Table of Contents

• A General Synthesis Package Based on Principles of Auditory PerceptionStephen McAdams, David Wessel. [doi]
• A Survey of Recent Compositional and Musical Research at IRCAMTod Machover. [doi]
• Gregory's Scribe: Interactive Graphics for Music Notation before 1600David Crawford. [doi]
• Perceptual Organization in Music ListeningMartin Piszczalski, Bernard A. Galler. [doi]
• The Dynamic Aspects of Trumpet PhrasesDexter Morrill. [doi]
• RTSKED, A Scheduled Performance Language for the Crumar General Development SystemMax V. Mathews, Joseph Pasquale. [doi]
• On Contextually Adaptive TimbresWilliam Buxton, Stephen Hull, Alain Fournier. [doi]
• 15 Months of Musical Production Using a Real-Time Digital Sound Synthesis SystemStanley Haynes. [doi]
• An Intuitive Control Structure for the Generation of Computer-Synthesized Musical SoundPhilip C. Baczewski, Dan W. Scott. [doi]
• A Four-Channel Reverberation NetworkJohn Stautner, Barry Vercoe, Miller Puckette. [doi]
• Real-time Console for Live Performance of Computer Music and for Recording StudiosJohn Snell. [doi]
• Mockingbird: A Composer's AmanuensisJohn Maxwell, Sgvero Ornstein. [doi]
• Low Cost Sound Analysis/Synthesis TechniqueAlexandre Parodi. [doi]
• Microprogramming a Generalized Signal Processor ArchitectureCurtis Abbott. [doi]
• Toward a Definition of Computer MusicOtto E. Laske. [doi]
• GCOMP: Graphic Control of Mixing and ProcessingColin Banger, Bruce Pennycook. [doi]
• Idiomatic InstrumentsNeil B. Rolnick. [doi]
• An Overview Demonstration of the SSSP SystemWilliam Buxton. [doi]
• The Eastman School of Music Computer Music StudioAllan Schindler, Alexander R. Brinkman. [doi]
• Designing an Integrated Environment for the Composer and TeacherBrad Albers. [doi]
• Sound Color and Filters: The Hybrid Studio RevisitedWayne Slawson. [doi]
• Microcomputers and Future Work in Computer-Assisted Music AnalysisJ. Timothy Kolosick. [doi]
• Piano Training System on the Use of a Micro-Computer of the Characteristic Extraction of the Learners' Playing a Fundamental EtudeIkuo Kitagaki, Kunihiro Suetake. [doi]
• The White Side Program: The Application of Microcomputers to Music Composition Both as a Clerical Tool and as a Generative DeviceDan Senn. [doi]
• Current Problems in Score Input MethodsBruce McLean. [doi]
• Progress Report on the 4X Machine and Its UseG. Digiugno, Jean Kott, Andrew Gerzo. [doi]
• Computer Composition of Melodic Deep StructuresJohn F. Abel, Paul S. Barth. [doi]
• A Selection Method for Organization of Proportions and Musical Intervals for Composition and Analytic PurposeWilliam F. Blair. [doi]
• The Casheab Synthesizer: How it WorksCaesar Castro. [doi]
• Innovative Programming Method for Sound Waveform Production: A Plucked String SoundDavid N. Stewart. [doi]
• TutorialsLejaren Hiller, James W. Beauchamp, Charles Dodge. [doi]
• Computer Games for Developing Musical SkillsMartin Lamb. [doi]
• The Quest for 'Musically Interesting' Structures in Computer MusicDavid Keane. [doi]
• Evolution of Interactive Control and Real-time Synthesis in a Digtital Music SystemJeffrey S. Risberg. [doi]
• The Lucasfilm Audio Signal Processing StationJames A. Moorer. [doi]
• Data Structures for a Music-11 PreprocessorAlexander R. Brinkman. [doi]
• Paths to a Point in a Musical LandscapeJoel Chadabe. [doi]
• Data Reduction and Resynthesis of Connected Solo Passages using Frequency, Amplitude, and "Brightness" Detection and the Nonlinear Synthesis TechniqueJames W. Beauchamp. [doi]
• The Fairlight CMI and Its Uses in Advanced Laser GraphicsBarton McLean. [doi]
• A Model Computer Program for the Parametral Analysis of Atonal MusicDenise A. Legassé. [doi]
• Algorithms for Harmonic Pitch Structure GenerationMichael Matthews. [doi]
• A Real-time Music 11 EmulatorMiller Puckette, Barry Vercoe, John Stautner. [doi]
• Protocol: Motivation, Design, and Implementation of a Computer-Assisted Composition for Solo PianoCharles Ames. [doi]
• Solving Specific Compositional Problems with MPISever Tipei. [doi]
• Musical Synthesis: Evolution of the 'Chant' ProjectJean-Baptiste Barrière, Jean Holleville, Yves Potard, Xavier Rodet. [doi]
• Combination Product Sets and Other Harmonic And Melodic StructuresJohn H. Chalmers. [doi]
• A Touch-Sensitive Input DeviceLawrence Sasaki, Guy Fedorkow, William Buxton, C. Retterath, Kenneth C. Smith. [doi]
• Some Remarks on Computer-Assisted CompositionMalgorzata Mikulska. [doi]
• Stochastic Melody Writing Procedures: An Analysis Based ApproachJon Meinecke. [doi]
• Computer Music at Queen's UniversityBruce W. Pennycook. [doi]
• The Simulation of Three-Dimensional Localization Cues for Headphone ListeningGary S. Kendall, C. A. Puddie Rodgers. [doi]
• Using Hierarchical Thinking Strategies in Creative BehaviorPaul E. Dworak. [doi]