Abstract is missing.
- Real-Time auditory ModelsDaniel Pressnitzer, Dan Gnansia. [doi]
- Modalys demonstrationNicholas Ellis, Joël Bensoam, René Caussé. [doi]
- Sliding is smoother than jumpingRussell J. Bradford, Richard Dobson, John ffitch. [doi]
- Synthesis and perceptual manipulation of percussive soundsMitsuko Aramaki, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad. [doi]
- A Taxonomy of Sequencer User-InterfacesMatthew Duignan, James Noble, Robert Biddle. [doi]
- Fuzzy Rules in Computer-Assisted Music InterpretationTatiana Kiseliova, Harro Kiendl, Yves Rambinintsoa. [doi]
- If I had a Hammer: Design and Theory of an Electromagnetically-prepared PianoEdgar Berdahl, Steven Backer, Julius O. Smith III. [doi]
- Timing is Tempo-SpecificHenkjan Honing. [doi]
- A Flexible Authoring Tool for wave Field synthesisSergio Bleda, José J. López, José Escolano, Basilio Pueo. [doi]
- DISSCO: A Unified Approach to Sound Synthesis and CompositionHans G. Kaper, Sever Tipei. [doi]
- Simulation of Human voice Timbre by Orchestration of acoustic Music InstrumentsThomas Hummel. [doi]
- Exploiting Melodic smoothness for Melody Detection in Polyphonic audioRui Pedro Paiva, Teresa Mendes, Amílcar Cardoso. [doi]
- An SQL-Based control System for Live ElectronicsFrancesco Canavese, Francesco Giomi, Damiano Meacci, Kilian Schwoon. [doi]
- Hearing Emergence: towards sound-Based Self-OrganisationTom Davis, Pedro Rebelo. [doi]
- Ftm - Complex Data Structures for MaxNorbert Schnell, Riccardo Borghesi, Diemo Schwarz, Frédéric Bevilacqua, Remy Müller. [doi]
- Towards a Semantic descriptor of subjective Intensity in MusicVegard Sandvold, Perfecto Herrera. [doi]
- Musical Score Generation in Valses and EtudesDavid Kim-Boyle. [doi]
- A Genetic Algorithm for the Automatic Generation of Playable Guitar TablatureDaniel R. Tuohy, Walter D. Potter. [doi]
- Performing Algorithmic Computer Music: Real-Time Score Interpretation of David Birchfield's Community Art: Resonant EnergyRobert Esler. [doi]
- Scrime Studio ReportMyriam Desainte-Catherine, Pierre Hanna, Christophe Havel, Gyorgy Kurtag, Mathieu Lagrange, Sylvain Marchand, Edgar Nicouleau, Martin Raspaud, Matthias Robine, Robert Strandh. [doi]
- Towards Schenkerian Analysis by Computer: a reductional MatrixAlan Marsden. [doi]
- λGTK: a Portable Graphics Layer for Common MusicHeinrich Taube. [doi]
- Semantic Segmentation of Music audio ContentsBee Suan Ong, Perfecto Herrera. [doi]
- Why Does the acoustic Space of churches EXALT Gregorian chant? A First Step towards acoustic characterization by means of the modulation Transfer FunctionRenzo Vitale, Raffaele Pisani, Paolo Onali, Arianna Astolfi. [doi]
- A Simple Dynamic Tonehole Model for Real-Time synthesis of Clarinet-like InstrumentsJonathan Terroir, Philippe Guillemain. [doi]
- A New Dissimilarity Metric for the Clustering of partials using the Common variation CueMathieu Lagrange. [doi]
- Home conducting - control the Overall Musical expression with gesturesAnders Friberg. [doi]
- Tactile Composition Systems for Collaborative Free soundDan Livingstone, Chris O'Shea. [doi]
- Visualization of low Dimensional Structure in tonal pitch SpaceJohn Ashley Burgoyne, Lawrence K. Saul. [doi]
