Abstract is missing.
- Voice Pitch Changing by Linear Predictive Coding Method to Keep the Singer's Personal TimbreYoshinari Sasahira, Shuji Hashimoto. [doi]
- Composing Interactive Music: A Pedagogical Approach to Teaching Interactive CompositionTodd Winkler. [doi]
- A Touch Sensitive Dance Floor/MIDI ControllerRussell F. Pinkston, Jim Kerkhoff, Mark McQuilken. [doi]
- Preprocessing for the Automated Transcription of Polyphonic Music: Linking Wavelet Theory and Auditory FilteringRolf Wöhrmann, Ludger Solbach. [doi]
- Composing with Genetic AlgorithmsBruce L. Jacob. [doi]
- CCRMA Studio ReportFernando Lopez-Lezcano. [doi]
- Toward Modular, Portable, Real-Time SoftwareRoger B. Dannenberg, Dean Rubine. [doi]
- Algorithmic Generation of Temporal Forms: Hierarchical Organization of Stasis and TransitionChristopher Dobrian. [doi]
- Using a Grammar for a Reliable Full Score Recognition SystemBertrand Coüasnon, Bernard Rétif. [doi]
- A Visual-to-Sound Interactive Computer Performance System 'Edge'Shu Matsuda, Takayuki Rai. [doi]
- The POOLman ProjectNicola Bernardini, Graziano Tisato, Michele Manfrin. [doi]
- Male and Female Voices in Computer MusicHannah Bosma. [doi]
- The GRID Musical-Signal Processing SystemIan J. Taylor, B. F. Schultz. [doi]
- Aspects of Pitch-Tracking and Timbre Separation: Feature Detection in Digital Audio Using Adapted Local Trigonometric Bases and Wavelet PackagesIgor Popovic, Ronald R. Coifman, Jonathan Berger. [doi]
- PPP - A Framework or Algorithmic CompositionThomas Neuhaus. [doi]
- A Single Performer Controlled Interface for Electronic Dance/Music TheatreMark Bromwich. [doi]
- An Integrated Environment for Music EducationStephen Arnold, Celia Duffy. [doi]
- Forward-Going Wave Extraction in Acoustic TubesTim Stilson. [doi]
- QUICKMQ: A Software Tool for the Modification of Time-Varying Spectrum Analysis FilesStephen William Berkley. [doi]
- Fractal Depth Structure of Tonal HarmonyThomas Noll. [doi]
- GenJam Populi: Training an IGA via Audience-Mediated PerformanceJohn A. Biles, William G. Eign. [doi]
- Real-Time Granular Morphing and Spatialisation of Sounds with Gestual Control within MAX/FTSTodor Todoroff. [doi]
- Felix-The DIEM Multiple DSP Box - Still in ProgressSteffen Brandorff, Ole Caprani, Peter Møller-Nielson, Morton Lave. [doi]
- A Manifold Interface for a High Dimensional Control SpaceInsook Choi, Robin Bargar, Camille Goudeseune. [doi]
- A Physical String Model with a TwistSteven Trautmann. [doi]
- The International Digital Electroacoustic Music ArchiveMarcia L. Bauman, Thomas Gerwin. [doi]
- Capella: A Graphical Interface for Algorithmic CompositionHeinrich Taube, Tobias Kunze. [doi]
- An Implementation of Real-time Granular Synthesis on a Multi-Processor NetworkTakebumi Itagaki, Peter D. Manning, Alan Purvis. [doi]
- Timbre Interpolation of Sounds Using a Sinusoidal ModelNaotoshi Osaka. [doi]
- Computer Music and the Pre(Anti(Post(Non(Modern))))Dominique M. Richard. [doi]
- SynthBuilder Demonstration - A Graphical Real-Time Synthesis, Processing and Performance SystemNick Porcaro, Pat Scandalis, Julius O. Smith, David A. Jaffe, Tim Stilson. [doi]
- Topology, Geometry, Matter of Vibrating Structures Simulated with CORDIS-ANIMA. Sound Synthesis MethodsEric Incerti, Claude Cadoz. [doi]
