Table of Contents

• Some recent actions to preserve, document and disseminate electroacoustic music by Latin American composersRicardo Dal Farra. [doi]
• MATConcat: An Application for Exploring Concatenative Sound Synthesis Using MATLABBob L. Sturm. [doi]
• pmpd : Physical modelling for Pure DataCyrille Henry. [doi]
• "Voice Networks" - Exploring the Human Voice as a Creative Medium for Musical CollaborationGil Weinberg. [doi]
• An Object-Oriented Model of the Xenakis Sieve for Algorithmic Pitch, Rhythm, and Parameter GenerationChristopher Ariza. [doi]
• The Quest for Low LatencyNelson Lago, Fabio Kon. [doi]
• Intelligent Scripting in ENP using PWConstraintsMika Kuuskankare, Mikael Laurson. [doi]
• A New Beatbug: Revisions, Simplifications, and New DirectionsRobeto Aimi, Diana Young. [doi]
• PTL, a new sequencer dedicated to graphical scoresDamien Henry. [doi]
• Real-time temporal segmentation of note objects in music signalsPaul Brossier, Juan Pablo Bello, Mark D. Plumbley. [doi]
• Cellular Automata in MIDI based Computer MusicDave Burraston, Ernest A. Edmonds, Dan Livingstone, Eduardo Reck Miranda. [doi]
• Three Approaches to the Dynamic Multi-channel Spatialization of Stereo SignalsChristopher J. Keyes. [doi]
• Cancellation of Unwanted Audio to Support Interactive Computer MusicJonghyun Lee, Roger B. Dannenberg, Joohwan Chun. [doi]
• Panel: Standards from the Computer Music CommunityMatthew Wright, Roger B. Dannenberg, Stephen Travis Pope, Xavier Rodet, Xavier Serra, David Wessel. [doi]
• Current Research in Music Technology at the Audiovisual Institute of the Pompeu Fabra UniversityXavier Serra. [doi]
• Adaptive High-level Classification of Vocal Gestures Within a Networked Sound InstrumentJason Freeman, Chandrasekhar Ramakrishnan, Kristjan Varnik, Max Neuhaus, Phil Burk, David Birchfield. [doi]
• Robust Polyphonic Midi Score Following with Hidden Markov ModelsDiemo Schwarz, Nicola Orio, Norbert Schnell. [doi]
• Automatic Genre Classification as a Study of the Viability of High-Level Features for Music ClassificationCory McKay. [doi]
• Andante: Composition and Performance with Mobile Musical AgentsLeo Kazuhiro Ueda, Fabio Kon. [doi]
• Understanding Supersaturation: A Musical Phenomenon Affecting Perceived TimeStephen Horenstein. [doi]
• Aligning Polyphonic Musical Scores with Audio using a Latent Tempo ProcessChristopher Raphael. [doi]
• Linux as a Mature Digital Audio Workstation in Academic Electroacoustic Studios - Is Linux Ready for Prime Time?Ivica Ico Bukvic. [doi]
• Understanding the Mathematics of the Frequency Transform: An Interactive Tutorial for Computer MusiciansR. Gerard Pietrusko, Richard Boulanger. [doi]
• A physically informed model of a musical toy: the singing tubeStefania Serafin, Juraj Kojs. [doi]
• Proposal for a Roundtable Discussion on the Role of Abstract Mathematics in Computer MusicLawrence Fritts, Guerino Mazzola, Robert Morris, John Rahn, Moreno Andreatta. [doi]
• Rock Music: Granular and Stochastic Synthesis based on the Matanuska GlacierMara Helmuth, Teresa Davis. [doi]
• Designing a Generalized Sonification EnvironmentAlberto de Campo, Christopher Frauenberger, Robert Höldrich. [doi]
• Low-dimensional parameter mapping using spectral envelopesMiller Puckette. [doi]