- Semi-Supervised Classification of Musical Genre using Multi-View FeaturesYungpeng Xu, Changshui Zang, Jing Yang. [doi]
- Electroacoustic Music Laboratory Jesús Guridi Conservatoire of Music Studio ReportAlfonso Garcia de la Torre Ray. [doi]
- Optimal Positioning in low-Dimensional control Spaces using Convex OptimizationPeter Kassakian, David Wessel. [doi]
- The integral Music controller: Introducing a Direct Emotional Interface to gestural control of sound synthesisR. Benjamin Knapp, Perry R. Cook. [doi]
- Current Research in concatenative sound synthesisDiemo Schwarz. [doi]
- A Finite difference plate ModelStefan Bilbao, Maarten van Walstijn. [doi]
- Importance of inharmonicity in the acoustic GuitarHanna Jôrvelôinen, Matti Karjalainen. [doi]
- Guitar Fingering for Music PerformanceDaniele P. Radicioni, Vincenzo Lombardo. [doi]
- Time-stretching using the instantaneous frequency Distribution and Partial trackingVictor Lazzarini, Joseph Timoney, Thomas Lysaght. [doi]
- Intra-note Features Prediction Model for Jazz Saxophone PerformanceRafael Ramirez, Amaury Hazan, Esteban Maestre. [doi]
- Tonality Visualization of Polyphonic audioEmilia Gómez, Jordi Bonada. [doi]
- The Machine Learning and Intelligent Music Processing Group at the Austrian Research Institute for Artificial Intelligence (öFAI), ViennaGerhard Widmer, Simon Dixon, Arthur Flexer, Werner Goebl, Peter Knees, Søren Tjagvad Madsen, Elias Pampalk, Tim Pohle, Markus Schedl, Asmir Tobudic. [doi]
- Paths on Stern-Brocot Tree and Winding numbers of modesDomenico Vicinanza. [doi]
- Control of VST Plug-INS using OSCMichael Zbyszynski, Adrian Freed. [doi]
- Wavetable interpolation of Multiple Instrument tonesJonathan Mohr, Xiaobo Li. [doi]
- The Ballancer - Gesturally Controlled Physics-Based soundMatthias Rath. [doi]
- Concatenation and Stretch/squeeze of Musical instrumental sound using sound MorphingNaotoshi Osaka. [doi]
- New warped LPC-Based Feature for Fast and robust speech/Music DiscriminationJ. Enrique Muñoz Expósito, Sebastian García Galán, Nicolás Ruiz-Reyes, Pedro Vera-Candeas, F. Rivas-Peña. [doi]
- Using codes: Cooperative Music Prototyping and Educational PerspectivesEvandro Manara Miletto, Marcelo Soares Pimenta, Rosa Maria Vicari. [doi]
- The Virtual Electronic POEM (VEP) ProjectVincenzo Lombardo, Andrea Arghinenti, Fabrizio Nunnari, Andrea Valle, Heinrich H. Vogel, John P. Fitch, Richard Dobson, Julian Padget, Kees Tazelaar, Stefan Weinzierl, Sebastian Benser, Stefan Kersten, Roman Starosolski, Wojciech Borczyk, Wojciech Pytlik, Slawomir Niedbala. [doi]
- Audio Analogies: Creating New Music from an Existing Performance by concatenative synthesisIan Simon, Sumit Basu, David Salesin, Maneesh Agrawala. [doi]
- Automated Testing of Open-Source Music Software with Open sound World and Opensound controlAmar Chaudhary. [doi]
- Larynxophone: using voice as a wind controllerAlex Loscos, Òscar Celma. [doi]
- Granular synthesis of sounds through Markov Chains with fuzzy controlEduardo Reck Miranda, Adolfo Maia. [doi]
- Lie Poisson synthesisStephen Benzel. [doi]
- The M-Objects: a Small Library for Musical rhythm Generation and Musical Tempo control from Dance movement in Real TimeCarlos Guedes. [doi]
- Evolving Adaptive sensors in a Synthetic listenerPeter Beyls. [doi]
