubnov, Olivier Delerue. [doi]
• Aspects of Stochastic MusicConrad Berhörster. [doi]
• Sonification of Social DataAlberto de Campo, Marianne Egger de Campo. [doi]
• Composing for the Digital Dance InterfaceWayne Siegel, Jens Jacobsen. [doi]
• Low-Delay Singing Voice Alignment to TextAlex Loscos, Pedro Cano, Jordi Bonada. [doi]
• ASPEN/EXPLORE: A Multiprocessing Assistant for Electroacoustic Music ComposersAmbrose Field. [doi]
• The Sounding Distance Sensation and Its Signification of Artistic RepresentationHuaming Xue. [doi]
• Avoiding the Fitness "Bottleneck": Using Genetic Algorithms to Compose Orchestral MusicRodney Waschka II. [doi]
• Voice Creation and the Chinese Folk MusicShuilin Liu, Junping Gong. [doi]
• Generating Pitches in Transients by a Percussive ExcitationPatrick Fourcade, Sylvain Mangiarotti, Claude Cadoz. [doi]
• Sound Processing Kit: An Object-Oriented Signal Processing FrameworkKai Lassfolk. [doi]
• Spectral Envelope Estimation and Representation for Sound Analysis-SynthesisDiemo Schwarz, Xavier Rodet. [doi]
• A New Continuous Multimodal Musical Controller Using Wireless Magnetic TagsKai-yuh Hsiao, Joseph A. Paradiso. [doi]
• "It's SHO time" - An Interactive Environment for SHO(Sheng) PerformanceYoichi Nagashima, Tamami Tono Ito. [doi]
• Creating Music in a Machine Age: the Relationships Between Computer Tools, Composers, and Music Making MachinesTang-Chun Li. [doi]
• Expressive Processing of Audio and MIDI Performances in Real TimeSergio Canazza, Giovanni De Poli, Riccardo Di Federico, Carlo Drioli, Antonio Rodà. [doi]
• Patchmix: a Cmix Instrument-BuilderMara Helmuth. [doi]
• jMax Recent DevelopmentsFrançois Déchelle, Maurizio De Cecco, Enzo Maggi, Norbert Schnell. [doi]
• Revisiting Kontakte: Issues of History, Performance, and IntuitionMichael Clarke. [doi]
• The Design and Implementation of an Integrated High Performance Computer Music System for Research and Postgraduate Teaching at the University of York, UKTony Myatt. [doi]
• Musically Intelligent Agent for Composition and Interactive PerformanceKeiji Hirata, Tatsuya Aoyagi. [doi]
• How to Produce Chinese Folk Music Using Regular MIDI EquipmentShuilin Liu, Junping Gong. [doi]
• An Approach to Sound Morphing based on Physical ModelingTakafumi Hikichi, Naotoshi Osaka. [doi]
• A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic AnalysisSergio Canazza, Antonio Rodà, Nicola Orio. [doi]
• A Comparative Latency Study of Hardware and Software Pitch-trackersLilit Yoo, Ichiro Fujinaga. [doi]
• The SensOrg: Time-complexity and the Design of a Musical CyberinstrumentTamas Ungvary, Roel Vertegaal. [doi]
• Composing With Multi-channel Spatialisation As an Aspect of SynthesisMichael Clarke. [doi]
• Modelling the Motivic Process of Melodies with Markov ChainsKarin Höthker. [doi]
• Dixieland-Gamelan Band? Encounters of an Algorithmic KindJames Harley. [doi]
• InSpect and ReSpect: Spectral Modeling, Analysis and Real-time Synthesis Software Tools for Researchers and ComposersSylvain Marchand, Robert Strandh. [doi]
• Inversion of a Physical Model of a TrumpetThomas Hélie, Christophe Vergez, Jean Lévine, Xavier Rodet. [doi]
• Evolutionary Strategies for Spontaneous Man-Machine InteractionPeter Beyls. [doi]
• Content-based Retrieval and Indexing Methods for Music DatabasesYuzuru Hiraga. [doi]
• A Theoretical Framework for Electro-Acoustic MusicMary Simoni, Benjamin Broening, Christopher Rozell, Colin Meek, Gregory H. Wakefield. [doi]
• VMCI, an Interface to Control Csound in Real-time Under WindowsGabriel Maldonado. [doi]