- The Infinite Delay Line: Granulation as an In-Line EffectRussell Ovans, David Murphy, Timothy Bartoo. [doi]
- PadMaster: An Improvisation Environment for Real Time PerformanceFernando Lopez-Lezcano. [doi]
- Explorations of Wind Instruments Using Digital Signal Processing and Physical Modeling TechniquesMatti Karjalainen, Vesa Välimäki, Bertrand Hernoux, Jyri Huopaniemi. [doi]
- Towards Algorithmic Descriptions of Continuous Modulations of Musical ParametersPeter Desain, Henkjan Honing. [doi]
- Bring Your Own Control to Additive SynthesisAdrian Freed. [doi]
- Visual Programming in MusicGérard Assayag. [doi]
- The Distributed Real-Time Groove Network: A System for Real-Time Musical Collaboration on the InternetMatthew Moller, David Zicarelli. [doi]
- The Centro Tempo RealeNicola Bernardini. [doi]
- A Human Factors Approach to Computer Music Systems User-Interface DesignRichard Polfreman, John Sapsford-Francis. [doi]
- Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis ParametersAndrew Horner, Ngai-Man Cheung, James W. Beauchamp. [doi]
- An Extendible Tool for CACHans Lunell. [doi]
- Music Generation from Moving ImageShuji Hashimoto, Dingding Chang. [doi]
- The Ensemble Member and the Conducted ComputerForrest Tobey. [doi]
- Sound in Context: Soundscape Research and Composition at Simon Fraser UniversityBarry Truax. [doi]
- Elimination of Transients in Time-Varying Allpass Fractional Delay Filteres with Applications to Digital Waveguide ModelingVesa Välimäki, Timo I. Laakso, Jonathan P. Mackenzie. [doi]
- Computer Music at the University of BradfordAnna I. Katrami, Peter J. Comerford, Barry Eaglestone. [doi]
- Intuitive and Dynamic Control of Synthesized Sounds by VoiceIan S. Gibson, David M. Howard. [doi]
- A Demonstration of the aXiǿ ControllerBrad Cariou. [doi]
- State Space Sound Synthesis and a State Space Sythensiser BuilderPhilippe Depalle, Stephan Tassart. [doi]
- Neural Network Pitch Tracking Over the Pitch ContinuumIan J. Taylor, Mike Greenhough. [doi]
- Overlap-Add Synthesis of NonStationary SinusoidsMichael Goodwin, Alex Kogon. [doi]
- Audio-Visual Instruments in Live PerformanceRoss Kirk, Andy Hunt, Richard Orton. [doi]
- A Real-Time Spatial Sound Processor for Music and Virtual Reality ApplicationsJean-Marc Jot, Olivier Warusfel. [doi]
- Cellular Automata Synthesis of Acoustic ParticlesEduardo Reck Miranda. [doi]
- Applying Balanced Model Truncation to Sound Analysis/Synthesis ModelsJonathan P. Mackenzie, Izzet Kale, Gerald D. Cain. [doi]
- Integration of Physical Modeling for Synthesis and AnimationPerry R. Cook. [doi]
- The Sound of Fruits and Vegetables: Scientific Visualization with Auditory TokensGary S. Kendall, Lonny Chu. [doi]
- Defining Spectral SurfacesRobin Bargar, Bryan Holloway, Xavier Rodet, Chris Hartman. [doi]
- Inverse Performance TheoryGuerino Mazzola. [doi]
- Gesture Analysis Using 3D Acceleration Sensor for Music ControlHideyuki Sawada, Shin'Ya Ohkura, Shuji Hashimoto. [doi]
- A Consonance Dissonance Algorithm for IntervalsCampbell D. Foster. [doi]
- A Computer Music System for Hierarchical Sound ConstructionDavid P. Chapman. [doi]
- A Least-Square Algorithm for Fundamental Frequency EstimationAndrew Choi. [doi]
- One and Two Mass Model Oscillations for Voice and InstrumentsXavier Rodet. [doi]