- The Combination of Visual and Sonic Generative Processes in a Digital LandscapeFelipe Otondo, Thomas Petersen. [doi]
- Piano Case, Keyboard, And Strings: Separation-Derived Musical Instruments In An Interactive CompositionJuraj Kojs. [doi]
- Synthesizing a Javanese Gong AgengLydia Ayers, Andrew Horner. [doi]
- Navigating the Landscape of Computer Aided Algorithmic Composition Systems: a Definition, seven Descriptors, and a Lexicon of Systems and ResearchChristopher Ariza. [doi]
- Composition as Game Strategy: Making Music by Playing Board Games against Evolved Artificial Neural NetworksEduardo Reck Miranda, Qijun Zhang. [doi]
- Musical Thought NetworkedDante Tanzi. [doi]
- Ace: a General-Purpose Classification Ensemble Optimization FrameworkCory McKay, Daniel McEnnis, Rebecca Fiebrink, Ichiro Fujinaga. [doi]
- Timbre as a psychoacoustic parameter for harmonic Analysis and CompositionJohn MacCallum, Jeremy Hunt, Aaron Einbond. [doi]
- Midi to SP-MIDI transcoding using Phrase StealingSimon Lui, Andrew Horner, Lydia Ayers. [doi]
- New sound Decomposition Method Applied to Granular synthesisCharles Bascou, Laurent Pottier. [doi]
- Co-Audicle: a Collaborative audio Programming SpaceGe Wang, Ananya Misra, Philip Davidson, Perry R. Cook. [doi]
- Evolution And Embodiment: Playable Instruments for Free MusicStuart Favilla, Joanne Cannon, Garry Greenwood. [doi]
- Musique Lab 2: a three Level Approach for Music Education at SchoolVincent Puig, Fabrice Guédy, Michel Fingerhut, Fabienne Serrière, Jean Bresson, Olivier Zeller. [doi]
- An Algorithm for audio skew compensation in low Latency EnvironmentsStefan Werner. [doi]
- Software Agents and Creating Music/sound Art: Frames, Directions, and where to from here?Ian Whalley. [doi]
- Block-Based Physical Modeling for Digital sound synthesis of Membranes and platesStefan Petrausch, Rudolf Rabenstein. [doi]
- Haile - an Interactive robotic percussionistGil Weinberg, Scott Driscoll, Mitchell Parry. [doi]
- Karaoke System with Spatial Acoustics estimation for vocal or instrumental removalPei Xiang, Shlomo Dubnov. [doi]
- Towards an Automated Music Teaching System: Automatic Recognition of Musical Melodies using the WF-4RJorge Solis, Keisuke Chida, Kei Suefuji, Chiaki Arino, Atsuo Takanishi. [doi]
- A Novel Approach to mixed Model discrete-Time Domain Simulation of the sound Field Generated by a StringJosé Escolano, Basilio Pueo, Stefan Petrausch, Rudolf Rabenstein. [doi]
- Imutus - an Effective Practicing Environment for Music TuitionSpyros Raptis, Aimilios Chalamandaris, Alexandros Baxevanis, Anders Askenfelt, Erwin Schoonderwaldt, Kjetil Falkenberg Hansen, Dominique Fober, Stéphane Letz, Yann Orlarey. [doi]
- A Virtual Patchbay for robust Distributed Interactive Music SystemsRoger B. Dannenberg. [doi]
- Open-Source MATLAB Tools for interpolation of SDIF sinusoidal synthesis parametersMatthew Wright, Julius O. Smith III. [doi]
- A History of robotic Musical InstrumentsAjay Kapur. [doi]
- The jChing: a Java-Based Algorithmic Composition ToolRobert Hamilton. [doi]
- Enp expression Designer: a Visual Tool for Creating ENP-ExpressionsMika Kuuskankare, Mikael Laurson. [doi]
- Analysis of Electroacoustic Works with Music and Language IntersectionsRodrigo Segnini, Bruno Ruviaro. [doi]
- Phase Bashing for sample-Based formant synthesisMiller Puckette. [doi]
