Abstract is missing.
- Music and Gesture: Sensor Technologies in Interactive Music and the Theremin based Space Control SystemsAndrei Smirnov. [doi]
- Musical Applications of New, Multi-axis Guitar String SensorsAdrian Freed, Osman Isvan. [doi]
- Adaptive oscillator networks for partial tracking and piano music transcriptionMatija Marolt. [doi]
- Coney Island: Combining jMax, Spat and VSS for Acoustic Integration of Spatial and Temporal Models in a Virtual Reality InstallationRobin Bargar, François Déchelle, Insook Choi, Alex Betts, Camille Goudeseune, Norbert Schnell, Olivier Warusfel. [doi]
- Bridging the Gulf Between Music and Listener: Effect of Style Label and Descriptive Notes on Listeners' Ratings of Understanding, Liking, and Artistic Merit of Computer MusicRobert J. Frank, Willi Steinke. [doi]
- iEAR Studios: Integrated Electronic Arts at Rensselaer Polytechnic InstituteCurtis Bahn. [doi]
- An Evaluation Study on Music Perception for Music Content-based Information RetrievalMassimo Melucci, Nicola Orio, Marco Gambalunga. [doi]
- On the Choice of Transducer Technologies for Specific Musical FunctionsMarcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart, Xavier Rodet. [doi]
- CARTAH/SMCC Studio ReportRichard Karpen, Juan Pampin, Bret Battey, Chad Kirby. [doi]
- In-phase corrections for AmbisonicsGordon Monro. [doi]
- Varèse-Le Corbusier. Scenes from a rebellious thought. Reconstruction of the Poème ElectroniqueLaura Bianchini, Valerio Casali, Michelangelo Lupone. [doi]
- Scanned SynthesisBill Verplank, Max V. Mathews, Robert Shaw. [doi]
- A New Music Keyboard with Continuous Key-position Sensing and High-speed CommunicationAdrian Freed, Rimas Avizienis. [doi]
- Center for New Music and Audio Technologies (CNMAT) Studio ReportRichard Andrews. [doi]
- The Short-Time Laguerre Transform: A New Method for Real-Time Frequency Warping of SoundsGianpaolo Evangelista. [doi]
- Temporal type constructors for computer music programmingEli Brandt. [doi]
- Music as HandWerk, the middle way between Vorhandenheit and ZuhandenheitDominique M. Richard. [doi]
- Interactive Composition: Sharing the Creative Process on the InternetSita Popat, Kia Ng, Kris Popat, Jacqueline Smith-Autard. [doi]
- CREATE Studio Report 2000JoAnn Kuchera-Morin, Curtis Roads, Alberto de Campo, Anne Deane, Stephen Travis Pope. [doi]
- Mapping a Virtual Sound Space into a Real Visual SpaceStéphane Natkin. [doi]
- Snd3D; a 3D sound system for VR and interactive applicationsPeter Lundén. [doi]
- Real-Time Morphing Among Different Expressive Intentions in Audio PlaybackSergio Canazza, Giovanni De Poli, Carlo Drioli, Antonio Rodà, Federico Zamperini. [doi]
- Next Generation Performance Rendering - Exploiting ControllabilityKeiji Hirata, Rumi Hiraga. [doi]
- Auditory-Visual Associations for Music Compositional Processes: A SurveyKostas Giannakis, Matt Smith. [doi]
- Temporal Elements: A Cognitive System of Analysis for Electro-Acoustic MusicRobert J. Frank. [doi]
- WOW'EM: Encouraging an Integrated GenerationKristine H. Burns. [doi]
- The Gassmann Electronic Music Studio University of California at IrvineChristopher Dobrian. [doi]
- Towards a General Methodological Classification of Computer-Assisted Music AnalysisNico Schüler. [doi]
- DISCO: An Object-Oriented System for Music Composition and Sound DesignHans G. Kaper, Sever Tipei, Jeff M. Wright. [doi]
- Musical Activities at the Audiovisual Institute of the Pompeu Fabra UniversityXavier Serra. [doi]
- A Mobile Robot Platform for Music and Dance PerformanceKenji Suzuki, Keishiro Tabe, Shuji Hashimoto. [doi]
- A Mathematical/Psychometric Framework for Comparing the Perceptual Response to Different Analysis-synthesis Techniques: Ground Rules For A Synthesis Bake-offGregory H. Wakefield. [doi]
- Extensions and Applications of the SDIF Sound Description Interchange FormatDiemo Schwarz, Matthew Wright. [doi]