• Towards a Model of ParallelismRalph G. W. Smeenk. [doi]
• A Dynamic Model of Metric Rhythm in Electroacoustic MusicJeff Morris. [doi]
• Feature Extraction and Database Design for Music SoftwareStephen Travis Pope, Frode Holm, Alexandre Kouznetsov. [doi]
• Waiting and Uncertainty in Computer Music NetworksJulian Rohrhuber, Alberto de Campo. [doi]
• Real-time Pitched/Unpitched Separation of Monophonic Timbre ComponentsJoseph A. Sarlo. [doi]
• Combining Visual and Textual Representations for Flexible Interactive Audio Signal ProcessingRoger B. Dannenberg. [doi]
• Designing for Emergent Behavior: a John Cage realizationChristopher Burns. [doi]
• Predicting Reinforcement of Pitch Sequences via LSTM and TDJudy A. Franklin. [doi]
• SCREAM - SuperCollider Resource for Electro-Acoustic MusicMichael Leahy. [doi]
• Musical Genre Classification by Instrumental FeaturesJiajun Zhu, Xiangyang Xue, Hong Lu. [doi]
• Interactive Performance withWireless PDAsGraham McAllister, Michael Alcorn, Philip Strain. [doi]
• Composition for Ubiquitous Responsive Sound EnvironmentsDan Livingstone, Eduardo R. Miranda. [doi]
• A Hierarchical Approach to Onset DetectionEmir Kapanci, Avi Pfeffer. [doi]
• The First Retrospective of Mexican Electroacustic MusicManuel Rocha Iturbide. [doi]
• Spectral Characteristics of the Musical Iced Tea CanBob L. Sturm, Stephen Travis Pope. [doi]
• Harmonizations of time with non periodic ordered structures in discrete geometry and astronomyJuan García Escudero. [doi]
• Cybersongosse 7MiChristian Clozier, Jean-Claude Le Duc, Alexander Mihalic. [doi]
• The Audicle: A Context-Sensitive, On-the-fly Audio Programming Environ/mentalityGe Wang, Perry R. Cook. [doi]
• SonART: A framework for data sonification, visualization and networked multimedia applicationsWoon Seung Yeo, Jonathan Berger, Zune Lee. [doi]
• Analysis and Reconstruction of Interactive Electroacoustic Works for Obsolete Technology: Thea Musgrave's NarcissusDavid Brooke Wetzel. [doi]
• Trends on the synthesis of the singing voice: technical problems and perspectivesAnastasia Georgaki. [doi]
• CsoundXML: a meta-language in XML for sound synthesisPedro Kröger. [doi]
• Audio and Gesture Latency Measurements on Linux and OSXMatthew Wright, Ryan J. Cassidy, Michael Zbyszynski. [doi]
• An In-Depth Analysis of Real-Time MIDI PerformanceBelinda Thom, Mark J. Nelson. [doi]
• Electronic Music: An Interactive CD-ROM for Yong PeopleChia-Chun Chen. [doi]
• Instrument Recognition Beyond Separate Notes - Indexing Continuous RecordingsArie Livshin, Xavier Rodet. [doi]
• Recognition, Analysis and Performance with Expressive Conducting GesturesPaul Kolesnik, Marcelo M. Wanderley. [doi]
• GAIA: Graphical Audio Interface ApplicationDavid Topper. [doi]
• Spectral TuningEric D. Lyon. [doi]
• Automatic rag classification using spectrally derived tone profilesParag Chordia. [doi]
• Interactive Paths Through Tree MusicJudith Shatin. [doi]
• IMP-CAM: Improvising with Cellular Automata MusicKam-Wah Wong. [doi]
• Adding Machine Cognition to a Web-based interactive compositionIan Whalley. [doi]
• Toward Construction of a Timbre Theory for Music CompositionNaotoshi Osaka. [doi]
• Introducing and Analyzing the Electro-Acoustic BottleHenri Penttinen. [doi]