- Ixi Software: Open controllers for Open Source audio SoftwareThor Magnusson. [doi]
- Imutus Score Processing ComponentsDominique Fober, Stéphane Letz, Yann Orlarey. [doi]
- Extended Principal Components Analysis Matching with spectral Weighting for Wavetable synthesisSimon Wun, Andrew Horner, Lydia Ayers. [doi]
- The prosthetic Conga: towards an Actively Controlled Hybrid Musical InstrumentMaarten van Walstijn, Pedro Rebelo. [doi]
- Free Sound Within Culturally Specific PracticeRobert J. Gluck. [doi]
- Group Structure and Equivalence Classes in Extended twelve-tone OperationsTuukka Ilomôki. [doi]
- The Semantic HiFi ProjectHugues Vinet. [doi]
- Jack-on: a low-Cost Wireless Sensor InterfaceBarry Moon, Sacha Atkinson. [doi]
- Elevation Problems in the Auralisation of sound Sources with Arbitrary Shape with wave Field synthesisMarije A. J. Baalman. [doi]
- Lattice: Strategies for and against control in an Improvisation InstrumentChristopher Burns. [doi]
- Data Anticipation for Gesture Recognition in the Air PercussionVincent Goudard, Christophe Havel, Sylvain Marchand, Myriam Desainte-Catherine. [doi]
- Perceptual Atomic noiseKristoffer Jensen. [doi]
- Re-Wired: Reworking 20th Century Live Electronics for TodayRichard Polfreman, David Sheppard, Ian Dearden. [doi]
- On the Relative Influence of even and odd harmonics in Clarinet TimbreMathieu Barthet, Philippe Guillemain, Richard Kronland-Martinet, Sølvi Ystad. [doi]
- Sarc: Studio ReportMichael Alcorn, Chris Corrigan, Pedro Rebelo. [doi]
- The Croaker: a Physical Model and a LEGO controllerStefania Serafin, Amalia de Götzen. [doi]
- New Approaches to Digital subtractive synthesisAntti Huovilainen, Vesa Vôlimôki. [doi]
- Gismo: an Application for Agent-Based CompositionYuta Uozumi. [doi]
- Design of a Generative Model for Soundscape CreationDavid Birchfield, Nahla Mattar, Hari Sundaram. [doi]
- MMT Travel KitRosemary Mountain. [doi]
- The Laboratory for Creative arts & Technologies - Studio ReportStephen David Beck. [doi]
- An Interactive Aural Approach to the Analysis of Computer MusicMichael Clarke. [doi]
- Towards a Holophonic Musical TexturePanayiotis Kokoras. [doi]
- A stethoscope for imaginary sound Interactive sound in a Health Care EnvironmentPedro Rebelo, Michael Alcorn, Paul Wilson. [doi]
- Symbolic control of sound synthesis in Computer Assisted CompositionJean Bresson, Marco Stroppa, Carlos Agón. [doi]
- The rhythm transform: towards a Generic rhythm DescriptionEnric Guaus, Perfecto Herrera. [doi]
- Developing Cross-Platform audio and Music Applications with the CLAM FrameworkXavier Amatriain, Pau Arumí. [doi]
- The Compositional Processes of Electroacoustic Composers: Contrasting PerspectivesCatherine Upton, Barry Eaglestone, Nigel Ford. [doi]
- Dissonance, sex and noise: (Re)Building (Hi)Stories of Electroacoustic MusicMiguel Álvarez-Fernández. [doi]
- Using a perceptually Based Timbre Metric for parameter control estimation in Physical Modeling synthesisHiroko Terasawa, Jonathan Berger, Julius O. Smith. [doi]
- Combining audio and gestures for a Real-Time ImproviserRoberto Morales, Eduardo F. Morales, David Wessel. [doi]
- State-Based sequencing: Directing the Evolution of MusicMichael O. Jewell, Mark S. Nixon, Adam Prügel-Bennett. [doi]
