Table of Contents

• A Network Sound System for UNIXJames M. Roth, Gary S. Kendall, Shawn L. Decker. [doi]
• A Personal Computer, Musical Knowledge-Based System Using Active ObjectsStephen Morris. [doi]
• Graphics Interfaces for MIDI-Equipped SynthesizersPrzemyslaw Prusinkiewicz. [doi]
• The Synchronization of Audio Production in Computer MusicBrian L. Schmidt, James M. Roth. [doi]
• Physical Models of Instruments: A Modular Approach, Application to StringsJean-Marie Adrien, Xavier Rodet. [doi]
• The Synthesis of Complex Audio Spectra by Cheating Quite a LotIan Bowler. [doi]
• Exploring LanguageAlcides Lanza. [doi]
• "Les Chants de l'Amour", a Piece for Computer Generated Tape and Mixed ChoirG. Grisey, Jean-Baptiste Barrière, Pierre-François Baisnée. [doi]
• The Rolky: A Poly-Touch Controller for Electronic MusicEric Johnstone. [doi]
• Palette: An Environment for Developing an Individualized Set of Psychophysically Scaled TrimbresWilliam L. Martens. [doi]
• The Use of Interpolating Memories for Music Processing by MicrocomputerAndrew S. Noetzel. [doi]
• Techniques for Note Identification in Polyphonic MusicChris Chafe, David A. Jaffe, Kyle Kashima, Bernard Mont-Reynaud, Julius O. Smith. [doi]
• Data Reduction of Musical SignalsTimothy A. Wilson. [doi]
• High Quality Synthesis-by-Rule of ConsonantsXavier Rodet, Phillippe Depalle. [doi]
• User Software for Realtime Input by a Musical InstrumentXavier Chabot. [doi]
• The CARL Computer Music Workstation - an OverviewF. Richard Moore. [doi]
• The Image and Audio Systems Audio WorkstationBruce Pennycook, Jeffrey Kulick, Dave Dove. [doi]
• A Computer-Based Harmonic Analysis/Additive Synthesis SystemL. Chouinard, Louis N. Bélanger, H. T. Huynh. [doi]
• A System for Interactive Music Composition through Computer GraphicsFrederick L. Malouf. [doi]
• MADDM - Dance-Directed MusicRoss Gillett, Kenneth C. Smith, Bob Pritchard. [doi]
• Qualities and Functions of Musical TimbreStephen McAdams, Kaija Saariaho. [doi]
• KSM: An Essay in Knowledge Representation in MusicRichard D. Ashley. [doi]
• A New Approach to Digital Reverberation Using Waveguide NetworksJulius O. Smith. [doi]
• HMSL (Hierarchical Music Specification Language): A Real-Time Environment for Formal, Perceptual and Compositional ExperimentationDavid Rosenboom, Larry Polansky. [doi]
• Alias-Free Synthesis by Stochastic SamplingErling Henry Wold, Mark A. Z. Dippé. [doi]
• A Machine-Independent Sound Conversion/Storage SystemKurt J. Hebel. [doi]
• Real-Time Computer Accompaniment of Keyboard PerformancesJoshua J. Bloch, Roger B. Dannenberg. [doi]
• Recent Developments at the Center for Contemporary Music, Mills CollegeDavid Rosenboom, Larry Polansky. [doi]
• Some Technical and Aesthetic Considerations in Software for Live Interactive PerformanceJohn Lifton. [doi]
• Applications of Linked Data Structures to Automated CompositionCharles Ames. [doi]
• A Cost Effective Input Processor-Pitch Detector for Electronic ViolinAndrew Voelkel. [doi]
• Untitled: An Interactive InstallationRon Kuivila. [doi]
• Foundations for Artificial Intelligence Research of Western Tonal MusicMira Balaban. [doi]
• Digital Transformations in 'Tides'Denis Smalley. [doi]
• Architecture and Aesthetics: The Construction and the Objectives of Elektronikus MozaïkDavid Keane. [doi]
• Orchestral Instruments: Analysis of Performed TransitionsJohn Strawn. [doi]
• Functional Integration of Complex Instrumental Sounds in Musical WritingClaudy Malherbe, Gérard Assayag, Michèle Castellengo. [doi]
• The Development of a Practical Live-Performance Music LanguageMartin Bartlett. [doi]
• Electronic and Computer Music at The Peabody ConservatoryGeoffrey Wright. [doi]
• New Computer Music Facilities at the University of Illinois at Urbana-ChampaignJames W. Beauchamp, Scot A. Aurenz. [doi]
• Macintosh as a Live Performance ToolScot Gresham-Lancaster. [doi]
• Some Aspects of Sample Rate ConversionDave Rossum. [doi]
• Music Applications for the MSSP SystemJohn W. Gordon. [doi]
• Man-Machine Dialog using MIDI FilesDaniel Arfib. [doi]
• The Electronic Music Studio at University College, CardiffMike Greenhough, Ian Bowler, S. Morris. [doi]
• A New Architecture for a Digital Sound SynthesizerMaurizio Rubbazzer, M. Santoiemma, G. A. Patella. [doi]
• A Sine Generation Algorithm for VLSI ApplicationsJohn W. Gordon, Julius O. Smith. [doi]
• Vivace: A Rule Based Al System for CompositionMarilyn T. Thomas. [doi]
• M.I.N.I. (Musical Instruments Numerical Interface)Giovanni B. Debiasi. [doi]
• Synthetic Rehearsal: Training the Synthetic PerformerBarry Vercoe, Miller Puckette. [doi]
• Sound Kit: A Sound ManipulatorMark Lentczner. [doi]
• The Hands: A Set of Remote MIDI-ControllersMichel Waisvisz. [doi]
• Semiotics and Computer Music CompositionNicola Bernardini. [doi]
• "Maiden Voyages" - A Score Produced with MP1Sever Tipei. [doi]
• The Premise Is That There Be MusicHerbert Brün. [doi]
• Designing an Operating Environment for a Realtime Performance Processing SystemD. Gareth Loy. [doi]
• The Emulator II Computer Music EnvironmentDana Massie. [doi]
• A Unified Approach to the Editing of Time-Ordered EventsShawn L. Decker, Gary S. Kendall. [doi]
• Recent Advances in Musique Concrète at CARLMark Dolson. [doi]
• Sound Synthesis by Hierarchic SamplingGary Schwartz. [doi]
• A Low-Cost Development System for Digital Audio Signal ProcessingStephen F. Hoge, Anthony Agnello. [doi]
• Models of Continuity between Synthesis and Processing for the Elaboration and Control of Timbre StructuresJean-Baptiste Barrière, Yves Potard, Pierre-François Baisnée. [doi]
• On Finding Rhythmic Patterns in Musical LinesBernard Mont-Reynaud, Mark Goldstein. [doi]
• Music Synthesis by Simulation Using a General-Purpose Signal Processing SystemJohn Kitamura, William Buxton, W. Martin Snelgrove, Kenneth C. Smith. [doi]
• Identity and Ambiguity: The Construction and Use of Trimbral Transitions and HybridsJan Vandenheede, Jonathan Harvey. [doi]
• The Prefiguration of a Musical Composition: Model of a Computer Graphics ProgramTheo Goldberg. [doi]