Abstract is missing.
- A Brief Survey of Mapping in Algorithmic CompositionPaul Doornbusch. [doi]
- Application of Mathematical Models to the Generation of Organic Musical Structure and Discourse in Composition: Research SummaryRajmil Fischman. [doi]
- On SOM based time-series analysis and motivation of generic methods of musical pattern recognitionKalev Tiits. [doi]
- Sinusoidal Synthesis OptimizationGeorgios Marentakis, Kristoffer Jensen. [doi]
- Automatic Real-Time Extraction of Musical ExpressionAnders Friberg, Erwin Schoonderwaldt, Patrik Juslin, Roberto Bresin. [doi]
- Analysis and synthesis of unusual friction-driven musical instrumentsStefania Serafin, Patty Huang, Sølvi Ystad, Chris Chafe, Julius O. Smith III. [doi]
- Physical Model Synthesis and Performance Mappings of Bowl ResonatorsCarr Wilkerson, Stefania Serafin, Carmen Ng. [doi]
- GAIA: Graphical Audio Interface ApplicationDavid Topper. [doi]
- The Physical Model as Metaphor for Musical Creation: "pico..TERA", a piece generated by physical modelClaude Cadoz. [doi]
- The CUIDADO Project: New Applications based on Audio and Music Content DescriptionHugues Vinet, Perfecto Herrera, François Pachet. [doi]
- Listening to "Naima": An Automated Structural Analysis of Music from Recorded AudioRoger B. Dannenberg. [doi]
- Voices of Artificial Life: On Making Music with Computer Models of NatureEduardo Reck Miranda. [doi]
- An experimental SDIF-sampler in Max/MSPVincent Rioux, Manuel Poletti. [doi]
- Hegel, Heidegger and Borgmann's Substantive Implications for Music and TechnologyMomilani Ramstrum. [doi]
- GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical ModelingNicolas Castagné, Claude Cadoz. [doi]
- MfOM: a Library for Building and Controlling Physical Model Instruments in Open MusicRichard Polfreman. [doi]
- An Interpreted Language for Real Time Signal ProcessingGünter Geiger. [doi]
- RTMix: a Real-Time Interactive Electroacoustic Music Performance, Composition and Coaching InterfaceIvica Ico Bukvic. [doi]
- Learning to Play and Perform on Synthetic InstrumentsJohn ffitch, Julian Padget. [doi]
- Musical Analysis by Computer Following Cognitive Model of Induction AnalogiesOlivier Lartillot. [doi]
- Detection of Sinusoidal Components in Sounds Using Statistical Analysis of Intensity FluctuationsPierre Hanna, Myriam Desainte-Catherine. [doi]
- Spectral Envelope Correction for Real-Time Transposition: Proposal of a "Floating-Formant" MethodRichard Dudas. [doi]
- Collaboration Software for Music Analysis: A Case StudyErica Schattle, Mary Simoni. [doi]
- Center for New Music and Audio Technologies (CNMAT): Studio ReportRichard Andrews. [doi]
- Ecrins: an audio-content description environment for sound samplesYann Geslin, Pascal Mullon, Max Jacob. [doi]
- RENCON: toward a new evaluation system for performance rendering systemsRumi Hiraga, Mitsuyo Hashida, Keiji Hirata, Haruhiro Katayose, Kenzi Noike. [doi]
- Improved Score Following for Acoustic PerformancesBryan Pardo, William P. Birmingham. [doi]
- From the Physics of Piano Strings to Digital WaveguidesJulien Bensa, Stefan Bilbao, Richard Kronland-Martinet, Julius O. Smith III. [doi]
- New Mappings for the MATRIX InterfaceDan Overholt. [doi]
- The Aesthetics, History and Future Challenges of Interconnected Music NetworksGil Weinberg. [doi]
- OPENDRAMA: Networking Opera: a report of a project in progressFlavio Tariffi, Stefano Cuomo, Carola Boehm, Nick Bailey, Phil Kerr, Barry Short. [doi]
- Using Haptics for Digital Audio NavigationLonny L. Chu. [doi]
- Tiling problems in music composition: Theory and ImplementationMoreno Andreatta, Carlos Agón, Emmanuel Amiot. [doi]
- Prokaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic AlgorithmsChristopher Ariza. [doi]
- Description of an interactive, sound making, online computer music tutorial web book. Available for any browser on a Windows or Apple platformPhil Burk, Larry Polansky, Douglas Repetto, Daniel Rockmore, Mary Lee Roberts. [doi]
- Melodic segmentation: evaluating the performance of algorithms and musical expertsBelinda Thom, Christian Spevak, Karin Höthker. [doi]
- Combfilters and coloration in musicTor Halmrast. [doi]
- Fractal Additive Synthesis: A Pitch-Synchronous Extension of the Method for the Analysis and Synthesis of Natural Voiced-SoundsPietro Polotti. [doi]
- A wizard's aid: efficient music constraint programming with OzTorsten Anders. [doi]