- Freedom within Structural Constraints in the darkride Composition Harrican DayRobert England. [doi]
- The reacTableSergi Jordà, Martin Kaltenbrunner, Günter Geiger, Ross Bencina. [doi]
- Large-Scale Duration Organization in 'Hodoi tô Ergô'Kimmo Kuitunen, Mika Kuuskankare, Mikael Laurson. [doi]
- Extending Dynamic stochastic synthesisAndrew R. Brown. [doi]
- Finding Subsequences of Melodies in Musical PiecesKamil Adiloglu, Klaus Obermayer. [doi]
- Large Audience Participation, Technology, and Orchestral PerformanceJason Freeman. [doi]
- Modeling a processive Perspective on Meter in MusicAnja Volk. [doi]
- The 'COSMOS' model; an Event Generation System for Synthesizing Emergent Sonic StructuresSinan Bökesoy. [doi]
- Isis, an Alternative Approach to sound wavesClarence Barlow. [doi]
- Michelangelo Lupone: "Forma del Respiro"Luca Spanu. [doi]
- A Streaming Object Oriented Implementation of the Modal DistributionThomas Lysaght, Victor Lazzarini, Joseph Timoney. [doi]
- Michelangelo Lupone: "Corda di Metallo" (1997)Walter Cianciusi. [doi]
- Page turning and Image Size in a Digital Music StandTim Bell, Annabel Church, John R. McPherson, David Bainbridge. [doi]
- Studio Report: University of Victoria Music Intelligence and sound Technology Interdisciplinary Centre (MiSTIC)Peter F. Driessen, W. Andrew Schloss, George Tzanetakis, Kirk McNally, Ajay Kapur. [doi]
- Nearest Centroid error Clustering for radial/elliptical Basis Function Neural Networks in Timbre ClassificationTae Hong Park, Perry R. Cook. [doi]
- Geometry in sound: a speech/Music audio Classifier Inspired by an Image ClassifierNorman Casagrande, Douglas Eck, Balázs Kégl. [doi]
- An Evaluation of Warping Techniques Applied to Partial envelope AnalysisJoseph Timoney, Thomas Lysaght, Lorcan MacManus, Victor Lazzarini. [doi]
- Designing and Implementing the Chuck Programming LanguageGe Wang, Perry R. Cook, Ananya Misra. [doi]
- An Associative Approach to Computer-Assisted Music CompositionKevin Dahan. [doi]
- Time variable Tempo Detection and beat MarkingGeoffroy Peeters. [doi]
- The Music, Technology and Innovation Research Centre (MTI) at de Montfort University - Studio ReportLeigh Landy. [doi]
- The Overtone Violin: a New Computer Music InstrumentDan Overholt. [doi]
- Algorithms Today: Notes on Language Design for Just in Time ProgrammingJulian Rohrhuber, Alberto de Campo, Renate Wieser. [doi]
- The phase Project : Haptic and Visual Interaction for Music ExplorationXavier Rodet, Jean-Philippe Lambert, Roland Cahen, Florian Gosselin, Pascal Mobuchon. [doi]
- From Boulez to ballads: Training IRCAM's Score followerDiemo Schwarz, Arshia Cont, Norbert Schnell. [doi]
- An Automated Event Analysis System with Compositional ApplicationsNick Collins. [doi]
- Orb3 - Musical robots within an Adaptive Social Composition SystemDan Livingstone, Eduardo R. Miranda. [doi]
- Towards a Roadmap for the Research in Music TechnologyXavier Serra. [doi]
- The Suicided voice - the Mediated voiceMark A. Bokowiec, Julie Bokowiec. [doi]
- Extracting the Melody of an Image using Mate-Similarity Genetic AlgorithmAbbas Pirnia, Ramak Ghavamizadeh. [doi]
- Automatic Motivic Analysis including Melodic Similarity for Different Contour cardinalities: Application to Schumann's of Foreign Lands and PeopleChantal Buteau. [doi]
