Table of Contents

• Influence in Early Electronic Dance Music: An Audio Content Analysis InvestigationNick Collins. 1-6 [doi]
• Association Mining of Folk Music Genres and ToponymsKerstin Neubarth, Izaro Goienetxea, Colin Johnson, Darrell Conklin. 7-12 [doi]
• Characterization of Embellishments in Ney Performances of Makam Music in TurkeyTan Hakan Özaslan, Xavier Serra, Josep Lluís Arcos. 13-18 [doi]
• Cross-cultural Music Mood Classification: A Comparison on English and Chinese SongsYi-Hsuan Yang, Xiao Hu. 19-24 [doi]
• Towards a (Better) Definition of the Description of Annotated MIR CorporaGeoffroy Peeters, Karën Fort. 25-30 [doi]
• Modeling Musical Mood From Audio Features and Listening Context on an In-Situ Data SetDiane Watson, Regan L. Mandryk. 31-36 [doi]
• Analyzing Drum Patterns Using Conditional Deep Belief NetworksEric Battenberg, David Wessel. 37-42 [doi]
• N-gram Based Statistical Makam Detection on Makam Music in Turkey Using Symbolic DataErdem Ünal, Baris Bozkurt, Mustafa Kemal Karaosmanoglu. 43-48 [doi]
• Evaluating the Online Capabilities of Onset Detection MethodsSebastian Böck, Florian Krebs, Markus Schedl. 49-54 [doi]
• Structure-Based Audio Fingerprinting for Music RetrievalPeter Grosche, Joan Serrà, Meinard Müller, Josep Lluís Arcos. 55-60 [doi]
• Bridging Printed Music and Audio Through Alignment Using a Mid-level Score RepresentationÖzgür Izmirli, Gyanendra Sharma. 61-66 [doi]
• Real-time Online Singing Voice Separation from Monaural Recordings Using Robust Low-rank ModelingPablo Sprechmann, Alexander M. Bronstein, Guillermo Sapiro. 67-72 [doi]
• Folksonomy-based Tag Recommendation for Online Audio Clip SharingFrederic Font, Joan Serrà, Xavier Serra. 73-78 [doi]
• Infinite Composite Autoregressive Models for Music Signal AnalysisKazuyoshi Yoshii, Masataka Goto. 79-84 [doi]
• Professionally-produced Music Separation Guided by CoversTimothée Gerber, Martin Dutasta, Laurent Girin, Cédric Févotte. 85-90 [doi]
• Bayesian Nonnegative Harmonic-Temporal Factorization and Its Application to Multipitch AnalysisDaichi Sakaue, Takuma Otsuka, Katsutoshi Itoyama, Hiroshi G. Okuno. 91-96 [doi]
• A Scape Plot Representation for Visualizing Repetitive Structures of Music RecordingsMeinard Müller, Nanzhu Jiang. 97-102 [doi]
• A Systematic Comparison of Music Similarity Adaptation ApproachesDaniel Wolff, Sebastian Stober, Andreas Nürnberger, Tillman Weyde. 103-108 [doi]
• Using Hyper-genre Training to Explore Genre Information for Automatic Chord EstimationYizhao Ni, Matt McVicar, Raúl Santos-Rodriguez, Tijl De Bie. 109-114 [doi]
• Semi-supervised NMF with Time-frequency Annotations for Single-channel Source SeparationAugustin Lefevre, Francis Bach, Cédric Févotte. 115-120 [doi]
• Neon.js: Neume Editor OnlineGregory Burlet, Alastair Porter, Andrew Hankinson, Ichiro Fujinaga. 121-126 [doi]
• Modeling Chord and Key Structure with Markov LogicHélène Papadopoulos, George Tzanetakis. 121-126 [doi]
• A Geometric Language for Representing Structure in Polyphonic MusicDavid Meredith. 133-138 [doi]
• Unsupervised Learning of Local Features for Music ClassificationJan Wülfing, Martin Riedmiller. 139-144 [doi]
• Modeling Piano Interpretation Using Switching Kalman FilterYupeng Gu, Christopher Raphael. 145-150 [doi]
• Interpreting Rhythm in Optical Music RecognitionRong Jin, Christopher Raphael. 151-156 [doi]
• Assigning a Confidence Threshold on Automatic Beat Annotation in Large DatasetsJosé R. Zapata, Andre Holzapfel, Matthew E. P. Davies, João Lobato Oliveira, Fabien Gouyon. 157-162 [doi]