• Crossing the DivideJon Appleton, Paul Lansky, Tim Schaaff, Jean-Claude Risset, Masahiro Miwa, Andre Smirnov. [doi]
• Evolving Decentralized Musical Instruments Using Genetic AlgorithmsAssaf K. Talmudi. [doi]
• Synthesizing Timbre Tremolos and Flutter Tonguing on Wind InstrumentsLydia Ayers. [doi]
• Sound Analysis and Processing with AudioSculpt 2Niels Bogaards, Axel Röbel, Xavier Rodet. [doi]
• Medialogy: a bridge between technology and creativity based on the Aalborg modelRolf Nordahl, Stefania Serafin. [doi]
• Filter Design Using Second-Order Peaking and Shelving SectionsJonathan S. Abel, David P. Berners. [doi]
• Sybil: Synthesis by Interactive LearningMichael Clarke, Ashley Watkins, Mathew Adkins, Mark A. Bokowiec. [doi]
• A Search for Best Error Metrics to Predict Discrimination of Original and Spectrally Altered Musical Instrument SoundsAndrew Horner, James W. Beauchamp, Richard So. [doi]
• 2 in 2004Mara Helmuth, Margaret Schedel, Jennifer Bernard, Ivica Ico Bukvic, Shiau-uen Ding. [doi]
• Signal decomposition by means of classification of spectral peaksAxel Roebel, Miroslav Zivanovic, Xavier Rodet. [doi]
• The Sonic Scanner and the Graphonic InterfaceDan Overholt. [doi]
• Cross-Modal Parametric CompositionDavid Gerhard, Daryl H. Hepting. [doi]
• Automatic Discovery of Right Hand Fingering in Guitar AccompanimentErnesto Trajano de Lima, Márcio Dahia, Hugo Sanatana, Geber Ramalho. [doi]
• Real Time Sonification of Stock Market Data with sMaxFabio C. Ciardi. [doi]
• Signals and Systems Using MATLAB: An Effective Application for Exploring and Teaching Media Signal ProcessingBob L. Sturm, Jerry D. Gibson. [doi]
• Digital Instruments and Players: Part II-Diversity, Freedom and ControlSergi Jordà. [doi]
• Studio Report: the GRM - Groupe de Recherches Musicales, Institut National de l'AudiovisuelDaniel Teruggi, Yann Geslin. [doi]
• A fuzzy logic model for compositional approaches to audio-visual mediaRodrigo F. Cádiz. [doi]
• The Music Technology Program at McGill UniversityGary P. Scavone, Marcelo M. Wanderley. [doi]
• Searching for Sounds: A Demonstration of FindSounds.com and FindSounds PaletteStephen V. Rice, Stephen M. Bailey. [doi]
• Studio Report: The Music Technology Program at Ball State University, Muncie, IndianaKeith Kothman, Michael Pounds, Jeffrey Seitz. [doi]
• Cellular Automata Mapping ProceduresPeter Beyls. [doi]
• Mixing with MozartSumit Basu. [doi]
• Loudness Scaling in a Digital Synthesis LibraryJesse Guessford, Hans G. Kaper, Sever Tipei. [doi]
• Khorwa: A musical experience with « autonomous agents »Mikhail Malt. [doi]
• Computer Music at the Peabody Conservatory of the Johns Hopkins UniversityMcGregor Boyle, Geoffrey Wright. [doi]
• SDIF sound description data representation and manipulation in computer assisted compositionJean Bresson, Carlos Agón. [doi]
• M2 Diffusion - The live diffusion of sound in spaceAdrian Moore 0002, David Moore, James Mooney. [doi]
• Sound and musical representation: the Acousmographe softwareYann Geslin, Adrien Lefevre. [doi]
• From the visualization of sound to real-time sonification: different prototypes in the Max/MSP/Jitter environmentAnne Sedes, Benoit Courribet, Jean-Baptiste Thiebaut. [doi]
• CCRMA Studio ReportMatthew Wright, Jonathan Berger, Christopher Burns, Chris Chafe, Fernando Lopez-Lezcano, Julius O. Smith. [doi]
