James W. Beauchamp - researchr alias

researchr

You are not signed in
Sign in
Sign up

Viewing Publication 1 - 23 from 23

2013

Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopesChung Lee, Andrew Horner, James W. Beauchamp, Lydia Ayers. icmc 2013: [doi]

2012

Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic MusicMert Bay, Andreas F. Ehmann, James W. Beauchamp, Paris Smaragdis, J. Stephen Downie. ismir 2012: 319-324 [doi]

2006

Harmonic Source Separation Using Prestored SpectraMert Bay, James W. Beauchamp. ica 2006: 561-568 [doi]

2004

A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument SoundsAndrew Horner, James W. Beauchamp, Richard So. icmc 2004: [doi]

2003

Discrimination of Sustained Musical Instrument Sounds Resynthesized with Randomly Altered SpectraAndrew Horner, James W. Beauchamp. icmc 2003: [doi]

1999

Analysis and Resynthesis of Percussion Sounds: Two Methods ComparedJames W. Beauchamp. icmc 1999: [doi]

Armadillo: Real Time and Non-Real Time Analysis of Musical Sounds on a Power MacintoshTimothy Madden, James W. Beauchamp. icmc 1999: [doi]

Analysis and Critical-Band-Based Group Wavetable Synthesis of Piano TonesHua Zheng, James W. Beauchamp. icmc 1999: [doi]

1995

Genetic Algorithm Optimization of Additive Synthesis Envelope Breakpoints and Group Synthesis ParametersAndrew Horner, Ngai-Man Cheung, James W. Beauchamp. icmc 1995: [doi]

1994

Synthesis of Trumpet Tones Using a Fixed Wavetable and a Centroid-Controlled Second Order FilterAndrew Horner, James W. Beauchamp. icmc 1994: [doi]

Computer Music Project of the University of Illinois Experimental Music StudiosSever Tipei, James W. Beauchamp. icmc 1994: [doi]

1993

Timbre BreedingAndrew Horner, James W. Beauchamp, Norman Packard. icmc 1993: [doi]

1992

Extended Nonlinear Waveshaping Analysis/Synthesis TechniqueJames W. Beauchamp, Andrew Horner. icmc 1992: [doi]

Wavetable and FM Matching Synthesis of Musical Instrument TonesAndrew Horner, James W. Beauchamp, Lippold Haken. icmc 1992: [doi]

1989

The Computer Music Project at the University of Illinois at Urbana-Champaign: 1989James W. Beauchamp. icmc 1989: [doi]

1985

New Computer Music Facilities at the University of Illinois at Urbana-ChampaignJames W. Beauchamp, Scot A. Aurenz. icmc 1985: [doi]

1982

A Computer OrchestraJames W. Beauchamp. icmc 1982: [doi]

1981

Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis TechniqueJames W. Beauchamp. icmc 1981: [doi]

TutorialsLejaren Hiller, James W. Beauchamp, Charles Dodge. icmc 1981: [doi]

1978

Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear FunctionsJames W. Beauchamp. icmc 1978: [doi]

Using the PLATO/TI980A Music Synthesis System: The PLACOMP LanguageDavid J. Murray, James W. Beauchamp, Gary Loitz. icmc 1978: [doi]

1975

The TI 980A Computer-Controlled Music SynthesizerJames W. Beauchamp, Ken Pohlmann, Lee Chapman. icmc 1975: [doi]

1965

Electronic Instrumentation for the Synthesis, Control, and Analysis of Harmonic Musical TonesJames W. Beauchamp. PhD thesis, University of Illinois Urbana-Champaign, USA, 1965. [doi]

Sign in or sign up to see more results.

runs on WebDSL