Table of Contents

• Sonicmaps: connecting the ritual of the Concert Hall with a Locative audio Urban ExperienceIgnacio Pecino, Ricardo Climent. [doi]
• Noise on the Grid: rhythmic pulse in Experimental and Electronic noise MusicMo Zareei, Ajay Kapur, Dale A. Carnegie. [doi]
• Construction of an Electronic Timbre Dictionary in C++ for Multiple PlatformsNaotoshi Osaka, Hiromichi Tsuda, Yoshitada Yamada. [doi]
• Non-Real-Time transduction and its Use as a Compositional Technique for the Creation of Visual MusicCarlos López Charles. [doi]
• Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic SequencesBongjun Kim, Woon Seung Yeo. [doi]
• The Equidome, a Personal Spatial Reproduction arrayJames L. Barbour. [doi]
• PD spectral ToolkitCooper Baker, Tom Erbe. [doi]
• Audioverdrive: Exploring Bidirectional Communication between Music and gameplayNils Iver Holtar, Mark J. Nelson, Julian Togelius. [doi]
• Cross-synthesis Based on spectrogram FactorizationJuan José Burred. [doi]
• Concert Scope headphonesMasatoshi Hamanaka, Seunghee Lee. [doi]
• The noise of Morphons and BionsKerry L. Hagan. [doi]
• Embodied listening, affordances and Performing with ComputersAdam Parkinson. [doi]
• Multi Sensor tracking for Live sound TransformationAnton L. Fuhrmann, Johannes Kretz. [doi]
• Gradual control of harmonicity in the Context of frequency modulationRafael Valle. [doi]
• LC: a strongly-Timed Prototype-Based Programming Language for Computer MusicHiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu. [doi]
• Formal Semantics for Music Notation control FlowZeyu Jin, Roger B. Dannenberg. [doi]
• Electronic Circuit Building in Peru: a Subaltern Case on Participation and TechnologyJosé Ignacio Lopez Ramirez Gaston. [doi]
• Integrated Multimodal Score-following EnvironmentMartin Ritter, Keith Hamel, Bob Pritchard. [doi]
• Formal Semantics for Music Notation control FlowZeyu Jin, Roger B. Dannenberg. [doi]
• Beyond PythagorasPaulina Sundin, Monty Adkins, Adrian Gierakowski. [doi]
• Formal Timing Analysis of mixed Music ScoresLéa Fanchon, Florent Jacquemard. [doi]
• Timelab: Yet, Yet Another Real-Time audio Programming SystemDavid Medine. [doi]
• Integrating Mobile Music with Percussion Performance PracticeCharles Martin. [doi]
• Exploring movement and Music in a Grid Music SystemRoland Adeney. [doi]
• Noise and RepresentationAdam Collis. [doi]
• SPEECH: creating a virtual audio-visual artworkRoger Alsop. [doi]
• Discrimination of Sustained Musical Instrument tones resynthesized with piecewise-linear Approximation of harmonic amplitude envelopesChung Lee, Andrew Horner, James W. Beauchamp, Lydia Ayers. [doi]
• A Type-Based Approach to Generative parameter MappingJosue Moreno, Vesa Norilo. [doi]
• Introducing Tacem and the Tiaals SoftwareMichael Clarke, Frédéric Dufeu, Peter Manning. [doi]
• Geometries of Flight - remix as nodal PracticeMonty Adkins, Julio D'Escrivan. [doi]
• Reinforcement Learning of Musical scales from Human EmotionsTsubasa Tanaka, Kiyoshi Furukawa. [doi]
• Teaching Computer Science to Digital artists through Music and soundAjay Kapur, Perry R. Cook, Michael Bryant. [doi]
• Locative Sonification: Playing the World through CitygramTae Hong Park, Johnathan Turner, Christopher Jacoby, Alex Marse, Michael Musick, Ajay Kapur, Jingyin He. [doi]
• Animated Music Notation on the iPadAaron Wyatt, Cat Hope. [doi]
• Studio Report: Creama - Center for Research in electro-acoustic Music and audio at Hanyang UniversityJongwoo Yim, Richard Dudas. [doi]
• Extended non-linear Applications and the Visual Aesthetics of Real-Time ScoresDavid Kim-Boyle. [doi]
• Sonicbard - Storytelling with Real-Time sound control, synthesis and Processing using Emerging Browser-Based TechnologiesLonce Wyse, Pallav Shinghal. [doi]
• A Bridge from Nowhere (8'44'') [doi]
• An Investigation into the perception of Spatial Techniques used in Multi-channel Electroacoustic MusicHugh Lynch, Robert Sazdov. [doi]
• Sound Labyrinth: Exploration of the Embodied Sublime through an Immersive audio/Visual InstallationMark Pedersen. [doi]
• From Emulation to instigation: Revising the Notion of Etude as Compositional Form in Live Computer MusicJuan Parra Cancino. [doi]
• A Music Timbre Self-Training Tool on Mobile Device using Volume Normalized Simplified spectral InformationSimon Lui. [doi]