- Perceptual and Analytical Analysis of the effect of the Hammer Impact on the Piano TonesJulien Bensa, Kristoffer Jensen, Richard Kronland-Martinet, Sølvi Ystad. [doi]
- Next Steps from NeXTSTEP: MusicKit and SoundKit in a New WorldStephen Brandon, Leigh M. Smith. [doi]
- The Performer-Instrument Interaction: A Sensory Motor PerspectiveM. Sile O'Modhrain, Chris Chafe. [doi]
- Embedding a sensory data retrieval system in a movement-sensitive space and a surround sound systemInsook Choi, Geoffrey Zheng, Ken Chen. [doi]
- Developments in Audio File FormatsRichard W. Dobson. [doi]
- Synthesis of expressive movementAntonio Camurri, Paolo Coletta, Matteo Ricchetti, Gualtiero Volpe. [doi]
- Online Correction of Dispersion Error in 2D Waveguide MeshesFederico Fontana, Davide Rocchesso. [doi]
- A WWW-based Melody-Retrieval System: An Indexing Method for a Large Melody DatabaseTomonari Sonoda, Yoichi Muraoka. [doi]
- Automatic technique in frequency domain for near-lossless time-scale modification of audioJordi Bonada. [doi]
- Instrument Sound Description in the Context of MPEG-7Geoffroy Peeters, Stephen McAdams, Perfecto Herrera. [doi]
- Participation and Response in Movement-Sensing InstallationsTodd Winkler. [doi]
- Scanned Synthesis: An Introduction and Demonstration of a New Synthesis and Signal Processing TechniqueRichard Boulanger, Paris Smaragdis, John ffitch. [doi]
- Synthesizing a choir in real-time using Pitch Synchronous Overlap Add (PSOLA)Norbert Schnell, Geoffroy Peeters, Serge Lemouton, Phillippe Manoury, Xavier Rodet. [doi]
- Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs)Dan Trueman, Curtis Bahn, Perry R. Cook. [doi]
- An Open Architecture for Real-time Music SoftwareAmar Chaudhary, Adrian Freed, Matthew Wright. [doi]
- Trans-Domain Mapping: A Real-time Interactive System for Motion Acquisition and Musical MappingKia Ng, Sita Popat, Bee Ong, Ewan Stefani, Kris Popat, David Cooper. [doi]
- An XML-based SDIF Stream Relationships LanguageMatthew Wright, Amar Chaudhary, Adrian Freed, Sami Khoury, Ali Momeni, Diemo Schwarz, David Wessel. [doi]
- Musical Analysis of a Computer Music Project, by Computer-Assistance, for Computer Music ApplicationsJianli Liu, Rumi Hiraga, Shigeru Igarashi. [doi]
- Design and Analysis of Virtual Musical Environments (VME)Jae-In Hwang, Gerard Jounghyun Kim. [doi]
- Improving the Extended Kalman Filter Method for the Restoration of Electro-Acoustic MusicAndrea Bari, Sergio Canazza, Giovanni De Poli, Gian Antonio Mian. [doi]
- Two New Courses in Computer Music Performance @ Berklee: Alternate Controllers and the Techno/Rave EnsembleRichard Boulanger. [doi]
- A Distributed Interactive Music Application using Harmonic ConstraintDonald P. Pazel, Steven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, James L. Wright. [doi]
- Body Representations in the Electroacoustic MusicDenise Garcia. [doi]
- A New, Flexible Framework for Audio and Image SynthesisJames McCartney. [doi]
- The effect of inharmonicity on pitch in string instrument soundsHanna Järveläinen, Tony S. Verma, Vesa Välimäki. [doi]
- Sound Exchange and Performance on Internet2Mara Helmuth. [doi]
- Rhythms as emerging structuresFrançois Pachet. [doi]
- Real-time composition in ElodyStéphane Letz, Dominique Fober, Yann Orlarey. [doi]
- Lars-Gunnar Bodin's "Anima": Intervallic Symmetry as Metaphor for A Cybernetic AgeHoward Jonathan Frederics. [doi]
- Singing Voice Impersonator Application for PCMaarten de Boer, Jordi Bonada, Pedro Cano, Alex Loscos, Xavier Serra. [doi]
- High Level Musical Control of Sound Synthesis in OpenMusicCarlos Agón, Marco Stroppa, Gérard Assayag. [doi]
- Forests and Trees: distinguishing many from few with a video cameraRonald Kuivila. [doi]
- Forêt profonde by Francis Dhomont - Representation of the UnconsciousAnna Rubin. [doi]