• A Corpus-based Study of Rhythm PatternsMatthias Mauch, Simon Dixon. 163-168 [doi]
• One in the Jungle: Downbeat Detection in Hardcore, Jungle, and Drum and BassJason Hockman, Matthew E. P. Davies, Ichiro Fujinaga. 169-174 [doi]
• A MIREX Meta-analysis of Hubness in Audio Music SimilarityArthur Flexer, Dominik Schnitzer, Jan Schlueter. 175-180 [doi]
• How Significant is Statistically Significant? The case of Audio Music Similarity and RetrievalJulián Urbano, J. Stephen Downie, Brian McFee, Markus Schedl. 181-186 [doi]
• Statistical Characterisation of Melodic Pitch Contours and its Application for Melody ExtractionJustin Salamon, Geoffroy Peeters, Axel Röbel. 187-192 [doi]
• Detecting Melodic Motifs from Audio for Hindustani Classical MusicJoe Cheri Ross, Vinutha T. P., Preeti Rao. 193-198 [doi]
• Characterization of Intonation in Carnatic Music by Parametrizing Pitch HistogramsGopala K. Koduri, Joan Serrà, Xavier Serra. 199-204 [doi]
• Discriminative Non-negative Matrix Factorization for Multiple Pitch EstimationNicolas Boulanger-Lewandowski, Yoshua Bengio, Pascal Vincent. 205-210 [doi]
• A Feature Relevance Study for Guitar Tone ClassificationWolfgang Fohl, Andreas Meisel, Ivan Turkalj. 211-216 [doi]
• String Methods for Folk Tune Genre ClassificationRuben Hillewaere, Bernard Manderick, Darrell Conklin. 217-222 [doi]
• A Turkish Makam Music Symbolic Database for Music Information Retrieval: SymbTrMustafa Kemal Karaosmanoglu. 223-228 [doi]
• Polyphonic Music Classification on Symbolic Data Using Dissimilarity FunctionsYoko Anan, Kohei Hatano, Hideo Bannai, Masayuki Takeda, Ken Satoh. 229-234 [doi]
• Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation ConventionsFrédéric Bimbot, Emmanuel Deruty, Gabriel Sargent, Emmanuel Vincent. 235-240 [doi]
• Large-Scale Cover Song Recognition Using the 2D Fourier Transform MagnitudeThierry Bertin-Mahieux, Daniel P. W. Ellis. 241-246 [doi]
• Creating Ground Truth for Audio Key Finding: When the Title Key May Not Be the KeyChing-Hua Chuan, Elaine Chew. 247-252 [doi]
• Understanding User Requirements for Music Information ServicesJin Ha Lee, Nichole Maiman Waterman. 253-258 [doi]
• The Impact of MIREX on Scholarly Research (2005 - 2010)Sally Jo Cunningham, David Bainbridge, J. Stephen Downie. 259-264 [doi]
• An Emotion Model for Music Using Brain WavesRafael Cabredo, Roberto S. Legaspi, Paul Salvador Inventado, Masayuki Numao. 265-270 [doi]
• Music Structure Analysis by Ridge Regression of Beat-synchronous Audio FeaturesYannis Panagakis, Constantine Kotropoulos. 271-276 [doi]
• Score-Informed Leading Voice Separation from Monaural AudioCyril Joder, Björn Schuller. 277-282 [doi]
• On Measuring Syncopation to Drive an Interactive Music SystemGeorge Sioros, Andre Holzapfel, Carlos Guedes. 283-288 [doi]
• Current Challenges in the Evaluation of Predominant Melody Extraction AlgorithmsJustin Salamon, Julián Urbano. 289-294 [doi]
• Improving Audio Chord Transcription by Exploiting Harmonic and Metric KnowledgeBas de Haas, José Pedro Magalhães, Frans Wiering. 295-300 [doi]
• Reducing Tempo Octave Errors by Periodicity Vector Coding And SVM LearningAggelos Gkiokas, Vassilios Katsouros, George Carayannis. 301-306 [doi]
• Context-free 2D Tree Structure Model of Musical Notes for Bayesian Modeling of Polyphonic SpectrogramsHirokazu Kameoka, Kazuki Ochiai, Masahiro Nakano, Masato Tsuchiya, Shigeki Sagayama. 307-312 [doi]