- Interactive PerformanceJoel Chadabe. [doi]
- A MAX Counterpoint Generator for Simulating Stylistic Traits of Stravinsky, Bartok, and other ComposersMalcolm E. Bell. [doi]
- Spatial Sound Effects in a Software Effects ProcessorGary S. Kendall, Mathew D. Moller. [doi]
- The Institute of Electroacoustics and Experimental Music at the Vienna University of MusicTamas Ungvary, Peter Mechtler. [doi]
- Spectral Mutation in Soundhack: A Brief DescriptionLarry Polansky, Tom Erbe. [doi]
- For an Intelligent Use of Computers in Music CompositionSever Tipei. [doi]
- Chaotic Predictive Modelling of SoundJonathan P. Mackenzie. [doi]
- Genetic Algorithms as a Tool for Melodic DevelopmentDavid Ralley. [doi]
- The IRCAM Real-Time Platform and ApplicationsFrançois Déchelle, Maurizio De Cecco. [doi]
- Super-Spherical Wave Simulation in Flaring HornsDavid P. Berners, Julius O. Smith III. [doi]
- CSOUND Granular Synthesis Unit GeneratorAllan S. C. Lee. [doi]
- Optimizing Software Synthesis PerformanceNicholas Thompson, Roger B. Dannenberg. [doi]
- Real Time Functional LanguagesStéphane Letz, Yann Orlarey, Dominique Fober. [doi]
- Musical Sounds, Animated Images with CORDIS-ANIMA and its Multimodal InterfacesClaude Cadoz, Jean-Loup Florens, Annie Luciani. [doi]
- Computer Music Studios at Michigan State UniversityMark Sullivan. [doi]
- A Systematic Approach to the Analysis of Music for TapeRajmil Fischman. [doi]
- iEAR Studios Rensselaer Polytechnic InstituteChristopher Dobrian. [doi]
- PrediBase - Controlling Semantics of Symbolic Structures in MusicOliver Zahorka. [doi]
- The Application of Differential Equations to the Modeling of Musical ChangeJeremy L. Leach, John P. Fitch. [doi]
- On Perfoming a Listener: What is Missing, Paganini?Insook Choi. [doi]
- The Residents: Musical Deconstruction of Popular CultureJames Harley, Marc Couroux. [doi]
- Commuted Piano SynthesisJulius O. Smith III, Scott A. Van Duyne. [doi]
- Adding Vortex Noise to Wind Instrument Physical ModelsChris Chafe. [doi]
- A Model of Pattern Processing for MusicHaruhiro Katayose, Seiji Inokuchi. [doi]
- The Development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF GeneratorGerhard Eckel, Manuel Rocha Iturbide. [doi]
- An Introduction of Musical Structure Using CorrelationJason Vantomme. [doi]
- Audio Analysis for Content-Based RetrievalDouglas Keislar, Thom Blum, James Wheaton, Erling Wold. [doi]
- The Electro-acoustic Music Studio at the Royal Academy of Music, CopenhagenIvar Frounberg. [doi]
- Accurate Computer Simulation of Acoustic spaceLeonard Manzara. [doi]
- Computer Music Across Disciplines in an Undergraduate CurriculumBrian Evans. [doi]
- Department of Music, University of California, San DiegoPeter Otto, Miller Puckette. [doi]
- The CDP Composing EnvironmentMartin Atkins, Tom Endrich. [doi]
- Making Motion Musical: Gesture Mapping Strategies for Interactive Computer MusicTodd Winkler. [doi]
- An Automatic Jazz Accompaniment System Reacting to SoloIsao Hidaka, Masataka Goto, Yoichi Muraoka. [doi]
- A New Algorithm for Horizontal Spacing of Printed MusicLippold Haken, Dorothea Blostein. [doi]
- The Algorithmic Muse: New Listening Paradigms and the Harmonies of ChaosKevin Jones. [doi]
- Vertically Read NotationStephan Dunkelman. [doi]