- A compositional methodology based on data extracted from natural phenomenaNatasha Barrett. [doi]
- Qualitative and Quantitive Assessment of a Virtual Bowed String InstrumentM. Sile O'Modhrain, Stefania Serafin, Chris Chafe, Julius O. Smith III. [doi]
- PAWN & SPAWN: Portable and Semi-Portable Audio WorkstationDavid Topper. [doi]
- Arno: Constraints Programming in Common MusicTorsten Anders. [doi]
- On the Use of Weighted Sample Methods in Digitizing the Clarinet EquationsFederico Avanzini. [doi]
- Integrating Bayesian Networks with Logic Programs for MusicRoberto Morales, Eduardo F. Morales, Luis Enrique Sucar. [doi]
- An Expressive Synthesis Model for Bowed String InstrumentsTapio Takala, Jarmo Hiipakka, Mikael Laurson, Vesa Välimäki. [doi]
- The Bregman Electronic Music Studio at Dartmouth CollegeEric D. Lyon. [doi]
- Rule-Based Emotional Coloring of Music PerformanceRoberto Bresin, Anders Friberg. [doi]
- Glottal source modeling for singing voice synthesisHui-Ling Lu, Julius O. Smith III. [doi]
- The vBow: A Haptic Musical Controller Human-Computer InterfaceCharles Nichols. [doi]
- Transient Preservation Under Transformation in an Additive Sound ModelKelly Fitz, Lippold Haken, Paul Christensen. [doi]
- FFTease: a collection of spectral signal processors for Max/MSPChristopher Penrose, Eric D. Lyon. [doi]
- Signal Analysis of the Singing Voice: Low-Order Representations of Singer IdentityMaureen Mellody, Gregory H. Wakefield. [doi]
- Separation of Mixed Audio Sources By Independent Subspace AnalysisMichael A. Casey, Alex Westner. [doi]
- Real-time Initiative Exchange Algorithm for Interactive Music SystemYoichiro Taki, Kenji Suzuki, Shuji Hashimoto. [doi]
- Designing a virtual theatrical listening spaceLaura Bianchini. [doi]
- Nonlinear Interaction in the Digital Waveguide With the Application to Piano Sound SynthesisBalázs Bank. [doi]
- Voice Morphing System for Impersonating in Karaoke ApplicationsPedro Cano, Alex Loscos, Jordi Bonada, Maarten de Boer, Xavier Serra. [doi]
- Scalable Connectivity Processor for Computer Music Performance SystemsRimas Avizienis, Adrian Freed, Takahiko Suzuki, David Wessel. [doi]
- The Music, Technology and Innovation Research Group (MTIRG) at De Montfort University - Studio ReportAndrew Hugill, Leigh Landy. [doi]
- Victoria University of Wellington Electroacoustic Music StudiosJohn Young. [doi]
- On tempo tracking: Tempogram Representation and Kalman filteringAli Taylan Cemgil, Bert Kappen, Peter Desain, Henkjan Honing. [doi]
- Model-Based Synthesis of the ClavichordVesa Välimäki, Mikael Laurson, Cumhur Erkut, Tero Tolonen. [doi]
- Using the Sound Description Interchange Format within the SMS ApplicationsMaarten de Boer, Jordi Bonada, Xavier Serra. [doi]
- Tangible Sound: Musical Instrument Using Fluid MediaTomoko Yonezawa, Kenji Mase. [doi]
- Harmonizing in Real-Time with Neural NetworksKarin Höthker, Dominik Hörnel. [doi]
- Dynamic Audio MixingFrançois Pachet, Olivier Delerue, Peter Hanappe. [doi]
- New Sensor and Music Systems for Large Interactive SurfacesJoseph A. Paradiso, Kai-yuh Hsiao, Joshua Strickon, Peter Rice. [doi]
- Large-scale Induction of Expressive Performance Rules: First Quantitative ResultsGerhard Widmer. [doi]
- A real-time platform for interactive dance and music systemsAntonio Camurri, Paolo Coletto, Massimiliano F. Peri, Matteo Ricchetti, Andrea Ricci, Riccardo Trocca, Gualtiero Volpe. [doi]
- Current Work at YalMusT, Yale University's Music and Technology CenterKathryn Alexander, Matthew Suttor. [doi]
- Air Flow Related Improvements for Basic Physical Models of Brass InstrumentsChristophe Vergez, Xavier Rodet. [doi]
- SLINC 1.0: A GUI for controlling synthesis and linking instruments in RTcmixDavid Topper. [doi]
- Influence of Attack Parameters on the Playability of a Virtual Bowed String InstrumentStefania Serafin, Julius O. Smith III. [doi]