• Compressing Music Recordings into Audio SummariesOriol Nieto, Eric J. Humphrey, Juan Pablo Bello. 313-318 [doi]
• Second Fiddle is Important Too: Pitch Tracking Individual Voices in Polyphonic MusicMert Bay, Andreas F. Ehmann, James W. Beauchamp, Paris Smaragdis, J. Stephen Downie. 319-324 [doi]
• Feature Learning in Dynamic Environments: Modeling the Acoustic Structure of Musical EmotionErik M. Schmidt, Jeffrey J. Scott, Youngmoo E. Kim. 325-330 [doi]
• User-centered Measures vs. System Effectiveness in Finding Similar SongsXiao Hu, Noriko Kando. 331-336 [doi]
• Towards Time-resilient MIR ProcessesRudolf Mayer, Andreas Rauber. 337-342 [doi]
• Hypergraph Models of Playlist DialectsBrian McFee, Gert R. G. Lanckriet. 343-348 [doi]
• Learning to Embed Songs and Tags for Playlist PredictionJoshua L. Moore, Shuo Chen, Thorsten Joachims, Douglas Turnbull. 349-354 [doi]
• Extracting Semantic Information from an Online Carnatic Music ForumMohamed Sordo, Joan Serrà, Gopala K. Koduri, Xavier Serra. 355-360 [doi]
• Ranking Lyrics for Online SearchRobert Macrae, Simon Dixon. 361-366 [doi]
• The Role Of Music in the Lives of Homeless Young People: A Preliminary ReportJill Palzkill Woelfer, Jin Ha Lee. 367-372 [doi]
• A Survey on Music Listening and Management BehavioursMohsen Kamalzadeh, Dominikus Baur, Torsten Möller. 373-378 [doi]
• Automatic Music Transcription: Breaking the Glass CeilingEmmanouil Benetos, Simon Dixon, Dimitrios Giannoulis, Holger Kirchhoff, Anssi Klapuri. 379-384 [doi]
• Putting the User in the Center of Music Information RetrievalMarkus Schedl, Arthur Flexer. 385-390 [doi]
• The Impact (or Non-impact) of User Studies in Music Information RetrievalJin Ha Lee, Sally Jo Cunningham. 391-396 [doi]
• Mel Cepstrum & Ann Ova: The Difficult Dialog Between MIR and Music CognitionJean-Julien Aucouturier, Emmanuel Bigand. 397-402 [doi]
• Moving Beyond Feature Design: Deep Architectures and Automatic Feature Learning in Music InformaticsEric J. Humphrey, Juan Pablo Bello, Yann LeCun. 403-408 [doi]
• Reuse, Remix, Repeat: the Workflows of MIRKevin R. Page, Benjamin Fields, David De Roure, Tim Crawford, J. Stephen Downie. 409-414 [doi]
• Multi-Template Shift-Variant Non-Negative Matrix Deconvolution for Semi-Automatic Music TranscriptionHolger Kirchhoff, Simon Dixon, Anssi Klapuri. 415-420 [doi]
• Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music RecordingsAggelos Pikrakis, Francisco Gómez, Sergio Oramas, José Miguel Díaz-Báñez, Joaquín Mora, Francisco Escobar-Borrego, Emilia Gómez, Justin Salamon. 421-426 [doi]
• A Cross-version Approach for Stabilizing Tempo-based Novelty DetectionMeinard Müller, Thomas Prätzlich, Jonathan Driedger. 427-432 [doi]
• Fast Identification of Piece and Score Position via Symbolic FingerprintingAndreas Arzt, Sebastian Böck, Gerhard Widmer. 433-438 [doi]
• A Multimedia Search and Navigation Prototype, Including Music and Video-clipsGeoffroy Peeters, Frédéric Cornu, Christophe Charbuillet, Damien Tardieu, Juan José Burred, Marie Vian, Valérie Botherel, Jean-Bernard Rault, Jean-Philippe Cabanal. 439-444 [doi]
• Chord Recognition Using Duration-explicit Hidden Markov ModelsRuofeng Chen, Weibin Shen, Ajay Srinivasamurthy, Parag Chordia. 445-450 [doi]
• Finding Repeating Stanzas in Folk SongsCiril Bohak, Matija Marolt. 451-456 [doi]
• Detecting Episodes with Harmonic Sequences for Fugue AnalysisMathieu Giraud, Richard Groult, Florence Levé. 457-462 [doi]
• Inferring Chord Sequence Meanings via Lyrics: Process and EvaluationTom O'Hara, Nico Schüler, Yijuan Lu, Dan Tamir. 463-468 [doi]
