Abstract is missing.
- Multiscale Approaches To Music Audio Feature LearningSander Dieleman, Benjamin Schrauwen. 3-8 [doi]
- Transfer Learning In Mir: Sharing Learned Latent Representations For Music Audio Classification And SimilarityPhilippe Hamel, Matthew E. P. Davies, Kazuyoshi Yoshii, Masataka Goto. 9-14 [doi]
- A Distributed Model For Multiple-Viewpoint Melodic PredictionSrikanth Cherla, Tillman Weyde, Artur S. d'Avila Garcez, Marcus Pearce. 15-20 [doi]
- Learning Rhythm And Melody Features With Deep Belief NetworksErik Schmidt, Youngmoo Kim. 21-26 [doi]
- A Comparative Study Of Indian And Western Music FormsParul Agarwal, Harish Karnick, Bhiksha Raj. 29-34 [doi]
- Swara Histogram Based Structural Analysis And Identification Of Indian Classical RagasPranay Dighe, Harish Karnick, Bhiksha Raj. 35-40 [doi]
- Combining Modeling Of Singing Voice And Background Music For Automatic Separation Of Musical MixturesZafar Rafii, François Germain, Dennis L. Sun, Gautham J. Mysore. 41-46 [doi]
- On Finding Symbolic Themes Directly From Audio Files Using Dynamic ProgrammingAntti Laaksonen, Kjell Lemström. 47-52 [doi]
- Towards Light-Weight, Real-Time-Capable Singing Voice DetectionBernhard Lehner, Reinhard Sonnleitner, Gerhard Widmer. 53-58 [doi]
- The Use Of Melodic Scales In Bollywood Music: An Empirical StudyMonojit Choudhury, Ranjita Bhagwan, Kalika Bali. 59-64 [doi]
- Bilevel Sparse Models for Polyphonic Music TranscriptionTal Ben Yakar, Pablo Sprechmann, Roee Litman, Alexander M. Bronstein, Guillermo Sapiro. 65-70 [doi]
- JProductionCritic: An Educational Tool for Detecting Technical Errors in Audio MixesCory McKay. 71-76 [doi]
- Combining Timbric and Rhythmic Features for Semantic Music TaggingNicola Orio, Roberto Piva. 77-82 [doi]
- The Audio Degradation Toolbox and Its Application to Robustness EvaluationMatthias Mauch, Sebastian Ewert. 83-88 [doi]
- Do Online Social Tags Predict Perceived or Induced Emotional Responses to Music?Yading Song, Simon Dixon, Marcus Pearce, Andrea R. Halpern. 89-94 [doi]
- A Video Compression-Based Approach to Measure Music Structural SimilarityDiego Furtado Silva, Hélène Papadopoulos, Gustavo Enrique De Almeida Prado Alves Batista, Daniel Ellis. 95-100 [doi]
- Dunya: A System to Browse Audio Music Collections Exploiting Cultural ContextAlastair Porter, Mohamed Sordo, Xavier Serra. 101-106 [doi]
- An Analysis of Chorus Features in Popular SongJan Van Balen, John Ashley Burgoyne, Frans Wiering, Remco C. Veltkamp. 107-112 [doi]
- Visual Humdrum-Library for PWGLMika Kuuskankare, Craig Sapp. 113-118 [doi]
- Source Separation of Polyphonic Music with Interactive User-Feedback on a Piano Roll DisplayNicholas J. Bryan, Gautham J. Mysore, Ge Wang. 119-124 [doi]
- Optical Measure Recognition in Common Music NotationGabriel Vigliensoni, Gregory Burlet, Ichiro Fujinaga. 125-130 [doi]
- Musicbrainz for The World: The Chilean ExperienceGabriel Vigliensoni, John Ashley Burgoyne, Ichiro Fujinaga. 131-136 [doi]
- Influences of ISMIR and MIREX Research on Technology PatentsSally Jo Cunningham, Jin Ha Lee. 137-142 [doi]
- Toward Understanding Expressive Percussion Through Content Based AnalysisMatthew Prockup, Erik M. Schmidt, Jeffrey J. Scott, Youngmoo E. Kim. 143-148 [doi]
- Data Driven and Discriminative Projections for Large-Scale Cover Song IdentificationEric J. Humphrey, Oriol Nieto, Juan Pablo Bello. 149-154 [doi]