• Federazione CEMAT and Centres of Computer Music Research and Production in ItalyGisella Belgeri, Guiseppe Di Giugno. [doi]
• Sound of China: Computer MusicYu Ying. [doi]
• Higher-level Composition Control in Music Sketcher: Modifiers and Smart HarmonySteven Abrams, Daniel V. Oppenheim, Donald P. Pazel, James L. Wright. [doi]
• PIECE: A Music Language Editor Synchronized with Graphical ViewsSatoshi Nishimura. [doi]
• Simultaneity in Interactive Computer Music - Is It Always the Same, or Does It Depend e.g. On Frequency?Steffen Brandorff. [doi]
• SMaTBaM! - Serving Time-Based Media in the Performing ArtsCarola Boehm, Stephen Arnold. [doi]
• Data Compression of Sinusoidal Modeling Parameters Based on Psychoacoustic MaskingGuillermo García, Juan Pampin. [doi]
• The Musicians' Sofware Mall: A Set of Composition and Performance Oriented Applications for Sound SynthesisEduard Resina, Xavier Serra. [doi]
• Spectral Line Broadening with Transform Domain Additive SynthesisAdrian Freed. [doi]
• The Notation of Interactive Music: Limitations and SolutionsMargaret Schedel. [doi]
• "From song of birds to extended virtual reed instruments": Physical Modeling of Birds' Vocal Tracks and Application to a New Kind of Sound Sustain Virtual InstrumentsClaude Cadoz, Sylvain Gubain. [doi]
• Two Compositions for Interactive DanceWayne Siegel. [doi]
• Common Practice Notation View: a Score Representation for the Construction of AlgorithmsDonncha Ó Maidín. [doi]
• Design of a Flute Interface to Control Synthesis ModelsSølvi Ystad, Thierry Voinier. [doi]
• The Timbre Space of the Classical Guitar and Its Relationship with the Plucking TechniquesNicola Orio. [doi]
• A Content-Aware Sound BrowserDouglas Keislar, Thom Blum, James Wheaton, Erling Wold. [doi]
• Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power MacintoshTimothy Madden, James W. Beauchamp. [doi]
• Conductor Following With Artificial Neural NetworksTommi Ilmonen, Tapio Takala. [doi]
• Modeling Wind Instrument Sound Radiation Using Digital WaveguidesGary P. Scavone. [doi]
• Analysis of Percussion for Timbre Measurement and SynthesisYee On Lo, Dan Hitt. [doi]
• "SNAP" - Sound Network Agent Project - Multi Agent System Using Csound in the InternetFumitake Ohnaka. [doi]
• Virtual Conducting Practice EnvironmentGuy E. Garnett, Fernando Malvar-Ruiz, Fred Stoltzfus. [doi]
• A Digital Version of the Photosonic InstrumentDaniel Arfib, Jacques Dudon. [doi]
• Composing With the York Polyphonic Real-Time Singing SynthesiserIan S. Gibson, David M. Howard, Andrew M. Tyrrell. [doi]
• Extending Musical Mixing: Adaptive Composite Signal ProcessingChristopher Penrose. [doi]
• Realtime Chord Recognition of Musical Sound: a System Using Common Lisp MusicTakuya Fujishima. [doi]
• Higher Order Ambisonic Systems for the Spatialisation of SoundDavid G. Malham. [doi]
• The Use of Melodic Segmentation for Content-based Retrieval of Musical DataMassimo Melucci, Nicola Orio. [doi]
• Sound Modeling of Transient and Sustained Musical SoundsSølvi Ystad, Philippe Guillemain, Richard Kronland-Martinet. [doi]
• Gestural Control of a Real-Time Physical Model of a Bowed String InstrumentStefania Serafin, Richard Dudas, Marcelo M. Wanderley, Xavier Rodet. [doi]
• Structured Additive Synthesis: Towards a Model of Sound Timbre and Electroacoustic Music FormsMyriam Desainte-Catherine. [doi]
• Adaptive Additive Synthesis of SoundAxel Röbel. [doi]
• Alteration of the Vibrato of a Recorded VoiceDaniel Arfib, Nathalie Delprat. [doi]
• Segmentation and Interpretation in Atonal MusicJohn F. Doerksen. [doi]
• The Computer Music Education in the Music Composition & Engineering Department of Wuhan Conservatory of MusicZhongliang Tong. [doi]