- Inferring Descriptions and Similarity for Music from Community MetadataBrian Whitman, Steve Lawrence. [doi]
- Synthesis of the laryngeal source of throat singing using a 2x2-mass modelKin-Ichi Sakakibara, Hiroshi Imagawa, Seiji Niimi, Naotoshi Osaka. [doi]
- A Wireless, Network-based Biosensor Interface for MusicGilles Dubost, Atau Tanaka. [doi]
- OLW: An Extension to MSP for the Implementation of Overlap-Windowing TechniquesFrançois Thibault, Philippe Depalle. [doi]
- The Performance Worm: Real Time Visualisation of Expression based on Langner's Tempo-Loudness AnimationSimon Dixon, Werner Goebl, Gerhard Widmer. [doi]
- Sound Morphing using Loris and the Reassigned Bandwidth-Enhanced Additive Sound Model: Practice and ApplicationsKelly Fitz, Lippold Haken, Susanne Lefvert, Mike O'Donnell. [doi]
- A Qualitative Analysis of Composers at WorkRalf Nuhn, Barry Eaglestone, Nigel Ford, Adrian Moore, Guy J. Brown. [doi]
- Time-Domain Synthesis of Conical Bore Instrument SoundsGary P. Scavone. [doi]
- Harmonic Analysis Using Neural NetworksVincent Tsui, W. James MacLean. [doi]
- Sparkler: An Audio-Driven Interactive Live Computer Performance for Symphony OrchestraTristran Jehan, Tod Machover, Mike Fabio. [doi]
- Global String: A Musical Instrument for Hybrid SpaceAtau Tanaka, Bert Bongers. [doi]
- Use of physical-model synthesis for developing experimental techniques in ethnomusicology - The case of the Ouldémé flutePatricio de la Cuadra, Christophe Vergez, René Caussé. [doi]
- The Hyperbow: A Precision Violin InterfaceDiana Young. [doi]
- Compositional Imperatives for Implementing an Audio Alignment Program in MAX/MSPÖzgür Izmirli, Robert Seward, Noel Zahler. [doi]
- Physically-based realtime synthesis of contact soundsFederico Avanzini, Matthias Rath, Davide Rocchesso. [doi]
- Subjective Preference Oriented Global Sound DatabasePitoyo Hartono, Kenji Suzuki, Hai Qi, Shuji Hashimoto. [doi]
- Parameter Estimation of a Plucked String Synthesis Model with Genetic AlgorithmJanne Riionheimo, Vesa Vôlimôki. [doi]
- PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGLMikael Laurson, Mika Kuuskankare. [doi]
- The Continuator: Musical Interaction with StyleFrançois Pachet. [doi]
- University of Helsinki Music Research Laboratory and Electronic Music Studio - A Studio ReportKai Lassfolk. [doi]
- Beyond the Query-By-Example Paradigm: New Query Interfaces for Music Information RetrievalGeorge Tzanetakis, Andreye Ermolinskyi, Perry R. Cook. [doi]
- Estimation of frequency dependent damping and implementation for physical modeling sound synthesis of violinJan-Markus Holm. [doi]
- The BBCut LibraryNick Collins. [doi]
- Studio Report - Kungliga Musikhögskolan in StockholmWilliam Brunson, Örjan Sandred, Fredrik Hedelin. [doi]
- A Language for Interactive Audio ApplicationsRoger B. Dannenberg. [doi]
- Quantifying the Differences between Music Performers: Score vs. NormEfstathios Stamatatos. [doi]
- New Method for the Directional Representation of Musical Instruments in AuralizationsFelipe Otondo, Jens Holger Rindel. [doi]
- RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/OutputGary P. Scavone. [doi]
- The Planet CCRMA software collectionFernando Lopez-Lezcano. [doi]
- Measurement of guitar string couplingAxel Nackaerts, Bart De Moor, Rudy Lauwereins. [doi]
- A Distributed Real-time System for Interactive Music Mapping with Multiple InputsKia Ng, Jon Scott. [doi]
- Automatically selecting signal descriptors for SoundClassificationGeoffroy Peeters, Xavier Rodet. [doi]
- The Interaction of Sound Identities in Electroacoustic MusicJohn Young. [doi]
- Processes and tools used in the sound design for computer gamesViviane Gal, Cécile Le Prado, J. B. Merland, Stéphane Natkin, Liliana Vega. [doi]
- Time-varying estimation of parameters in rule systems for music performancePatrick Zanon, Giovanni De Poli, Alessandro Dorigatti. [doi]
- Towards a Closed System Automated Composition Engine: Linking 'Kansei' and Musical Language RecombinicityIan Whalley. [doi]
- Estimating partial frequency and frequency slope using reassignment operatorsAxel Röbel. [doi]
- Tracing Compositional Process: Software synthesis code as documentary evidenceChristopher Burns. [doi]
- MusicTalk: A Tool Driven Approach to Computer Aided CompositionAndreas Mahling. [doi]
- Design and Implementation of Stetho: Network Sonificiation SystemMasahiko Kimoto, Hiroyuki Ohno. [doi]