- Toward a CLM Sound Localization Instrument Employing Modified Wavefront ReconstructionSteven Trautmann. [doi]
- MIDIVERSO: A Virtual Reality Music InstallationJuan Antonio Lleó, Andrés Loiseau Lazarte, Roger Gilabert. [doi]
- Real-Time Timbre Modificiations Using Sinusoidal Parameter StreamsLippold Haken. [doi]
- Sensor Integration for Interactive Digital ArtTsutomu Kanamori, Haruhiro Katayose, Yushi Aono, Seiji Inokuchi, Takashi Sakaguchi. [doi]
- Bandwidth Enhanced Sinusoidal Modeling in LemurKelly Fitz, Lippold Haken. [doi]
- A Sound Synthesis by Recurrent Neural NetworkKen-ichi Ohya. [doi]
- Circularity in Neural Computation and its Application to Musical CompositionGeorg Hajdu. [doi]
- Lemur - A Tool for Timbre ManipulationKelly Fitz, Lippold Haken, Bryan Holloway. [doi]
- NoTAM Studio ReportJøran Rudi. [doi]
- An Improvisational Accompaniment System Observing Performer's Musical GestureYushi Aono, Haruhiro Katayose, Seiji Inokuchi. [doi]
- The Sentograph: Input Devices and the Communication of Bodily ExpressionRoel Vertegaal, Tamas Ungvary. [doi]
- A Neural Network for Triad ClassificationTim Shuttleworth, Roland Wilson. [doi]
- Radiation of Musical Instruments and Improvement of the Sound Diffusion Techniques for Synthesized, Recorded, or Amplified Sounds (Revisited)René Caussé, Philippe Dérogis. [doi]
- Neural Networks for Modeling Time Series of Musical InstrumentsAxel Röbel. [doi]
- Multimedia System for Shakuhachi TablatureToshiaki Matsushima, Rie Nagasawa. [doi]
- General Wierdness with the Karplus-Strong StringTim Stilson. [doi]
- Graphical Control of Unit Generator Processes on the MIDAS System: A Digital VCS-3 DemonstratorRoss Kirk, Paul Whittington, Andy Hunt, Richard Orton. [doi]
- 3-D Sound Demonstration: "Sex/Windows"Gary S. Kendall. [doi]
- An Accurate Signal Representation for Sound Resynthesis Utilizing a Time-Frequency Mapping of the DFT-MagnitudeRobert R. Hölderich. [doi]
- Music Engineering Technology: An Undergraduate CurriculumCleve L. Scott. [doi]
- Sound Analysis, Comparison and Modification Based on Perceptual Model of TimbreChristopher James Langmead. [doi]
- Sound Processing KitKai Lassfolk. [doi]
- Multi-Participant Interactive Music ServicesStephen Arnold, D. R. Mcauley, Ken C. Sharman. [doi]
- A Survey of Gender Issues Related to Computer Music and Strategies for ChangeMary Simoni. [doi]
- Experiments with Chaotic OscillatorsRichard Dobson, John P. Fitch. [doi]
- A Model Performance, Interaction and ImprovisationPaul Hudak, Jonathan Berger. [doi]
- A Hierarchical System for Controlling Synthesis by Phyical ModelingPerry R. Cook. [doi]
- A Two-Stage Automatic Adaptive Process to Remove Noise from an Audio SignalJonathan Berger, Maxim J. Goldberg, Ronald R. Coifman. [doi]
- Interactive Dance/Music SystemsAntonio Camurri. [doi]
- A Process Algebra for Stochastic Music CompositionBrian J. Ross. [doi]
- Predicting Chords in JazzBelinda Thom, Roger B. Dannenberg. [doi]
- Rhythmic Pattern Processing Using a Self-Organising Neural NetworkSimon C. Roberts, Mike Greenhough. [doi]
- Real-Time Sound HybridizationNicola Bernardini, Alvise Vidolin. [doi]
- Harmonization of Musical Progressions with Genetic AlgorithmsAndrew Horner, Lydia Ayers. [doi]
- Computer Music Workstations I Have Known and LovedStephen Travis Pope. [doi]