- Application of Image Sonification Methods to MusicWoon Seung Yeo, Jonathan Berger. [doi]
- Multi-Ripple Loss filter for Waveguide Piano synthesisJukka Rauhala, Vesa Vôlimôki, Heidi-Maria Lehtonen. [doi]
- Drumtrack: beat Induction from an acoustic Drum Kit with synchronised SchedulingNick Collins. [doi]
- Surviving on Planet CCRMA, two Years Later and Still aliveFernando Lopez-Lezcano. [doi]
- Implicit Patching for Dataflow-Based audio Analysis and synthesisStuart Bray, George Tzanetakis. [doi]
- Electroacoustic Performance Interfaces that Learn from their UsersAndres Melo, John Drever, Geraint A. Wiggins. [doi]
- Musicstrands™: a Platform for Discovering and Exploring MusicGunnar Holmberg, Marc Torrens. [doi]
- Music Haptic : Musical Harmony Notions for All with a force feedback mouse and a Spatial RepresentationBertrand Tornil, Nadine Baptiste-Jessel. [doi]
- Plymouth brain-Computer Music Interface Project: Intelligent assistive Technology for Music-MakingEduardo Reck Miranda, Andrew Brouse, Bram Boskamp, Hilary Mullaney. [doi]
- Qosqo: Spirituality, Process and StructureGary S. Kendall. [doi]
- What is the Color of that Music Performance?Roberto Bresin. [doi]
- Notation-Based Ancient Greek Music synthesis with ?RionDionysios Politis, Konstantinos Vandikas, Dimitrios Margounakis. [doi]
- Sndtools: Real-Time audio DSP and 3D VisualizationAnanya Misra, Ge Wang, Perry R. Cook. [doi]
- A Synaesthetic Approach for a synthesizer Interface Based on Genetic Algorithms and fuzzy SetsGünther Schatter, Emanuel Züger, Christian Nitschke. [doi]
- Automatic Generation of Metrical Structure Based on GTTMMasatoshi Hamanaka, Keiji Hirata, Satoshi Tojo. [doi]
- Spatialisation using Sounding ObjectsMaarten van Walstijn, Michael Alcorn, Stefan Bilbao. [doi]
- Micro Textures with Macro-NotesMikael Laurson, Mika Kuuskankare. [doi]
- Liem-Cdmc, Studio ReportAdolfo Núñez. [doi]
- Responsive Environments: New Technology and Theatre soundMichael Kraskin. [doi]
- Sound diffusion using hand-held light-emitting Pen controllersKenneth Brown, Michael Alcorn, Pedro Rebelo. [doi]
- Demonstration of FAUST signal Processing LanguageYann Orlarey, Dominique Fober, Stéphane Letz. [doi]
- Studio Report: Music Research Centre, Department of Music, University of YorkTony Myatt. [doi]
- The Deleuze-Ian/Guattarian Performance: Performancing at n-1 DimensionsFranziska Schroeder. [doi]
- Spaa- an Agent Based Interactive CompositionMichael Spicer. [doi]
- Inner Room Extension of a General Model for Spatial Processing of soundsShahrokh Yadegari. [doi]
- Permutation Groups and Chord TesselationsFranck Jedrzejewski. [doi]
- Sonenvir - a Progress ReportAlberto de Campo, Christopher Frauenberger, Robert Höldrich. [doi]
- Towards the synthesis of Wavefront Evolution in 2-dGeorg Essl. [doi]
- Developing Tools for Studying Musical gestures within the Max/MSP/jitter EnvironmentAlexander Refsum Jensenius, Rolf Inge Godøy, Marcelo M. Wanderley. [doi]
- Tiling the (Musical) Line with polynomials: some Theoretical and implementational AspectsEmmanuel Amiot, Moreno Andreatta, Carlos Agón. [doi]
- Medialogy at Aalborg University CopenhagenRolf Nordahl, Stefania Serafin, Amalia de Götzen, Juraj Kojs. [doi]