• Content Analysis and Queries in a Sound and Music DatabaseStephen Travis Pope, Pierre Roy, Nicola Orio. [doi]
• Center for New Music and Audio Technologies (CNMAT) Studio ReportRichard Andrews. [doi]
• Interactive Multimodal Mobile Robot for Musical PerformanceKenji Suzuki, Takeshi Ohashi, Shuji Hashimoto. [doi]
• From Timbre Modulation Method to Research the Relation Between Electronic Music and Chinese Musical TraditionCensong Leng. [doi]
• Resynthesis of Piano Strings Vibrations Based on Physical ModelingLaurent Daudet, Philippe Guillemain, Richard Kronland-Martinet. [doi]
• PWCollider - A Visual Composition Tool for Software SynthesisMikael Laurson. [doi]
• Using Relative Interval Slope in Music Information RetrievalKjell Lemström, Pauli Laine, Sami Perttu. [doi]
• Score-Performance Matching Using HMMsPedro Cano, Alex Loscos, Jordi Bonada. [doi]
• Cathedral: An Interactive Work for the WebAnthony Paul De Ritis. [doi]
• Model-Based Musical TranscriptionAndrew Sterian, Mary Simoni, Gregory H. Wakefield. [doi]
• Audibility of Inharmonicity in String Instrument Sounds, and Implications to Digital Sound SynthesisHanna Järveläinen, Vesa Välimäki, Matti Karjalainen. [doi]
• The Synthesis ToolKit (STK)Perry R. Cook, Gary P. Scavone. [doi]
• Virtual Sound On Line - Computer Music Courses on the InternetRiccardo Bianchini, Alessandro Cipriani. [doi]
• Interactive Music for Instrumented Dancing ShoesJoseph A. Paradiso, Kai-yuh Hsiao, Eric Hu. [doi]
• Network Audio Performance and InstallationAtau Tanaka. [doi]
• Embracing the Composer: Optical Recognition of Handwritten ManuscriptsKia Ng, David Cooper, Ewan Stefani, Roger Boyle, Nick Bailey. [doi]
• Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and ScholarshipLeigh Landy. [doi]
• Second-order Recursive Oscillators for Musical Additive Synthesis Applications on SIMD and VLIW ProcessorsTodd D. Hodes, Adrian Freed. [doi]
• A Computer-Assisted Music Analysis System: DaphneJianli Liu, Rumi Hiraga, Shigeru Igarashi. [doi]
• Common Lisp Music Update ReportFernando Lopez-Lezcano, Juan Pampin. [doi]
• ComeXos: A Networked Sound Manipulation PrimerLouisa Yong. [doi]
• Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion InstrumentsGeorg Essl, Perry R. Cook. [doi]
• From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic GuitarMikael Laurson, Jarmo Hiipakka, Cumhur Erkut, Matti Karjalainen, Vesa Välimäki, Mika Kuuskankare. [doi]
• Friction and Application to Real-time Physical Modeling of a ViolinStefania Serafin, Christophe Vergez, Xavier Rodet. [doi]
• Motor neuron Based Virtual DrummerPauli Laine. [doi]
• Encyclopedia of Classical MusicVictor A. Abramian. [doi]
• WaRM: A Framework for Modelling Resonant Acoustic EnvironmentsJoel Laird, Tom Huns, Paul Masri, Nishan Canagarajah. [doi]
• Performance Factors in Control of High-Dimensional SpaceGuy E. Garrett, Camille Goudeseune. [doi]
• "Magic Music from the Telharmonium"Reynold Weidenaar. [doi]
• ProteAnastasia Georgaki. [doi]
• MidiShare Joins the Open Source SoftwaresDominique Fober, Stéphane Letz, Yann Orlarey. [doi]
• Applications of the Processor Enhanced Memory Module for Music Signal ProcessingSteven Trautmann, Ngai-Man Cheung, Christopher Poletto. [doi]
• Applications of Principal Differential Analysis, to Data Reduction and Extraction of Musical Features of SoundSuzanne Winsberg, Philippe Depalle. [doi]
• Improving Instrumental Sound Synthesis by Modeling the Effects of Performer GestureMarcelo M. Wanderley, Philippe Depalle, Olivier Warusfel. [doi]