- Simultaneous Unsupervised Learning of Flamenco Metrical Structure, Hypermetrical Structure, and Multipart Structural RelationsDekai Wu. 155-160 [doi]
- A Corpus-Based Study on Ragtime SyncopationAnja Volk, Bas de Haas. 163-168 [doi]
- A Computational Comparison of Theory And Practice of Scale Intonation in Byzantine ChantMaria Panteli, Hendrik Purwins. 169-174 [doi]
- Score Informed Tonic Identification for Makam Music of TurkeySertan Sentürk, Sankalp Gulati, Xavier Serra. 175-180 [doi]
- Placing Music Artists and Songs in Time Using Editorial Metadata and Web Mining TechniquesDimitrios Bountouridis, Remco C. Veltkamp, Jan Van Balen. 183-188 [doi]
- The Million Musical Tweet Dataset - What We Can Learn From MicroblogsDavid Hauger, Markus Schedl, Andrej Kosir, Marko Tkalcic. 189-194 [doi]
- Verifying Music Tag Annotation Via Association AnalysisTom Arjannikov, Chris Sanden, John Z. Zhang. 195-200 [doi]
- The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer ProjectionPasi Saari, Tuomas Eerola, György Fazekas, Mathieu Barthet, Olivier Lartillot, Mark B. Sandler. 201-206 [doi]
- Converting Path Structures Into Block Structures Using Eigenvalue Decompositions of Self-Similarity MatricesHarald Grohganz, Michael Clausen, Nanzhu Jiang, Meinard Müller. 209-214 [doi]
- The Audio Effects OntologyThomas Wilmering, György Fazekas, Mark B. Sandler. 215-220 [doi]
- Exploration of Music Emotion Recognition Based on MIDIYi Lin, Xiaoou Chen, Deshun Yang. 221-226 [doi]
- Rhythmic Pattern Modeling for Beat and Downbeat Tracking in Musical AudioFlorian Krebs, Sebastian Böck, Gerhard Widmer. 227-232 [doi]
- Large-Scale Cover Song Identification Using Chord ProfilesMaksim Khadkevich, Maurizio Omologo. 233-238 [doi]
- Automatically Identifying Vocal Expressions for Music TranscriptionSai Sumanth Miryala, Kalika Bali, Ranjita Bhagwan, Monojit Choudhury. 239-244 [doi]
- Hooked: A Game For Discovering What Makes Music CatchyJohn Ashley Burgoyne, Dimitrios Bountouridis, Jan Van Balen, Henkjan Honing. 245-250 [doi]
- Hierarchical Classification of Carnatic Music FormsH. G. Ranjani, T. V. Sreenivas. 251-256 [doi]
- A Simple Fusion Method of State And Sequence Segmentation for Music Structure DiscoveryFlorian Kaiser, Geoffroy Peeters. 257-262 [doi]
- Evaluating The Quality of Generated Playlists Based on Hand-Crafted SamplesGeoffray Bonnin, Dietmar Jannach. 263-268 [doi]
- Explicit Duration Hidden Markov Models for Multiple-Instrument Polyphonic Music TranscriptionEmmanouil Benetos, Tillman Weyde. 269-274 [doi]
- A Comprehensive Online Database of Machine-Readable Lead-Sheets for Jazz StandardsFrançois Pachet, Jeff Suzda, Dani Martinez. 275-280 [doi]
- MeUse: Recommending Internet Radio StationsMaurice Grant, Adeesha Ekanayake, Douglas Turnbull. 281-286 [doi]
- Improved Audio Classification Using a Novel Non-Linear Dimensionality Reduction Ensemble ApproachStéphane Dupont, Thierry Ravet. 287-292 [doi]
- A Study of Ensemble Synchronisation Under Restricted Line of SightBogdan Vera, Elaine Chew, Patrick G. T. Healey. 293-298 [doi]
- Groove Kernels as Rhythmic-Acoustic Motif DescriptorsAndy M. Sarroff, Michael Casey. 299-304 [doi]
- Instrument Identification Informed Multi-Track MixingJeffrey Scott, Youngmoo E Kim. 305-310 [doi]