- Extraction of Musical Performance Rules Using a Modified Algorithm of Multiple Regression AnalysisOsamu Ishikawa, Yushi Aono, Haruhiro Katayose, Seiji Inokuchi. [doi]
- curvePainter: A New Compositional ToolColby Leider. [doi]
- Emotion, Theme And Structure: Enhancing Computer Music Through System Dynamics ModellingIan Whalley. [doi]
- The Wave Digital Tonehole ModelMaarten van Walstijn, Gary P. Scavone. [doi]
- squeezeVox: A New Controller for Vocal Synthesis ModelsPerry R. Cook, Colby N. Lieder. [doi]
- DIPS: the real-time digital image processing objects for Max environmentShu Matsuda, Takayuki Rai. [doi]
- Cluster-Weighted Sampling for Synthesis and Cross-Synthesis of Violin Family InstrumentsBernd Schöner, Chuck Cooper, Neil Gershenfeld. [doi]
- Roboser - An Autonomous Interactive Musical Composition SystemKlaus Wassermann, Mark Blanchard, Ulysses Bernardet, Jônatas Manzolli, Paul F. M. J. Verschure. [doi]
- Design and Implementation of a platform independent Guido Notation EngineKai Renz. [doi]
- Bricoleur and Engineer in Computer MusicIngeborg Okkels, Anders Conrad. [doi]
- VISCO - Visual SALIERI ComponentsJürgen Kilian, Holger H. Hoos. [doi]
- The jMax environment: an overview of new featuresFrançois Déchelle, Norbert Schnell, Riccardo Borghesi, Nicola Orio. [doi]
- Modelling a Drum by Interfacing 2-D and 3-D Waveguide MeshesMarc-Laurent Aird, Joel Laird, John ffitch. [doi]
- A New Algorithm for Bandwidth Association in Bandwidth-Enhanced Additive Sound ModelingKelly Fitz, Lippold Haken, Paul Christensen. [doi]
- Generic panning tools for MAX/MSPVille Pulkki. [doi]
- The Interdisciplining of Computer MusicKenneth Fields. [doi]
- Time-Spectral Modeling of Sounds by Means of Harmonic-Band WaveletsPietro Polotti, Gianpaolo Evangelista. [doi]
- Comparison of Sound Spatialization Techniques in MPEG-4 Scene DescriptionRiitta Väänänen, Jyri Huopaniemi, Ville Pulkki. [doi]
- A Waveguide Mesh Model of High-Frequency Violin Body ResonancesPatty Huang, Stefania Serafin, Julius O. Smith III. [doi]
- Software Tools for Musical ExpressionRoberto Bresin, Anders Friberg. [doi]
- A Framework for Representing and Manipulating Tonal MusicSteven Abrams, Robert M. Fuhrer, Daniel V. Oppenheim, Donald P. Pazel, James L. Wright. [doi]
- Shape and Material Design in Physical Modeling Sound SynthesisPirouz Djoharian. [doi]
- Developing a Windows and Macintosh Graphical User Interface for the Mathews Radio-Baton SystemRichard Boulanger, Young Jun Choi, Luigi Castelli. [doi]
- "Aulos": An RTcmix interfaced software application for modeling cylindrical pipes with tone holes, with emphasis on the simulation of the ancient Greek AuloiKostas A. Tsahalinas. [doi]
- Fleece: Graphical 3-D Trajectory Specification Software for Spatialization in Live PerformanceHarry D. Castle. [doi]
- Realtime Recognition of Orchestral InstrumentsIchiro Fujinaga, Karl MacMillan. [doi]
- Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical PerformancePhilip L. Burk. [doi]
- MuTaTeD'II: A System for Music Information Retrieval of Encoded MusicCarola Boehm, Donald MacLellan, Cordy Hall. [doi]
- Towards a Model for Instrumental Mapping in Expert Musical InteractionAndy Hunt, Marcelo M. Wanderley, Ross Kirk. [doi]
- Tracking Monophonic Music for Modelling Melodic Segmentation ProcessesMaja Serman, Niall J. L. Griffith. [doi]
- On the Perception of Transients: Applying Psychophysical Constraints to Improve Audio Analysis and SynthesisGregory H. Wakefield, Laurie M. Heller, Laurel H. Carney, Maureen Mellody. [doi]
- Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperColliderMikael Laurson. [doi]
- Streaming Structured AudioMarek Claussen, Ludger Solbach. [doi]
- A Flexible Analysis-Synthesis Method for TransientsHarvey D. Thornburg, Fabien Gouyon. [doi]
- Models and Deformations in Procedural Synchronous Sound for AnimationRobin Bargar, Alex Betts, Kelly Fitz, Insook Choi. [doi]