- Integration of sound and Image in two Works for Piano and ComputerDavid Kim-Boyle. [doi]
- Pocket Gamelan: a Blueprint for Performance using Wireless DevicesGreg Schiemer, Mark Havryliv. [doi]
- Estimating Transfer Function from Air to bone conduction using singing voiceSook Young Won, Jonathan Berger. [doi]
- Real Time signal Transposition with envelope Preservation in the phase vocoderAxel Röbel, Xavier Rodet. [doi]
- A Smarter Way to Find pitchPhilip McLeod, Geoff Wyvill. [doi]
- Jack audio Server for Multi-Processor MachinesStéphane Letz, Dominique Fober, Yann Orlarey. [doi]
- A Framework for Personalization of Interactive sound synthesisDavid Gerhard, Daryl H. Hepting. [doi]
- Audio signal Driven sound synthesisCornelius Poepel, Roger B. Dannenberg. [doi]
- Software for spectral Analysis, Editing, and synthesisMichael Klingbeil. [doi]
- Studios for sound, Technology & Research, University of MinnesotaDouglas Geers. [doi]
- A Goals-Based Review of Physical ModellingNicolas Castagné, Claude Cadoz. [doi]
- The Thing like US: a Topology of ultra-low frequenciesSander van Maas. [doi]
- Using Timbre in a Computer-Based Improvisation SystemWilliam Hsu. [doi]
- VarèSE's POème éLectronique Regained: Evidence from the VEP ProjectRichard Dobson, John ffitch, Kees Tazelaar, Andrea Valle, Vincenzo Lombardo. [doi]
- Beginner's Mind: an Environment for Sonic ImprovisationThomas Ciufo. [doi]
- Kitty: a package for External patches Communication Management in Max/MSP - a Progress ReportAntónio de Sousa Dias, Paulo Ferreira-Lopes. [doi]
- Modernising Live Electronics Technology in the Works of Jonathan HarveyJamie Bullock, Lamberto Coccioli. [doi]
- Peak Extraction and Partial tracking of Music signals using Kalman filteringHamid Satar-boroujeni, Bahram Shafai. [doi]
- Sound Re-synthesis from rhythm Pattern Features - audible insight into a Music Feature Extraction ProcessThomas Lidy, Georg Pölzlbauer, Andreas Rauber. [doi]
- Template Based Key Finding from audioÖzgür Izmirli. [doi]
- Virtual audio Reproduction Engine for Spatial EnvironmentsThomas Musil, Johannes Zmölnig, Vit Zouhar, Robert Höldrich. [doi]
- A generalized parametric Reed Model for Virtual Musical InstrumentsTamara Smyth, Jonathan S. Abel, Julius O. Smith. [doi]
- The "Air Worm": an Interface for Real-Time manipulation of Expressive Music PerformanceSimon Dixon, Werner Goebl, Gerhard Widmer. [doi]
- Synapse>Valentine: Reuniting acoustic and ElectronicJeremy Castro Baguyos. [doi]
- Design and Implementation of Automatic Evaluation of recorder Performance in ImutusErwin Schoonderwaldt, Anders Askenfelt, Kjetil Falkenberg Hansen. [doi]
- Ilearn: an iTunes audio Indexing Plug-in for EducationG. McAllister, P. S. Taylor, M. Rodgers. [doi]
- A Pen-Based Musical Score EditorSébastien Macé, Éric Anquetil, Elodie Garrivier, Bruno Bossis. [doi]
- Haptic Theremin: Developing a Haptic Musical controller using the Sensable Phantom OmniWilliam 'Pete' Moss, Bryan Cunitz. [doi]
- The Architecture of Auracle: a voice-Controlled, Networked sound InstrumentJason Freeman, Sekhar Ramakrishnan, Kristjan Varnik. [doi]
- Rtmidi, Rtaudio, and a synthesis Toolkit (STK) UpdateGary P. Scavone, Perry R. Cook. [doi]
- Mimesis, a Visual and Musical InstrumentAgueda Simó, Gregorio G. Karman. [doi]