- Tempo Detection of Urban Music Using Tatum Grid Non Negative Matrix FactorizationDaniel Gärtner. 311-316 [doi]
- A Study of Cultural Dependence of Perceived Mood in Greek MusicKaterina Kosta, Yading Song, György Fazekas, Mark B. Sandler. 317-322 [doi]
- Evaluation on Feature Importance for Favorite Song DetectionYajie Hu, Dingding Li, Mitsunori Ogihara. 323-328 [doi]
- QBT-Extended: An Annotated Dataset of Melodically Contoured Tapped QueriesBlair Kaneshiro, Hyung-Suk Kim, Jorge Herrera, Jieun Oh, Jonathan Berger, Malcolm Slaney. 329-334 [doi]
- Audio Chord Recognition with Recurrent Neural NetworksNicolas Boulanger-Lewandowski, Yoshua Bengio, Pascal Vincent. 335-340 [doi]
- Virtualband: Interacting with Stylistically Consistent AgentsJulian Moreira, Pierre Roy, François Pachet. 341-346 [doi]
- Sparse Modeling for Artist Identification: Exploiting Phase Information and Vocal SeparationLi Su, Yi-Hsuan Yang. 349-354 [doi]
- Automatic Transcription of Turkish Makam MusicEmmanouil Benetos, Andre Holzapfel. 355-360 [doi]
- Local Group Delay Based Vibrato and Tremolo Suppression for Onset DetectionSebastian Böck, Gerhard Widmer. 361-366 [doi]
- Beyond NMF: Time-Domain Audio Source Separation without Phase ReconstructionKazuyoshi Yoshii, Ryota Tomioka, Daichi Mochihashi, Masataka Goto. 369-374 [doi]
- Beta Process Sparse Nonnegative Matrix Factorization for MusicDawen Liang, Matthew D. Hoffman, Daniel P. W. Ellis. 375-380 [doi]
- Semi-Supervised Polyphonic Source Identification using PLCA Based Graph ClusteringVipul Arora, Laxmidhar Behera. 381-386 [doi]
- An Experiment about Estimating the Number of Instruments in Polyphonic Music: A Comparison Between Internet and Laboratory ResultsMichael Schoeffler, Fabian-Robert Stöter, Harald Bayerlein, Bernd Edler, Jürgen Herre. 389-394 [doi]
- Social-EQ: Crowdsourcing an Equalization Descriptor MapMark Brozier Cartwright, Bryan Pardo. 395-400 [doi]
- Taste Over Time: The Temporal Dynamics of User PreferencesJoshua L. Moore, Shuo Chen, Douglas Turnbull, Thorsten Joachims. 401-406 [doi]
- Exploring the Relation Between Novelty Aspects and Preferences in Music ListeningAndryw Marques Ramos, Nazareno Andrade, Leandro Balby Marinho. 407-412 [doi]
- Spectral Correlates in Emotion Labeling of Sustained Musical Instrument TonesBin Wu, Simon Wun, Chung Lee, Andrew Horner. 415-420 [doi]
- Design and Evaluation of Semantic Mood Models for Music Recommendation using Editorial TagsMathieu Barthet, David Marston, Chris Baume, György Fazekas, Mark B. Sandler. 421-426 [doi]
- Low-Rank Representation of Both Singing Voice and Music Accompaniment Via Learned DictionariesYi-Hsuan Yang. 427-432 [doi]
- Incremental Visualization of Growing Music CollectionsSebastian Stober, Thomas Low, Tatiana Gossen, Andreas Nürnberger. 433-438 [doi]
- Evaluating OMR on the Early Music Online CollectionLaurent Pugin, Tim Crawford. 439-444 [doi]
- Sparse Music Decomposition onto a MIDI Dictionary Driven by Statistical Music KnowledgeBoyang Gao, Emmanuel Dellandréa, Liming Chen. 445-450 [doi]
- Annotating Works for Music Education: Propositions for a Musical Forms and Structures Ontology and a Musical Performance OntologyVéronique Sébastien, Didier Sébastien, Noël Conruyt. 451-456 [doi]
- Chord-Sequence-Factory: A Chord Arrangement System Modifying Factorized Chord Sequence ProbabilitiesSatoru Fukayama, Kazuyoshi Yoshii, Masataka Goto. 457-462 [doi]
