Mary Simoni - researchr alias

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Viewing Publication 1 - 11 from 11

2018

The Audience Reception of Algorithmic MusicMary Simoni. In Alex McLean, Roger T. Dean, editors, The Oxford Handbook of Algorithmic Music. Oxford University Press, 2018.

2013

Algorithmic Composition - A Guide to Composing Music with NyquistMary Simoni, Roger B. Dannenberg. University of Michigan Press, 2013. [doi]

2011

Tara Rodgers: Pink Noises: Women on Electronic Music and SoundMary Simoni. comj, 35(3):102-103, 2011. [doi]

2010

Barry Truax: Acoustic Communication and Compositional TechniquesMary Simoni, Kristin Fosdick. comj, 34(2):96-98, 2010. [doi]

2008

Project Lovelace: teenage girls and Technology-Based CompositionMary Simoni, Betty Anne Younker. icmc 2008: [doi]

2002

Collaboration Software for Music Analysis: A Case StudyErica Schattle, Mary Simoni. icmc 2002: [doi]

Diane Thome: Bright Air/Brilliant Fire Compact disc, CRC2527, 2001; available from Centaur Records, Inc. 8867 Highland Rd., Suite 206, Baton Rouge, LA, USA; telephone (+1) 225-336-4877; fax (+1) 225-336-9678; electronic mail info@centaurrecords.com; Web www.centaurrecords.comMary Simoni. comj, 26(4):105-106, 2002. [doi]

1999

A Theoretical Framework for Electro-Acoustic MusicMary Simoni, Benjamin Broening, Christopher Rozell, Colin Meek, Gregory H. Wakefield. icmc 1999: [doi]

Model-Based Musical TranscriptionAndrew Sterian, Mary Simoni, Gregory H. Wakefield. icmc 1999: [doi]

1996

Exploring Instrument Constancy Through a New Method for the Design of Synthetic InstrumentsGregory H. Wakefield, Mary Simoni. icmc 1996: [doi]

1995

A Survey of Gender Issues Related to Computer Music and Strategies for ChangeMary Simoni. icmc 1995: [doi]

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