- A Multimedia Environment for Computer MusicAnna I. Katrami, Tom Ingall. [doi]
- Demonstrating MMorph: A System for Morphing Music in Real-TimeDaniel V. Oppenheim. [doi]
- A Real-Time Beat Tracking System for Audio SignalsMasataka Goto, Yoichi Muraoka. [doi]
- Towards an Electroacoustic TraditionAlessandro Cipriani. [doi]
- Partial-Balancing Instruments with Dynamically Refreshed WavetablesRichard Orton, Ross Kirk, Andy Hunt. [doi]
- The Standard Instrument Space Libraries: Demonstrating the Power of ISEERoel Vertegaal. [doi]
- Music, Sculpture, Light and Text: A Study in Installation ArtCharles Bestor. [doi]
- An Artificial Neural Net for Harmonizing MelodiesDan Gang, Daniel J. Lehmann. [doi]
- A Compositional Environment with Intersection and Interaction between Musical Model and Graphical Model: "Listen to the Graphics, Watch the Music"Yoichi Nagashima, Haruhiro Katayose, Seiji Inokuchi. [doi]
- Audio Analysis for Rhythmic StructureCrawford Tait. [doi]
- The Cincinnati Conservatory of Music, Computer Music StudioBrad Garton, Terence Pender, Douglas Geers. [doi]
- A Semiotic Approach to Music InteractionFernando Iazzetta. [doi]
- Clustering Musical Sounds Using Polyspectral Distance MeasuresShlomo Dubnov, Naftali Tishby. [doi]
- Audio Game Interactive PerformanceSilvia Matheus, Tom Keller. [doi]
- A Musicians Approach to Physical ModelingMark Pearson, David M. Howard. [doi]
- Customisable Frameworks for Compositional ActivityTim Anderson, Ross Kirk. [doi]
- A Physical Model of Recorder-Like InstrumentsMarc-Pierre Verge, René Caussé, Abraham Hischberg. [doi]
- Performance Expression in Commuted Waveguide Synthesis of Bowed StringsDavid A. Jaffe, Julius O. Smith III. [doi]
- Whose Playground, Which Games and What Rules?: Women Composers in the Digital PlaygroundAndra McCartney. [doi]
- Conductor FollowingBennett Brecht, Guy E. Garnett. [doi]
- Music Library of the Future: A Pilot ProjectBruce Pennycook. [doi]
- The FCurve Sound Generator with Granular SynthesisMara Helmuth, Aladin Ibrahim. [doi]
- Score Views - An Object-Oriented Approach to a Graphical Computer Music Synthesis EnvironmentBrett Terry. [doi]
- The Clavette: A Generalized Microtonal MIDI Keyboard ControllerHarold Foruin. [doi]
- Developments for the Commuted PianoScott A. Van Duyne, Julius O. Smith III. [doi]
- A Software Compressor for Computer Music ApplicationsSteve Netherton, Gary S. Kendall. [doi]
- Additive Synthesis with DIASS_M4C on Argonne National Laboratory's IBM POWERparallel System (SP)Hans G. Kaper, David Ralley, Juan Restrepo, Sever Tipei. [doi]
- CSound TutorialLinda Irwin, Michael Alcorn. [doi]
- IANA: A Real-Time Environment for Analysis and Extraction of Frequency Components of Complex Orchestral Sounds and its Application within a Musical RealizationTodor Todoroff, Éric Daubresse, Joshua Fineberg. [doi]
- Score Following Using the Sung VoiceMiller Puckette. [doi]
- Fractal Structures and Formalized CompositionMagnus Eldénius. [doi]
- Gabor Synthesis of Recurrent Iterated Function SystemsMichael Gogins. [doi]
- Digital Waveguide Modeling of the Non-Linear Excitation of Single-Reed Woodwind InstrumentsGary P. Scavone. [doi]
- Interactive Works: New Problems and PotentialsStephen Horenstein. [doi]