• Audio Descriptors and Descriptor Schemes in the Context of MPEG-7Perfecto Herrera, Xavier Serra, Geoffroy Peeters. [doi]
• Applying STRAIGHT toward Music Systems - Accurate F0 Estimation and Application for Data-driven SynthesisHaruhiro Katayose, Hideki Kawahara. [doi]
• Analysis and Resynthesis of Percussion Sounds: Two Methods ComparedJames W. Beauchamp. [doi]
• Feeping CreaturesRodney Berry. [doi]
• Digital Music Research Group (Bristol, UK) Studio ReportNishan Canagarajah, Paul Masri, Joel Laird. [doi]
• GRAMMA: the New Music in an Old ArchitectureMaria Christina de Amicis. [doi]
• Modelling Diffusion at the Boundary of a Digital Waveguide MeshJoel Laird, Paul Masri, Nishan Canagarajah. [doi]
• PostFormalismKenneth Fields. [doi]
• Music Creation from Moving Image and Environmental SoundShogo Takahashi, Kenji Suzuki, Hideyuki Sawada, Shuji Hashimoto. [doi]
• Modeling the Woodstock Gamelan for SynthesisLydia Ayers, Andrew Horner. [doi]
• Virtual Acoustics Rendering in MPEG-4 Multimedia StandardRiitta Väänänen, Jyri Huopaniemi. [doi]
• RTcmix and the Open Source / Free Software ModelDavid Topper. [doi]
• Feedback in Musical Computer ApplicationsPauli Laine, Kai Lassfolk. [doi]
• Comparative Style Analysis with Neural NetworksDominik Hörnel, Frank Olbrich. [doi]
• Aesthetics of Designing an Adaptive Fuzzy System for Evaluation of Computer MusicMladen Milicevic. [doi]
• Reed Instruments Modular Representation and Their Interactive Real Time SimulationJean-Loup Florens, Jérôme Germond. [doi]
• Kinetic Sound Sculptures: Stele and Viola SpezzataGerhard Eckel. [doi]
• ATS: a Lisp Environment for Spectral ModelingJuan Pampin. [doi]
• Formalizing the Concept of SoundHans G. Kaper, Sever Tipei. [doi]
• Physical Modeling by Directly Solving Wave PDEMarco Palumbi, Lorenzo Seno. [doi]
• Towards Digital "Musical Actions"Alain Bonardi, Francis Rousseaux. [doi]
• A Comparison of Feed Forward Neural Network Architectures for Piano Music TranscriptionMatija Marolt. [doi]
• Using Advanced GUIDO as a Notation Interchange FormatHolger H. Hoos, Keith Hamel, Kai Renz. [doi]
• Evaluation of Architectures for Sound Generation Systems with Respect to Interactive Gestural Control and Realtime PerformancePaul Modler, Ross Kirk. [doi]
• Granular Synthesis of Sound Textures Using Statistical LearningZiv Bar-Joseph, Dani Lischinski, Michael Werman, Shlomo Dubnov, Ran El-Yaniv. [doi]
• Statistical vs. Connectionist Models of Bebop ImprovisationDominik Hörnel, Joachim Langnickel, Börje Sieling, Bastian Sandberger. [doi]
• Supporting the Sound Description Interchange Format in the Max/MSP EnvironmentMatthew Wright, Richard Dudas, Sami Khoury, Raymond Wang, David Zicarelli. [doi]
• Learning Models for Interactive Melodic ImprovisationBelinda Thom. [doi]
• Antialiasing for Nonlinearities: Acoustic Modeling and Synthesis ApplicationsHarvey D. Thornburg. [doi]
• The Design and Implementation of a Processing System of Qin Score (Jianzipu) QinS(1.0)Sixin Li. [doi]
• The WaveVerb Multi-Channel Room Acoustics Modelling SystemDamian T. Murphy, David M. Howard. [doi]
• Modalys in jMax: Real-time Modal-synthesisFrancisco Iovino, Norbert Schnell, Olivier Lartillot. [doi]
• Binary Decision Tree Classification of Musical SoundsKristoffer Jensen, Jens Arnspang. [doi]
• Nonlinear Modeling and Synthesis of the Kantele - a Traditional Finnish String InstrumentVesa Välimäki, Matti Karjalainen, Tero Tolonen, Cumhur Erkut. [doi]
• MusiCloth: A Design Methodology for the Development of a Performance InitiativeLonny L. Chu. [doi]
• Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano TonesHua Zheng, James W. Beauchamp. [doi]