• A Pragmatic Approach to Set-Based Algorithmic CompositionSteven L. Ricks, Morgan Quigley. [doi]
• Enhancing Musical Experience through Proximal InteractionAtau Tanaka, Antoine Authier, Guillaume Valadon, Laurent Violette. [doi]
• Musical Time in Visual SpaceBrian Evans. [doi]
• Latency Tolerance for Gesture Controlled Continuous Sound Instrument without Tactile FeedbackTeemu Mäki-Patola, Perttu Hômôlôinen. [doi]
• comp-i: A System for Visual Exploration and Editing of MIDI DatasetsReiko Miyazaki, Issei Fujishiro, Rumi Hiraga. [doi]
• Phase Models to Control Roughness in Additive SynthesisErling Tind, Kristoffer Jensen. [doi]
• Digitizing North Indian PerformanceAjay Kapur, Philip Davidson, Perry R. Cook, Peter F. Driessen, W. Andrew Schloss. [doi]
• Annotated Music for Retrieval, Reproduction, and SharingKeiji Hirata, Shu Matsuda, Katsuhiko Kaji, Katashi Nagao. [doi]
• Learning to Play the Flute with an Anthropomorphic RobotJorge Solis, Massimo Bergamasco, Shuzo Isoda, Keisuke Chida, Atsuo Takanishi. [doi]
• Examining Synthetic Databases in Melodic Retrieval TestingCharles Parker. [doi]
• AROOOGA: An Audio Search Engine for theWorldWideWebIan Knopke. [doi]
• Stochastic Estimation of BsfTuukka Ilomôki, Yki Kortesniemi. [doi]
• Interactive Immersive Environments: A Composer's JourneyAnne Deane Berman. [doi]
• From Kafka to K...: Documenting an Electronic OperaMomilani Ramstrum. [doi]
• An Internet Browser Plug-in for Real-time Sound Synthesis using Pure DataMarcos Alonso, Günter Geiger, Sergi Jordà. [doi]
• Automatic Generation of Grouping Structure based on the GTTMMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. [doi]
• An Interactive Cellular Automata Music Application in CocoaDale Millen. [doi]
• The Technophobe and the Madman: An Internet2 Distributed MusicalRobert Rowe, Neil B. Rolnick. [doi]
• Implementation of a Highly Diffusing 2-D DigitalWaveguide Mesh with a Quadratic Residue DiffuserKyogu Lee, Julius O. Smith. [doi]
• Java Music Specification Language, v103 updateNick Didkovsky. [doi]
• Mapping Spectral Frames to Pitch with the Support Vector MachineAndrew Schmeder. [doi]
• Pocket Gamelan: a J2ME environment for just intonationGreg Schiemer, Kenny Sabir, Mark Havryliv. [doi]
• Path Difference Learning for Guitar Fingering ProblemAleksander Radisavljevic, Peter F. Driessen. [doi]
• Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controllerVan Stiefel, Dan Trueman, Perry R. Cook. [doi]
• Music Structural Analysis via Novelty Shape DetectionUnjung Nam, Jonathan Berger. [doi]
• Towards Timbre Recognition of Percussive SoundsAdam R. Tindale, Ajay Kapur, Ichiro Fujinaga. [doi]
• Recent compositions and performance instruments realized in Java Music Specification LanguageNick Didkovsky. [doi]
• Inductive Logic Programming and MusicRafael Ramirez. [doi]
• Evolving electroacoustic music: the application of genetic algorithms to time-domain waveformsCristyn Magnus. [doi]
• Improving score to audio alignment: Percussion alignment and Precise Onset EstimationXavier Rodet, Joseph Escribe, Sébastien Durigon. [doi]
• A Performer's Musicological Research in Performing Interactive Computer Music - The performance of Jean-Claude Risset: Duet for One Pianist-Eight Sketches for MIDI Piano and Computer (Max program) (1989)Wuan-chin Li. [doi]