- Spectral Modification and MIDI Control for Improved Quality of Violin Sound SynthesisParham Zolfaghari, Hideki Banno, Hiromitsu Ban, Kei Igarashi, Kazuya Takeda, Fumitada Itakura. [doi]
- A Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes in Recorded PerformancesW. James MacLean. [doi]
- The Vodhran - Design and Development of a Virtual InstrumentMark T. Marshall, Breege Moynihan, Matthias Rath. [doi]
- The Sound Synthesis System "Otkinshi": Its Data Structure and Graphical User InterfaceNaotoshi Osaka, Ken-Ichi Sakakibara, Takafumi Hikichi. [doi]
- Notation and 3D Animation of Dance MovementRoyce J. Neagle, Kia Ng, Roy A. Ruddle. [doi]
- Between Technology and Creativity, Challenges and Opportunity for Music Technology in Higher EducationCarola Boehm. [doi]
- Banded Waveguides on Circular Topologies and of Beating Modes: Tibetan Singing Bowls and Glass HarmonicasGeorg Essel, Perry R. Cook. [doi]
- A Probabilistic Model of Melodic SimilarityNing Hu, Roger B. Dannenberg, Ann L. Lewis. [doi]
- Machine Listening for Autonomous Musical Performance SystemsKenji Suzuki, Yoichiro Taki, Hisaki Konogaya, Pitoyo Hartono, Shuji Hashimoto. [doi]
- Comparison of different audio restoration methods based on frequency and time domains with applications on electronic music repertoireSergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro Scarpa. [doi]
- Using Pd as a score languageMiller Puckette. [doi]
- Proving Musical Properties using a temporal Concurrent Constraint CalculusCamilo Rueda, Frank Valencia. [doi]
- Cymatic. Restoring the Physical Manifestation of Digital Sound Using Haptic Interfaces to Control a New Computer Based Musical InstrumentStuart Rimell, David M. Howard, Andy M. Tyrrell, Ross Kirk, Andy Hunt. [doi]
- Differential PCM Representation of Acoustic Instruments and Wavetable SynthesisSteven Trautmann. [doi]
- Tonehole Radiation Directivity: A Comparison of Theory to MeasurementsGary P. Scavone, Matti Karjalainen. [doi]
- Water Music: Sonificiation of Ocean Buoy Spectral DataBob L. Sturm. [doi]
- A Physical Model of the Sho and Its Application to Articulation SynthesisTakafumi Hikichi, Naotoshi Osaka, Fumitada Itakura. [doi]
- Real-Time Implementation of a General Model for Spatial Processing of SoundsShahrokh Yadegari, F. Richard Moore, Harry Castle, Anthony Burr, Ted Apel. [doi]
- DIPS for Linux and Mac OS XShu Matsuda, Chikashi Miyama, Daichi Ando, Takayuki Rai. [doi]
- An Improved Algorithm for Spacing a Line of MusicKai Renz. [doi]
- CCRMA Studio ReportJuan Reyes, Fernando Lopez-Lezcano. [doi]
- The Virginia Center for Computer MusicJudith Shatin, Matthew Burtner, David Topper. [doi]
- Urban Corridor: Accumulation and Interaction as Form-Bearing ProcessDamián Keller, Ariadna Capasso, Scott R. Wilson. [doi]
- Augmented Reality for MusicRodney Berry, Makoto Tadenuma. [doi]
- Perception-based control of vibrato parameters in string instrument synthesisHanna Jôrvelôinen. [doi]
- KEYed user interface: Tools for expressive music productionFarhan Mohamed, Sidney Fels. [doi]
- Real-time analysis of expressive cues in human movementAntonio Camurri, Riccardo Trocca, Gualtiero Volpe. [doi]
- The vBow: A Four Degrees of Freedom Haptic Musical Controller Human-Computer InterfaceCharles Nichols. [doi]
- Integrating Tempo Tracking and Quantization using Particle FilteringAli Taylan Cemgil, Bert Kappen. [doi]
- Large Group Musical Interaction using Disposable Wireless Motion SensorsMark Feldmeier, Joseph A. Paradiso, Mateusz Malinowski. [doi]
- The Musical Session System with the Visual InterfaceYuichi Yoshida, Yasunori Yamagishi, Kazuki Kanamori, Naoki Saiwaki, Shogo Nishida. [doi]
- The implications of commercial 5.1 and 7.1 surround formats for computer music sound design: an environmental approach to aesthetics and practical techniquesAmbrose Field. [doi]
- Gamera: Optical music recognition in a new shellKarl MacMillan, Michael Droettboom, Ichiro Fujinaga. [doi]
- StochGran on OSXMara Helmuth. [doi]
- Characterizing Musical Signals with Wigner-Ville InterfacesWilliam J. DeMeo. [doi]
- Real Time Analysis of Expressive Contents in Piano PerformancesSergio Canazza, Giovanni De Poli, Antonio Rodà, Giulio Soleni, Patrick Zanon. [doi]
- "PuSH-Overture" - Extending the Playability of the Traditional Musical InstrumentMikael Fernström, Lisa McElligott, Michelle Dillon, Colm McGettrick. [doi]
- The Metasaxophone: Design of a New Computer Music ControllerMatthew Burtner. [doi]