- Music Cut and Paste: A Personalized Musical Medley Generating SystemI-Ting Liu, Yin-Tzu Lin, Ja-Ling Wu. 463-468 [doi]
- A Meta-Analysis of the MIREX Structural Segmentation TaskJordan B. L. Smith, Elaine Chew. 469-474 [doi]
- A Deterministic Annealing EM Algorithm for Automatic Music TranscriptionTian Cheng, Simon Dixon, Matthias Mauch. 475-480 [doi]
- Modelling the Speed of Music using Features from Harmonic/Percussive Separated AudioAnders Elowsson, Anders Friberg, Guy Madison, Johan Paulin. 481-486 [doi]
- Inter and Intra Item Segmentation of Continuous Audio Recordings of Carnatic Music for ArchivalPadi Sarala, Hema A. Murthy. 487-492 [doi]
- Essentia: An Audio Analysis Library for Music Information RetrievalDmitry Bogdanov, Nicolas Wack, Emilia Gómez, Sankalp Gulati, Perfecto Herrera, Oscar Mayor, Gerard Roma, Justin Salamon, José R. Zapata, Xavier Serra. 493-498 [doi]
- Motif Spotting in an Alapana in Carnatic MusicVignesh Ishwar, Shrey Dutta, Ashwin Bellur, Hema A. Murthy. 499-504 [doi]
- Empirical Analysis of Track Selection and Ordering in Electronic Dance Music using Audio Feature ExtractionThor Kell, George Tzanetakis. 505-510 [doi]
- Improving the Reliability of Music Genre Classification using Rejection and VerificationAlessandro L. Koerich. 511-516 [doi]
- Robotaba Guitar Tablature Transcription FrameworkGregory Burlet, Ichiro Fujinaga. 517-522 [doi]
- Comparing Onset Detection & Perceptual Attack TimeRichard Polfreman. 523-528 [doi]
- K-Pop Genres: A Cross-Cultural ExplorationJin Ha Lee, Kahyun Choi, Xiao Hu, J. Stephen Downie. 529-534 [doi]
- Coupling Social Network Services and Support for Online Communities in Codes EnvironmentFelipe Mendonça Scheeren, Marcelo Soares Pimenta, Damián Keller, Victor Lazzarini. 535-540 [doi]
- Basic Evaluation of Auditory Temporal Stability (Beats): A Novel Rationale and ImplementationZhouhong Cai, Robert J. Ellis, Zhiyan Duan, Hong Lu, Ye Wang. 541-546 [doi]
- SIARCT-CFP: Improving Precision and the Discovery of Inexact Musical Patterns in Point-Set RepresentationsTom Collins, Andreas Arzt, Sebastian Flossmann, Gerhard Widmer. 549-554 [doi]
- A Machine Learning Approach to Voice Separation in Lute TablatureReinier de Valk, Tillman Weyde, Emmanouil Benetos. 555-560 [doi]
- A Methodology for the Comparison of Melodic Generation Models Using Meta-MeloNicolas Gonzalez Thomas, Philippe Pasquier, Arne Eigenfeldt, James B. Maxwell. 561-566 [doi]
- An Extended Audio Fingerprint Method with Capabilities for Similar Music DetectionSébastien Fenet, Yves Grenier, Gaël Richard. 569-574 [doi]
- AutoMashUpper: An Automatic Multi-Song Mashup SystemMatthew E. P. Davies, Philippe Hamel, Kazuyoshi Yoshii, Masataka Goto. 575-580 [doi]
- Learning Binary Codes For Efficient Large-Scale Music Similarity SearchJan Schlüter. 581-586 [doi]
- Freischütz Digital: A Case Study for Reference-Based Audio Segmentation for OperasThomas Prätzlich, Meinard Müller. 589-594 [doi]
- Automated Methods for Analyzing Music Recordings in Sonata FormNanzhu Jiang, Meinard Müller. 595-600 [doi]
- Combining Harmony-Based and Novelty-Based Approaches for Structural SegmentationJohan Pauwels, Florian Kaiser, Geoffroy Peeters. 601-606 [doi]
- Automatic Alignment of Music Performances with Structural DifferencesMaarten Grachten, Martin Gasser, Andreas Arzt, Gerhard Widmer. 607-612 [doi]