• MidiTron MIDI to Real-World InterfaceEric Singer. [doi]
• Learning Expressive Performance Rules in JazzRafael Ramirez, Amaury Hazan. [doi]
• Copy-synth-patch: A Tool for Visual Instrument DesignMikael Laurson, Vesa Norilo. [doi]
• MEDIATE: Key Sonic Developments in an Interactive Installation for Children with AutismHans Timmerman, Gerard van Wolferen, Paul Newland, Simon Kunath. [doi]
• DIEM: Studio ReportWayne Siegel. [doi]
• Pitch Perception of Time-Varying Notched Noise - Hearing the absent frequenciesSatoshi Oishi, Shuji Hashimoto. [doi]
• A Comparison between Local Search and Genetic Algorithm Methods forWavetable MatchingSimon Wun, Andrew Horner, Lydia Ayers. [doi]
• WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installationsMarije A. J. Baalman, Daniel Plewe. [doi]
• The Transformation EngineB. Graziano Degazio. [doi]
• ATS User InterfacesJuan Pampin, Oscar Pablo di Liscia, William 'Pete' Moss, Alex Norman. [doi]
• Georgia Tech Music Department - Studio ReportGil Weinberg, Frank Clark. [doi]
• AALIVENET: An agent based distributed interactive composition environmentMichael Spicer. [doi]
• Statistical description models for melody analysis and characterizationPedro J. Ponce de León, José Manuel Iñesta Quereda. [doi]
• Timbre Representation of a Single Musical InstrumentHugo Bastos de Paula, Maurício A. Loureiro, Hani C. Yehia. [doi]
• University of Leeds Interdisciplinary Centre for Scientific Research in MusicKia Ng. [doi]
• Loudness-Based Display and Analysis Applied to Artificial ReverberationPatty Huang, Julius O. Smith III. [doi]
• The Shamanic Object as a Model for New Multimedia Computer Performance InterfacesMatthew Burtner. [doi]
• Teabox: A Sensor Data Interface SystemJesse T. Allison, Timothy A. Place. [doi]
• Contour Hierarchies, Tied Parameters, Sound Models and MusicLonce Wyse. [doi]
• Audio Segmentation by Singular Value ClusteringShlomo Dubnov, Ted Apel. [doi]
• Optimal Filtering of an Instrument Sound in a Mixed Recording Given Approximate Pitch PriorAdiel Ben-Shalom, Shlomo Dubnov. [doi]
• Polyphonic Pitch Identification and Bayesian InferenceAli Taylan Cemgil. [doi]
• IRIN: Micromontage in Graphical Sound Editing and Mixing ToolCarlos Caires. [doi]
• ATS: A System for Sound Analysis Transformation and Synthesis Based on a Sinusoidal plus Critical-Band Noise Model and PsychoacousticsJuan Pampin. [doi]
• Spectral AnticipationsShlomo Dubnov. [doi]
• Centre for Digital Music: Studio ReportJuan Pablo Bello, Mark B. Sandler. [doi]
• Re-realizing Philippe Boesmans' Daydreams: A Performative Approach to Live Electro-Acoustic MusicRobert Esler. [doi]
• Sounds of a Community: An Interactive Sound InstallationRobert J. Gluck. [doi]
• Spectromorphology Hits Hollywood: Black Hawk Down-A Case StudyPaul Rudy. [doi]
• A New Efficient Approach to Query by HummingLeon Fu, Xiangyang Xues. [doi]
• Gem for pd - recent progressJohannes Zmölnig. [doi]
• Loop-based Composition with RTcmix and HulaJohn Gibson. [doi]
• Simulation of Networked Ensemble Performance with Varying Time Delays: Characterization of Ensemble AccuracyMichael Gurevish, Chris Chafe, Grace Leslie, Sean Tyan. [doi]