• Facilitating Comprehensive Benchmarking Experiments on the Million Song DatasetAlexander Schindler, Rudolf Mayer, Andreas Rauber. 469-474 [doi]
• Decoding Tempo and Timing Variations in Music Recordings from Beat AnnotationsAndrew Robertson. 475-480 [doi]
• Unsupervised Chord-Sequence Generation from an Audio ExampleKaterina Kosta, Marco Marchini, Hendrik Purwins. 481-486 [doi]
• Listening Level Changes Music SimilarityMichael Terrell, György Fazekas, Andrew Simpson, Jordan Smith, Simon Dixon. 487-492 [doi]
• Pitch Content Visualization Tools for Music Performance AnalysisLuis Jure, Ernesto López, Martín Rocamora, Pablo Cancela, Haldo Sponton, Ignacio Irigaray. 493-498 [doi]
• A Multipitch Approach to Tonic Identification in Indian Classical MusicJustin Salamon, Sankalp Gulati, Xavier Serra. 499-504 [doi]
• Separating Presentation and Content in MEILaurent Pugin, Johannes Kepper, Perry Roland, Maja Hartwig, Andrew Hankinson. 505-510 [doi]
• A Study of Intonation in Three-Part Singing using the Automatic Music Performance Analysis and Comparison Toolkit (AMPACT)Johanna Devaney, Michael I. Mandel, Ichiro Fujinaga. 511-516 [doi]
• Influence of Peak Selection Methods on Onset DetectionCarlos Rosão, Ricardo Ribeiro 0001, David Martins de Matos. 517-522 [doi]
• Evaluation of Musical Features for Emotion ClassificationYading Song, Simon Dixon, Marcus Pearce. 523-528 [doi]
• BLAST for Audio Sequences Alignment: A Fast Scalable Cover Identification ToolBenjamin Martin, Daniel G. Brown 0001, Pierre Hanna, Pascal Ferraro. 529-534 [doi]
• A Cross-cultural Study of Music Mood Perception between American and Chinese ListenersXiao Hu, Jin Ha Lee. 535-540 [doi]
• Shortest Path Techniques for Annotation and Retrieval of Environmental SoundsBrandon Mechtley, Andreas Spanias, Perry Cook. 541-546 [doi]
• Multivariate Autoregressive Mixture Models for Music Auto-TaggingEmanuele Coviello, Yonatan Vaizman, Antoni B. Chan, Gert R. G. Lanckriet. 547-552 [doi]
• Building Musically-relevant Audio Features through Multiple Timescale RepresentationsPhilippe Hamel, Yoshua Bengio, Douglas Eck. 553-558 [doi]
• A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio SignalsJuan J. Bosch, Jordi Janer, Ferdinand Fuhrmann, Perfecto Herrera. 559-564 [doi]
• Learning Sparse Feature Representations for Music Annotation and RetrievalJuhan Nam, Jorge Herrera, Malcolm Slaney, Julius O. Smith. 565-570 [doi]
• Score Analyzer: Automatically Determining Scores Difficulty Level for Instrumental e-LearningVéronique Sébastien, Henri Ralambondrainy, Olivier Sebastien, Noël Conruyt. 571-576 [doi]
• Digital Document Image Retrieval Using Optical Music RecognitionAndrew Hankinson, John Ashley Burgoyne, Gabriel Vigliensoni, Alastair Porter, Jessica Thompson, Wendy Liu, Remi Chiu, Ichiro Fujinaga. 577-582 [doi]
• Music/Voice Separation Using the Similarity MatrixZafar Rafii, Bryan Pardo. 583-588 [doi]
• Breathy or Resonant - A Controlled and Curated Dataset for Phonation Mode Detection in SingingPolina Proutskova, Christophe Rhodes, Geraint A. Wiggins, Tim Crawford. 589-594 [doi]
• Robust Singer Identification in Polyphonic Music using Melody Enhancement and Uncertainty-based LearningMathieu Lagrange, Alexey Ozerov, Emmanuel Vincent. 595-600 [doi]
• Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco SingingEmilia Gómez, Francisco J. Cañadas-Quesada, Justin Salamon, Jordi Bonada, Pedro Vera Candea, Pablo Cabañas Molero. 601-606 [doi]