• Tracking rests and Tempo changes: Improved Score following with Particle filtersFilip Korzeniowski, Florian Krebs, Andreas Arzt, Gerhard Widmer. [doi]
• Musical Applications of Nested Comb filters for Inharmonic resonator effectsJae Hyun Ahn, Richard Dudas. [doi]
• Mozzi: Interactive sound synthesis on the Open Source Arduino MicroprocessorTim Barrass. [doi]
• Probabilistic Prediction of rhythmic characteristics in Markov Chain-Based Melodic SequencesBongjun Kim, Woon Seung Yeo. [doi]
• Glass tube Gamelan Design for Preparation on Installation Art ApplicationsTsung-Ching Liu, Cheng-Han Yang, Bing-Shr Yan. [doi]
• Composing with Sieves: Structure and Indeterminacy in-TimeSever Tipei. [doi]
• Chaoticcounterpoint: an Algorithmically Assisted ImprovisationSimon Fay, David Eagle. [doi]
• Max Neuhaus: Pioneer of Invisible and (Almost) Inaudible sound InstallationsWalter Cianciusi. [doi]
• Audiovisual Integration with Calvr and LibcolliderEric Hamdan, Joachim Gossmann. [doi]
• From Musical Score to Graphic Plan: the Development of Sum as a Design ToolMika Kuuskankare, Sara Adhitya. [doi]
• Generative Grammars for Interactive Composition Based on Schaeffer's TARTYPIsrael Neuman. [doi]
• NYU Music Technology Studio ReportJonathan P. Forsyth, Braxton Boren, Rebecca Feynberg, Tae Hong Park. [doi]
• Spin/Drift: a Real-Time spatialized Granular synthesis Algorithm with Particle System Physics & BehavioursMichael Norris, Jason Post. [doi]
• Developing a chromatic Interface for Real-Time Digital Harmonisation of Saxophone PerformanceJames Savage. [doi]
• Synesthesia: Composing from Images with noise shaping synthesisAntonio D'Amato. [doi]
• Designing gestural Interfaces for Live sound diffusionBridget Johnson, Jim W. Murphy, Ajay Kapur. [doi]
• Towards Useful Aesthetic Evaluations of Live codingRenick Bell. [doi]
• Enhanced phenotypeAndreas Weixler, Se-Lien Chuang. [doi]
• The Fuzziness of 'expression' in Relation to Algorithmic MusicWendy Suiter. [doi]
• Towards a Dynamic, Inclusive and Equalitarian Augmented Activity SpaceRafael Valle. [doi]
• A Piano Learning Support System considering MotivationYuto Fukuya, Yoshinari Takegawa, Hidekatsu Yanagi. [doi]
• "contacts Turbulents" by David Wessel: an analytic Approach from a Musicological Point of ViewMiriam Akkermann. [doi]
• Swivel: Analysis and Systems Overview of a New robotic GuitarJim W. Murphy, Ajay Kapur, Dale A. Carnegie. [doi]
• Biosphere soundscapes: the rainforests of Brazil to the coastlines of AustraliaLeah Barclay. [doi]
• 2D and 3D Timbral spatialisation: Spatial motion, Immersiveness, and Notions of SpaceStuart James, Cat Hope. [doi]
• Capacitance sensing gestural Music controllerJustin Walbeck, Richard Snow. [doi]
• DIPS5 FOR MAX: Digital Image Processing with Sound, version 5Takayuki Rai, Shu Matsuda, Yota Morimoto, Keitaro Takahashi, Takyuto Fukuda. [doi]
• Alternatives in Network transport Protocols for audio Streaming ApplicationsFlávio Luiz Schiavoni, Marcelo Queiroz, Marcelo M. Wanderley. [doi]
• Advanced sound hybridizations by means of the Theory of sound-TypesCarmine-Emanuele Cella, Juan José Burred. [doi]
• A Temporal Generative Graph Grammar for harmonic and Metrical StructureDonya Quick, Paul Hudak. [doi]
• Cymatic synthesis of a Series of BellsStephen Barrass, Tim Barrass. [doi]
• Luc Ferrari, Tautologos 1: the Crucial RepetitionAlba Francesca Battista, Damiano Meacci. [doi]
• Interactive Physical Design and Haptic Playing of Virtual Musical InstrumentsJames Leonard, Nicolas Castagné, Claude Cadoz, Jean-Loup Florens. [doi]
• A Java-Based Remote Live coding System for Controlling Multiple Raspberry PI UnitsOliver Bown, Miriama Young, Samuel Johnson. [doi]
• Exploring the Design Space of hand-Controlled Guitar effects for Live MusicOliver Hödl, Geraldine Fitzpatrick. [doi]
• Integration of Machine Learning Algorithms in the Computer-acoustic Composition Goldstream variationsW. Scott Deal, Javier Sánchez. [doi]
• Light Sensor PianoPing-Jui Huang, Yu-Chung Tseng. [doi]
• Fzero~: Fundamental estimation for Max 6Michael Zbyszynski, David Zicarelli, Regina Collecchia. [doi]
• Amplifying Compositional Intelligence: Creating with a Psychologically-Inspired Generative Music SystemToby Gifford, Andrew R. Brown, Robert Davidson. [doi]
• Unit-Generators Considered Harmful (for Microsound synthesis): a Novel Programming Model for Microsound synthesis in LcsynthHiroki Nishino, Naotoshi Osaka, Ryohei Nakatsu. [doi]